Santiago Sierra b.1966, Madrid Education 1989 1989 1989/1991 1995/1997

BA in Fine Arts, Universidad Complutense, Madrid Círculo de Bellas Artes, ( J.G.Dokoupil), Madrid Hochschule für Bildende Künste (F.E. Walter, B.J. Blume and S. Brown), Hamburg Escuela de San Carlos, Universidad Autónoma de México, Mexico City

Solo Exhibitions 2016 ‘Black Flag’, Nikolaj Kunsthal, Copenhagen, Denmark ‘L'abbeveratoio', Prometeogallery, Milan, Italy Helga de Alvear, Madrid, Spain 2015 'Santiago Sierra: La Lona', Laboratory, Mexico City ‘Athens Stray Dogs Project and The Trilogy of Pigs Eating Peninsulas’, Kappatos Athens Art Gallery, Athens, Greece. ‘Veteranos de las guerras del Paquisha y Perú cara a la pared’, Galería Encarnación González, Madrid. ‘Santiago Sierra’, Galerie Thomas Zander, Köln. 2013 Santiago Sierra, Sculpture, photography, film, Falckenberg Collection, Hamburg Germany 'Veterans' Team Gallery, New York, USA 'Los encargados', Helga de Alvear, Madrid, Spain "Pigs devouring the Hellenic, Italic and Iberic Peninsula", Prometeogallery, Milan, Italy 'Santiago Sierra. Sculpture, Photographer, Video ', Kunsthalle Tübingen, Germany 'Santiago Sierra', solo show, Greenaway Gallery, Kent Town, Australia, SA 'Germany 1990-2012', Kunsteverein Arnsberg, Arnsberg, Germany 'Void', Derry, Ireland (curated by Sara Greavu andJonathan Cummins, forthcoming November) 'Museum De Pont', Tilburg, Netherlands, Destroyed Word, 'KOW Berlin', Berlin, Germany, 40m3 of Earth from the Iberian 'Santiago Sierra. Sculpture, photography, film ', Kunsthalle Tübing en, Tübingen, Germany 'Destroyed Word' Te Tuhi Centre for the Arts, Auckland, New Zeland 'Devouring Peninsulas Trilogy, The Hellenic, Italic and Iberic Peninsulas' Prometeo Gallery, Milan, Italy, Pigs

2012

‘Dedicated to the Workers and Unemployed’, Lisson Gallery, London, UK ‘Santiago Sierra’, Reykjavik Art Museum, Iceland 'Global Tour', Team Gallery, New York, NY 'Los encargados', Helga de Alvear, Madrid, Spain

2011

‘No –Global Tour’, ARTIUM Centro-Museo de Art Contemporaneo Basco, Vitoria, Spain. This exhibition travels to RURART, Poitiers, France ‘CMX04’, Helga de Alvear, Madrid

2010

‘Santiago Sierra: 7 forms measuring 600 x 60 x 60 cm, constructed to be held horizontal to a wall’, Queensland Art Gallery - Gallery of Modern Art, Brisbane, Australia ‘No – Global Tour’, American University Museum, Washington, USA 'Enterramiento de diez trabajadores', Chiesa del Luogo Pio, Livorno, Italy

2009

‘Death Counter’, commissioned by ELECTRA as part of ‘Offer & Exchange: Sites of Negotiation in Contemporary Art’, Hiscox Headquarters, London, UK ‘The Penetrators’, Galeria Helga de Alvear, Madrid, Spain ‘Santiago Sierra’, Magasin 3 Stockholm Konsthall, Stockholm, Sweden ‘Santiago Sierra’, MARCO, Vigo, Spain ‘Ponticelli’, Museu Madre, Naples, Italy ‘Santiago Sierra’. Prometeo Gallery di Ida Pisano, Milano, Italy

2007

‘Santiago Sierra’, Prometeogallery, Milano, Italy ‘Proyecto Caracas’, Sala Mendoza and Centro Cultural Chacao, Caracas, Venezuela ‘Submission’, Proyecto Juárez, Ciudad Juárez, Mexico ‘Santiago Sierra – New Works’, Lisson Gallery, London, UK ‘The trap’ and ‘The Adults’, Centro Cultural Matucana, Santiago de Chile, Chile

