RICHARD TUTTLE
SELECTED BIBLIOGRAPHY PERIODICALS
2017 Barilli, Renato. “Tuttle e ‘pittura-ambiente’” (Pace London exhibition review). Pronto Barilli, 9 April 2017. http://www.renatobarilli.it/blog/tuttle-e-pittura-ambiente/ Breen, Matt. “Richard Tuttle” (Pace London and Modern Art exhibition review). Time Out London, April 18– 24, 2007: 79, illustrated. Clark, Robert. “Richard Tuttle: London” (Pace London exhibition review). The Guardian, 8–14 April 2017: 33, illustrated. “The Ground and Heaven Are One: Richard Tuttle.” Mousse Magazine, 13 May 2017. http://moussemagazine.it/ground-heaven-one-richard-tuttle/ Kulenović, Smirna. “Geometric Abstraction of Richard Tuttle Art in Fabric Coming to Pace London” (exhibition review). Widewalls, accessed 13 April 2017. http://www.widewalls.ch/richard-tuttle-art-pacelondon/ Mcdonald. Elliot. “The Critical Edge exhibition” (Pace London exhibition review). Winkball, accessed 12 May 2017. Online video, 3:04. https://www.winkball.com/interviews/482 “Richard Tuttle’s Critical Edge” (Pace London exhibition review). Phaidon, 11 April 2017. http://www.phaidon.com/agenda/art/articles/2017/april/11/richard-tuttles-critical-edge/
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“Richard Tuttle at Pace Gallery” (Pace London exhibition review). Vanity Fair, 7 April 2017. http://alist.vanityfair.co.uk/richard-tuttle-at-pace-gallery-16571/ “Richard Tuttle, Pace Gallery” (exhibition review). Culture Whisper, accessed 13 April 2017. http://www.culturewhisper.com/r/visual_arts/richard_tuttle_london_exhibition_pace_gallery_tuttle_critical_edg e/9059 Steinberg, Tabitha. “Richard Tuttle: The Critical Edge at Pace Gallery” (exhibition review). FAD Magazine, 5 May 2017. http://fadmagazine.com/2017/05/05/richard-tuttle-the-critical-edge-at-pace-gallery/ Tuttle, Richard. “Richard Tuttle” (The Met Fifth Avenue and Pace Gallery exhibition review). Interview with Jason Schmidt. Out of Order, February 2017: 266–273, illustrated. Tuttle, Richard. “Richard Tuttle’s Tantalizing Textiles at Pace London” (exhibition review). Interview with Nicholas Forrest. Artinfo, 13 April 2017. http://www.blouinartinfo.com/news/story/2100110/richard-tuttlestantalizing-textiles-at-pace-london Wullschlager, Jackie. “Visual Arts: Richard Tuttle: The Critical Edge” (Pace London exhibition review). Financial Times, 8 April 2017. Zhiri, Assia. “Richard Tuttle @ Pace London” (exhibition review). Artctualite, 11 April 2017. http://www.artctualite.com/richard-tuttle-pace-london/
2016 Coomer, Martin. “Keith Coventry: White Black Gold” (Pace London exhibition review). Time Out London, 16 May 2016. http://www.timeout.com/london/art/keith-coventry-white-black-gold Coon, Ella. “Shapely Numbers: Richard Tuttle at Pace, New York” (exhibition review). Art News, 15 June 2016. http://www.artnews.com/2016/06/15/shapely-numbers-richard-tuttle-at-pace-new-york/ Creahan, D. “New York – Richard Tuttle: ‘26’ at Pace Gallery through June 11th, 2016” (exhibition review). Art Observed, 19 May 2016. http://artobserved.com/2016/05/new-york-richard-tuttle-26-at-pace-gallery-throughjune-11th-2016/
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Crow, Kelly. “Flights of Fabric Fancy” (The Met Fifth Avenue and Pace Gallery exhibitions preview). Wall Street Journal, 8 April 2016. http://www.wsj.com/articles/flights-of-fabric-fancy-1460142747 Ebony, David. “Homespun Universe” (The Met Fifth Avenue and Pace Gallery exhibitions review). New York Observer, 9 May 2016: 21–23, illustrated. Ho, Yin. “Richard Tuttle” (Pace Gallery exhibition review). Artforum, 19 May 2016. http://artforum.com/picks/id=60133 Jenkins, Chadwick. “Thoughts on Richard Tuttle’s ‘The Critical Edge’” (The Met Fifth Avenue exhibition review). Pop Matters, 11 May 2016. http://www.popmatters.com/column/the-object-withdraws-in-obduracythoughts-on-richard-tuttles-the-critical-e/ Planas, Enrique. “El arte es una expresión de la espiritualidad” (Museo de Arte de Lima exhibition review). Luces, 30 October 2016: 42, illustrated. Pobric, Pac. “Richard Tuttle: Thinking Big at a Quiet Moment” (The Met Fifth Avenue and Pace Gallery exhibitions preview). The Art Newspaper, 29 April 2016. http://theartnewspaper.com/news/museums/richardtuttle-thinking-big-at-a-quiet-moment/ Tarasoff, Sabrina. “Richard Tuttle ‘The Critical Edge’ Exhibition at the MET Fifth Avenue, New York” (exhibition review). Purple.fr, 17 May 2016. http://purple.fr/diary/richard-tuttle-the-critical-edge-exhibition-atthe-met-fifth-avenue-new-york/ Tuttle, Richard. “Short: Richard Tuttle: Staying Contemporary” (Pace Gallery exhibition review). Art21, 22 July 2016. Online video, 3:56. http://www.art21.org/videos/short-richard-tuttle-stayingcontemporary?utm_source=twitter.com&utm_medium=referral&utm_campaign=Art21_Twitter Tuttle, Richard. “’My Work Can Make People Say Stupid Things’: A Talk with Richard Tuttle.” Interview by Bill Powers. Art News, 6 May 2016. http://www.artnews.com/2016/05/06/my-work-can-make-people-say-stupidthings-a-talk-with-richard-tuttle/
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Tuttle, Richard. “Richard Tuttle on Why He Finds Solace in the Spirituality of Art – Not Religion” (The Met Fifth Avenue and Pace Gallery exhibitions review). Interview with Kerr Dylan. Artspace, 27 April 2016. http://www.artspace.com/magazine/interviews_features/qa/richard-tuttle-interview-53738
2015 Herbert, Martin. “Richard Tuttle, Whitechapel Gallery & Tate Modern, London” (exhibition review). Frieze, no. 168 (January–February 2015): 148, illustrated. Hine, Thomas. “Art: Richard Tuttle: Look, Look Again, Look More” (Fabric Workshop and Museum exhibition review). Philly.com, 31 May 2015. http://www.philly.com/philly/columnists/20150531_Art__Richard_Tuttle__Look__look_again__look_more.htm l Jeppesen, Travis. “Richard Tuttle, London—Whitechapel Gallery and Tate Modern” (exhibition review). Art in America (February 2015): 114–115, illustrated. Rose, Julian. “Saint Louis: Calder, Sandback, and Tuttle, Pulitzer Arts Foundation” (exhibition preview). Artforum 53, no. 9 (May 2015): 189.
2014 Agustsson, Sola. “Richard Tuttle: A Print Retrospective” (Bowdoin College Museum exhibition review). Whitewall, 1 May 2014. https://whitewallmag.com/art/richard-tuttle-a-print-retrospective “Artlyst Power 100: 2014 Alternative Art Power List Revealed.” Artlyst, 15 October 2014. http://www.artlyst.com/articles/artlyst-power-100-2014-alternative-art-power-list-revealed Barratt, Martha. “Richard Tuttle, London” (Tate Modern and Whitechapel Gallery exhibition review). The Burlington Magazine 156, no. 1341 (December 2014): 833–835, illustrated, Borchardt-Hume, Achim. “Video: Richard Tuttle Exhibit Opens at Tate Modern Turbine Hall” (exhibition review). Belfast Telegraph, 15 October 2014. Online video, 01:32. http://www.belfasttelegraph.co.uk/videonews/video-richard-tuttle-exhibit-opens-at-tate-modern-turbine-hall-30664856.html
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Brown, Mark. “Welcome to the Fold: US Artist Richard Tuttle Drapes Turbine Hall with Fabric” (Tate Modern exhibition review). The Guardian, 13 October 2014. http://www.theguardian.com/artanddesign/2014/oct/13/sp-richard-tuttle-turbine-hall-draped-in-fabric-tate-modern Bui, Phong. “Where Are We: Richard Tuttle, Looking for the Map.” The Brooklyn Rail (March 2014). http://www.brooklynrail.org/2014/03/artseen/where-are-we Campbell-Johnston, Rachel. “Richard Tuttle on Filling the Turbine Hall: ‘I Want People to Feel Like They’re in Heaven’” (Tate Modern exhibition review). The Times, 11 October 2014. http://www.thetimes.co.uk/tto/arts/visualarts/article4232840.ece Cembalest, Robin. “14 Artworks That Prove Pink is Tough.” Art News, 27 February 2014. http://www.artnews.com/2014/02/27/art-that-proves-pink-is-tough/ “Contemporary Art to Be Shown at Bowdoin Gallery” (exhibition review). Encore Sun Journal, 18 June 2014. http://www.sunjournal.com/news/encore/2014/06/24/contemporary-art-be-shown-bowdoin-gallery/1550684 Dawson, Barbara. “A Mystic Thread.” Apollo, no. 621 (June 2014): 66–71, illustrated. Glimcher, Arne. “Profile: Arne Glimcher.” Interview with Katy Donoghue. Whitewall, Summer 2014: 48–50, illustrated. Halperin, Julia. “Richard Tuttle: now’s the time to be-weave” (Tate Modern, Whitechapel Gallery and Bowdoin exhibition preview). Art Newspaper 24, no. 261 (October 2014): 36, illustrated. Halperin, Julia. “Richard Tuttle: Soft Fabrics Have Solid Appeal.” The Art Newspaper, Frieze daily edition, 17 October 2014. http://theartnewspaper.com/articles/Soft-fabrics-have-solid-appeal/36001 Kany, Daniel. “Art Review: Print Exhibit at Bowdoin an Important Moment for Maine Contemporary Art.” Portland (ME) Press Heard, 13 July 2014, Arts & Entertainment. http://www.pressherald.com/2014/07/13/richard-tuttles-print-exhibit-at-bowdoin-an-important-moment-formaine-contemporary-art/
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Konau, Britta. “Inquiry Under Pressure: Richard Tuttle’s Experiments in Printmaking” (Bowdoin College Museum of Art exhibition review). The Portland Phoenix, 23 July 2014. http://portland.thephoenix.com/arts/159113-inquiry-under-pressure/ Lescaze, Zoë. “11 Things to Do in New York Art World Before Feb. 10” (Pace Gallery exhibition preview). Gallerist, 3 February 2014. http://galleristny.com/2014/02/11-things-to-do-in-new-yorks-art-world-before-feb10/ Peers, Alexandra. “For Richard Tuttle, Slow and Steady Wins the Retrospectives (at Tate Modern and Bowdoin)” (exhibition preview). Artnet News, 12 April 2014. http://news.artnet.com/art-world/for-richard-tuttleslow-and-steady-wins-the-retrospectives-at-tate-modern-and-bowdoin-8353 Pickford, James. “Monumental Sculpture Unveiled in Tate Modern’s Turbin Hall” (Whitechapel and Tate Modern Turbine Hall exhibition review). Financial Times, 13 October 2014. Rich, Sarah K. ”Previews: Richard Tuttle, Whitechapel Gallery/Tate Modern.” Artforum 53, no. 1 (September 2014): 207. “Richard Tuttle to Have His Largest UK Survey Exhibition in October” (Whitechapel and Tate Modern Turbine Hall exhibition preview). Artlyst, 22 June 2014. http://www.artlyst.com/articles/richard-tuttle-to-have-hislargest-uk-survey-exhibition-in-october Sam, Sherman. “Richard Tuttle: Known knowns, known unknowns and unknown unknowns” (Whitechapel and Tate Modern exhibition preview). Art Review 66, no.7 (October 2014): 104–107, illustrated. Singh, Anita. “Richard Tuttle Unveils Installation at Tate Modern Turbine Hall” (Tate Modern exhibition review). Telegraph, 13 October 2014. http://www.telegraph.co.uk/culture/art/art-news/11158276/RichardTuttle-installation-Turbine-Hall-Tate-Modern.html Spence, Rachel. “A Wave of Fabrication” (Whitechapel and Tate Modern exhibition preview). Financial Times, 27–28 September 2014: 13, illustrated.
