25 years of ars electronica

Winners in the film section – Computer Animation – Visual Effects 1987: John Lasseter, Mario Canali, Rolf Herken 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, Motohiro Hayasaka, William Latham 1990: Mario Sasso & Nicola Sani, Robert Lurye, Philippe Andrevon, Flavia Alman & Angelica Nascimento, Gerhard Pakesch, Paul Coudsi, William Latham, Alan Norton, Karl Sims, Christiane Geoffroy, Rebecca Allen, Denis Muren, John Lasseter, Jeff Kleiser, Diana Walczak, Eihachiro Nakamae, Steve Goldberg 1991: Karl Sims, James Duesing, Yoichiro Kawaguchi, Rashel B de F, Jean Luc Faubert, Maurice Benayoun, Peter Claridge, Boris S. Dolgovesor, Herve Huitric, Monique Nahas, Nancy Kato, Mike McKenna & Bob Sabiston, Simi Nallaseth, Eduard Oleschak, Michel Tolson, Pascal Vuong, Jason White & Richard Wright 1992: Karl Sims, Charlie Gunn & Delle Maxwell, Cécile Babiole, Bériou, Dennis Muren & Mark A. Z. Dippé & Steve Williams, Matthew Brunner, Mario Martin Buendia, Jéróme Estienne & Xavier Duval, Fantome, Keith Hunter, Xavier Nicolas & Jerzy Kular, Alan Norton, Marc Raibert & Leg Laboratory 1993: Pascal Roulin, Mark Malmberg, Darrin Butts, Bériou, George Barber, Jules Bister, Jos Claesen & Anton Roebben, Philippe Gassie & Bruno Simon, Industrial light & Magic, Eku Wand 1994: Dennis Muren & Mark Dippé, Marc Caro, Maurice Benayoun, Eric Coignoux, Bériou, Peter Callas, Cassidy J. Curtis, Eric Darnell & Collery, Yoichiro Kawaguchi, Sabine Mai & Frank Pröscholdt, John Tonkin, Hideo Yamashita & Eihachiro Nakamae, Thomas Zancker, Tamás Waliczky 1995: Bob Sabiston & David Atherton, Thomas Bayrle, Steve Williams, Gayle Ayers & Dough Sutton, Dough Kingsbury & Jeff Thingvold, Chuck Gamble, George Murphy, Violet Suk & Martin Koch, Francois Launet, Silvio Levy & Tamara Munzner, Franck Magnant, Jon McCormack, Medialab, Ben Stassen, Demetri Terzopoulos, Alexei Tylevich 1996: John Lasseter, Marc Caro & Jean-Pierre Jeunet, Michel Gondry & Pierre Buffin, Philippe Billion, Christian Boustani, John Clyne, James Duesing, ILM, Pierre Lachapelle, Arnauld Lamorlette, Denise Minter & Tim Johnson 1997: Scott Squires, Chris Wedge, Jim Mitchell, Stefen Fangmeier, Larry Lamb, Anna Henckel-Donnersmarck, Michèle Cournoyer, Taku Kimura, Raquel Coelho, Carlos Saldanha, Michel Gondry, Stephen Weston, Francois Vogel, Marine Poirson & Lionel Richerand 1998: Robert Legato, Liang-Yuan Wang, Christophe Hery & Habib Zargarpour, Rob Coleman, Tamás Waliczky, Kazuma Morino, Joey Lessard, Thierry Prieur & Pascal Roulin, Nobuo Takahashi, Yan Breuleux & Alain Thibault, Laurence Leydier, Steven Stahlberg, Nobuto Ochiai, Constantin Chamski, Julien Dajez, Stefan Smith, Violet Suk & Martin Koch, Yves le Peillet, Nelson Max, Diana Walczak & Jeff Kleiser, Sebastien Larrue, Mark Stetson, Jan Pinkava, Kaori Saito, Tom Bertino, Charles Gibson, Denis Muren, Phil Tippett & Craig Hayes, Ben Stassen & Anthony Huerta, Wayne Gilbert 1999: Chris Wedge, John Lasseter & Andrew Stanton, Bob Sabiston & Tommy Pallotta, Jun Asakawa & Toshifumi Kawahara, Erwin Charrier, Paul Kaiser & Shelley Eshkar & Bill T. Jones, Christopher Landreth, William Le Henanff, Patrice Mugnier, Dietmar Offenhuber, Bruce Pukema, Daniel Robichaud, Christian Sawade-Meyer, Seiji Shiota & Tohru Patrick Awa, Emre Yilmaz & Lev Yilmaz, Vincent Ward & Stephen Simon & Barnet Bain, CFC, Alain Escalle, Manuel Horrillo Fernandez, Peter Miles & Damon Murray & Stephen Sorrell, Ray Giarratana, Geoffrey Guiot & Bruno Lardé & Jerome Maillot, Juan Tomicic Muller, Phil Tippett & Craig Hayes 2000: Jakub Pistecky, John Lasseter & Lee Unkrich & Ash Brannon, Yasuo Ohba, Denis Bivour, Jean-Francois Bourrel & Jerome Calvet, Paul Debevec, David Gainey, Cécile Gonard, Jean Hemez & Sébastien Rey, Dariusz Krzeczek, Guy Lampron, Charlotte Manning, Juliette Marchand, Timm Osterhold & Max Zimmermann, Makoto Sugawara, Christian Volckman, Pierre Buffin, Markus Degen, Zach Bell & Chris Gallagher & Steven Schweickart & Scott Smith, N+N Corsino, Ray Giarratana, Stephen Katz & Josselin Mahot, Manfred Laumer, Fred Raimondi, Lisa Slates & Chitra Shriram, Mark Stetson, Alexander Szadeczky & Marcus Salzmann, Cornelia Unger, Francois Vogel 2001: Xavier de l´Hermuzière & Philippe Grammaticopoulos, Ralph Eggleston, Laetitia Gabrielli & Max Tourret, Mathieu Renoux & Pierre Marteel, Julien Charles & Lionel Catry & Nicolas Launay & Olivier Pautot, Candice Clémencet & Jean-Dominique Fievet, Mike Daly, Sébastien Ebzant & Aurélien Delpoux & Loic Bail & Benjamin Lauwick, Alain Escalle, Stefen M. Fangmeier, One Infinity, Bob Sabiston & Tommy Pallotta, Robert Seidel & Michael Engelhardt, Jeremy Solterbeck, Hans Uhlig & Tony Hurd, Jason Wen & Howard Wen & Andrew Jones & Casey Hess & Don Relyea 2002: Pete Docter & David Silverman & Lee Unkrich & Andrew Stanton, BUF, Peter McDonald, Hiroshi Chida, Erik Nash, Lars Magnus Holmgren, Wojtek Wawszczyk, Jason Watts, Yasuhiro Yoshiura 2003: Romain Segaud & Christel Pougeoise, Carlos Saldanha, Koji Yamamura, Christoph Ammann, Eric Armstrong, Jérome Decock & Olivier Lanerès & Mélina Milcent & Cécile Detez de la Dreve, Roger Gould & Pete Docter, Thorsten Fleisch, Luc Froehlicher, Ludovic Houplain, Wayne Lytle, Siri Melchior, Jordi Moragues, Tippett Studio, Satoshi Tomioka

A Survey as Memory Theater

Electronic Media in Art and Science Art in the Context of Software and Complex Machines

... perform _ or else - from discipline to performance (JM)

Original Idea and Archive - Research and Network: Gerhard Dirmoser Quality Assurance and Additional Observations: Attila Kosa Translation (English version): Aileen Derieg

The project was financed without funds from the Administration of Culture last update 05/2004 first presentation 05/2004 TransPublic Linz Version 1.1 D Comments/notes and requests for the file: [email protected] / G. Dirmoser Waltherstr. 2 – 4020 Linz The original PowerPoint file is available for study purposes (revisions). Placement on the Internet, print-outs and distribution in paper form (4x A0 oder A1) are desired.