2006

‘Santiago Sierra’, CAC Malaga, Spain ‘Diamondtraffickills / Goldtraffickills’, Chus Bures Space, Madrid ’245 m3’, Stommeln Synagogue, Pulheim, Germany ‘Santiago Sierra’, Galerie Peter Kilchmann, Zurich, Switzerland

2005

‘Santiago Sierra. Haus Im Schlamm’, Kestnergesellschaft, Hannover, Germany ‘Una Persona’, Galleria Civica di Arte Contemporanea, Trento, Italy ‘Santiago Sierra Under Construction 2: Casa Poporului’, National Museum of Contemporary Art, Bucharest, Romania

2004

‘Santiago Sierra’, Museum Dhondt-Dhaenens, Belgium ‘Santiago Sierra’, Lisson Gallery, London, UK ‘Santiago Sierra - Klassenkampf’, Poleschi Arte Contemporanea, Lucca, Italy ‘Santiago Sierra’, Galerie Peter Kilchmann Gallery, Zurich, Switzerland ‘Santiago Sierra’, Kunsthaus Bregenz, Bregenz, Austria ‘Santiago Sierra’, Centre d`art contemporain de Brétigny, Bretigny France ‘Santiago Sierra’, Galeria Helga De Alvear, Madrid, Spain

2003

‘Santiago Sierra’, Galeria Enrique Guerrero, Mexico City, Mexica ‘Hooded Woman Seated Facing The Wall’, Spanish Pavilion, 50th Venice Biennial. Venice, Italy

2002

‘Hiring and Arrangement of 30 Workers in Relation to their Skin Color’, Project Space, Kunsthalle Wien, Vienna, Austria ‘The Displacement of a Cacerolada’, Kunsthalle Wien, Project Space Karlsplatz, Vienna, Austria ‘Group of persons facing the wall and person facing into a corner’, Lisson Gallery, London, UK ‘Two Maraca Players’, Galería Enrique Guerrero, México City, Mexico ‘Person saying a phrase’, New Street, Birmingham, UK Ikon Gallery, Birmingham, UK Galería Foksal, Warshaw, Poland Carlier/Gebauer, Berlin, Germany Blanche Carlier, curated by Ulrich Gebauer and Marie Blanche Carlier, Carlier/Gebauer, Berlin, March Claudio Poleschi Arte Contemporanea, Lucca, Italia. Marzo.Curador: Claudio Poleschi, curated by Claudio Poleschi, Claudio Poleschi Arte Contemporanea, Lucca, Italy, March Galería Peter Kilchmann, Zurich, Suiza. Abril. Curador: Peter Kilchmann, curated by Peter Kilchmann, Galerie Peter Kilchmann, Zurich, April Deitch Projects, Nueva York, Junio. Curador: Enrique Guerrero, curated by Enrique Guerrero, Deitch Projects, New York, June 3,000 Holes of 180 x 50 x 50 cm each’, Montenmedio Arte Contemporáneo, Cádiz, España. July. Curador: Jimena Vázquez, curated by Jimena Vázquez, Montenmedio Arte Contemporáneo, Cadiz, Spain, July

2001

‘20 workers in a ship’s storage room’, Port of Barcelona, Spain, July ‘33 persons paid to have their hair dyed blond’, Arsenale, Venice, Italy, June Galería Pancho Fierro, Lima, Perú. Agosto. Curated by Juan Peralta, Pancho Fierro Gallery, Lima, Peru, August. Art Unlimited Basel, Suiza, Galería Peter Kilchmann, curated by Samuel Keller, Galerie Peter Kilchmann, Basel, June Galerie Peter Kilchmann, Zurich, April Miami Art Fair, Project Room Galería Enrique Guerrero, curated by Adriano Pedrosa, Miami, January ‘11 people paid to learn a phrase’, Casa de la cultura de Zincatan, Mexico, March

2000

Kunst Werke Berlin, curated by Klaus Biesenbach. Berlin, Germany. ‘Person Renumerated for a period of 360 consecutive hours’, P.S.1., curated by Carolyn Christov-Bakargiev, New York. Proyecto Zapopan, curated by Hugo Cervantes. Jalisco, México. ‘The wall of a gallery pulled out, inclined 60 degrees from the ground and sustained by 5 people’, Acceso A, curated by Montserrat Albores. México City, April. ACE Gallery, curated by Douglas Chrismas, New York, March. ACE Gallery, curated by Hilario Galguera, Mexico City, March. Belia De Vico Arte Contemporaneo, curated by Belia de Vico, Guatemala City, January