Sunderland, Celeste. "Top 5 Art Installations on View Now" (Tate Modern exhibition review). Artphaire, 16 December 2014. http://www.artphaire.com/top-5-art-installations-view-now
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Tuttle, Richard. “11 Questions for Artist Richard Tuttle.” Interview with Ashton Cooper. Artinfo, 29 May 2014. http://www.blouinartinfo.com/news/story/1037774/11-questions-for-artist-richard-tuttle Tuttle, Richard. “Artists Are Like Clouds.” Louisiana Channel, accessed on 26 March 2014. MP4 video, 13:28. http://channel.louisiana.dk/video/richard-tuttle-artists-are-clouds Tuttle, Richard. “Artists on Artists | Richard Tuttle on Frederic Remington, Purveyor of Wild West Nostalgia.” T: The New York Times Style Magazine, 6 February 2014. http://tmagazine.blogs.nytimes.com/2014/02/06/artists-on-artists-richard-tuttle-on-frederic-remingtonpurveyor-of-wild-west-nostalgia/?_php=true&_type=blogs&_php=true&_type=blogs&hpw&rref=tmagazine&_r=1 Tuttle, Richard. “Augustus.” The Brooklyn Rail (September 2014): 57. Tuttle, Richard. “Building a House” (Whitechapel Gallery and Tate Modern exhibition preview). Artforum (October 2014): 212–223, illustrated. Tuttle, Richard. “Equal and Opposite.” Interview by Mark Wilsher. Art Monthly, no. 382 (December 2014– January 2015): 1–4, illustrated. Tuttle, Richard. “Richard Tuttle” (Pace Gallery and Tate Modern exhibition review). Interview by Ross Simonini. Art in America 102, no. 9 (October 2014): 107, 156–167, illustrated. Tuttle, Richard. “Questionnaire: Richard Tuttle.” Frieze, no. 166 (October 2014): 280. Wilson, Calvin. “Works by Calder, Sandback and Tuttle Coming to the Pulitzer” (Pulitzer Arts Foundation exhibition preview). St. Louis Post-Dispatch, 18 July 2014. http://www.stltoday.com/entertainment/arts-andtheatre/works-by-calder-sandback-and-tuttle-coming-to-the-pulitzer/article_e76c4f7b-9a1a-512e-a8e4e07fe046e588.html
2013 Schlaegel, Andreas. “Gabriel Kuri, Richard Tuttle, Knut Henrik Henriksen; Bergen Kunsthal, Bergen” (exhibition review). Flash Art 46, no. 288 (January–February 2013): 104.
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Smith, Roberta. “Richard Tuttle, ‘The Thrill of the Ideal: Richard Tuttle; The Reinhart Project’” (exhibition review). The New York Times, 7 June 2013: C28, illustrated. Tuttle, Richard. “ABC for / of Richard Tuttle: An epistolary interview with Jarrett Earnest, pt. 3 ‘P-Z’.” Brooklyn Rail (February 2013): 36–38, illustrated. Peters, Emma. “Vogel Donation Adds 320 Pieces to Museum.” The Bowdoin Orient, 24 January 2014. http://bowdoinorient.com/article/8902
2012 Kino, Carol. “The Traveling Mind.” Art Basel | Miami Beach (2012): 172–175, illustrated. Tuttle, Richard. “ABCs for/of Richard Tuttle: An epistolary interview with Jarrett Earnest, pt. 1 ‘A–G’.” The Brooklyn Rail (October 2012): 24–25, illustrated. Tuttle, Richard. “ABCs for/of Richard Tuttle: An epistolary interview with Jarrett Earnest, pt. 2 ‘H–O’.” The Brooklyn Rail (November 2012). Fiske, Courtney. “Richard Tuttle, Pace Gallery” (exhibition review). Artforum.com, 24 September 2012. http://artforum.com/?pn=picks§ion=nyc#picks34492 Granberry, Michael. “‘Destroyed’! The Nasher Posts Bold New Sign In Front of (what used to be) James Turrell’s ‘Tending, (Blue).’” DallasNews.com, 9 August 2012. http://artsblog.dallasnews.com/2012/08/destroyed-the-nasher-posts-bold-new-sign-in-front-of-what-used-tobe-james-turrells-tending-blue.html/ Morse, Trent. “Richard Tuttle, Pace” (exhibition review). Art News 111, no. 10 (November 2012): 146, illustrated. Schwabsky, Barry. “What Goes With What: On Richard Tuttle” (Pace Gallery exhibition review). The Nation, 16 October 2012. http://www.thenation.com/article/170610/what-goes-what-richard-tuttle Tuttle, Richard. “Art: Richard Tuttle.” Harvard Review, no. 42 (2012): 62–69, illustrated.
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Volk, Gregory. “Richard Tuttle, Pace” (exhibition review). Art in America, no. 10 (November 2012): 162–164, illustrated.
Matheson, Susan B., ed. Yale University Art Gallery Bulletin 2012. New Haven, Connecticut: Yale University Art Gallery, 2012: 88, illustrated.
2011 Frankel, David. “New York: Richard Tuttle, The Pace Gallery” (exhibition review). Artforum 50, no. 2 (October 2011): 310, illustrated. “Menil, Whitney, and Harvard Art Museums Launch Artists Documentation Program Online Archive.” artdaily.org, 19 October 2011. http://artdaily.com/index.asp?int_sec=2&int_new=51128&b=richard%20tuttle%20%20 Prince, Mark. “Richard Tuttle: Light & Colour” (Modern Art exhibition review). Art Monthly, no. 351 (November 2011): 24–25, illustrated. Tipton, Gemma. “Dublin: Richard Tuttle” (Dublin City Gallery exhibition review). artforum.com. http://www.artforum.com/picks/section=uk#picks27485 (accessed 10 February 2011). Smith, Roberta. “Sculpture In High Relief” (The Pace Gallery exhibition review). The New York Times, 20 May 2011: illustrated. Tuttle, Richard. “A Connoisseurship of Metaphor.” Art Journal (Winter 2011): 135–145, illustrated.
2010 Fite-Wassilak, Chris. “Back: Richard Tuttle” (Galleri Nicolai Wallner exhibition review). Frieze, no. 134 (October 2010): 235, illustrated. Levin, Kim. “Reviews: ‘\ (Lean)’, Nicole Klagsburn” (exhibition review). Art News 109, no. 6 (June 2010): 111–112, illustrated.
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Tuttle, Richard. "Simply what my work has told me." Interview with Laura Lake Smith. The Brock Review 11, no. 1, (July 2010): 63-69.
2009 Barnes, Steve. “Art Talk: Tuttle Vision” (PaceWildenstein exhibition review). Art News (June 2009): 26, illustrated. Coxhead, Gabriel. “Richard Tuttle” (Modern Art exhibition review). Time Out London (September 2009): illustrated. Esplund, Lance. “Richard Tuttle: Renaissance Unframed” (Carolina Nitsch Project Room exhibition review). The Wall Street Journal, 7–8 November 2009. “Galleries—Chelsea: Richard Tuttle” (PaceWildenstein exhibition review). The New Yorker, 13 April 2009: 12. Johnson, Ken. “Art in Review: Richard Tuttle, ‘Walking on Air’” (exhibition review). The New York Times, 3 April 2009: C29. Neil, Jonathan T.D. “Feature: Richard Tuttle.” Art Review (September 2009): 80–83, illustrated. Smyth, Cherry. “Reviews—Richard Tuttle: L’nger than Life” (exhibition review). Art Monthly no. 330 (October 2009): 26–27, illustrated. Tuttle, Richard. “Richard Tuttle at PaceWildenstein: Walking on Air” (exhibition review). Interview by Katy Donoghue. Whitewall Magazine, 2 April 2009. http://www.whitewallmag.com/.
2008 Beckman, Rachel. “‘Herb and Dorothy’: You Can’t Spell Heart Without Art.” Washington Post, 19 June 2008: C5
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Ebony, David. “Front Page: Dealers Aim High at the Art Show.” Art in America, no. 4 (April 2008): 39. Finch, Charlie. “Hanging at the Horts’.” Artnet.com, 31 March 2008: installation view. Maine, Stephen. “Richard Tuttle at Sperone Westwater” (exhibition review). Art in America, no. 4 (April 2008): 169–170, illustrated. Mendelsohn, Meredith. “Art Talk: Foam Improvement.” Art News 107 (March 2008): 40. Mizota, Sharon. “Time and Time Again.” Art on Paper 12, no. 5 (May/June 2008): 48–55, illustrated. Platzker, David. “How to Make Art.” 2wice 9, no. 2 (2008): 4–12.
Tannenbaum, Judith. Styrofoam: From Industrial Invention to Artistic Transformation. Providence: Rhode Island School of Design, Museum of Art, no. 29 (Spring 2008): [5], illustrated.
2007 Cohen, David. “Alphabet Cities” (Sperone Westwater exhibition review). New York Sun, 21 June 2007. Fasnacht, Heide. “Foam Improvement” (The Rhode Island School of Design Museum Styrofoam exhibition review) Art News 107, no. 3 (March 2008): 48. Genocchio, Benjamin. “Listings: Memory Comes from Dark Extension” (exhibition review). The New York Times, 22 June 2007: E25. Knight, Christopher. “Richard Tuttle’s Whispers” (The Art of Richard Tuttle exhibition review). Los Angeles Times, 28 April 2007. “Richard Tuttle” (Sperone Westwater exhibition review). The New Yorker, 11 June 2007: 24. Sigler, Jeremy. “Richard Tuttle: Memory Comes from Dark Extension” (exhibition review). Brooklyn Rail (July 2007).
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Tuttle, Richard. “Richard Tuttle” (Sperone Westwater exhibition review). Interview by Robert Ayers. Artinfo, 24 May 2007. http://www.blouinartinfo.com/news/story/268092/richard-tuttle
2006 Artner, Alan G. “Tuttle’s Abstract Works Challenge his Viewers” (The Art of Richard Tuttle exhibition review). Chicago Tribune, 17 December 2006. Cromwell, Wendy. “Without Fanfare.” Art on Paper (March/April 2006): 22. Gleason, Mat. “Richard Tuttle: An New Documentary posits him as the Peoples’ Choice when it Comes to Minimalism.” Coagula Art Journal, no. 79 (April 2006): 23, 30–32. Kimmelman, Michael. “The Architect, His Client, Her Husband and a House Named Turbulence.” The New York Times Magazine, 21 May 2008: 126–133; cover. Kutner, Janet. “Dream Imagery” (The Art of Richard Tuttle exhibition review). Dalas Morning News, 17 July 2006. Pietropaolo, Francesca. “Richard Tuttle” (The Art of Richard Tuttle exhibition review). Flash Art (January– February 2006): 102. Smith, Roberta. “One Collection, Many Stories from the Land of Mevericks.” The New York Times, 12 May 2006: E36. Tuttle, Richard. “Interview: Richard Tuttle and the Comfort of the Unknown.” Interview with Molly Donovan. American Art: Smithsonian American Art Museum 20, no. 2 (June 2006): 103–125, illustrated.
2005 Baird, Daniel. “Richard Tuttle” (Drawing Center exhibition review). Border Crossings 24 (February 2005): 18– 25.
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Baker, Kenneth. “Bay Area Painter Cornelia Schutz Perches upon Her Palette for a Bird’s-Eye View of SFMoMA’s Richard Tuttle Exhibition.” San Francisco Chronicle, 4 August 2005: E1, E4. Baker, Kenneth. “Richard Tuttle” (The Art of Richard Tuttle exhibition review). Art News (September 2005): 134. Baker, Kenneth. “Richard Tuttle has Earned his Major SFMoMA Retrospective.” San Francisco Chronicle, 3 June 2005: E1–E8. Baker, Kenneth. “Simple and Serene, Tuttle’s Work Lifts the Spirit” (The Art of Richard Tuttle exhibition review). San Francisco Chronicle, 2 July 2005: E1. Baker, Kenneth. “Totally Tuttle.” Town and Country (June 2005): 134. Belcove, Julia L. “Tuttle Vision.” W Magazine (June 2005): 158–165. Bischoff, Dan. “Richard Tuttle, Mixed-Media Master.” Sunday Star Ledger, 27 November 2005. Budick, Ariella. “Less is More: Tuttle Takes Minimalism to the Max” (The Art of Richard Tuttle exhibition review). Newsday, 18 November 2005: B27. Tuttle, Richard. “Something Happens: A Conversation with Richard Tuttle.” Interview with Susan Canning. Scultpure 24, no. 9 (November 2005): 51–57, illustrated. Colman, David. “A Sophisticated Eye for Naïve Art.” The New York Times, 20 November 2005: 12. Conniff, Michael. “No Maps Needed for Museum Show.” Time Out New York, 15 December 2005: 5. Esplund, Lance. “Tuttle’s Sweet Nothings” (The Art of Richard Tuttle exhibition review). New York Sun, 10 November 2005. Goodbody, Bridget. “Minding the Gap: Richard Tuttle’s Anthropological Experiment” (Drawing Center exhibition review). Art on Paper (January/February 2005): 34–36.