Literature: Cyber Society – Mythos und Realität der Informationsgesellschaft / Achim Bühl Tausend Welten – Die Auflösung der Gesellschaft im digitalen Zeitalter / Uwe Jean Heuser The Society of Text – Hypertext, Hypermedia, and the Social Construction of Information / Edward Barrett Medien-Theologie – Das Werk Vilém Flussers / Elizabeth Neswald Kultur – über alle? gegen alle? für alle? M. Wagner, H. Fabris, I. Mörth u.a. cyber-moderne – medienevolution, globale netzwerke und die künste der kommunikation / Manfred Faßler

Literature : Maschinen, Medien, Performances – Theater an der Schnittstelle zu digitalen Welten / Martina Leeker (Ed.) Perform or else – from discipline to performance Jon McKenzie Multimodal Discourse – The modes and media of contemporary communication / Gunther Kress & Theo van Leeuwen Alles jetzt! – Die Mediatisierung / Gerhard Johann Lischka Cyber_Reader – Critical writings for the digital era / Ed. by Neil Spiller

Literature: Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Kunst und Video / Bettina Gruber, Maria Vedder VideoKunst / Gerda Lampalzer Videokunst in Deutschland 1963 – 1982 Ulrike Rosenbach / Videkunst, Foto, Aktion / Performance, feministische Kunst Video – 20 Jahre später – Eine Zwischenbilanz Kunstforum Bd. 77/78 Objekt : Video / G. Hattinger, P. Assmann Computerkulturtage Linz – ORF Videonale topographie II: Untergrund – Videoinstallationen in der Wiener U-Bahn Nam June Paik – Fluxus – Video / Wulf Herzogenrath Deanimated / Martin Arnold catalogue: Walter Pamminger

Literature (2) : Kunst als Sendung – Von der Telegrafie zum Internet / Dieter Daniels Interferenzen IV (on radio art) TRANSIT #2 (on radio art) Art Telecommunication / Heidi Grundmann Radiokultur von morgen / Ed. Johanna Dorer, Alexander Baratsits Apparitional Aesthetics (1995/P15) / Roy Ascott !! performative installation / Ed. Angelika Nollert

Literature: Blick, Stimme und (k)ein Körper – Der Einsatz der elektronischen Medien im Theater und in interaktiven Installationen / Mona Sarkis Liveness / Philip Auslander Rasender Stillstand / Paul Virilio Geschwindigkeit und Politik / Paul Virilio Fluchtgeschwindigkeit / Paul Virilio Revolutionen der Geschwindigkeit / Paul Virilio Der negative Horizont – Bewegung, Geschwindigkeit, Beschleunigung / Paul Virilio Die Sehmaschine / Paul Virilio Der reine Krieg / Paul Virilio & Sylvére Lotringer Die Beschleunigung der Bilder in der Chronokratie / Peter Weibel Das Tempo-Virus / Peter Borscheid Dauer-Simultaneität-Echtzeit / Kunstforum 151

Literature (2) : Gary Hill / Selected Works Intermedialität – Das System Peter Greenaway Yvonne Spielmann Arquitecturanimación / F. Massad, A.G. Yeste Look at me – VIDEO – 25 Jahre Videoästhetik (important references to timeline) Simulation und Wirklichkeit – Design . Film . Architektur . Naturwissenschaften . Ökologie . Ökonomie . Psychologie / Angela Schönberger Videokunst / Lydia Haustein Fernseh-Design / Gunther Rambow et al. Christian Mikunda Die Spiele des Realen und des Virtuellen (article) / Edmond Couchot Stuff it – the video essay in the digital age / Ed. By Ursula Biemann

music theory / semiotics electroacoustics perception theory of architecture techno-culture discourse structuralism (discourse) system theory / system discourse self-organization theory symbol theories of knowledge formal sciences complexity theory

music theater view

dance theory body research dromology time theories theater studies

performance view (II) 26 dance view

Literature: Soundcultures – Über elektronische und digitale Musik / Ed. Marcus S. Kleiner, A. Szepanski Resonanzen – Aspekte der Klangkunst / Ed. Bernd Schulz sound : space / Bernhard Leitner Cybernetics of Cybernetics / Heinz von Foerster Der Anfang von Himmel und Erde hat keinen Namen / Heinz von Foerster Noise Gate / Granular Synthesis Zur Kunst formalen Denkens / R. E. Burkard, Wolfgang Maass, Peter Weibel (Ed.) sonic graphics – seeing sound / Matt Woolman Music vs motion – FLIPS 5 geometrie der Töne / Guerino Mazzola Geometry of sound / Bernhard Leitner Crossings – Musik zum Hören u. Sehen / Cathrin Pichler Klangkunst / Akademie der Künste – Berlin der larsen effekt / OK Linz Norbert Wiener