1999

Espacio Aglutinador, curated by Sandra Cevallos, Havanna, Cuba, December Rufino Tamayo Museum, curated by Taiyana Pimentel, Mexico City, October ACE Gallery, curated by Douglas Chrismas, Los Angeles, New York, July ‘Elimination of the wooden platform of the double floor’, Ex-Teresa Space, Mexico City, Mexico

‘8 people paid to remain inside cardboard boxes’, G&T Building, Guatemala City, Guatemala 1998

‘La Torre de los Vientos’, curated by Pedro Reyes, Mexico City, November ‘Obstruction of a freeway with a truck’s trailer’, Mexico City, Mexico

1997

Galeria BF15, curated by Pierre Raine, Monterrey, Mexico, July Galeria Art & Idea, curated by Robert Rolhauser, Mexico City, April

1996

Museo Carrillo Gil, curated by Jorge Reynoso, Mexico City, November

1994

Galeria Angel Romero, curated by Angel Romero, Madrid, Spain, March Espacio?P?, curated by Pedro Garhel, Madrid, Spain, February

Selected Group Exhibitions 2016 ‘Radical Democracy’ Asakusa Art Space, Tokyo, Japan ‘For an Image, Faster than Light’, Yinchuan Biennale, Museum of Contemporary Art Yinchuan, China II Edicion JACA (Jornadas de Arte y Creatividad Anarquistas), Madrid, Spain 'Edificio Protegido/Protected Building', Manifesta 11, Zurich, Switzerland Performer / Audience / Mirror, Lisson Gallery, London, UK '100 Plastic Containers for Human Corpses', Nuit Blanche, Toronto, Canada 2015

2014

2013

'Beleza?', Centro Cultural Sao Paulo, Brazil 'Say What?', Galeri Zilberman, Istanbul 'Progress and Hygiene', Zacheta - National Gallery of Art, Warsaw, Poland 'And the Trees Went Forth to Seek a King', MOTS - Museum on the Seam, Jerulsalen, Isreal 'Smart New World', Kunsthalle Dusseldorf, Germany 'I'm Still Here', Magasin 3 Stockholm Konsthall, Stockholm 'Booster: Art Sound Machine', Marta Herford, Germany 'Black Box: Santiago Sierra and Jorge Galindo. Los Encargodos', Smithsonian's Hirshhorn Museum, Washington DC 'The end of 20', century. It gets better ', Hamburger Bahnhof, Museum for Contemporary Art, Berlin, Germany 'Jorge Galindo & Santiago Sierra: Los encargados', Galeria Helga de Alvear, Madrid, Spain 'Together / Apart', The Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland 'Emergency Pavilion: Rebuilding Utopia', curated by Jota Castro, Collateral Event, 55 ° Biennale di Venezia, Venice, Italy 'The Immigrants', Experiment 2, Giudecca, Venice, Italy

'Economics in kind', curated by Monika Koziol, Delfina Piekarska, Maria Anna Potocka, MOCAK Museum of Contemporary Art, Krakow, Poland 2012 'Kochi-Muziris Biennale 2012' curated by Bose Krishnamachari, Fort Kochi PO, Kerala, India 'Make IT Easy make it porn', curated by Fani Zguro, Isola Art Center, Milan, Italy 'Reversibility. A theater of de-creation ', Chapter III, Peep hole and CAC Brétigny, Milan 'Roma - Sinti - Kale - Manush', curated by Gabi Scardi, Mark Sealy, Christine Eyene, Autograph - ABP, Rinvington Place, London 'Radici. Memoria, identità e cambiamenti nell'arte di oggi ', curated by Eugenio Viola, Fondazione Menegaz, Castelbasso, Teramo, Italy

2011

‘Cady Noland and Santiago Sierra’, KOW Galerie, Berlin ‘11 Rooms’, Manchester International Festival ‘Strategies of Knowledge and Power’, Open Space, Vienna, Austria ‘The Workers’, MASS MoCA, North Adams, MA, USA ‘Dirt’, The Wellcome Trust, London ‘De-Building’, Christ Church Art Gallery Puna O Waiwhetu, Christ Church, New Zealand