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Gopnik, Blake. “For Richard Tuttle, A Little Went a Long Way” (The Art of Richard Tuttle exhibition review). Washington Post, 1 December 2005: C01. Helfand, Glen. “Book Reviews: The Art of Richard Tuttle” (catalogue review). Art on Paper (November/December 2005): 83. Henry, Clare. “The Poetry of Odds and Ends” (The Art of Richard Tuttle exhibition review). Financial Times, 18 November 2005: 12. Holbrook, Dwight. “Treats for the Mind.” Trinity Reporter (Fall 2005): 14–19; cover. Hudson, Suzanne. “Richard Tuttle at The Drawing Center” (exhibition review). Artforum (April 2005): 190. Kalina, Richard. “Richard Tuttle: The Subjective Object” (The Art of Richard Tuttle exhibition review). Art in America (December 2005): 112–119, illustrated; cover. Kimmelman, Michael. “40 Years of Making Much Out of Little” (The Art of Richard Tuttle exhibition review). The New York Times, 11 November 2005: E31, E34, illustrated. Kinsella, Eileen. “Where the Buys Are.” Art News (November 2005): 160. Lacayo, Richard. “The Man of Small Things” (The Art of Richard Tuttle exhibition review). Time, 18 July 2005: 69–70, illustrated. Landi, Ann. “Tuttle Recall.” Art News (November 2005): 44. Littlejohn, David. “A Sea of Images from a Singular Artist” (The Art of Richard Tuttle exhibition review). Wall Street Journal, 26 July 2005: D8. Littlejohn, David. “U.S. Artist Celebrated in Europe Finally Gets a Show Back Home.” Wall Street Journal: International Edition, 5 August 2005. Martin, Chris. “Buddhism, Landscape, and the Absolute Truth About Abstract Painting.” The Brooklyn Rail (April 2005): 30–31.
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McKee, Lauren. “Working With Abstracts.” AM New York, 9 December 2005: 34. Miles, Christopher. “Branching in all Directions” (The Art of Richard Tuttle exhibition review). Los Angeles Times, 31 July 2005. Perreault, John. “Tuttle Redux.” ArtsJournal.com, 18 November 2005. Plagens, Peter. “In the Studio: Richard Tuttle.” Art + Auction (October 2005): 44–49. Ratner, Megan. “Review” (Drawing Center exhibition review). Frieze (April 2005): 106–107. Rimanelli, David. “The Art of Richard Tuttle” (exhibition review). Artforum (May 2005): 103. Stevens, Mark. “Deadpan Alley” (The Art of Richard Tuttle exhibition review). New York Magazine, 21 November 2005: 84. Tuttle, Richard. “Letters to a Young Artist.” Art on Paper (July/August 2005): 48–53. Wagner, Anne M. “Richard Tuttle” (The Art of Richard Tuttle exhibition review). Artforum (October 2005): 265–268, illustrated. Wright, Karen. “Small Work, Big Picture: Richard Tuttle in New Mexico.” Modern Painters (July/August 2005): 84–89. Yablonsky, Linda. “Quiet Riot” (The Art of Richard Tuttle exhibition review). Time Out New York, 24 November 2005: 107–108.
2004 “The Art of Textiles.” Western ID (June 2004): 17. Cotter, Holland. “Eluding Artistic Pigeonholes” (Drawing Center exhibition review). The New York Times, 5 November 2004: E35, E38.
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Deitcher, David. “Review” (Brent Sikkema exhibition review). Time Out New York, 8–15 January 2004. Esplund, Lance. “Richard Tuttle’s Sweet Nothings” (Drawing Center exhibition review). New York Sun, 4 November 2004. Gardner, Paul. “Odd Man In.” Art News 103 (April 2004): 102–105. “Goings On About Town: A Fine Line” (Drawing Center exhibition review). The New Yorker, 15 November 2004: 10. Gopnik, Blake. “Pull Up a Chair: At the Cooper-Hewitt, Sculptors Who Explore Elevating Design to Fine Art” (exhibition review). Washington Post, 28 September 2004. Indyke, Dottie. “Review” (Tai Gallery/Textile Arts exhibition review). Art News 103 (October 2004): 193. Kimmelman, Michael. “Postwar Japan, Mon Amour” (Wolfsonian exhibition review). The New York Times, 26 December 2004. Levin, Kim. “Show World” (Drawing Center exhibition review). The Village Voice, 7 December 2004: 73. Murray, Sarah. “A Beautiful Usefulness: A New Exhibition Highlights the Blurring Line between Aesthetic and Functional Art” (Cooper-Hewitt exhibition review). Financial Times, 18 September 2004. Naves, Mario. “David Reed’s Chilly Contrivance Hyperstylized, Squiggly Forms/Tinkering Tuttle” (Drawing Center exhibition review). New York Observer, 29 November 2004. Randall, Teri Thompson. “Review” (Dwight Hackett Projects exhibition review). Santa Fe New Mexican, 2 January 2004. “Richard Tuttle in Conversation with Chris Martin” (interview). Brooklyn Rail (December 2004–January 2005): 12–13.
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“Richard Tuttle New Work Unveiling at Wolfsonian Art Basel Celebration.” Art Museum Network News, 22 October 2004. Rimanelli, David. “Cruz Control.” Artforum, 1 December 2004. Salamon, Julie. “Artist or Guru: He Aims Deep.” The New York Times, 3 December 2004: E35, E40. Smith, Roberta. “Designers for a Day: Sculptors Take a Turn” (Cooper-Hewitt exhibition review). The New York Times, 10 September 2004. Tuttle, Richard. “Richard Tuttle in Conversation with Chris Martin.” The Brooklyn Rail (December 2004– January 2005): 12–13. Tuttle, Richard. “Type.” Overview [Crown Point Press newsletter] (June 2004): 1–2.
2003 Affentranger-Kirchrath, Angelika. “Review” (Annemarie Verna Gallery exhibition review). Neue Zürcher Zeitung, 18 June 2003. Baker, Kenneth. “The Minimalist Challenge” (San Francisco Museum of Modern Art exhibition review). San Francisco Chronicle, 8 November 2003. Bayliss, Sarah. “Walking on Lucas Samaras.” Art News (December 2003): 98–101. Cohen, David. “Review” (Galerie Lelong exhibition review). New York Sun, 3 July 2003. Cotter, Holland. “Richard Tuttle” (Sperone Westwater exhibition review). The New York Times, 30 May 2003: E36. Hackett, Regina. “Exhibit Flirts with Abstraction” (Henry Art Gallery exhibition review). Seattle PostIntelligencer, 5 December 2003.
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Hackett, Regina. “SAM Survey Brings Minimalism into the Present” (exhibition review). Seattle PostIntelligence, 5 September 2003. Kuspit, Donald. “Richard Tuttle: Sperone Westwater” (exhibition review). Artforum (June 2003): 184. Mar, Alex. “Review” (Andrea Rosen Gallery exhibition review). New York Sun, 14 August 2007. Naves, Mario. “Slack Minimalist.” New York Observer, 12 May 2003: Arts and Entertainment, 18.
Schjeldahl, Peter. “The Little Paintings That Could” (Sperone Wetwater exhibition review). The New Yorker, 5 May 2003: 20. Siegel, Katy. “Shadow Boxes.” Bookforum (Summer 2003): 55. Tuttle, Richard. “Costume.” Overview [Crown Point Press newsletter] (Spring 2003): 1, 3.
2002 Catoir, Barbara. “Die Galerie Schmela ist Zurück mit Richard Tuttle” (exhibition review). Frankfurter Allgemeine Zeitung, 20 April 2002. Collins, Tom. “’Field of Dreams’: New Art Space Opens with Noteworthy Exhibit in Industrial Area of Santa Fe” (Dwight Hackett Projects exhibition review). Albuquerque Journal, 23 August 2002. Estevez, Jose Luis. “Richard Tuttle de retira con dos proyectos en Santiago y Oporto” (Centro Galego de Arte Contemporánea exhibition review). El País, 1 July 2002. Herchenröder, Christian. “Weidereröffnung der Düsseldorfer Galerie Schmela” (exhibition review). Handelsblatt, 23 April 2002. Hirsch, Faye. “Working Proof.” Art on Paper 7 (December 2002): 54–57, illustrated. Kennicott, Philip.”’Art City’: A Compelling Collection of Film Portraits.” Washington Post, 3 February 2002.
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Kudielka, Robert. “Über Richard Tuttle.” Sinn und Form 1 (2002): 131–134. MacAdam, Barbara A. “MoMA QNS” (exhibition review). Art News 101 (September 2002): 149. Meister, Helga. “Poesie der Erinnerung an den grossen Galeristen” (Galerie Schmela exhibition review). Westdeutsch zeitung/Düsseldorfer Nachrichten, 24 April 2002. Meister, Helga. “Review” (Galerie Schmela exhibition review). Kunstforum International 160 (June–July 2002): 381–382. Moreno, Gean. “Emily’s Way: Art as Idiosyncrasy.” Art Papers 26 (January–February 2002): 13. Perl, Jed. “Colors.” New Republic 226, 4 and 11 March 2002: 27–30. Princenthal, Nancy. “Artist’s Book Beat.” Art on Paper (March–April 2002): 98. “Richard Tuttle’s Modest, But Magnificent Art” (Tomio Koyama Gallery exhibition review). Daily Yomiuri, 18 April 2002. Stolz, George. “Review” (Museu Serralves de Arte Contemporânea exhibition review). Art News 101 (October 2002): 176. Storr, Robert. “Cosmic Relief: Richard Tuttle.” Artforum 40 (February 2002): 116–121, illustrated. Tuttle, Richard. “Artists Curate: Cosmic Relief.” Artforum 40 (February 2002): 116–121. Tuttle, Richard. “What Does One Look at in an Agnes Martin Painting? Nine Musings on the Occasion of her Ninetieth Birthday.” American Art 16 (Fall 2002): 92–95.
2001 Baker, Kenneth. “Great Art from Humble Means: Tuttle Work Vibrant at Anthony Meier Fine Arts Show” (exhibition review). San Francisco Chronicle, 20 January 2001: B1, B10.
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Baker, Kenneth. “Soul Searching: Current Events Cast New Light on Visual Art.” San Francisco Chronicle, 22 September 2001: 65. Brown, Gerard. “Four Elements” (Institute of Contemporary Art exhibition review). Philadelphia Weekly, 28 November 2001. Catoir, Barbara. “Richard Tuttle in Münster” (Richard Tuttle: Perceived Obstacles exhibition review). Frankfurter Allgemeine Zeitung, 16 March 2001. Dorazio, Jennifer. “Art in Triplicate.” Philadelphia Inquirer, 7 December 2001. Hirsch, Faye. “Review” (In Depth exhibition review). Art on Paper 5 (January–February 2001): 88. Keats, Jonathan. “The Plane Truth.” San Francisco (February 2001): 105. Kuhn, Nicola. “Das Hindernis ist das Ziel” (Richard Tuttle: Perceived Obstacles exhibition review). Tagesspiegel, 23 October 2001. Marcus, Ben. “The Least You Need to Know About Bones.” Frieze (January/February 2001): 78–81. “Mehr wissen: Werke von Richard Tuttle in Berlin” (Richard Tuttle: Perceived Obstacles exhibition review). Kölner Stadtanzeiger, 16 October 2001. Mills, Michael. “A Powerful Male/Female Dynamic Gives Life to MoCA’s Latest Permanent Collection Show” (exhibition review). New Times Broward-Palm Beach, 19 July 2001. Princenthal, Nancy. “Artist’s Book Beat” (Institute of Contemporary Art catalogue review). Art on Paper 6 (March–April 2002): 98–99. Ruthe, Ingeborg. “Wahrgenommene Hindernisse, Richard Tuttle will Stille und Konzentration: Die Akademie der Künste Berlin zeight sein Werk erstmals in Berlin” (Richard Tuttle: Perceived Obstacles exhibition review). Berliner Zeitung, 27 September 2001.
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Siegel, Katy. “Human, All Too Human” (Venice Biennale exhibition review). Artforum 40 (September 2001): 166–167. Siegel, Katy. “Richard Tuttle, In Parts, 1998–2001” (exhibition preview). Artforum (September 2001): 65. Smith, Roberta. “Green on Greene” (Sperone Westwater exhibition review). The New York Times, 7 December 2001: 32. Sozanski, Edward J. “A Tantalizing Sun of Connected Parts” (Institute of Contemporary Art exhibition review). Philadelphia Inquirer, 16 December 2001. Storr, Robert. “Harry’s Last Call” (Venice Biennale exhibition review). Artforum 40 (September 2001): 158– 159. Tanner, Christoph. “Review” (Richard Tuttle: Perceived Obstacles exhibition review). Radio Drei, 24 September 2001. Yablonsky, Linda. “Green on Greene” (Sperone Westwater exhibition review). Time Out New York, 22–29 November 2001: 58.