choreography view

25 acoustic "view" view of music

various music projects stereophony (PV) Moviephon – opto-acoustic auditive view 1986 (Richard Teitelbaum) Thanks to: H.W. Franke, Boris Nieslony, Astrit Schmidt-Burkhardt, TransPublic, Stadtwerkstatt, Servus, MEXX, transformer (influencing sound) musical Bruckner electronic aids (K&K Experimentalstudio) (1980/K124) G. Lischka, Udo Wid, Ruth Schnell, Georg Ritter, Rainer Zendron, Christa Schneebauer, Gitti Vasicek, (2000/P58) Set of experiment (1979/K25) microphones and loudspeakers installation for ballet. techno-instruments Martin Sturm, Walter Pamminger, Sabine Zimmermann, Walter Ebenhofer, Lioba Reddeker, Kurt Kladler, symphonic Bruckner (1979/K09) interaction with light (P. Mühlfriedel, G. Lydia Haustein, Bernhard Cella, Gerhard Fröhlich, Josef Lehner, Franz Reitbauer, Magarete Jahrmann, MP3, RealAudio see also: view of handicaps (1997/K305) link between code and sound environment (C. Möller) (1995/P132) Markeffsky, L. Schaumann) Margit Knipp, F.E. Rakuschan, G. Harringer, Manuel Schilcher, Willi Mayrwöger, Eva & Attila Kosa, Florian Brody, computer-generated see also: transport view choreographical processes (1979/K25) The virtual cage (1994/P131) (PRIX) G. Hattinger, Dieter Mersch, Oliver Schürer, Isabell Muhr, Helmut Stadlmann, Tim Otto Roth, Josef Nemeth, Energie AG dancers (2003/K303) (Scott deLahunta) environment concert see also: view of performativity (SLP) (1982) (Nam June Paik, Dance of the Machines - 2003 problems of definition and (M. Helene Tramus) (1987/K148) Schiffshörner (1990/K-I-95) Open-Source choreography? Charlotte Moorman) (Qrio: walking robots) stagnation The occasion: 25 years of working as a systems analyst in Linz & (Alvin Curran) (2003/K311) (Scott deLahunta) (1989/J115) 25 years of attending "ars electronica" ( ... a journey through time) & 25 years of the Stadtwerkstatt & 25 years of Atelier Wels music in real time audio performance electronic dance projects dance theater "Tobias Zapfel" electronic sound carpet (1970/T) AEG/Teldec/Decca put the Improvisation Technologies. A Tool for (1979/K35) (Thomas Pernes, Tanztheater Wien) (1980/K11) first image record on the market dance and electronic-architectonic Black and White the Analytical Dance Eye (coproduction On the method: The structure of the verb study serves as the starting arrangement. (1984/K265) Platzkonzert Gameboyzz Orchestra (1971/T) U-Matic as the first set-up (photo-cells) to control (2002/K440) Sound Park with William Forsythe) (2003/K311) intermedia theater The first content placement was made with the help of material from "take over" sound environment (1987/K166) (J. Kujda) (2002/K420) film semiotics cassette video system in the world synthesizer sounds (Chris Janney) (66b/cell) (1995) project by M. Saup for Forsythe computer graphics and Clouds of Sound (this edition of the ars electronica can be read as a kind of preliminary balance). (1979/K02) (Stadtwerkstatt) film theory (1980/K103) interactive music dance (SIGGRAPH 85) movement theater video music (ML) Nik Haffner tested the electronic dance performance The language material used was taken from publications on "ars electronica", notes Ghostcatching psychoanalysis (Lacan school) musical-cybernetic clip (Han Hoogerbrugge) (Win Grabill) (1986/K299) Online-Instrument (in a mirror scenary) (AH) interactive partnership of dance and music performances (1999/P116) see also: (on the symposium lectures) and relevant literature. environment (1979/K43) process theories (2003/P64) (1999/P42) Lundgren (1979) (1989/J105) (1982/K86) technology as a dancer (1980/K07) dance & drawing dance performances view of the image Cf. methods of "grounded theory". (P. Vogel) (Saburo Teshigawara) MidiDancer (pioneer: Ed Tannenbaum) (technology becomes interesting when (P. Kaiser u.a.) (1951/T) Ampex starts with recorder development distorters & faders The study "Designing Gestures" on ars electronica 2003 was carried out in parallel. (1995/K386) (Dawn Stoppiello) it opens up new possibilities of Symposium: Electronics in Music / computer-acoustic dance theater The time of the (1958/T) Ampex presents the first color video recorder (Tommy Lehner) Telechoreographie perception for the dancer) Synthesizer – Music Computer – Digital Techno (Tanztheater 46) (1982/K207) Ancien Régime (1963/T) fully transistorized recorder notes: video works have been very selectively networked virtual (AH) dynamic instead (1997/K154) (Stelarc) Members of the staff of ars electonica, AEC or ORF had no influence on the selection and arrangement. (1) electronic of the (1980/K65) (1965/T) Portapak – first affordable B/W camera dancer with sensors attached included here. The field of video art has long been dancefloor D.A.V.E – Performer as part of the video of static office furniture concert performance electroacoustic musicians (1975/T) Betamax home video system (1977/T) VHS electronic to the body (1962) a subject of art-historical analyses (Josephine Anstey, (Douglas Kahn) Projection adapted to the body performance is over. Astonish us or Questions about completeness: (AH) dance and controlled D. Pape, D. Neveu) (1980/T) Camcorder is presented wind instruments (1999/J1987) (1992/K92) electronic (K. Obermaier, C. Haring))(2000/K299) (Istvan Kantor) disappear ! (Jury ! 2000/P196) (1980/K43) real-time videos (1984/T) first videodisc in the art field Due to the limitations of the available surface, it is not possible to provide a complete detailed presentation small economical Streaming Media (Gary Hill) Computer controlled laserdisc (Lee Harrison III) (1992/II-K93) (2001/K301) orchestra VIVISECTOR (2002/K430) (2000/K290/P94) video systems (1980/K94) (1988, 1992, 1994, 1996, 1998) of all the participating artists, scientists and developers (about 3100 persons are listed). All the participants computer organ (1979/K15) MPEG, RealAudio, RealVideo (Rupert Huber) metal junk video lab stage set projection (D. Bruckmayr) game electronics video-film processor (1989/T) Sony Hi8 self-made instruments computer dancer (1979/K49) were compared with the AEC/Ars database. (1999/K345) analog synthesizer (L. Rehberg) electronic (1986/K335) link between video art and for dance performance (Marina Koraiman) Kepler's Dream (1989/K180) performance (Maywa Denki) (Akke Wagenaar, Masahiro Miwa) video technology (1992/II-K37) The choice/placement is thus to be regarded as the author of the study's subjective/content-based selection. see also: history of control computer film (1979/K10) (2001/K116) (1979/K49) First electronic orgel John Sanborn music theater (Georges K. Shortess) (2003/P96) (1993/K415) The study is intended to provide a wide-ranging survey, but it cannot substitute for reading the catalogues. (1996/K410) (E. Redl) "Audio/Video Instruments" (1992/II-K89) computer as (1929) (Laurens Hammond) digital synthesizer (1986/K121) (Giorgio Battistelli) puppet dance interactive choreography system for a (1984/K48) musical instrument video effects Linzer Steel Opera (Studio Azzurro) Video: State of the art (Inge Graf + Zyx) oscillator bank (Dow-Jones-Index) digital video portraits ballet by W. Forsythe (1984/K150) In some cases, key works (or concepts) are cited, which were not shown in Linz, but are described in detail (1990/K-I-43) (Giorgio Battistelli) electronic purgatory live synthesizer fortresses (rockefeller Foundation 1976) (1986/K180) (1984/K55) Electro Clips (Installation for Image Processing and (Michael Saup) (Shelley Lake) (1980/K106) (1982/K11) music theater (Kristi Allik, Robert Mulder) (1980/K11) (1992/II-K63) (Johanna Branson Gill) in catalogues. (Kazuo Uehara) live electronics sound processors ballet) (C. Möller, Stephen Video Synthesis (1975) (1995/P100) ICARUS laser opera for (1992/K205) The Kitchen (1992/II-K83) Video Art ORF Videonale 86 (1971/T) start of the electronic kitchen NY (1984/K157) Galloway) (1994/II-K122) (Stephen Beck) (1992/II-K161) total automatization in music performative theories from Switched-On-Bach (1964) multimedia and electronics (1986/K392-1) The poster can also be used as an index with the page