2010

‘No Ifs, No Buts’, DEPO, Istanbul ‘Gallery, Galerie, Galleria’, Norma Mangione Gallery curated by Adam Carr, Turin ‘XIV Biennale Internazionale di Scultura di Carrara’, Biennale di Sculture di Carrara, Carrara ‘Fetiches críticos. Residuos de la economía general’, CA2M - Centro de Arte Dos de Mayo, Móstoles ‘Investigations of a dog’, Ellipse Foundation, Alcoitão ‘Arte Y politica: Conflictos y Disyuntivas,’ Museo de Arte de Culiacán, Culiacán ‘El Ángel Exterminador - A Room for Spanish Contemporary Art’, BOZAR Palais des Beaux-Arts / Paleis voor Schone Kunsten, Brussels ‘Thrice upon a time’, Magasin 3 Stockholm Konsthall, Stockholm

2009

‘Repeat All’, MIS, Sao Paulo, Brazil ‘L(..)king at others’, Art Pavilion in Zagreb ‘ARTE ≠ VIDA’ - Museo de Arte Carrillo Gil, Mexico City ‘Lisson Presents 4’, Lisson Gallery, London ‘Persona. Presencias humanas en la fotografía contemporánea’, Galeria Maior, Palma de Mallorca ‘Cargo’ curated by Anna-Catharina Gebbers, Autocenter, Berlin, Germany ‘Performa’, different sites in Manhattan, New York, US, 21 November 2009

2008

‘The Living Currency’, Tate Modern, London ‘All-Inclusive: A Tourist World’, Schirn Kunsthalle, Frankfurt, Germany ‘Arte no es Vida: Actions by Artists of the Americas, 1960-2000’, El Museo del Barrio, New York ‘GREENWASHING - Environment: Perils, Promises and Perplexities’, Fondazione Sandretto Re Rebaudengo, Torino ‘Art in the Life World’, Breaking Ground, Axis Arts Centre, Ballymun, Dublin

‘Typical! Clichés of Jews and Others’, The Jewish Museum Berlin ‘Terms of Use’, Montehermoso Cultural Centre, Vicoria-Gasteiz, Spain 2007

‘Perplexed in Public’, Lisson Gallery (various locations), London ‘Active Constellation’, Brno Hause of Art, Brno, Czech Republic ‘Stable – the balance of Power’, Para/Site Art Space, Hong Kong ‘Paranoia’, The Freud Museum, London ‘RAUM. Orte der Kunst’, Akademie der Künste, Berlin, Germany ‘We are your future’, Special program during the 2nd Moscow Biennial, Moscow, Russia ‘Listening Awry’, McMaster Museum of Art, Hamilton ‘Concept: Photography – Dialogues & Attitudes’, Ludwig Museum, Budapest ‘Into Me / Out of Me’, MACRO, Rome, Italy ‘Entre Fronteiras’, Museo de Arte Contemporanea de Vigo, Spain ‘The Art of Failure’, Kunsthaus Baselland, Muttenz /Basel 4th Gothenburg Biennial of Contemporary Art, Gothenburg, Sweden ‘BOUND’, Open Eye Gallery, Liverpool ‘The Invisible Show’, by Delfim Sardo and Sergio Edelsztein, The Center for Contemporary Art, Tel Aviv ‘Objeto de Replica’, Artium Centro-Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz ‘iViva la Muerta!’, Kunsthalle Wein, Vienna ‘Existencias’, Musac, Leon, Spain ‘Un Fair/trade – Die Kunst der Gerechtigkeit’, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Germany ‘Leibesübungen – Vom Tun and Lassen in der Kunst’, Kunsthalle Göppingen, Gernany Ist Athens Biennial 2007, Athens FOTO.KUNST – ‘Zeitgenössische Fotografie aus der Sammlung Essl’, Sammlung Essl, Kunsthaus, Klosterneuburg ‘Generation Issue, Cuestiòn Xeracional’, CGAC – Centro Galego de Arte Contemporanea, Santiago di Compostela Göteborg International Biennial for Contemporary Art 2007, Göteborg ‘Identität / Indentitäskonstruktion / Heimat’, 7. International Foto-Triennale, Esslingen ‘The Hours: Visual art of contemporary latinamerican art’, Museum of Contemporary Art of Sydney ‘New Economy’, Artists Space, New York ‘Puntos di Vista. Zeitgenössische Kunst aus der Daros-Latinamerica Collection’, Kunstmuseum Bochum ‘Into Me, Out of Me’, MACRO Future, Rome ‘E-flux Video Rental’, Centre culturel Suisse, Paris ‘Linde Ludena Sierra/Space and Violence’, The Nunnery Gallery, London ‘Not Afraid of the Dark’, Hangar Bicocca - spazio d’arte contemporanea, Milan ‘La era de la discrepancia’, Museo Universitario de Ciencias y Arte - MUCA, Mexico City ‘Repeat All’, M100 - Centro Culturtal Matucana 100, Santiago 2 Moscow Biennale of Contemporary Art ‘Raum - Orte der Kunst’, AdK - AKADEMIE DER KÜNSTE, Berlin ‘Entre fronteras’, MARCO Museo de Arte Contemporánea de Vigo, Vigo ‘E-flux video rental’, Carpenter Center for the Visual Arts, Cambridge, MA