2000 Arning, Bill. “Richard Tuttle: Two With Any To” (exhibition review). Time Out New York, 3–10 February 2000: 61, illustrated. Baker, Kenneth. “Millennial Biennial: Whitney’s Showcase Expands Its Borders While Also Looking Inward” (exhibition review). San Francisco Chronicle, 23 March 2000. Bell, J. Bowyer. “Art in a New Century.” Review, 1 April 2000: 91–96. Borchhardt-Birbaumer, Brigitte. “Bekannter Post-Minimalist” (BAWAG Foundation exhibition review). Wiener Zeitung, 14 November 2000. Dannatt, Adrian. “NY Artist Q&A: Richard Tuttle.” Art Newspaper (February 2000): 69.
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Esplund, Lance. “Lit: Three Artists Sculpting with Light” (Sperone Westwater exhibition review). Modern Painters 13 (Spring 2000): 108–111. Frackman, Noel. “An Art to Save the World?” Review, 1 April 2000: 75, 78. Glueck, Grace. “Primer on Printmaking That Stresses Innovation” (AXA Gallery exhibition review). The New York Times, 8 December 2000. Goodrich, John. “Review” (Sperone Westwater exhibition review). Review, 15 January 2000: 14–15. Herzog, S. “Kunst aus sem Untergeschoss” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zürcher Zeitung, 21 January 2000. Hofleitner, Johanna. “Die Grenzen Erfoschen. Neuigkeiten von Richard Tuttle in der Bawag Foundation” (BAWAG Foundation exhibition review). Parnass 3 (September–October 2000): 128. Horny, Henriette. “Das ausgeschlossene ich” (BAWAG Foundation exhibition review). Kurier, 15 September 2000. “Introvertierte Endlosschleife” (BAWAG Foundation exhibition review). Die Furche, 21 September 2000. Kimmelman, Michael. “A New Whitney Team Makes Its Biennial Pitch” (exhibition review). The New York Times, 24 March 2000: E31, E33. Kimmelman, Michael. “Richard Tuttle: Two with Any To” (Sperone Westwater exhibition review). The New York Times, 28 January 2000: E37. Knight, Christopher. “Not Enough Reasons to Celebrate.” Los Angeles Times, 24 March 2000: 1, 21. Kruntorad, Paul. “Die Vollendung der ‘Antiform’ in Oktagon” (BAWAG Foundation exhibition review). Der Standard, 15 September 2000.
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Kutner, Janet. “New Looks: Whitney Goes National with Biennial Survey of Modern Scene” (exhibition review). Dallas Morning News, 23 April 2000: 1C, 10C. Markham, Pamela. Monumentalizing to a Fault.” Review, 1 April 2000: 71–74. Nahas, Dominique. “Review” (Sperone Westwater exhibition review). Review, 15 January 2000: 12–13. “Open Carefully.” Art on Paper 4 (March–April 2000): 27. Plath, Carina. “Review” (Whitney Museum of American Art exhibition review). Kunst-Bulletin, no. 5 (May 2000): 40. Poli, Francesco. “Review” (Galleri Cardi exhibition review). Tema Celeste 77 (January/February 2000): 96– 97. Princenthal, Nancy. “Richard Tuttle at Sperone Westwater” (exhibition review). Art in America 88 (May 2000): 160–161. Rath, Elisabeth. “Review” (BAWAG Foundation exhibition review). Salzburger Nachrichten, 16 September 2000. “Review: Richard Tuttle” (Sperone Westwater exhibition review). The Village Voice, 1 February 2000: 87. Richard, Raul. “Whitney’s Sampler: For Browsers, Biennial 2000 Goes Down Easy, Leaves No Aftertaste” (exhibition review). Washington Post, 31 March 2000. Saunders, Elisabeth. “Not Lost, Not Found: Bill Bollinger.” Art in america 88 (March 2000): 104–117+. Schjeldahl, Peter. “Pragmatic Hedonism: The Pleasant Surprise of the New, in Two Big Surveys” (Whitney Museum of American Art exhibition review). The New Yorker, 3 April 2000: 94–95. Sheets, Hilarie M. “Review” (Karen McCready Gallery exhibition review). Art News 99 (December 2000): 158, 160.
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Siegel, Katy. “Biennial 2000” (exhibition review). Artforum 38 (May 2000): 171–173. Siegel, Katy. “The Long List.” Artforum 38 (January 2000): 32. Siegel, Katy. “The Max Factor: Whitney Biennial 2000.” Artforum 38 (March 2000): 110–117. Siegel, Katy. “Richard Tuttle, Sperone Westwater” (exhibition review). Artforum 38 (April 2000): 140. Stevens, Mark. “Built for Comfort” (Whitney Museum of American Art exhibition review). New York, 3 April 2000: 58, 60. Sussman, Elisabeth. “Report from Oporto: Sorting Out the ‘60s” (Museu Serralves exhibition review). Art in America 88 (May 2000): 59–63. Thon, Ute. “Konfektionsware Kunst” (Whitney Museum of American Art exhibition review). Kunstforum International 151 (July–September 2000): 408–411. “Tuttle’s Quest for the ‘Loved Line’” (BAWAG Foundation exhibition review). Austria Today, 12 September 2000. “Verletzlich und flüchtig” (BAWAG Foundation exhibition review). Die Presse, 25 September 2000. “Whitney 2000.” Interview by David Shapiro. NY Arts 5 (March 2000): 37–39. Wilkin, Karen. “At the Galleries” (Sperone Westwater exhibition review). Partisan Review 67 (Spring 2000): 291. Wilkinson, Jeanne C. “There’s a Fly in my Art!” Review, 1 April 2000: 22–25. Windsor, John. “Alternative Investments: It’s Pinned to the Art” (British Museum exhibition review). Observer (5 March 2000).
1999
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Artner, Alan C. “Community Is Key When Tuttle Puts up a Show” (Arts Club of Chicago exhibition review). Chicago Tribune, 13 May 1999. Barten, Walter. “Lustoord voor elite” (Museu Serralves exhibition review). Het Financieele Dagblad, 31 July 1999. Catoir, Barbara. “Flieg, wohin dein Aug’ dich trägt” (Ludwig Forum für Internationale Kunst exhibition review). Frankerfurter Allgemeine, 20 January 1999. Chauvy, Laurence. “Avec l’artiste Richard Tuttle la peinture sort des ses cadies” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Godfrey, Tony. “Review” (Church of Saint Paulinus exhibition review). Burlington Magazine 141 (May 1999): 309. Hackett, Regina. “Opposites Converge Fluidly at Kucera” (exhibition review). Seattle Post-Intelligencer, 22 January 1999. Johnson, Reed. “Under the Hood of Modern Art: Method Means Everything at MOCA Show” (exhibition review). Daily News of Los Angeles, 6 August 1999. Kimmelman, Michael. “At the Met with Richard Tuttle: Influence Cast in Stone.” The New York Times, 14 May 1999. Livingston, Mark. “Uber Emotionen zur Einfachheit” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Presse, 10 November 1999. Marino, Pietro. “A Bari l’are di Tuttle linea di frontiera contro il càos del mondo” (Galleria Marilena Bonomo exhibition review). La Gazetta del Mezzogiorno, 3 April 1999. Narwocki, James. “Review” (Wattis Institute for Contemporary Art exhibition review). New Art Examiner 26 (May 1999): 61.
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Pagel, David. “’Afterimage’ Reviews Artists Making Rational Art on Paper” (exhibition review). Los Angeles Times, 21 April 1999. Princenthal, Nancy. “Artist’s Book Beat” (catalogue review). Art on Paper 3 (March–April 1999): 70–71. Puvogel, Renate. “Review” (Ludwig Forum für Internationale Kunst exhibition review). Kunstforum International 144 (March–April 1999): 367–368. Roth, Charlene. “Review” (Afterimage exhibition review). New Art Examiner (November 1999): 50–51. Scardi, Gabi. “Review” (Galleria Marilena Bonomo exhibition review). Il Sol 24 Ore, 9 May 1999. Schenkel, Ronald. “Das Kunstwerk als Geste” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 20 November 1999. Scherr, Apollinaire. “Prying Our Minds Open” (Wattis Institute for Contemporary Art exhibition review). East Bay Express, 19 February 1999: 20.
1998 Affentranger-Kirchrath, Angelika. “Punktierte Räume: Richard Tuttle bel Annemarie Verna” (exhibition review). Neue Zürcher Zeitung, 15 August 1998. Affentranger-Kirchrath, Angelika. “Review” (Annemarie Verna Galerie exhibition review). Neue Bildende Kunst 8 (October–November 1998): 75–76. Altfest, Ellen. “Review” (Sperone Westwater exhibition review). NY Arts (March–April 1998): 10. Amy, Michael. “Review” (Sperone Westwater exhibition review). Art in America 86 (September 1998): 121– 122. Domandi, Mary-Charlotte. “Review” (James Kelly Contemporary exhibition review). Art News 97 (November 1998): 173.
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Gardner, Paul. “Taking the Plunge.” Art News 93 (February 1998): 110–113. Glueck, Grace. “Review” (A/D exhibition review). The New York Times, 19 June 1998. Kutner, Janet. “Shared Line of Work” (Modern Art Museum of Fort Worth exhibition review). Dallas Morning News, 26 April 1998. Levine, Jo Ann. “Collecting on a Shoestring” (From Minimal to Conceptual Art exhibition review). Jerusalem Post, 10 July 1998. Livingston, Mark. “Mit den Augen des Künstlers sehen” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Presse, 20 November 1998. Mauer, Simon. “Richard Tuttle, 70er Jahre ungealtert” (Annemarie Verna Galerie exhibition review). Züritip, 17–23 August 1998: 32. Mitchell, Charles Dee. “A Metaphysics of Simplicity” (Modern Art Museum of Fort Worth exhibition review). Art in America 86 (November 1998): 122–123. Morgan, Robert C. “The Return of Richard Tuttle” (Sperone Westwater exhibition review). Review, 1 March 1998: 24–25. Protzman, Ferdinand. “Review” (Numark Gallery exhibition review). Washington Post, 21 December 1998. Pulkka, Wesley. “Reconstruction Reflect Peaceful Insanity” (Modern Art Museum of Fort Worth exhibition review). Albuquerque Journal, 20 August 1998. “Review” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zürcher Zeitung, 27 November 1998. “Review” (Sperone Westwater exhibition review). Tema Celeste 69–70 (July–September 1998): 65. “Richard Tuttle und die Wiener Moderne” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Die Weltwoche, 3 December 1998.
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Schenkel, Ronald. “Mit den Augen des Künstlers sehen” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 20 November 1998. Schwabsky, Barry. “Review” (Sperone Westwater exhibition review). Artforum 36 (May 1998): 146. Sherman, Mary. “Exhibit Redefines the Nature of Drawing” (Arthur M. Sackler Museum exhibition review). Boston Herald, 11 January 1998. Smith, Roberta. “Review” (Sperone Westwater exhibition review). The New York Times, 27 February 1998. Weinstein, Joel. “Review” (Modern Art Museum of Fort Worth exhibition review). Art Papers 22 (November– December 1998): 61. Whitney, Kathleen. “Richard Tuttle: No Way You Can Frame It.” Sculpture 17 (March 1998): 32–37; cover.
1997 Cataldo, Luciana. “Alla Galleria Bonomo l’americano Richard Tuttle” (exhibition review). Puglia, 23 March 1997. Clancy, Luke. “Making Something Out of Nothing” (Camden Arts Centre exhibition review). Irish Times, 30 April 1997. Coomer, Martin. “Review” (Camden Arts Centre exhibition review). Time Out London, 8–15 January 1997: 49. Cotter, Holland. “A Show that Could Travel in Just a Carry-on-Bag” (At the Threshold of the Visible exhibition review). The New York Times, 13 December 1997. Cruz, Juan. “Review” (Camden Arts Centre exhibition review). Art Monthly 203 (February 1997): 28–29. Dault, Gary Michael. “The Spare, Effortless Charms of Richard Tuttle” (Art Gallery of York exhibition review). Globe and Mail, 29 October 1997.
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“Défricheur de zones hybrides entre peinture et sculpture, Richard Tuttle se prend le pieds dans les broussailles” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Journal de Genève, 9 August 1997. Di Tursi, Marilena. “Un sussurro di esistenza dale opera di Richard Tuttle” (Galleria Bonomo exhibition review). Barisera, 18 February 1997. Filler, Martin. “Art Books Whose Art Is the Book” (Widener Gallery exhibition review). The New York Times, 16 February 1997. Frank, Peter. “Review” (University Art Museum exhibition review). LA Weekly, 18–24 April 1997. Gardner, Paul. “Richard Tuttle’s Paper Liberation.” On Paper 1 (January–February 1997): 18–21. Godfrey, Tony. “Review” (Camden Arts Centre exhibition review). Burlington Magazine 139 (February 1997): 133–134. Gottlieb, Shirley. “25 Enigmatic Artworks That Defy Description” (University Art Museum exhibition review). Press-Telegram, 9 April 1997. Hürlimann, Adrian. “Das Schlimmste ist der Erfolg!” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Presse, 6 June 1997. Kurjakovic, Daniel. “Entzug des Sichbaren zwecks Sehen: Richard Tuttle im Kunsthaus Zug” (exhibition review). Neue Zürcher Zeitung, 9 July 1997. Livingston, Mark. “Der unverklärte Blick auf die Kunst” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Zuger Press, 23 July 1997. MacAdam, Alfred. “An Affair with the Book” (Widener Gallery exhibition review). Art News 96 (September 1997): 72.