numbers. (1974/T) Projekt 74 (Jean-Baptiste Barrière) manipulating video (1979/K35) (Wendy Carlos) Moog III (Otto Piene, Paul Earls) cultural studies (ML) At a closer look, there is an extremely Proposal from Bognermayr in 1979 for an MIDI (1980/K94) shows American video The search engine at www.aec.at is useful for further research, since many catalogue texts are available as in real time The Video Synthesizer electronic sound VideoOnDemand Dark symphony (2003) Mini-Moog (1970) (1982/K50) interesting relationship of tension between performativity discourse productions extensively electronics symposium, an "Electronic (Justin Manor) pdf files in the AEC database. (Tom DeWitt) (1992/II-K165) storing original deformation device The more technology (1977/T) documenta 6 focuses (2001/K295) (Tim Didymus) (Robert A. Moog) theater as live performance and mediatized for the first time in performance studies (1998/K250) (2003/F42/P110) Music & Video Art Symposium" (1989/J12) sounds (1979/K43) the more boring on film, video ! (1980/K69/K70) (Paul Virilio) (2002/K238) performance from film to television, all the way Image Processing (1986) Europe (surpreme particles, What does humanoid genetic structure speech-act theory video installation the result (1980/K34) opening with a video satellite transmission synthesizer velocity of terror to the computer game. (1997/K310) (J. Harrison) (Experimental Television Center) from scratch) sound like? (R. Spour, M. Veitl) Infermental (1987/K174) (C. Steiger) (1994/K32) (1997/P44) language game theory/praxeology (1979/K09/K39) Kepler's last dream Spectro-Morphology (Sherry Miller Hocking, Richard Brewster) (1999/K337) magazine on video cassettes radio art (see below feminist theories (J. Butler) (ML) media performances sampler collages (1999/K383) see also: view umbrella as (1989/T) Cologne: exhibition "Video-Skulptur" ...) (Frances-Marie Uitti) (1996/P60) Literature that was important in structuring this study: (1992/II-K169) the dream of flying (jomasounds) (1999/K380) (2000/K315) electronic differ from interactive metapragmatism resonance body (1996/T) Linz: Ojekt : Video / G. Hattinger, Assmann (1990/K-I-55) of communication Kunst-Radio Image manipulation soundtrack: Found All the catalogues on the "ars electronica" and the "Prix ars electronica" music Environmental Art (1982/K07) interactive video installation vocoder, digital reverberation, (1998/K273) installations in that they are trumpets ! singing bows The Form and Sense of Video (1973) (Paul de Marinis) (V. Delay) symbolic pragmatism Footage from CCTV surveillance cameras (1993/K397) (Gideon May) Medien der Vernunft (Medien als Mengen von Tätigkeitstypen) / Matthias Vogel (MV) equalizer, harmonizer, delaymulti-monitor multi-channel installaiton (Rupert Huber) electronic music (1992/K240) multi-track performed before an audience (J. Impett) (1988/K190) (Robert Arn) (1992/II-K183) (2001/F04) see also: dance view (2001/F17) Traffic Cams, earth observation satellites, pragmatic-hermeneutical turn staircase as piano devices, ... (1979/K26/K39) Synchronopse (in: look at me – Video – 25 Jahre Videoästhetik) / Petra Wenzel (1986/KII-261) J. Chowning, J. Fritsch, B. Mason, polyphony (1994/P142) (Ron Kuivila, theater view ATM cameras, ... keys Space-Time Dynamics in role theory (T. Sarbin) Der bewegte Betrachter – Theorien der interaktiven Medienkunst / Anette Hünnekens (AH) S. Stockhausen, J. Tenney, (S. Ferguson) Radial Arcs) simulation space – mosaic of mobile machine noises ring modulator, echo devices, filter interactive video (M. Popp) Flexible (1987/K58) art from the screen Video Feedback (1984) media theory electronic film Note: this study can also be read videoinfography (PV) D. Youngerman (1984/K40) Digitaler Schein – Ästhetik der elektronischen Medien / Ed. Florian Rötzer (1980/K11) used on stage Sound-Engine data sounds (knowbotic research) jazz und electronic (1980/K10) long-stringed installation (James P. Crutchfield) performance-based *OR* Performance (A. Wollscheid, (AH) feed of all-around as a supplement to the performance (literature studies) (Istvan Kantor) (2001/F35) Maschinen, Medien, Performances / Ed. Martina Leeker (ML) (1982/K251) (1987/K110) (1992/II-K191) performativity as mediality (1997/K360) (2003/K228) D. Wiesner) (Ron Hays) (1982/K199) videos into a VR environment (2000/K290) X-topia (E. Sharp, study - in keeping with Video game (see also: games) sound-therapeutic objects (S. Penny, J. Schulte) Brain Opera – Instruments media discourse sound dome perform or else – from discipline to performance / Jon McKenzie (JM) (P. Panhuysen, J. Goedhart) (Bruce Odland) (1993/K273) (Sybille Krämer) He is the creator of the first (Jaron Lanier) Soldier String Quartet) Jon McKenzie: perform or else – (1979/K37) (1996/K422) (Tod Machover / MIT Media Lab) stereoscopic film (Leo Küpper) media studies game animation Kunst als Medientheorie / Hans Ulrich Reck (UR) (ML) In media performance the liveness completely multimedia concerts, "Horizonscan" (1994/II-K116) interactive sound sculptures (Sam Auinger) from discipline to performance interactive videodisc art (1996/K300) space-filling (T. Shannon, J. Hassell) (1984/K16) cell phone concert media anthropology (2001/F16) (1990/K-I-146) Programmed performances? auto-correlative of theater and the interaction of computer Various articles by: Monika Fleischmann (MF) / Peter Weibel (PW) / Dieter Mersch (DM) / dummy head music visualizations, in which lights (Yoshi Wada) (1988/K261) (1989/K240) (David Tafler) Glockenspiel ! (1988/K111) (2001/K57) (2002/P98) computer sonology communication theory (1995/K206) technology are related to one another in such (AH) performative works stereophony and laser, wide-screen video and film echo sculptures Fred Forest (FF) / Paul Virilio (PV) / Heinrich Klotz (HK) / Frank Popper (FP) / Oliver Grau (OG) (G.-W. Raes, Moniek Darge) communication process (Haruo Ishii) (1989/K246) (Peter D´Agostino) interactive Sound from the same hands "performative" WebCinema apparitional (Golan Levin) (1984/K48) (2002/K417) (1979/K36) a way that they achieve a synthesis in the (1979/K14) projections, slide overlays, fireworks, (1988/K274) PERFORMANCE-ART Kontext (poster study) / G. Dirmoser (DG), B. Nieslony (2003/F42/P106) video narrative (Jaron Lanier) (1994/II-K110) aesthetics (see below) liberation of sound (S. Gibbons, G. Shakar, The videodisc was technically programs listening perspective mediatized performance (ML) performative, i.e. in the reality-constituting pyrotechnical and other stage effects random access to lasar Lichtorgel Verben im Kontext (poster study) / Denken (ein semantisches Netz) / G. Dirmoser, B. Nieslony (1995/P15) (R. Ascott)!! Well-tempered-Synthesizer Yasmin Sohrawardy) already available in 1970; it was execution of symbolic acts. dummy head / quadrophony are combined. videodisc (1989/K225) interactive narrative concert machine – etoy (1979/K19) wind-driven the first interactive (1996/K382) combination of installation, Studie Stadtwerkstatt-TV (on the ars electronica TV-projects and others) / G. Dirmoser 1995! Performativer approach (1980/K71) not used for artistic works, though, (1980/K19) tyranny of the tuned sound lab (Grahame Weinbren) The intersection between media and (4-fold projection) mathematical (1996/P80) sequenzer video record (1989/K232) Winfried Ritsch performance and website Designing Gestures (poster study on ars electronica 2003) / G. Dirmoser until the early 80s at MIT sound animation as real-time process (1986/K332) piano (1980/K52) (Luc Courchesne) musical instrument digital hijack sound Video Clip theater is thus the performative. graphical music visible music abrasion of art on the construction site (1987/K98) (Lynn Hershman) (Fakeshop) (1999/K321) underwater microphones Institutions affiliated with ArchiMedia & ars electronica / G. Dirmoser (K. Obermaier, R. Spour) (AH) the art work does not exist (1999/P66) (W. Giers) (1979/K46) (1979/K19) (1979/K18) (Stadtwerkstatt) (1994/II-K108) (1987/K57) electronic timbre interactive videos (1993/K260) until the viewer becomes an