2006

‘Kunst und Photographie, Photographie und Kunst’, Galerie Bernd Klüser, Munich ‘Surprise Surprise’, ICA, London

‘Paranoia’, Leeds City Art Gallery, Leeds ‘Out of Place’, The New Art Gallery Walsall, Walsall ‘Paranoia – Second Coming’, Focal Point Gallery, Southend-on-Sea ‘Into me / Out of me’, KW Institute for Contemporary Art, Berlin ‘AUTO-NOM-MOBILE’, Kunstverein Kassel, Kassel, Germany ‘TRANSIT’, ARTFrankfurt, Frankfurt am Main, Germany ‘The View from Here: Acquisitions since 2000’, Tate Modern, London ‘Adquisiciones recientes’, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz ‘E-Flux Video Rental’, Arthouse at the Jones Center - Contemporary Art for Texas, Austin, TX ‘I Bienal del Fuego’, Museo de Bellas Artes de Caracas, Caracas ‘Equal And Less Equal’, Museum on the Seam, Jerusalem ‘The Grand Promenade’, recommended National Museum of Contemporary Art - EMST, Athens ‘Franz West sin Franz West + Der Ficker’, Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria ‘Into me / Out of me’, P.S.1 Contemporary Art Center, Long Island ‘Enlaces+Dos - Últimas adquisiciones’, Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid ‘En las fronteras / In borderlines’, Museo Extremeño e Iberoamericano de Arte Contemporáneo MEIAC, Badajoz ‘Mex 1995 – 2005’, Sammlung Essl - Kunsthaus, Klosterneuburg ‘2006 Thesis Exhibitions Series Two’, The Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY ‘Certain Encounters - Daros-Latinamerica Collection’, The Morris and Helen Belkin Art Gallery, Vancouver, BC ‘En las fronteras’, Villa Croce Museo d´Arte Contemporanea, Genoa 2005

‘Power Plays – Artists Challenge Authorities’, Para/Site Art Space, Hong Kong, ‘Minimalism And After IV’, Sammlung Daimler Chrysler, Berlin ‘This Peaceful War, The Jumex Collection’, Tramway, Glasgow DMZ 2005, Korea, 25/06/05 ‘Always a Little Further’, Venice Biennale Moscow Biennale of Contemporary Art, Lenin Museum, Moscow ‘The body. The ruin’, The Ian Potter Museum of Art, Melbourne, VIC ‘War is over - 1945 - 2005 la libertá dellarte da Picasso a Warhol a Cattelan’, GAMeC - Galleria d´Arte Moderna e Contemporanea di Bergamo, Bergamo ‘The Hours - Visual Arts of Contemporary Latin America’, Irish Museum of Modern Art - IMMA, Dublin ‘Centre of Gravity’, Istanbul Museum of Modern Art, Istanbul ‘General Ideas - Rethinking Conceptual Art 1987–2005’, CCA Wattis Institute for Contemporary Arts, San Francisco, CA ‘Expérience de la durée - Experiencing Duration’, 8e Biennale de Lyon, La Biennale d’art Contemporain de Lyon ‘A Lucky Strike - Kunst findet Stadt’, Gesellschaft für Aktuelle Kunst e.V. Bremen ‘Power Plays’, Para / Site Art Space, Hong Kong, SAR ‘E-flux video rental’, Portikus, Frankfurt/Main ‘En Attente’, Casino Luxembourg - Forum dart contemporain, Luxembourg ‘Police’, Landesgalerie am Oberösterreichischen Landesmuseum, Linz ‘Always a little further’, 51st International Art Exhibition Venice Biennale / Biennale di Venezia Prague Biennale 2 ‘Aural Cultures’, The Banff Centre - Walter Phillips Gallery, Banff, AB