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McEwen, John. “Big and Very Teutonic” (Camden Arts Centre exhibition review). Sunday Telegraph, 5 January 1997. Petruzzelli, Giusy. “Richard Tuttle et la poetica binaria” (Galleria Bonomo exhibition review). Il Roma (Naples), 22 February 1997. “Review” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zürcher Zeitung, 9 July 1997. Roos, Renate. “Poesie der groben Platten, Puristische Gestaltung: Werek von Richard Tuttle in der Galerie Limmer” (exhibition review). Kölner Stadt-Anzeiger, 29 July 1997. Schade, Christopher. “Absence Makes the Minimalist Grow Profounder” (From Minimal to Conceptual Art exhibition review). Austin American-Statesman, 26 November 1997. Schenkel, Ronald. “Dokumentation und Interpretation” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 17 July 1997. Schenkel, Ronald. “Nichts ist schlimmer als der Erfolg” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 6 June 1997. Searle, Adrian. “Arts: Splash on the Trash” (Camden Arts Centre exhibition review). The Guardian, 7 January 1997. Storr, Robert. “Just Exquisite? The Art of Richard Tuttle.” Artforum 36 (November 1997): 87–93+; cover. Sutherland, Giles. “Review” (Camden Arts Centre exhibition review). The Scotsman, 27 June 1997. Sutherland, Giles. “Window on an Open Mind.” The Scotsman, 30 June 1997. Vetrocq, Marcia E. “The 1997 Biennale: A Space Odyssey” (exhibition review). Art in America 85 (September 1997): 66–77.
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Wilson, William. “The ‘60s Unite Contrasting Exhibitions” (University Art Museum exhibition review). Los Angeles Times, 29 March 1997. Zsófia, Beke. “Súlytalan Szobrok Súlyos Téerbe? (Oberösterreichisches Landesmuseum exhibition review). Új Muvészet 8 (Summer 1997): 19–23. Zwez, Annelise. “Kann man zeitgenossische Kunst überhaupt noch sammlen? Zug sucht Wege der Zusammenarbeit” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Solothurner Zeitung, 14 June 1997. Zwez, Annelise. “Objekte in labilen Gkeichgewichten” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Aurgauer Zeitung, 14 June 1997.
1996 Diehl, Carol. “Birds, Beads, and Bannerstones: Twelve Artists Describe Their Personal Collections.” Art News 95 (Summer 1996): 76–84. Eauclaire, Sally. “Review” (Sperone Westwater exhibition review). Art News 95 (October 1996): 137. Fleishmann, Eric. “Ephemera Eternalized” (Widener Gallery exhibition review). Hartford Advocate, 14 November 1996. Gerber, Elizabeth. “Das Museum im Kopf: Das Zuger ‘Projekt Sammlung’” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Stehplatz 5 (June–August 1996): 3. Giger, Romeo.”Brücke zwischen Kunst und Leben: Ein beachtenswertes Experiment im Kunsthaus Züg” (exhibition review). Neue Züricher Zeitung, 8 July 1996. Gooding, Mel. “Review” (Camden Arts Centre exhibition review). Galleries 14 (December 1996). Kimmelman, Michael. “Art in Review: Richard Tuttle” (Sperone Westwater exhibition review). The New York Times, 20 September 1996: C26.
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Mack, Gerhard. “Der Künstler als Zugvogel: Das Kunsthaus im schweizerischen Zug erprobt ein neues Konzept” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Süddeutsche Zeitung, 26 November 1996. Mack, Gerhard. “Der Künstler als Zugvogel: Das Kunsthaus Zug erprobt ein neues Sammlungskonzept” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Kunst-Bulletin 6 (1996): 22–25. Mack, Gerhard. “Kultur im Zuge der Zeit: Warum die Steueroase Züg neuerdings Magnet für internationale Kunstatars ist” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Cash, 7 July 1996. Mack, Gerhard. “Kunst für Zwei: Richard Tuttle und Sol LeWitt in Zürich” (Annemarie Verna Galerie exhibition review). Cash, 16 February 1996. “Neuartiges Sammlungs-Projekt” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Thurgauer Tagblatt, 5 August 1996. Oehmigen, Karin. “Wit sammeln Künstler nicht Kunst: Pionierhaftes Projekt im Kunsthaus Zug” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Sonntags Zeitung, 2 June 1996. Omlin, Sybille. “Künstler sammeln statt Kunst” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 1 June 1996. Parsons, Deborah. “Material Metaphysics” (Camden Arts Centre exhibition review). London Student, 3 December 1996: 16. Reissner, Katja. “Zweitweise Gas tim asthetischen Raum. Ausstellung des Amerikaners Richard Tuttle im Mies van der Rohe Haus” (exhibition review). Der Tages Spiegel, 11 December 1996. “Review” (Galerie Yvon Lambert exhibition review). Figaroscope, 26 June 1996. Roßling, Ingo. “Striche’ von Richard Tuttle im perfekt komponierten Rahmen” (Mies van der Rohe Haus exhibition review). Berliner Morgenpost, 11 December 1996.
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Schenkel, Ronald. “Das Kunstwerk als Metapher für die Welt” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 29 May 1996. Schenkel, Ronald. “Die Welt und ihre Darstellbarkeit” (Richard Tuttle: Replace the Abstract Picture Plane exhibition review). Neue Zuger Zeitung, 18 July 1996. Schjeldahl, Peter. “After the Revolution” (Sperone Westwater exhibition review). Village Voice, 1 October 1996: 76. Schwendenwein, Jude. “Tuttle Show Could Use More of His Sculptres” (Widener Gallery exhibition review). Harford Courant, 3 November 1996. Tuttle, Richard. “September 21, 1989, for Karl Hikade.” In New Observations, no. 113 (Winter 1996): 30 [and http://www.plexus.org/newobs/113/index.html]
1995 Artner, Alan G. “At Hoffman, Tuttle’s Collages Sneak into Three Dimensions” (Rhona Hoffman Gallery exhibition review). Chicago Tribune, 1 December 1995. Baker, Kenneth. “Artist’s Night-Lights for a Dark Time” (Daniel Weinberg Gallery exhibition review). San Francisco Chronicle, 6 October 1995. Camper, Fred. “Space Oddities” (Rhona Hoffman Gallery exhibition review). Chicago Reader, 24 November 1995: 30. Cross, G. “Exclusive Interview with Richard Tuttle.” The Magazine 3 (April 1995): 8–13. Duncan, Michael. “Review” (Mary Boone Gallery exhibition review). Art in America 83 (September 1995): 106. Fujimaki, Mary. “Soaring High among the Seraphim” (Sezon Museum of Art exhibition review). Japan Times 23 September 1995.
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Greene, David A. “Dangerous Curves Ahead: Richard Tuttle’s Open-Ended Abstraction” (Burnett Miller Gallery exhibition review). Los Angeles Reader, 13 January 1995: 11. Hawkins, Margaret. “Tuttle Brings Invisible World to Light” (Rhona Hoffman Gallery exhibition review). Chicago Sun-Times, 24 November 1995. Iannaccone, Carmine. “Review” (Burnett Miller Gallery exhibition review). Art Issues 37 (March–April 1995): 43. Kalil, Susie. “Original Art? Woks and the Menil and Texas Gallery Suggest Artists Can Still Be Unique—Even in Imitation” (exhibition review). Houston Press, 5–11 January 1995: 30–31. Lind, Ingela. “Anspråkslösa rop på evigheten” (Anders Tornberg Gallery exhibition review). Dagens Nyheter, 23 April 1995. Papa, Liviano. “Itinerari turistici sulle orme dell’arte: Dalla pittura figurative all scultura intellettuale” (Galleria Marilena Bonomo exhibition review). Il Nord, 16 March 1995. Perron, Joel. “Richard Tuttle’s Subtle Rebuttal to Modernism” (Sezon Museum of Art exhibition review). Daily Yomiuri, 15 September 1995. Zetterström, Jelena. “Det operfektas perfektionist” (Anders Tornberg Gallery exhibition review). Sydsvenska Dagbladet, 22 April 1995.
1994 Carnegie, M.D. “Playfulness—or Fakery—on Display” (From Minimal to Conceptual Art exhibition review). Washington Times, 29 May 1994. Chadwick, Susan. “Richard Tuttle’s Atypical Artwork Opens the Mind” (Texas Gallery exhibition review). Houston Post, 27 December 1994. Lewis, Jo Ann. “A Prescient Present: The Vogels Collected Art No One Wanted. Now It’s Prized by the National Gallery” (From Minimal to Conceptual Art exhibition review). Washington Post, 5 June 1994.
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Pagel, David. “Richard Tuttle, a Minimalist Who Likes Going to Extremes” (Burnett Miller Gallery exhibition review). Los Angeles Times, 15 December 1994. Pinte, Jean-Louis. “Review” (Galerie Yvon Lambert exhibition review). Figaroscope, 6–12 April 1994. Raynor, Vivian. “Minimalism, and After That” (Whitney Museum of American Art at Champion exhibition review). The New York Times, 26 June 1994. Steiner, Juri. “Verlassene Kultstätte: Richard Tuttle; Ausstellung in Zürich” (Annemarie Verna Galerie exhibition review). Neue Zürcher Zeitung, 1 October 1994. Stoddard, Leah. “Review” (exhibition review). New Art Examiner 21 (February 1994): 38–39. Suchère, Eric. “Review” (Galerie Yvon Lambert exhibition review). Les Journal des Expositions 15 (April 1994). Vezin, Luc. “Review” (Galerie Yvon Lambert exhibition review). Informatin, 29 March 1994.
1993 Baker, Kenneth. “Richard Tuttle at University Art Museum” (exhibition review). San Francisco Chronicle, 10 November 1993. Baker, Kenneth. “Tuttle Shows in Berkeley, S.F.” (University Art Museum and Crown Point Press exhibitions review). San Francisco Chronicle, 23 September 1993. Bonetti, David. “Zen and the Art of Filling UAM” (exhibition review). San Francisco Examiner, 19 November 1993. D’Ella, Anna. “Richard Tuttle: l’occhio al fondo delle cassette” (Galleria Marilena Bonomo exhibition review). La Gazzetta del Mezzogiorno, 24 June 1993.
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Haesh, Richard. “An American Poet: Richard Tuttle in der Kunsthalle Baden-Baden” (exhibition review). Neue Zürcher Zeitung, 15 March 1993 Harris, Susan. “Forum: Richard Tuttle’s Beckmann Drawing VII.” Drawing 15 (May–June 1993): 11–12. “L’americano Tuttle e spazio tra cose” (Galleria Marilena Bonomo exhibition review). Puglia, 5 June 1993. Liebmann, Lisa. “Review” (Mary Boone Gallery exhibition review). Artforum 31 (January 1993): 82. Manheimer, Steve. “Tut, Tut-Tuttle’s Star Is Rising, with ‘Whole’ Show at IMA” (Indianapolis Museum of Art exhibition review). Indianapolis Star, 10 October 1993. Princenthal, Nancy. “Numbers of Happiness: Richard Tuttle’s Books.” Print Collector’s Newsletter 24 (July– August 4–6): 81–86. Welish, Marjorie. “Review” (Mary Boone Gallery and Lawrence Markey Gallery exhibitions review). Tema Celeste 39 (Winter 1993): 82–83.
1992 “Agnes Martin, Richard Tuttle” (Galerie Yvon Lambert exhibition review). Le Gazette, 12 June 1992. Alberge, Dalya. “Contemporary Art Market: 14-inch Plank Communicates Delicate Interplay for £6,000.” The Independent, 20 January 1992. Andujar Chavarri, E.L. “Tuttle, en el IVAM: Un minimal en la corte del Rey Instalación” (exhibition review). Las Provincias, 9 July 1992. Bouyeure, Claude. “Review” (Galerie Yvon Lambert exhibition review). L’Oeil 442 (June 1992): 76. “El IVAM inaugurará el Jueves la primera retrospective europeä de Richard Tuttle” (exhibition review). El Pais, 23 June 1992.