active Additional specialized literature is listed radially in the area of the content sectors sound synthesis Autonomie der Klänge Radio Violins computer animation (Rosa Binaria) (1993) Interactive Cinema electronics and automation for catharsis computer concert timbre dynamics navigation through voices film techniques that participant (1989/K106) (1989/K294) (1979/K17) audio microscope (1987/K59) (1980/K43) (1999/J94) (1989/K225) the analysis and synthesis of switch the time and space (1994/II-K120) (G. Rabl) Social Club (Luc Courchesne) (Jon Rose) Japanese Animation! (magnifying small sounds) (AH) The art object is not the music (1979/K03) suggestion for a PRIX category axes (1998/K197) (Stadtwerkstatt) With Lynn Hershmann, Jeffry Shaw, virtual reality and sound performance A Cybernetic Sculpture ACA Media Arts Festival music for the glove Questions of little use: computer or the display, but the electroacoustics (M. Nyman) (1999/K385) interactive cinema (M. Reinhart, (2000/K283) (MAIZ) Peter Weibel, Bill Seaman ... their interactive the electronic musician (AH) Mandala System (V. John Vincent) (LesLevine) (1979/K10) expanded cinema (2003/F19,K393) (Jane Veeder)(1984/K128) (Mark Trayle) interactivity of both interacting What does all of this have to do with art? (Peter Krieg) (1991/P140) V. Widrich) works can be derived directly from their (Scott Fisher) interaction with sound & design modules rotor system with (historical) anthropology (S. Tomioka, K. Yamamura, U. Tanaka, S. (1994/II-K26) with the participant. Cyberspace and society Old /vs/ new (electronic) media (Erik Hobijn, Lydia experience with performance art (AH) (1990/II-K295) (1990/II-K307) loudspeakers Performance stage as Hirata, S. Sakamoto, A. Kondoh, M. Shinka) ethnology future cinema (2002/T exhibition "Animations" P.S.1 NY Interstitial (1994/K162) algorithmic audio Why are aesthetic criteria Lunch, Z´EV) "take over" of electronic media art (take over /vs/ self-disbandment) (1996/K268) sensory environment Sound Experiments theology / New Age discourse (Carole Ann Klonarides) (2003/K228) many performances use "new" Siehe auch: Sicht der Sorge (S. Krämer, R. Ascott) applied to software (1991/K103) white noise digital advertising (Auinger, Just Merrit, et al.) these projects are ultimately nothing other than (2003/K300) (2001/K94) (H. Deisl) media (see: Performance Study) ethnography (2003/K13) ... and not kulturtheoretische Sicht (1982/K184) Live Electronic carnival shows (1997/P53) Pixelspaces – DAMPF films stereographic game sounds performative criteria? (DG) performance studies ethnography computer-controlled compare: Performance practice Sensory Environments – Immaterial Interfaces (as trailblazers) video production (2001/K209) other poster studies: Anthroposcope (1993/K398) editing (1984/K122) performance art cultural anthropology (1992/II-K48) historical view (2003/F14, K299) (Heimo Ranzenbacher, Horst Hörtner) (Laura Bellof) (1999/K402) comp. generated media actions (Laurent Mignonneau, Christa Sommerer) http://www.servus.at/kontext/ausstellungskunst/art_in_context.htm media anthropology video transmission Film (Rolf Herken) Raindance !! (Fred Forest) structural affinity with WebCinema (2001/K106) mixed reality sociology and performance media performance (1979/T) Walkman is presented media performance Festival for: Art, Technology and Sensory Environments electronic nozzles media art (Nora Barry) performance (MF) (PRIX) (1994/P108) (1985/T) portable CD-Player sociological discourse VJs of the club scene (1989/K275) 1969 Ronald Michael Baecker: Trace of the viewer in the modulate a stream Society (1979/K01) (cf. construction of this study) TRANSIT: I. Bordoni, (David Chesworth) stagnation in perfection exoticism discourse (2001/K87) Interactive Computer-mediated image ... (MF) of water view of signs (2) see: process view view of (AH) "closed-circuit" of the (1997/K354) (H. Zachmann) A.Bosshard, K. Hentschläger, Join-In Concert democraticization of mixed reality applications (2003/K328) real-time animation software Animation (PW) (2001/P98) tribalism debate (D. Bruckmayr) view of agreement control syste interactive video image 3D audio-siphon (Peter Zegveld) H. Hörtner, M. Kreihsl, R. Paci DAMPF Lab: dance performance (1980/K05/K55) cartoon (film) culture Performances transferred to avatars (see below) mass events (Paul DeMarinis) (2001/K25) (tribal culture) vector-based real-time animation Realtime 3D Visuals (1991/K314) Daló, W. Rogojsza, G. Stocker, Cologne, Futurelab, V2_Lab Rotterdam, Linzer Sound Street (1980/K05) This kind of music has become a surveillance structuralism discourse rotation animation technology (F. Fischnaller, M. Monzani) (Basicray, Crashsite, from cybernetics I.Strobl, T. Ungvary, Mia Zabelka Animax Multimedia-Thater Bonn (1980/K61) Online-Performances (2001/K37) formula (2000/P197) (Peter Rehberg) installations virtual time – loudspeaker (game rules of art) Interactive Performance (3 ORF Landesstudios) (1999/K349) M. Bruner, K. Taschler, (2001/K196) "Banja" total simulation feature photorealism through the process patchwork (2003/K302) (Michael Jüllich) (AH) society of PRIX stochastic matrix (1990/P70) film (1984/K124) can the subjective (John Driscoll) (new art form) developed by ..... Stocker´s Ruf nach Linz Nappi) (2000/K314) view to performative biographies interactivity Jury (for chord concatenations) experience of time (1980/K132) Scott Fisher, Ann Marion culture for all analysis Interactive VR art works (1979/K36) be programmed? Online communities (AH) the performer controls electronic compare: whirling Literature: Community Internet Radio schematizing compositional in real time (2001/K301) (Georg Franck) and reputation capital stage images through sensors (attached performance focus historical view control system technology Flying large fourinstruments Broadcasting (2002/K196) processes (1979/K34) (T. Margolis) Wie geWOHNT – Neue Wohnkezepte auf dem (1990/II-K57) view of acceleration (AH) Musikgesteuerte to the body) in real time (Baudrillard) All our machines are screens, we ourselves (2002/K258) dimensional figures in (1989/K320) (VOSIM – Prof. Kaegi) Prüfstand / Symposium 2003 Laserprojektion have become screens, and people's relationships with one integrated media performance the sky with an airplane. remote-controlled Performative Interfaces Video-on-demand (Max Eastley) event view I Internet as social space MUDs, MOOs (1997/K386) (Paul Earls) (1980/K102) another have become those of screens. (PoMo CoMo) (1992/K226) LifeTool, Computer Aided Communication socio-cultural orbital acceleration (Steve Poleskie) active score – (Monika Fleischmann) sensory systems (1995/K175) concert performance (2) temporalization (AH) (Bruce Damer) animation projects Terminal bar (R. Lozano-Hemmer et al.) automatic musical (1986/K231) Die Individualität der Medien – Eine Geschichte (1982/K106) social networking interactive software scene (J. Smetschka) (2001/K358) Kickass-Engine life counselling for (2001/K57) (David Rokeby) Those who create interactive (1997/P84) BBS, Info-DB composition (P. Barbaud) the term "process" was central Telesteuerung (PV) cybernetic sculptures der Wissenschaften vom Menschen / graphical instrument (1980/K05) culture electronic systems (2004) (2001/K207) participants/children interfaces assume social responsibility An Internet actuated and Recombinant 9.9.99 (Steve Mann) (1997/K218) video performance (1979/K51) for Ascott around 1980 (Wen-Ying Tsai) Face Settings (K. Furukawa, film series "artificial Stefan Rieger performance uploaded Performance (2003/P23) Happening concert performance high-speed surveillance gaming communities (2001/K20) Telecenter (2004) mutual effects between (Kathy Rae Huffman) M. Fujihata, life" (1993/K282) (1997/K154) (Stelarc) Technologies for People With Handicaps conceptual-systemic (1997/F51) (K: Naut Humon) (1999/K380) superhighways (see right) Elektronic Happening lines of demarcation real-time composition for environment and artwork (1997/K364) W. Münch) Internet cafe In Yokohama, Ito realized a performance of 1994/K98/2 