‘Mexico Attacks!’, MADC Museo de Arte y Diseño Contemporáneo, San José ‘Monuments to the USA’, CCA Wattis Institute for Contemporary Arts, San Francisco, CA Sharjah International Art Biennial 7 ‘Interessi Zero’, Galleria Civica di Arte Contemporanea, Trento ‘Short Stories - Contemporary Selections’, Henry Art Gallery, Seattle, WA ‘Nothingness’, Galerija Gregor Podnar, Ljubljana ‘Eco - Arte contemporaneo mexicano’, Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid 2004

‘Produciendo Realidad’, Chisea di Matteo ‘The Nude Form’, Baden-Baden ‘111 Constructions with 10 Modules and 10 Workers’, Peter Kilchmann Galerie, Zurich, Switzerland ‘Nothingness’, Galerie Eugen Lendl, Graz ‘De Leur Temps, Collections Privees Francaises’, Musee des Beaux Arts Tourcoing, Tourcoing 1 Bienal Internacionál de Arte Contemporaneo de Sevilla, Fundación Bienal Internacional de Arte Contemporáneo de Sevilla - BIACS, Sevilla 26° Bienal de São Paulo, Fundação Bienal de São Paulo ‘Systemstörung’, Edith-Ruß-Haus für Medienkunst, Oldenburg Liverpool Biennial 2004, Liverpool Biennial of Contemporary Art ‘Seven Sins’, MUSEION - Museo d’arte moderna e contemporanea, Bolzano ‘Gegen den Strich - Neue Formen der Zeichnung’, Staatliche Kunsthalle BadenBaden ‘»I need you«’, Kunsthaus CentrePasquArt - Centre dArt, Biel/Bienne ‘Social Capital - Forms of Interaction’, Whitney Museum of American Art, New York City ‘The Big Nothing’, ICA-Institute of Contemporary Art, Philadelphia, Philadelphia, PA ‘SOZIALE KREATUREN - Wie Körper Kunst wird’, recommended Sprengel Museum Hannover, Hannover ‘The Real Royal Trip /El Retorno’, Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid ‘Material Witness’, MOCA - Museum of Contemporary Art Cleveland, Cleveland ‘Made in Mexico’, ICA Boston, Boston ‘Made in Mexico’, The Institute of Contemporary Art, Boston, MA ‘Laocoonte devorado - Arte y violencia política’, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz

2003

‘Gli Altri’, Gas Art Gallery, Torino ‘Stretch’, The Power Plant, Contemporary Art Gallery, Toronto ‘Independence’, South London Gallery, London ‘Guided by Heroes’, Limburg, Belgium ‘Hardcore, towards a new activism’, Palais de Tokyo, Paris ‘M_ARS. Art and War’, Neue Galerie Graz, Graz, Austria ‘Witness’, Barbican Art, London, June 03 ‘Mouvements de fonds - Acquisitions 2002 du Fonds national dart contemporain’, MAC Musées d´Art Contemporain, Marseille ‘Phalanstère’, CAC - Centre d´art contemporain de Brétigny, Brétigny s/Orge ‘El real viaje Real / The Real Royal Trip’, P.S.1 Contemporary Art Center, Long Island ‘Fast Forward’, ZKM | Museum für Neue Kunst & Medienmuseum, Karlsruhe ‘Cámara - Videos Mala Onda’, Museo de Arte Carrillo Gil, Mexico City