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Cotter, Holland. “Better to Display than Merely Receive” (Whitney Museum of American Art exhibition review). The New York Times, 29 May 1992. Cotter, Holland. “Review” (Mary Boone Gallery and Lawrence Markey Gallery exhibitions review). The New York Times, 10 October 1992. Fernandez-Cid. Miguel. “La más completa exposición de Richard Tuttle, en el IVAM valenciano” (exhibition review). Diario, 15 August 1992. Gardner, Paul. “Waking Up and Warming Up: How Some Artists Get Motivated to Work.” Art News 91 (October 1992): 114–117. Giger, Romeo. “Homo ludens americanus: Richard Tuttle im Kunstmuseum Winterthur” (Kunstmuseum Winterthur exhibition review). Neue Zürcher Zeitung, 9 April 1992. Glueck, Grace. “In the Spirit of Gogol, a Gag on Soviet Clichés” (Mary Boone Gallery exhibition review). 5 October 1992. Hiltmann, Gabriela. “Richard Tuttle im Kunstmuseum Winterthur: Schritte über Grenzen” (Institute of Contemporary Art, Amsterdam, exhibition review). Basler Zeitung, 14 April 1992. Holman, Bob. “Richard Tuttle [interview].” Bomb (October 1992): 30–36. Jarque, Vicente.”Dibujo en el espacio” (Instituto Valenciano de Arte Moderno exhibition review). El Pais, 13 July 1992. Jolles, Claudia. “Review” (Annemarie Verna Galerie exhibition review). Artforum 30 (Summer 1992): 120– 121. Kalina, Richard. “Review” (Mary Boone Gallery and Lawrence Markey Gallery exhibitions review). Art in America 80 (November 1992): 131–132. Krebs, Edith. “Spielerische Archaik: Zur Ausstellung des Amerikaners Richard Tuttle in Winterthur” (Kunstmuseum Winterthur exhibition review). Tages-Anzeiger, 15 April 1992.
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Krebs, Edith. “There’s No Reason…Zu den Floor Drawings von Richard Tuttle” (Kunstmuseum Winterthur exhibition review). Artis 44 (March 1992): 44–48. Ladermann, Christoph. “Typische Galerien-und Kunsthallenkunst: Neuere Arbeiten von Richard Tuttle in Kunstmuseum Winterthur” (exhibition review). Zürcher Unterlaender Züruchbieter, 1 April 1992. LaGardera, Juan. “El IVAM reconstruye el camino creativo de Tuttle, del minimalismo al desenfreno” (exhibition review). La Vanguardia, 17 July 1992. Mack, Gerhard. “Energie in Formen bringen: Der amerikaner Richard Tuttle in Kunstmuseum Winterthur” (exhibition review). Schaffhauser Nachrichten, 8 April 1992. Mack, Gerhard. “Formen für Formloses: Richard Tuttles ‘Floor Drawings’ im Kunstmuseum Winterthur” (exhibition catalogue). Suddeutshe Zeitung, 27 April 1992. Mebold, Adrian. “Fragiles, Prezioses und Kunst über Kunst” (Kunstmuseum Winterthur exhibition review). Der Landbote, 4 April 1992. Mebold, Adrian. “Wenn die Zeichnungen poetische Konstruktionen warden” (Kunstmuseum Winterthur exhibition review). Der Landbote, 30 March 1992. “Multiples and Objects and Books.” Print Collector’s Newsletter 23 (July–August 1992): 106–107. “Prints and Photographs Published.” Print Collector’s Newsletter 23 (July–August 1992): 103–106. “Red Oxyd: Richard Tuttle’s Choice” (exhibition review). Kunst & Museumjournaal 4 (1992): 70. “Review” (Studio la Cittá exhibition review). Arena, 10 February 1992. “Review” (Kunstmuseum Winterthur exhibition review). Der Bund, 14 April 1992. “Richard Tuttle im Kunstmuseum Winterthur: Fragile Skulpturen” (exhibition review). Elgger Zeitung, 2 April 1992.
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Ross, Michael. “Review” (Mary Boone Gallery exhibition review). Flash Art 167 (November–December 1992): 97. Roth, Jean-Jacques. “Le maîde l’anti-sems est à Winterthour” (exhibition review). Le Nouveau Quotidien, 6 May 1992. Steenbergen, Renée. “Richard Tuttle maakt van Boymans’ collective expositie: Hooghartig of vrolijk aardewerk” (Museum Boymans-van Beuningen exhibition review). NRC Handelsblad, 7 November 1992. Tuttle, Richard. “Quotation of the Day.” The New York Times, 11 February 1992. Van de Walle, Mark. “Review” (Laura Carpenter Fine Art exhibition review). THE Magazine: Santa Fe’s Monthly Magazine 1 (November 1992): 34. Von Dänikenm Hans-Peter. “Zeichnungen in drei Dimensionen: Richard Tuttle im Kunstmuseum Winterthur” (exhibition review). Luzerner Neuste Nachrichten, 2 April 1992. Yague, Amparo. “En los limites de Richard Tuttle” (Instituto Valenciano de Arte Moderno exhibition review). A B C de Las Artes, 28 August 1992.
1991 Alnardi, Dolène. “Review” (Galerie Pierre Hubert exhibition review). Art Press 163 (November 1991): 100. Artner, Alan G. “Tuttle Collages Speak Softly, But Powerfully” (Rhona Hoffman Gallery exhibition review). Chicago Tribune, 15 March 1991. Baker, Kenneth. “It’s the ‘60s Again with ‘New Sculpture’” (The New Sculpture 1965–75 exhibition review). San Francisco Chronicle, 2 May 1991. Bonetti, David. “Ten Who Shaped Their World” (The New Sculpture 1965–75 exhibition review). San Francisco Examiner, 20 March 1991.
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Brea, José Luis. “Review” (Galeria Weber, Alexander, y Cobo exhibition review). Artforum 30 (December 1991): 111. Brunon, Bernard. “Richard Tuttle, Collage-Drawings.” Artstudio (Paris) 23 (Winter 1991): 120–127. Caioppo, Nancy. “From Waste to Art: Artists Find Beauty in Refuse at Center for the Arts Exhibit” (exhibition review). Rockland Journal News, 4 October 1991. Chauvy, Laurence. “A l’image de la spirale” (Galerie Pierre Hubert exhibition review). Journal de Genève, 10 September 1991. Cutajar, Mario. “An Acquiescent Dignity” (The New Sculpture 1965–75 exhibition review). Artweek, 11 April 1991: 1, 16. Faust, Gretchen. “Review” (Blum Helman Gallery exhibition review). Arts Magazine 65 (March 1991): 103. Fernandez, Horacio. “Arte y Ensayo: Acuarelas de Richard Tuttle” (Galeria Weber, Alexander, y Cobo exhibition review). El Mundo, 11–17 October 1991: 78. Fontrodona, Oscar. “Richard Tuttle: ‘El arte es invisible; está en algún lugar entre la material y el espiritu’” (Fundació “la Caixa” exhibition review). ABC Cataluña, 26 March 1991. Grove, Nancy. “Review” (Blum Helman Gallery exhibition review). Art and Antiques 8 (May 1991): 103. Knight, Christopher. “MOCA’s ‘New Sculpture’ a Fine March of Work, Space” (exhibition review). Los Angeles Times, 20 February 1991. Levin, Kim. “Review” (Blum Helman Gallery exhibition review). Village Voice. 15 January 1991: 93. Nobis, Beatrix. “Zwischen Abbruch und Aufbau des Werkes die Utopie verwirklichen: Ammerkungen zur Ironie in der Skulptur und Objektkunst der Gegenwart.” Kunst und Antiquitäten 12 (1991): 50–55. Nyllenegger, François. “Review” (Galerie Pierre Hubert exhibition review). 7–8 September 1991.
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Pagel, David. “Ephemerality Is Essential in ‘Raw’ Exhibit” (Sue Spaid Fine Art exhibition review). Los Angeles Times, 8 August 1991. Pincus, Robert L. “Ambitious Survey of Contemporary Sculpture” (The New Sculpture 1965–75 exhibition review). San Diego Union, 7 April 1991. “Review” (Galeria Weber, Alexander, y Cobo exhibition review). A B C, 19 September 1991: 129. “Review” (Fundació “la Caixa” exhibition review). Diari de Lleida, 20 March 1991. “Review” (Blum Helman Gallery exhibition review). The New Yorker, 7 January 1991: 10. “Review” (Fundació “la Caixa” exhibition review). El Observador, 23 March 1991. Schaffner, Ingrid. “Review” (Blum Helman Gallery exhibition review). Artscribe 87 (Summer 1991): 68. Serraller, F. Calvo. “La poética del orden” (Galeria Weber, Alexander, y Cobo exhibition review). El Pais, 28 September 1991. Zimmer, William. “Big Names in the Recycling Game Coax Poetry from Debris” (Rockland Center for the Arts exhibition review). The New York Times, 20 October 1991.
1990 Anfam, David. “Evaluating a Radical Decade” (The New Sculpture 1965–75 exhibition review). Art International 12 (Autumn 1990): 94–95. Carrier, David. “New York: Why We Love What We See” (Blum Helman Gallery exhibition review). Art International 11 (Summer 1990): 66–68. Carrier, David. “Review” (The New Sculpture 1965–75 exhibition review). Burlington Magazine 132 (May 1990): 377–378. Castro, X. Antón. “Review” (Galerie Yvon Lambert exhibition review). Next 68 (May 1990): 77.
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Cohen, Ronny H. “Minimal Prints.” Print Collector’s Newsletter 21 (May–June 1990): 42–46. Friedrichs, Yvonne. “Fragile Wandobjekte” (Galerie Schmela exhibition review). Rheinische Post, 1 February 1990. Grove, Nancy. “Review” Brooke Alexander exhibition review). Art and Antiques 7 (May 1990): 151. Heartney, Eleanor. “Review” (The New Sculpture 1965–75 exhibition review). Art News 89 (September 1990): 168. Huard, Michael. “Le Whitney célèbre dix ans de sculpture Américaine” (exhibition review). Espace 7 (September–November 1990): 11–13. Kipphoff, Petra. “Weniger ist Mehr” (Sprengel Museum Hannover exhibition review). Die Zeit, 6 July 1990: 60. Kreibohm, Joachim. “Review” (Sprengel Museum Hannover exhibition review). NIKE 34 (July–September 1990): 42. Nobis, Beatrix. “Ein Narr am Hofe der Modern” (Sprengel Museum Hannover exhibition review). Süddeutsche Zeitung, 31 July 1990. Schlagheck, Irma. “Hannover: Richard Tuttle, ein Asket entdeckt die Opulenz” (Sprengel Museum Hannover exhibition review). Art: Das Kunstmagazin 6 (June 1990): 124–125. Schmidt, Eva. “Richard Tuttle: Objekte und Zeichnungen, Sprengel Museum” (exhibition review). Kunstforum International 109 (August–October 1990): 370–371. Smith, Roberta. “Review” (Blum Helman Gallery exhibition review). The New York Times. 7 December 1990. Smith, Roberta. “Sculpture at the Whitney: The Radical Years” (exhibition reviews). The New York Times, 9 March 1990.
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Willems, Sophia. “Das Leichte ist konpliziert: Neue Kunstgeschöpfe von Richard Tuttle in der Galerie Schmela” (exhibition review). Düsseldorfer Nachrichten, 16 January 1990. Winter, Peter. “Pappteller und Poesie: Richard Tuttle in einer Düsseldorfer Galeriausstellung” (Galerie Schmela exhibition review). Frankfurter Allgemeine Zeitung, 6 February 1990. Winter, Peter. “Shape Is Not Abstract” (Galerie Schmela exhibition review). Art International 11 (Summer 1990): 79. Zahm, Olivier. “Review” (Galerie Yvon Lambert exhibition review). Art Press 147 (May 1990): 96. Zerull, Ludwig. “Kunst zum Suchen” (Sprengel Museum Hannover exhibition review). Hannoversche Allgemeine Zeitung, 14 June 1990.
1989 Kalina, Richard. “Review” (Blum Helman Warehouse exhibition review). Arts Magazine 63 (February 1989): 80. Kuspit, Donald. “Review” (Blum Helman Warehouse exhibition review). Artforum 27 (February 1989): 127. Morgan, Robert C. “Eccentric Abstraction and Postminimalism. From Biomorphic Sensualism to Hard-Edge Concreteness.” Flash Art 144 (January–February 1989): 73–81. Princenthal, Nancy. “Review” (Blum Helman Warehouse exhibition review). Art in America 77 (March 1989): 143.
1988 D’Elia, Anna. “Esigui come recordi” (Galleria Marilena Bonomo exhibition review). La Gazzetta del Mezzogiorno, 9 November 1988. Wilson, Andrew. “Review” (Galerie Meert Rihoux exhibition review). Artscribe 72 (November–December 1988): 91.
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1987 Brenson, Michael. “Review” (Kent Fine Art exhibition review). The New York Times, 20 February 1987. Cameron, Dan. “Documenta & Kassel: What Comes After the Hunger for Pictures? A Cautious PostModernism Whose Mysterious Logic Satisfies No One. An Overview of Documenta and Skulptur Projekte in Münster” (exhibition review). Flash art 136 (October 1987): 61–68. Draxler, Helmut. “Review” (Neue Galerie am Landesmuseum Joanneum exhibition review). Artforum 31 (September 1987): 141–142. Hollenstein, Roman. “Review” (Annemarie Verna Galerie exhibition review). Neue Zürcher Zeitung, 22 April 1987. Philpott, Clive. “Artist’s Booklets.” Printed Matter 1986–1987 catalogue, http://www.printedmatter.org/about/booklets.cfm. Richard, Paul. “Fads & Furious: At the Whitney, the Show You Love to Hate” (exhibition review). Washington Post, 26 April 1987. Smith, Roberta. “Review” (Blum Helman Gallery exhibition review). The New York Times, 2 January 1987. Thomas, Mona. “Portrait: Richard Tuttle” (Galerie Yvon Lambert exhibition review). Beaux Arts Magazine 50 (October 1987): 110–113. Winter, Paul. “Review” (Kunsthalle Bielefeld exhibition review). Das Kunstwerk 40 (September 1987): 185– 187.