Multi-User-Dungeons MediaMOO: Social Web (Sound Traffic Control, Mixvisual sensor registering movements art (2) (AH) (1984/K147) (Paik, Moorman) "separating" persons in 12 radio receivers (1999/K347) MOO Workshop (G. Stocker) The products of this (media) art "networks" for "samplers", "performance devices", MUD MOO for media CARETEC exhibition (John Coate, Multi-User-Dimensions master Mike, Scratch Perverts, Electronic Cafe in space real-time a space (1989/K317) (Konrad Becker) (AH) the focus is much more on Scenarios for Virtual are shifted from object to process, from information "interface devices" for interaction between these researchers (AH) process instead of Station Rose) (2002/K253) Powerbook Orchrstra, The functional descriptions of dance collective weblogs (2004) (Project 1984 Los Angeles) movement (1998/P100) (Scott Sona Snibbe) Telematic performances (ML) processes than on completed Communities formal languages and presentation to interaction and communication, and computer connections of harbor networks Vision System (1995/K139) User, T. Brinkmann, Richie notation show similarities with those control virtual communities essence Viewers and actors on site can be networked with works Text collection from Willi Mayrwöger: (1996/K389) FreeNet initiatives (2004) or as the Japanese researcher-artist Masaki with other networks (optical tracking) (2004) Digital Communities Hawtin, Ikue Mori, Barry of software code (1995/K178) people in other places in an interactive, multimedia electronic musical score (AH) The communication artist Computer-Didaktik in der Sonderpädagogik / (O. Frommel) Fujihata has said, "from document to event". (Toyo Ito) (1995/K59) foundation of cybernetic first approximations to the performative view addresses the wide-ranging Schwartz, Stefan Betke, (2003/K314) (Scott deLahunta) Multimedia for all (H.-J. Hack) process Roy Ascott had his first idea of an R. Bonfranchi (1999/J68) (2001/K322) reading the user's thinking (1986/II-125) social impacts of the Internet Otomo Yoshhide, Scot Jenerik, Mazk, Sam Auinger, (1997/P88) "art of behavior" and the "cybernetic vision" obstinate movement (MF) (PRIX ab 2004) Musical arrangement is Behinderte Kinder am Computer / M. Meyer score for television projects script languages Virtual Appearance "Modules", Christian Marclay, artworks as Social CODE (Symposium) The category "Interactive Art" (1998/II-K64) OODA-Loop: inherently interactively processual. as early as 1966 art works community networks (Stahl Stenslie) the flowing, Elektronische Kommunikationshilfen für (Stadtwerkstatt) Terre Thaemlitz, DJ Olive, Carl Stone, Kit Clayton) socio-cultural applications of the Internet Encoded Music graphics and music SW complex systems processualness of robo-ecologies (1993) deals with interactive works of observation (Werner Jauk) (1995/P27) (2003/F11) decentral, process-oriented gaming communities ... who set links to other artists nichtsprechende SchülerInnen ... / A. Lingen understanding music as a kind On paradigm changes, (Alex McLean, Adrian Ward) (Golan Levin) all kinds ... from installations orientation media art (2003/K13) character of a large portion (2004) in turn (1996/P47) dynamic systems of software (H. Ranzenbacher) new role models, working Computer- und Informationstechnologie – Radio FRO conference (2003/F38) cybernetic sculpture (AH) ... Myron Krueger, Roy Ascott and (2000/K308) community art all the way to performance decision cybernetic art models, and the creative beyond a rigid process-oriented of interactive art Geistigbehinderten-pädagogische Perspektiven therapeutic discourse Towards a Society of Control shift of significance from the (Wenig-Ying Tsai) (1983) Fred Forest thus also stress the "concept of action" or the (M. Fujihata, K. Furukawa, Code – Notation (2003/K341) control society (2004) action participative WWW works (DH) CODE (2) (2000/K214) burst(2001/F08) geometry (AH) languages (2003/F15) (Cindy Cohn, object to the dynamic system "matrix of behavior" as a fundamental precondition for W. Münch) ((2000/K309) Hg. Wolfgang Lamers disability studies Towards a Society of Control? download, manipulate, upload, Art Com Electronic Network shift in time self-organization Christiane Asschenfeld, Juliane (2003/K13) the participants' behavior and aesthetic characteristic Code and Music – Technique and (O.L. Tremetzberger) (2003/K54) Augmentative und alternative Communication / control (robots) Gestalt therapy The term "behavior" was ACEN (1986) (1989/K130) (Dan Graham) (AH) technical reaktiv, responsiv Alton, M. Terkessidis, E. Möchel) (knowbotic research) of an "aesthetics of communication". model bedroom with eyecreativity while composing contributions to a lasting change the temporal structure (1992/K136) David Beukelmann, Pat Mirenda central for Ascott around 1980 electronic community psychodrama / psychotechniques spatial representations As artists working with reproducability Electroacoustic process character of action (K. Becker, A. Toner, M. Vojtechovsky, Modern triggern controlled projection (Jonathan Norton) (2003/K294) in the form of a project: of WWW works therapeutic pedagogy digital media, we are constantly (electronic Bulletin Board) pseudo 3D electronics as instead of original Visitation Mass No Man´s Land Z. Blace, Eugen Babau-Iladi, H. Harger) primitives see also: political view (Lynn Hershman) (1997/P119) behavior of forms - forms of behavior (Eva Grubinger, Antonio Muntadas, motion capturing correlating body/movement reminded that when we create VRML gentle technology system theory (Diamanda Galas) Robot installationen / temporal structure of see also: power-theoretical view (Roy Ascott) (1995/P20) Douglas Davis, Jenny Holzer, Ed Stastny, (Andrea Juno) learning and knowledge circulation, feedback, BBS Bulletin Board with a telematic digital artworks, we are really building (1979/K05) (1986/K83)(1989/J59) implanted and emergent dance theory animation works (AH) Appropriation and (1997/K285) (Stadtwerkstatt) Joachim Blank, Karl Heinz Jeron) see also: historical view (1990/II-K234) self-controlling, simulation software communities (2004) counterpart behavior (the parasites, the undomesticated, virtual machines. Every aid (regardless Was ist eine Virtual Reality Cognitive behavior patterns that are model the term "system" was central simulation instead of the original self-organization, action bots Sermon on the Mount (1984/K187) Cyber society – Myth and Reality of the (Heimo Ranzenbacher) of whether "soft" or "hard") is a mechanistic the inverted scavengers, ...) Modelling Language (VRML) multiplied and replicated through communication kinetic (2004) digital citizens' participation motion tracking for Ascott around 1980 autopoiesis (AH) (Bognermayr, Zuschrader, Prünster) (2003/K334) following filmed immitation of a small area of human Information Society (book) (L.-P. Demers, Bill Vorn) (AH) aesthetics of action (David Blair) were called "topoi", "habits" or "cliches". They were interference objects simulation works neighborhood citizens' conferences (2004) behavior. (1996/K203) (Simon Penny) Logicaland (M. Aschauer, Multi-User-VRML (1996/K262) see below (1995/K220) regarded as social constants that were stable, Simulation ultrasound movement (P. Barbaud) (1979/K51) set of operations passers-by Some Code to Die for tele-actors (PV) acting remotely (FF) J. Deinhofer, Maia Gusberti, There is no world view or art, no expressive automatons (1996/P129) interactive 3D-cinema world (1997/K390) except for marginal changes. This characteristic holograms Wearable System (GPS for (M. Desbazeille, hobby religion in (Leo Findeisen) (2003/K73) virtualization of action with Nik Thönen) (2002/K364) social structure or symbolic order that gets lost in the discussion of "memes". light-kinetic (1988/K276) simulation space mosaic of mobile determining position) Conveying the kinetic complex S. Canto) (2001/P100) (AH) disclosing films like decentered connective regulators To simulate processes of life: Evolution, electronic remote action (PV) (1998) (2002/P34) could do without art (DM) (1996/K34) (H. Hrachovec) objects (H.M. Ihme) belonging to a community (MF) data sounds (Knowbotic Research) Centerbeam (Gyorgy Kepes) Changing the behavior of actions Indian philosophy breeding and selection (OG): Thomas final phantasie actions (ML) light machine Speaker Swinging (AH) Krueger discovered that users Concerns of music are science fiction, socio-fiction, political fiction ... (1980/K98) puppets through changes in (1993/P98) syntax of binary images Social Software Ray, Christa Sommerer, Karl Sims, Behavior is movement, in which an Indranet (1980/K120) (Gordon Monahan) quickly identify with a figure in a tendencies to excessive Thse are role plays, parallel strategies, stockmarket courses (MF) Unlike immersive image strategies kinetic (Woody Vasulka) feedback Artifical Life (2) AEC as "Evangelist" (2004) cybernetic Jane Prophet Is God flat? Is the devil intention can be recognized. The (1988/K277) harmonizing actions A brief introduction to the game, if it reacts to instructions in behaivor (Diamanda Galas) ... scattered images of a future cyberspace (PV) games as simulation Station Rose in the (Erwin Redl) (1996/P152) that draw the viewer into a space of illusion, light sculpture (1989/J22) (2001/K353) (1996/P14) play of movement curved? (1995/P112) combination of simple behavior his career: (Nam June Paik) kinetic sculpture art of flight simulation real time. It is not the realistic (1986/K84) Music for Mechanical Metal (war games with simulated Social Web (1997/K426) (Stahl Stenslie) the mixed reality concept focusing on the (C. Möller, (Roland Kayn) (M. Benayoun) patterns produces "personality" transforming television and new (Chryssa Vardea) (Monika Fleischmann) Mixed Reality: portrayal that determines (1996/P211) behavior of complex systems radar data on missile Techno-religious ecstasies spin-offs body-space experience leads the viewer into an (Ron Reisman) R. Kramm) cyberneticists and physicists Holography and Society (1986/K184) or "predisposition" (2003/K183) video techniques into contemporary (1980/K101) The interfaces as input/output instrument is not a (1990/II-K159) aesthetic pleasure, but rather the (Gordon Monahan) guiding computer systems) (2000/K213) action-oriented situation that leaves room and (1994/P132) H.W. Franke – ars co-founder (Vito Orazem) Immersion in war pictures - removing, art (1982/K102) multimedia instrument, but an instrument of action Working up to the rank identification with the controlled behavior. Symposium (PW) Intelligent (PW) Systems theory approach to the imagination for thinking. (1979/K02) calculations by Survival by kinetic water display deleting (Maurice Benayoun, Jeanfor a synaesthetic transformation of the perception Instinct TV of a god in the MOO Journey through the products, intelligent behavior of complex systems (1994/K09) Kinetic Art analog computers Simulation (1989/K191) Fiction and Simulation Babtiste Barriere) CAVE work of media space. Instant TV ... the immediacy of experience results from the (1997/K174) (AH) What these "systems of media art spiritual essence of the trance (AH) 3D simulation as a new ambients, the whole are a kinetic (Peter Weibel) (Stephen Pevnick) (Friedrich A. Kittler) (MF) the transfer of image data is (1998/P70) (U. Reck) ... For this reason, aesthetic endeavors Reaction-Action TV realistic behavior and not from the realistic have in common is that the virtual world (2002/P100) (United Game Artists) quality of illusion technology evolution show models of behavior and actions "acting out" (1990/II-K20) (1988/K87) thus harmonized with the dynamics of (Alison Cornyn, Sue Johnson) and developed practices are currently progressing 50s-70s / affinity Catastrophe TV graphical representation. changes depending on and with the observer that we are always handicapped (1998/P30) (knowbotic research) Tokyo 1997 (Tetsuya Mizuguchie) (based on Kandinsky) kinetic sculpture electronic physical actions prison life (2001/P50) decidedly from representation to activity, from to media art Fernsehfamilie Gyroscope (tilt and (Edmont Couchot) The extent of as part of the system in real time. Weibel without knowing it (1994/K26) (J. Sauter, D. Lüsebrink) (1997/K258) simultaneity (AH) Die Vorstellung von einem „idealen Zuschauer“, der sich confessional mimesis to experimental action. HDTV (1991/K91) (Stadtwerkstatt) lateral movement), odometer consequently regards them as "cybernetic the space of possibility that a magical mystery tour interactive television (Roy Ascott) (1995/P20) toward an orientation to action Technology and Puttting images into a virtual information code of behavior (AH) entsprechend der Kalkulation des Künstlers verhält und die ihm real-time processes real time (terms) Scientology vs. (speed) simulation model opens up, depends systems", the events of which are structured "Turn On, Turn In, DropOut ..." architecture following the pan of the camera the irrational (1998/P60) (Wendy Vissar) Installation for computer-controlled zugewiesene Rolle ernst nimmt oder seine ihm angebotene (Martina Leeker) Theater people criticize (1971/T) "Media-Bus" Newsgroup (1996/P100) sound mapping project victims of the information age (1979/K35) on the boundaries of the model. recursively as feedback. Timothy Leary (LSD-Guru) (Mark Pauline) cultural anthropology accidence – remote-controlled short-wave receivers (1998/K175) TV technology Freiheit mißbraucht, sei, (so Popper) eine unausgesprochene technical interactivity and describe it as Radio International TV art start of TV station operated (1998/P94) Nerve Theory: shades of catatonia (PV) ... It turns out that words (PW) The so-called handicapped (David Sheff) The Jewelry Box Voraussetzung für das Gelingen des Kunstwerks und die (1990/II-K232) car jumps (Leo Schatzl) (R. Adrian, N. Math) structuralism (discourse) interpassivity. They establish an shortened City (1998/P50) Delphi Digital by artists (Iain Mott, Marc Raszewski, (B. Loibner, T. Sherman) (1998/K244) television as are not models. In my opinion, person is only a special case, who dramaturgy of relationship with erfolgreiche Intergration des Betrachters ... (1990/II-K241) (1991/K215) s.u. myth discourse concept of action. (Thomax Kaulmann) (Margot Pilz, Roland Scheidl) Horizontal Radio: Jim Sosnin) artistic device models are images. the event is the nerve of information makes the general human condition minus points real time (PV) (1998) Free B92 (1984/T) MTV sendet in Europa deconstructivism (1991/K163) telematic radio network (1989/K154) digital intro for TV (E. Couchot) of being handicapped visible. (1997/P136) (Mark Madel) (ML) The emphasis on the performative does system for (PW) We move too slowly, that is why (ML) The transgression lies in the fact that in the (1999/K395) project (1995/K354) (1986/T) television project PONTON (K149) 2h TV (Stadtwerkstatt) theories of memory (1994/K17) tape recorder voices broadcasts process art not establish a new, universal order here, but real-time synthesis we have the car; we can't fly, so we build media performance the interaction is no longer used (1999/P38) (1987/T) Stadtwerkstatt TV 1st attempt (K165) PureDataConnections (G. Stocker) (1999/J397) Realtime-Audioalchemy, hermetics (Manfred Riepe) mystical dimensions posing stimuli on the screen (Baudrillard) transformation itself instead becomes the new (1984/K48) Literature: airplanes; we can't calculate fast enough ... as a paradigm for action, but as a performative (1989/K148) (1987/T) STWST-TV Kabel-FS im Hotel (1988/K213) (2003/K203) Radiotopia Cinematics (1991/K286) esoteric debates / New Age discourse (2003/K188) (Casey Reas) The virtual human, motionless before OZOne, Radio Qualia, principle of cultural order (see below) deformities We are essentially handicapped, we just don't process. Instead of interaction, there is a confrontation SOS Radio TNC (Claire Roudenko-Bertin) Radio Free Utopia Blick, Stimme und (k)ein Körper / (1989/T) Van Gogh TV – Studio (1989/K115) (M. Pinter, Renate Oblak, (2002/K427) (1999/K380) digital broadcasting (Beusch, Cassani) Behavior rules and reactive his computer, makes