‘Auto-nom’, NRW-Forum Kultur und Wirtschaft, Dusseldorf ‘Terror Chic’, Monika Sprüth Philomene Magers, Munich ‘COSTA VECE’, Galerie Peter Kilchmann, Zurich ‘In faccia al mondo. Il ritratto contemporaneo nel medium fotografico’, Villa Croce Museo d´Arte Contemporanea, Genoa ‘Money for nothing’, Wellington City Gallery, Wellington ‘Money for Nothing’, Artspace, Auckland ‘20 Million Mexicans Cant be Wrong’, John Hansard Gallery, Southampton 2002

‘Comer O No Comer’, CASA, Centro de Arte de Salamanca, Spain ‘No Return. Monchengladbach’, Enero, Curador, Monchengladbach, January ‘Spanish Contemporary Art’, Borusan Art Gallery, Istanbul Feria ARCO, Project Room. Galería Enrique Guerrero/Galerie Peter Kilchmann Festival de Performance de Cali. Museo de la Tertulia, Cali, Colombia ‘Loop. Back to the Beginning’, The Contemporary Arts Center, Fifth Street Space, Cincinnati, Ohio ‘hello there!’, Galerie Peter Kilchmann, Zürich, Switzerland ‘Otredad y Mismidad’, Galeria de Arte Contemporaneo y Diseño, Puebla ‘20 Million Mexicans Can’, SLG South London Gallery, London The 8th Baltic Triennial of International Art – ‘Centre of Attraction’, The Baltic Triennial of International Art, Vilnius ‘Cut, Pulled, Colored & Burnt’, Hyde Park Art Center, Chicago ‘Mexico City: An Exhibition about the Exchange Rates of Bodies and Values’, P.S.1 Contemporary Art Center, Long Island ‘Protest! Respect!’, Neue Kunsthalle St. Gallen, St. Gallen ‘Coartadas / Alibis’, Witte de With, Rotterdam ‘Art & Economy - Gemeinschaftsprojekt mit dem Siemens Arts Program’, Deichtorhallen, Hamburg ‘The Hall of Lost Steps’, Borusan Sanat Galerisi, Istanbul ‘no return. Positionen aus der Sammlung Haubrok’, Städtisches Museum Abteiberg, Mönchengladbach ‘Trans Sexual Express’, Műcsarnok Kunsthalle, Budapest ‘Alibis / coartadas’, Institut du Mexique à Paris, Paris

2001

‘Purgatori’, curated by Domingo Sanches and Santiago Sierra, Valencia, Spain, December ‘Shelf Life’, Gasworks Gallery, curated by Smith + Fowl, London, November ‘Marking the Territory’, curated by Marina Abramovic, Irish Museum of Modern Art, Dublin, October Galeria Zonca & Zonca, curated by Fernando Castro, Milan, Italy, October ‘ARS 01 – Unfolding Perspectives’, curated by Maaretta jaukkuri, Kiasma, Helsinki, September ‘Loop’, curated by Klaus Biesenbach, Hypo Kunsthalle, Munich, P.S.1 New York, September-December ‘Angst’, curated by Florian Waldvogel, Kokerei Zollverein, Essen, September ‘Aftersun’, curated by Mercedes Vilardell, Cala Sant Vicenc, Mallorca, August ‘Complicidades. Aspectos Reoricos de la Fotografia Actual’, curated by Fernando Frances Centro Nacional de Fotografia Jose Manuel Rotella, Torrelavega, Spain, August ‘Politicas de la diferencia. Arte lberoamreicano de fin de siglo Valencia’, curated by Adriano Pedrosa, Fernando Castro, Cuauhtemoc Medina, Belo Horizonte, Consell General del Consorci de Museus de la Comunitat Valencia-Governo do Estado de Pernambuco, Centro de Convenciones de Pernambuco, Brasil, July

‘Pay Attention’, curated by Fernando Castro, Sardegna, Italy, July ‘3 Intervenciones Urbanas’, curated by Rosa Martinez, Barcelona Art Report 2001, Barcelona, July ‘Transsexual Express: A Classic for the Third Millenium’, curated by Rosa Martinez and Xabier Arakistain, Centre d’Art Santa Monica, Barcelona, June Bienal de Valencia, curated by Achille Bonito Oliva, Valencia, June ‘Edicion 49’, Bienal de Venecia, curated by Harald Szeemann, Venice, June ‘Neue Welt’, curated by Nicolaus Schafhausen, Frankfurter Kunstverein, Frankfurt, Germany, June ‘Photography from the collection of the DZ Bank’, DZ Bank, Francfort, ‘Alemania’, Salle du musée du Botanique, Bruselas, Belgica. Museo de Hara, Tokyo, PS 1 Nueva York, Kestner-Gesellschaft, Hanover, ‘Alemania’. Academia de Arte de Berlín. Centre National de la Photografía de París., curated by Christian Caujolle, Frankfurt, June 2000