1986 Cooke, Lynne. “Review” (Victoria Miro Gallery exhibition review). Artscribe International 58 (June–July 1986): 73.
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McEvilley, Thomas. “Review” (Kunsthaus Zurich exhibition review). Artforum 24 (April 1986): 120–121. Plagens, Peter. “I Just Dropped In to See What Condition My Condition Was In” (Blum Helman Gallery exhibition review). Artscribe 56 (February–March 1986): 22–29. “Secret Ways to Remain Happy No. 1–5.” Taidehalli (Helsinki) 86 (1986). Thomas, Mona. “Review” (Galerie Yvon Lambert exhibition review). Figura 7–8 (1986): 73. Wulffen, Thomas. “Review” (Galerie Onnasch exhibition review). Kunstforum 85 (October 1986): 298–299. Zellweger, Harry. “Review” (Kunsthaus Zurich exhibition review). Das Kunstwerk 39 (April 1986): 67–69.
1985 Adolphs, Volker. “Review” (Städtisches Museum Abteiberg exhibition review). Das Kunstwerk 38 (December 1985): 77. Campbell, Lawrence. “Review” (Blum Helman Gallery exhibition review). Art in America 72 (February 1985): 146–147. Catoir, Barbara. “Richard Tuttle, eine Austellung in Mönchengladbach: Raumen, Zeiche, Materialien” (Städtisches Museum Abteiberg exhibition review). Frankfurter Allgemeine Zeitung, 15 November 1985. “Ein ‘Poet’ lehrt uns das Sehen: Richard Tuttle, Museum Absteiberg” (exhibition review). Stadt-Panorama, 26 September 1985. Evans-Clark, Philippe. “Review” (Blum Helman Gallery exhibition review). Art Press 88 (January 1985): 57. Grazioli, Elio. “Review” (Galleria Toselli exhibition review). Flash Gallerie 3 (March 1985): 43–44. “Halb Bild halb Skulptur: Richard Tuttle Stellt in Mönchengladbach aus” (Städtisches Museum Abteiberg exhibition review). Iserlohner Kreis-Anzweifler und Zeitung Iserlohn, 4 October 1985.
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Meister, Helga. “Ein Ringen um das Innere in der äuß Erscheinung: Richard Tuttle aus New York stellt bei Schmela aus.” (Galerie Schmela exhibition review). Westfälische Zeitung, 31 January 1985. “Museum: Grosses Echo” (Städtisches Museum Abteiberg exhibition review). Westdeutsche Zeitung, 24 September 1985. Neyster, Silvia. “Richard Tuttles Objekte in der Galerie Schmela: Dünne Drähte und Papier” (exhibition review). Rheinische Post, 5 February 1985. Pohlen, Annelie. “Review” (Städtisches Museum Abteiberg exhibition review). Artforum 24 (February 1986): 115. Pohlen, Annelie. “Review” (Galerie Schmela exhibition review). Kunstforum International 79 (May–June 1985): 283–284. Reinke, Klaus U. “Richard Tuttle, Austellung in Mönchengladbachs Museum: Ein amerikanischer Poet” (Städtisches Museum Abteiberg exhibition review). Handelsblatt, 22 October 1985. Rusell, John. “Review” (Brooke Alexander exhibition review). The New York Times, 15 March 1985. “’Serra nannte mich einen amerikanischen Poeten’: Richard Tuttle zeigt Werke aus 20 Jahren in Abteimuseum” (Städtisches Museum Abteiberg exhibition review). Rheinische Post, 21 September 1985. Willems, Sophia. “Auf dem Weg Kunst zu warden” (Städtisches Museum Abteiberg exhibition review). Westdeutsche Zeitung, 21 September 1985.
1984 Bohm, Ecke. “Portal: Wie ein Eingang” (Galerie Hubert Winter exhibition review). Wolkenkratzer Art Journal 1/84 (February–March 1984): 78. Köcher, Helga. “Review” (Galerie Hubert Winter exhibition review). Artefactum 2 (February–March 1984): 67.
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Köcher, Helga. “Richard Tuttle: Drawing Books” (Galerie Hubert Winter exhibition review). Kunstforum International 71–72 (April–May 1984): 362–363. Larsen, Susan C. “Review” (Daniel Weinberg Gallery exhibition review). Artforum 23 (December 1984): 93– 94. Moorman, Peggy. “Review” (Blum Helman Gallery exhibition review). Art News 83 (January 1984): 150–151. Muchnic, Suzanne. “La Cienega Area” (Daniel Weinberg Gallery exhibition review). Los Angeles Times, 14 September 1984. Raynor, Vivien. “’Forms That Function’ at Katonah: ‘Twixt Art and the Crafts’” (exhibition review). The New York Times, 29 January 1984. Smith, Roberta. “Weighing In” (Blum Helman Gallery exhibition review). The Village Voice, 27 November 1984: 113.
1983 Brenson, Michael. “Review” (Blum Helman Gallery exhibition review). The New York Times, 21 October 1983. Clahsen, Marga. “Strahlende Farbkleckse und heiter beschwingte Linien: Das Museum Abteiberg stellt Richard Tuttles Zeichnungen aus” (Städtisches Museum Abteiberg exhibition review). Westdeutsche Zeitung, 12 November 1983. Glueck, Grace. “An Experimental Outpost Looks Back” (P.S. 1 Institute for Art and Urban Resources exhibition review). The New York Times, 6 February 1983. Kertess, Klaus. “Imagining Nowhere.” Artforum 22 (November 1983): 44–45. Nadelman, C. “New Editions.” Art News 82 (October 1983): 86–93. Smith, Roberta. “Review” (Blum Helman Gallery exhibition review). The Village Voice, 8 November 1983: 79.
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“Review” (Galerie Hubert Winter exhibition review). Falter 24 (December 1983): 23. Windshield, Walter. “Review” (Blum Helman Gallery exhibition review). East Village Eye 5 (November 1983): 39. Yau, John. “Richard Tuttle and His Old Men and Their Garden” (Betty Parsons Gallery exhibition review). Arts Magazine 57 (January 1983): 126–128.
1982 Ayers, Robert. “Review” (Nigel Greenwood exhibition review). Artscribe 35 (June 1982): 60. Caldwell, John. “Sculptors as Printmakers” (Yale University Art Gallery exhibition review). The New York Times, 4 July 1982: 12. Carlson, Prudence. “Report from Amsterdam: Arriving at the ‘80s” (Stedelijk Museum exhibition review). Art in America 71 (January 1983): 19–25. Collier, Caroline. “Review” (Nigel Greenwood exhibition review). Flash Art107 (May 1982): 53. Gassert, Siegmar. “Review” (Annemarie Verna Galerie exhibition review). Basler Zeitung, 27 January 1982. Harris, Susan A. “Review” (Blum Helman exhibition review). Arts Magazine 57 (November 1982): 59. Licht, Matthew. “Review” (Blum Helman exhibition review). Arts Magazine 57 (November 1982): 51. Lubell, Ellen. “Review” (Betty Parsons Gallery exhibition review). Art in America 21 (March 1983): 161. Rein, Ingrid. “Review” (Städtische Galerie im Lenbachhaus exhibition review). Das Kunstwerk 35 (June 1982): 79–80. Schoenfeld, Ann. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 57 (January 1983): 42.
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Tuttle, Richard. “Book for Nigel Greenwood: A Project by Richard Tuttle.” Artforum 20 (Summer 1982): 45.
1981 Dagbert, Anne. “ Review” (Galerie Yvon Lambert exhibition review). Art Press 49 (June 1981): 40. Menna, Filiberto. “Come se construisse giochi infantili: A Roma, un felice allestimento della opera più recenti di Richard Tuttle” (Galleria Ugo Ferranti exhibition review). Pese Sera, 17 May 1981. Vachtova, Ludmilla. “Review” (Annemarie Verna Galerie exhibition review). Neue Züricher Zeitung, 21 December 1981.
1980 Armstrong, Richard. “Review” (Georgia State University Art Gallery exhibition review). Artforum 18 (April 1980): 85. Catour, Barbara. “An der Schwundstufe des Sichtbaren” (Museum Haus-Lange exhibition review). Frankfurter Aligemeine Zeitung, 8 March 1980. Crichton, Fenella. “Review” (Hayward Gallery exhibition review). Art and Artists 15 (July 1980): 22–27. Crichton, Fenella. “Review” (Hayward Gallery exhibition review). Pantheon 38 (October–December 1980): 327–328. Frese, Hans Martin. “Richard Tuttle in Krefeld: Das Achteck—ein Gag?” (Museum Haus-Lange exhibition review). Rheinische Post, 6 March 1980. Johnen, Jörg. “Review” (Museum Haus-Lange exhibition review). Das Kunstwerk 33, no. 3 (1980): 84. Lewis, Jo Ann. “Reviews” (Washington Project for the Arts exhibition review). Washington Post, 1 November 1980.
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Mayou, Roger Marcel. “Richard Tuttle: Le dessin essential” (Centre d’art contemporain exhibition review). Le Courrier, 2 February 1980. Muchnic, Suzanne. “Unassuming Expressions” (Baxter Art Gallery exhibition review). Los Angeles Times, 17 February 1980. Pohlen, Annelie. “Review” (Museum Haus-Lange exhibition review). Flash Art, 96–97 (March–April 1980): 55. Stauch-v Quitzow, Wolfgang. “Acht Nägel und ein Draht” (Museum Haus-Lange exhibition review). Mannheimer Morgen, 21 February 1980. Wortz, Melinda. “Review” (Georgia State University Art Gallery exhibition review). Art News 79 (May 1980): 141.
1979 Ames, Richard. “Sculpture Show Found Puzzling” (College of Creative Studies exhibition review). Santa Barbara News-Press, 17 February 1979. Beek, Willem van. “Richard Tuttle: Relatie me de Ruimte” (Stedelijk Museum exhibition review). Kunstbeeld 3 (November 1979): 28–30. Curiger, Bice. “Minimalität der Zeichnungen und Zeichen” (List of Drawing Material catalogue review). Tages Anzeiger, 8 September 1979. Lambarelli, Roberto G. “Review” (Galleria Ugo Ferranti exhibition review). Flash Art 86–87 (January– February 1979): 10. Monteil, Annemarie. “Für Liebhaber des Leisen” (Annemarie Verna Galerie exhibition review). Die Weitwoche, 31 January 1979: 26. Netter, Maria. “Zarte Objekte mit Hohem Anspuch” (Annemarie Verna Galerie exhibition review). Schweizensche Finanzzeitung, 21 February 1979.
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Tuttle, Richard. “Richard Tuttle: Tre Mostre a Roma alla Galleria Ugo Ferranti, 1975, 1977, 1978.” Domus 591 (February 1979): 47. Whelan, Richard. “Review” (Brooke Alexander and Truman Gallery exhibitions review). Art News 78 (Summer 1979): 186–187. Zutter, Jörg. “Review” (Stedelijk Museum exhibition review). Flash Art 88–89 (March–April 1979): 11–12.
1978 Blistène, Bernard. “Review” (Galerie Yvon Lambert exhibition review). Flash Art 84–85 (October–November 1978): 18. Dunham, Judith. “Richard Tuttle: Discerning Details” (Daniel Weinberg Gallery exhibition review). Artweek, 1 July 1978: 1, 20. Frackman, Noel. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 52 (April 1978): 31. Greenspan, Stuart. “Review” (Betty Parsons Gallery exhibition review). Artforum 16 (April 1978): 66–67. Hahn, Otto. “Review” (Galerie Yvon Lambert exhibition review). L’express, 25 September 1978. Leaderman, Pamela. “Review” (Young Hoffman Gallery exhibition review). New Art Examiner 5 (March 1978): 15. Lecombre, Sylvain. “Review” (Galerie Yvon Lambert exhibition review). Art Press 23 (December 1978): 18. Russell, John. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 10 February 1978. Schulze, Franz. :Tut-tutting Richard Tuttle” (Young Hoffman Gallery exhibition review). Chicago Daily News, 25–26 February 1978.
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Sozanski, Edward J. “Richard Tuttle Pushes Perception Past All Boundaries” (David Winton Bell Gallery exhibition review). Providence Journal, 5 May 1978. Wooster, Ann-Sargent. “Review” (Betty Parsons Gallery exhibition review). Art News 77 (April 1978): 156.
