Das offene Museum. Zukunftsstrategie oder Niemandsland. Dr. Christian Gries, Kulturkonsorten / München

Die Blendung des Polyphem, Museum Speralonga

Forschung E-Commerce

Sammlung

Dokumentation

Vernetzung

Digitale Strategie Feedback / Besucher Engagement

Vermittlung

Marketing

Kommunikation PR

Quelle: http://www.tate.org.uk/context-comment/blogs/digital-blog-getting-art-our-users

Thomas P. Campell “We’ve made a huge investment in transitioning from being an analog museum to a digital museum” “technology. It’s not sexy and glamorous, like building a new wing, but I think it’s a fundamental part of our responsibility to our audience.”

Thomas P. Campell “We’ve made a huge investment in transitioning from being an analog museum to a digital museum” “technology. It’s not sexy and glamorous, like building a new wing, but I think it’s a fundamental part of our responsibility to our audience.”

6 Mio > 29 Mio > 92 Mio

"the Met draws about six million physical visitors a year but also has 29 million visits to its website and reaches 92 million people through its Facebook page, which raises interesting questions about what we mean when we speak of “the museum”"

Jean-Léon Gérome, Polyphemus um 1902 (Privatbesitz)