‘Pervirtiendo el minimalismo’, curated by Gerardo Mosquera, Museo Nacional Centro de Arte Reina Sofía, Madrid, December ‘Extramuros’, curated by Taiyana Pimentel, Havana, Cuba, November ‘Novena Muestra Internacinal de Performance’, curated by Guillermo Santamaria, X Teresa Arte Actual, Mexico City, October ‘P.R.00.’, curated by Guillermo Santamaria, San Juan of Puerto Rico, October ‘Leaving the Islands’, curated by Rosa Martinez, Pusan International Contemporary Art Fair, Pusan, Korea, October ‘Documentos’, curated by Douglas Chrismas, ACE Gallery, Los Angeles, August ‘A shot in the head’, curted by Patricia Martin, Lisson Gallery, London, August ‘EV.A. 2000 – Friends and Neighbours’, The 4th Biennial invited ev.a. Limerik, Ireland, March

1999

Stand de la Galeria BF15, FIAC, curated by Pierre Raine, Paris, France, September Plaza G & T, curated by Anibal Lopez, Guatemala City, August ‘Representar/ Intevenir’, curated by Guillermo Santamaria, X Teresa Arte Actual, Mexico City, June Centre d’Arts Plastiques de Villefranche-sur-Saone, Musee de la Valle de Barcelonnette curated by Claire Peillod, France, May ‘Paradas Continuas’, curated by Pedro Reyes, Museo Carrillo Gil, Mexico City, April

1998

‘Made in Mexico – Made in Venezuela’, curated by Luis Jacobs, Art Metropol Gallery, Toronto, November ‘Expoarte Guadalajara VI’, curated by Pierre Raine, Galeria BF15, Jalisco, Mexico, September ‘Expoarte Guadalajara VI’, Regina 51, Jalisco, Mexico, September ‘Cambio II’, curated by Kenny Schacter, Chopo University Museum, sponsored by the Rockefeller Foundation and the Mexican National Fund for Culture, Mexico City, August ‘Despues del Cuerpo’, curated by Victor Martinez, Galeria 127, Mexico City, June ‘Cambio I’, curated by Kenny Schacter, Sandra Gehring Gallery, New York, January

1997

‘Shopping’, curated by Aidee Robirosa, Galeria Art & Idea, Mexico City, December ‘Opening’, curated by Stefan Brugermann, Galeria Art Deposit, Mexico City, November

‘Documentos’, Expoarte Guadalajara V, curated by Carlos Aranda and Art Deposit Gallery, Mexico, September ‘New Text from Mexico’, curated by Stefan Brugermann, Galeria Art Deposit, New York, September 1996

‘A otro lugar muy lejos de aquí’, curated by Guillermo Santamarina, IV Expoarte Guadalajara, Jalisco, México, September

1995

Joan Miro Foundation, curated by Monica Regas, sponsored by Alfe Encofrados and Alfe Catalunya S.A., Barcelona, January

1993

‘El ojo Atómico’, curated by Tomás Ruíz, Madrid, Spain, June ‘Trabajos de los 80’, curated by Angel Romero, Galería Angel Romero. Madrid, Spain, May

1992

Atelier del Sur, curated by A. Linde and Santiago Sierra, Canary Islands, October ‘Dibujos Laborales’, Angel Romero Gallery, curated by Angel Romero, Madrid, Spain, March

1991

Sala K3 de Kampnagel, curated by A. Linde, M. Lundena and Santiago Sierra, K3 Kampnagel, Hamburg, Germany, December ‘VII Muestra de Arte Joven’, curated by F. Gulsasola, Museo Espanol de Arte Contemporaneo, Madrid, Spain, November St. Petri zu Lübeck, curated by Rosvita Siewert, Lübeck, Germany, February