1977 Christ, Dorothea. “Fliegen und Zeichen und Bauen” (Kunsthalle Basel exhibition review). Radio der Deutschen Shweiz, 24 June 1977. Glozer, Laszlo. “Grenzgebiete der Sensibilität: Zeitgenössische Kunst in München Galerien” (Kunstraum München and Galerie Heiner Friedrich exhibition review). Süddeutsche Zeitung, 26–27 November 1977. “Lautlose Sprache der Zeichen” (Kunsthalle Basel exhibition review). Der Bund, 7 July 1977. Leaderman, Pamela. “Contemporary Sculpture” Renaissance Society exhibition review). Midwest Art 4 (Summer 1977): 7. Loring, John. “Judding from Descartes, Sandbacking, and Several Tuttologies.” Print Collector’s Newsletter 7 (January–February 1977): 165–168. Monteil, Annemarie. “Panamarenko und Tuttle in Basler Kunsthalle” (exhibition review). Vaterland (Lucerne), 16 June 1977. Monteil, Annemarie. “Review” (Kunsthalle Basel exhibition review). Der Landbote Winterthur, 15 June 1977.
1976 Frank, Peter. “Review” (Whitney Museum of American Art exhibition review). Art News 75 (January 1976): 126–127. Frank, Peter. “Review” (Whitney Museum of American Art exhibition review). Museumjournaal 21 (April 1976): 80–81.
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Kramer, Hilton. “Our Venice Offering—More a Syllabus than a Show” (University of Massachusetts exhibition review). The New York Times, 2 May 1976. Kutner, Janet. “Visceral Aesthetic of a New Decade’s Art” (Detroit Institute of Arts exhibition review). Arts Magazine 51 (December 1976): 100–103. Martin, Henry. “Review” (Venice Biennale exhibition review). Art International 20 (September–October 1976): 14–24, 59. Ratcliff, Carter. “Notes on Small Sculpture.” Artforum 14 (April 1976): 35–42. Russell, John. “An Unwanted School in Queens Becomes an Ideal Art Center” (P.S. 1 Institute for Art and Urban Resources exhibition review). The New York Times, 20 June 1976. Smith, Roberta. “Drawing Now (and Then)” (exhibition review). Artforum 14 (April 1976): 52–59. Smith, Roberta. “Review” (Whitney Museum of American Art exhibition review). Artforum 14 (January 1976): 60–61. Wilson, William. “Adrift in the Wide Open Spaces” (Otis Art Institute Gallery exhibition review). Los Angeles Times, 9 February 1976.
1975 Alloway, Lawrence. “Art” (Whitney Museum of American Art exhibition review). The Nation, 11 October 1975. Ballatore, Sandy. “Tuttle and Serra: Anthithetical Systems” (Whitney Museum of American Art exhibition review). Artweek, 21 February 1976: 1, 16. Battcock, Gregory. “High Art at Braniff” (Whitney Museum of American Art exhibition review). Soho Weekly News, 6 November 1975: 22. Battcock, Gregory. “More or Less? The People Speak” (Whitney Museum of American Art exhibition review). Soho Weekly News, 23 October 1975: 23.
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Baur, John I.H. “Bourdoned” (Whitney Museum of American Art exhibition review). The Village Voice, 13 October 1975: 4. Bourdon, David. “Playing Hide and Seek in the Whitney” (exhibition review). The Village Voice, 29 September 1975: 97. Crossley, Mimi. “Review” (Barbara Cusack Gallery exhibition review). Houston Post, 9 October 1975. Frank, Peter. “Review” (Parsons-Truman Gallery exhibition review). Art News 74 (September 1975): 113. Hess, Thomas B. “Private Art Where the Public Works” (Whitney Museum of American Art exhibition review). New York, 13 October 1975: 83–84. Hodgson, Moira. “Creating the Eternal Moment.” Soho Weekly News, 18 September 1975: 22, 24, 28. Kramer, Hilton. “Tuttle’s Art on Display at Whitney” (Whitney Museum of American Art exhibition review). The New York Times, 12 September 1975. North, Charles. “Richard Tuttle: Small Pleasures.” Art in America 63 (November–December 1975): 68–69. Perlmutter, E.F. “New Editions.” Art News 74 (March 1975): 59. Perreault, John. “ Tuttle’s Subtle Output” (Whitney Museum of American Art exhibition review). Soho Weekly News, 18 September 1975: 22. Ratcliff, Carter. “New York Letter” Art International 19 (November 1975): 65–66. Schwartz, Barbara. “Review” (Whitney Museum of American Art exhibition review). Craft Horizons 35 (December 1975): 16. Sheffield, Margaret. “Review” (Whitney Museum of American Art exhibition review). Studio International 190 (November–December 1975): 235.
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1974 Anderson, Laurie. “Review” (Princeton University exhibition review). Art News 73 (Summer 1974): 113–114. Crichton, Fenella. “Review” (Nigel Greenwood exhibition review). Art Spectrum 1 (March 1975): 29. Foote, Nancy. “Bill Bollinger at O.K. Harris, Richard Tuttle at Betty Parsons” (exhibition review). Art in America 62 (May–June 1974): 102–103. Gilbert-Rolfe, Jeremy. “Line as Language: Six Artists Draw” (Princeton University exhibition review). Artforum 12 (June 1974): 66–68. Halasz, Piri. “Princeton: A Puzzling Art Exhibit” (exhibition review). The New York Times, 10 March 1974. Heinemann, Susan. “Review” (Betty Parsons Gallery exhibition review). Artforum 12 (June 1974): 75–76. Herrera, Hayden. “Review” (Betty Parsons Gallery exhibition review). Art News 73 (Summer 1974): 114. Kelder, Diane. “Prints: Artists’ Alterations” (Brooke Alexander exhibition review). Art in America 62 (March 1974): 96–97. Lubell, Ellen. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 48 (May 1974): 58. Mellow, James R. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 23 March 1974. Newall, Christopher. “Review” (Nigel Greenwood exhibition review). Arts Review 27 (7 February 1975): 71– 72. Schjeldahl, Peter. “Non-event at the Museum of Modern Art: Graphics Show on Specious Theme” (exhibition review). The New York Times, 21 July 1974. Schwartz, Barbara. “Review” (Betty Parsons Gallery exhibition review). Craft Horizons 34 (August 1974): 38.
1973
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Borden, Lizzie. “Art Economics and the Whitney Drawings Show” (exhibition review). Artforum 12 (October 1973): 85–88. Celant, Germano. “La ‘’pittura fredda’ Americana/American ‘Cool’ Painting.” Domus 523 (June 1973): 49–51. Crimp, Douglas. “Review” (Clocktower Gallery exhibition review). Art News 48 (Summer 1973): 100–101. Dunham, Judith. “Review” (Daniel Weinberg Gallery exhibition review). Artweek, 23 June 1973: 1, 16. Halasz, Piri. “ A Daring Paper-Art Exhibit” (Newark Museum exhibition review). The New York Times, 26 August 1973. Krauss, Rosalind. “Sense and Sensibility: Reflection on Post ‘60s Sculpture.” ArtForum 12 (November 1973): 43–53. Meyer, Rosemary. “Review” (Clocktower Gallery exhibition review). Arts Magazine 48 (November 1973): 60– 61. Morschel, Jürgen. “Review” (Kunstraum München exhibition review). Das Kunstwerk 26 (September 1973): 75–76.
1972 Kurtz, Bruce. “Documenta 5: A Critical Preview.” Arts Magazine 46 (Summer 1972): 39. Lubell, Ellen. “Wire/Pencil/Shadow: Elements of Richard Tuttle.” Arts Magazine 47 (November 1972): 50–52, cover. Stabler, Margit. “Documenta 5: Einige Bemerkungen” (Museum Fridericianum exhibition review). Art International 16 (October 1972): 78–81.
1970
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Glueck, Grace. “Art Shows Overflow Jewish Museum” (exhibition review). The New York Times, 14 May 1970. Last, Martin. “Review” (Betty Parsons Gallery exhibition review). Art News 69 (April 1970): 75–76. Perreault, John. “Review” (Betty Parsons Gallery exhibition review). The Village Voice, 26 February 1970: 19. Pincus-Witten, Robert. “The Art of Richard Tuttle.” Artforum 8 (February 1970): 62–67, cover. Ratcliff, Carter. “New York Letter” (Betty Parsons Gallery exhibition review). Art International 14 (May 1970): 76.
1969 Ammann, Jean-Cristophe. “Schweitzer Brief” (When Attitudes Become Form exhibition review). Art International 13 (20 May 1969): 47–50. Andreae, Christopher. “Review” (Corcoran Gallery of Art exhibition review). Christian ScienceMonitor, 8 March 1969. Andreae, Christopher. “Trends: ‘Soft Art’ in New Jersey” (exhibition review). Christian Science Monitor, 24 March 1969. Burton, Scott. “Time on Their Hands” (Whitney Museum of American Art exhibition review). Art News 68 (summer 1969): 40–43. Davis, Douglas M. “’This Is the Loose Paint Generation’: The New Painting Harks Back to Abstract Expressionism.” The National Observer, 4 August 1969. Garver, Thomas H. “Review” (Nicholas Wilder Gallery exhibition review). Artforum 8 (September 1969): 67. Gold, Barbara. “Corcoran: Art’s New ‘Sensibility’” (Corcoran Gallery of Art exhibition review). Baltimore Sun, 9 February 1969.
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Gold, Barbara. “Corcoran Biennial: New Sensibility in Washington” (exhibition review). Arts Magazine 43 (April 1969): 30–31. Karp, Ivan. “Here and Now” (Washington University Gallery of Art exhibition review). Arts Magazine 43 (March 1969): 49. Pierre, José. “Les grandes vacances de l’art moderne” (When Attitudes Become Form exhibition review). L’Oeil 173 (May 1969): 10–18, 72. Pomeroy, Ralph. “Soft Objects at the New Jersey State Museum” (exhibition review). Arts Magazine 43 (March 1969): 46–48. Richard, Paul. “Courageous Corcoran” (exhibition review). Washington Post, 2 February 1969. Wasserman, Emily. “Corcoran Biennial” (exhibition review). Artforum 7 (April 1969): 71–72.
1968 “The Avant-Garde: Subtle, Cerebral, Elusive.” Time, 22 November 1968: 70–77, illustrated. Burton, Scott. “Review” (Betty Parsons Gallery exhibition review). Art News 66 (January 1968): 56. Canaday, John. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 6 January 1968. Lanser, Günter. “Kunst in Minimum-Form: Zur ersten Ausstellung von Richard Tuttle in Deutschland” (Galerie Schmela exhibition review). Aachener Nachrichten, 3 April 1968. Perreault, John. “Simple, Not Simple-Minded” (Betty Parsons Gallery exhibition review). The Village Voice, 18 January 1968: 16–17. “Stoff voller Poesie: Schmela stellt jungen Amerikaner Tuttle vor” (Galerie Schmela exhibition review). Düsseldorfer Nachrichten, 17 April 1968.
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Tuttle, Richard. “Artists on Their Art.” Arts International, 15 May 1968: 48. Wasserman, Emily. “Review” (Betty Parsons Gallery exhibition review). Artforum 6 (March 1968): 56–57.
1967 Glueck, Grace. “Review” (Betty Parsons Gallery exhibition review). The New York Times, 25 February 1967. Mellow, James R. “Review” (Betty Parsons Gallery exhibition review). Art International 11 (April 1967): 61. Tabachnick, Anne. “Review” (Betty Parsons Gallery exhibition review). Art News 66 (April 1967): 9–10.
1966 “Abstractionist Paintings Set for Exhibition” (Virginia Museum of Fine Arts exhibition review). Richmond News-Leader, 18 June 1966. Cossitt, F.D. “New Exhibits at the Museum” (Virginia Museum of Fine Arts exhibition review). Richmond Times-ispatch, 8 July 1966. “Summer Show Opens at Museum Tuesday” (Virginia Museum of Fine Arts exhibition review). Richmond Times-Dispatch, 19 June 1966.
1965 Campbell, Lawrence. “Review” (Betty Parsons Gallery exhibition review). Art News 64 (September 1965): 11. “The Galleries – A Critical Guide” (Betty Parsons Gallery exhibition review). NY Herald Tribune, 11 September 1965: Art B. Hoene, Anne. “Review” (Betty Parsons Gallery exhibition review). Arts Magazine 40 (November 1965): 65– 66.
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Lippard, Lucy R. “New York Letter” (Betty Parsons Gallery exhibition review). Art International 9 (November 1965): 41. Preston, Stuart. “For the Future” (Betty Parsons Gallery exhibition review). The New York Times, 12 September 1965. “Review” (Betty Parsons Gallery exhibition review). Time, 24 September 1965. Rose, Barbara. “ABC Art.” Art in America53 (October–November 1965): 57–69. Rosenblum, Constance S. “Review” (Betty Parsons Gallery exhibition review). Chelsea-Clinton News, 23 September 1965.