love via the screen Radio Lada (1998/K79) psychology (Anita Gratzer) notice it. (1994/K17) (1992/K159) with what is happening. (Friederike Pezold) (1989/T) Gründung University TV (1990/I-K198) W. Ritsch, M. Pichlmaier) Mona Sarkis search for elves (1996/K366) structures (2003/K192) and lectures through teleconferencing. He (1999/K324) Free Speech (1999/K405) performative theories media as site of transition (DM) (1989/T) Stadtwerkstatt - slot machine TV, live on 3sat remixing radio programs sonic graphics – seeing sound / Matt Woolman (Agnes Meyer-Brandis) interest in myths (Darrin Butts) Looking at ORF Kunstradio, VanGoghTV and Stille elektronische Post (1986) TNC Network becomes both motorically and cerebrally Camp – FRO (1990/T) Van Gogh TV – Hotel Pompino (1990/I-K159) ethnology Online-Generation/Automation of Data/Sounds "heavy rotation revisor" (2003 OK) (2003/F42/P112) (1993/P68) Speech, music, sound / Theo van Leeuwen Xchange, one notes an interesting development: (R. Kriesche, G. Bechthold) handicapped .... (1996/K412) (Harwood) Information is thus the (2000/F46) (1990/T) STWST-TV – Invasion-Okkupation (Buffalo NY) On-line/On-site/On-air sound installation analytical philosophy (MEGO) ... cheaper and simpler technology creates Medien/Stimmen / Hg. Cornelia Epping-Jäger, Zusammenschaltung 2er Studios illusionist out of body experiences Radio FRO (2001/K406) Rehearsal of Memory (mental patients exact opposite of myth Ponton – Van Gogh TV: (1991/T) STWST-TV Out of Control (1991/K89) first TV ars (Colin Fallows, Heidi Grundmann) linguistic philosophy greater freedom, individuality and diversity (1986/II-K275) Erika Linz Radioqualia (1998/K105) in a high security hospital) (Kittler) radio project (1992/T) Piazza Virtuale – documenta 9 performative transformations (A. Krach, J. Sienknecht, S. Gründler, C. Fallows, Dusan Bauk, ritual performance with butchering (1998/K78) rhetoric / topic face made of (1995/K79) Zwische Rauschen und Offenbarung – Zur (1989/K110) (1992/T) STWST-TV Im Teilchendschungel der W. ... (92/K198) (P. Eisenman) (cf. 1994/K56) A.Vasiljevic, R. Klajn, G. Paunovic, A. Garton, J. Curtis, and preparation of a chicken. (1986) TV-Sculpture net radio Out of control (4) linguistics single drawings radio technology Kultur- und Mediengeschichte der Stimme / (1995/T) STWST-TV Checkpoint 95 (1995/K323) Eliza dialogues (1966) transformation of the sign M. Smith, Sandra Wintner, G. Gregson, S. Cathey, (Minus Delta T) (1989/J135) (Aldo Tambellini) Kunstradio network avatars exhibition of the Prinzhorn collection (S. Zeyen) structuralism Myth of Information (2000/T) Televisio – Kunst sieht fern / Vienna Familie Auer (Kunstradio) Ed. F. Kittler, Th. Macho, Sigrid Weigel (Selim Koder) (1994/K51) Emilia Telese, T.M. Didymus, H. Harger, A. Hyde, (Weizenbaum) (1992/II-K110) Manifesto (1998/K101) (1991/K245) (Ferenc Jádi) (1997/P140) (1995/K) (1995/K117) speech act theory (1997/K411) overall data work see below R. Bastien, S. Chappelle, Joelle Ciona, (1992/K194) Transformationen der Techno-Ästhetik (essay the virtual vampire Beginning 1987 ORF and its partner 3SAT New Age cyberculture free radios and (Heidi Grundmann) world premiere of the television (McKenzie Wark) from NET:ART to NET.RADIO pragmatics/interactions and (1994/II-K98) color recognition device, whistle P. Courtemanche, anna Friz, Eileen Kage, (Roy Ascott) (1989/K100) (Doro Franck) in: Digitaler Schein) / Peter Weibel open transmissions for media artists (1996/K231) (1989/K276) their problems spectacle "Willoughby Sharp´s (1998/K75) (Josephine Bosma) interface to telephone, keyboard for the blind, B. Mullan, W. Sergeant, T. Cole, conversation analysis (1990/II-K221) connectivity, Morphing see also: filmic view throughout Europe Morphing Software emoticons / Karin Niedermeier (1996/K352) Downtown NY 1986" (1986/K388) The New Myth see below ideological tendencies Speaking Thermometer, ...) Andrea Sodomka, M. Breindl, N. Math the mythical TV space sociolinguistics see also: topological view from Van Gogh TV and Stadtwerkstatt transformation and (1999/J90) (first TV project at the ars!) (Frank Ogden) of media art W. Ritsch Open Air – A Radiotopia "My Neighbourhood" (1996/J98) linguistic performance theory transcendence IBVA system (Interactive Brainware see also: body view, education view etc. (1995/K99) 100th image as morphing basis (New Age cultures) (1998/K290) radio art On line – on site – on air (1994/K160) Materia Prima the space-maker literature studies Visual Analyzer) for simple command processes see also: psychoanalytical view TV Poetry net radio has to react webcam art (1998/P137) (T. Waliczky) robot arms moved solely "Piazza Virtuale", the interactive computer (unplugged 2002/F16) Minus Delta t the confrontation of art at (Code) (2003/K12) (DM) mathematics and its as magician literature discourse Mysticifactions: (1989/J51/J52) (Gebhard Sengmüller) to its environment nimbus of the magical by thought environment for live TV from the Ponton European Radiophone poetry – shows technology the archetypal level (Randal Walser) voice, breath and gaze Radiolabor (1992/K202) handicapped by a Bermuda Triangle (Isao Tomita) (1982/K193) (1998/P21) technological magic (1993/K382) (1998/K75) linguistic turn (discourse) The myth of Radio Subcom (Spiegel 03.2004) Media Art Lab, with Picturephone, ISDN, with games new radio play (1995/K223) (I. Burgbacher-Krupka) mystically (1986/K07) (1990/II-K206) wheelchair recognition systems (1989/J118) (1999/J356) (1989/J52) VR als virtual drug (1990) (1989/K163) radio goals (J. Sugár) the artificial (1991) and activities that can be controlled with via telephone (1980/K07) media mysticism (1986/K148) Video Magic Live TV experiments (Jon Berge) (1997/P138) (AH) Technological progress goes from the The Mind of Universe (Isao Tomita) (1984) (1989/J122) (1998/II-K290) (AH) physical (1996/K352) keys, and chat programs using modem, fax, telephone Cyborgsurrealismus (E. Schoener) (E. Kluitenberg, E. Davis, existence in electronic "guided hand" (keyboard or mouse) to gesture and voice, Erdenklang (Erika Gangl, Bognermayr, Zuschrader, ...) 2nd Nature diabolic invisibility RealRadio and live entry points rehabilitation measures art as transmission (1997/K63) s.u. wheelchair as interface (1979/K50) cosmological model Rasa Smite, Raitis Smits, space (1994/K158) then to the simple gaze and finally from the gaze (1982) (1989/J120) Myth of the Computer magical-symbolic elements (Markus Seidl) (1994/K160) (MF) (GMD) (Dieter Daniels) for navigation gambling and spirituality (Haraway) Borut Savski, Rachel Mullicans to thought. Aurora Electronica (...) musical magic (1997/K388) Piazza Virtuale – Service Area (1994/K232) Myth of AI manipulation aids (Mintz, Ditmars, Duggan) (1996/K420) (Nancy Paterson) Baker (1998/K90) Closed-circuit-TV Intergalactic "mating" (Jon Hassell, Thomas Shannon) (1990/K-I-20) (S. Leoni) electronic cane for the blind (1996/P146) art is media-mysticism Cyborg as carnivalesque (Adrian X) (1989/K146) see below (1994/K159) (1988) (19989/J151) autonomous wheelchair (1989/J52) mobility aids Thus, telepresence maps onto three long-term projects in the (GuideCane) transitional figure Ugo Ugo Lhuga every art form has mythological-electronic "art radio" was the attempt to experience (1998/II-K275) Live TV with telepresence history of ideas, including their mythical, magical, and utopian techno-mysticism (Bilwet/Adilkno) rehabilitation Note: the orality view technologies for people children interacting with its origins in magic transformations of radio as it could have been, if it had not music theater "collisions" techno-utopianism (S. Hawking) (Stadtwerkstatt) and connotations. These are, first, the dream of artificial life (1996/K35) (1997/K135) has been relocated electro-acoustical computer-generated figures in (1991/K111) perception aids technique become a centralized mass medium with handicaps (Transcenic/Theatre d´en Face) techno-aesthetics (PW) (1994/K19) techno-paganism (1995/K323) automation; second, the tradition of virtual realities in art; a television show (Toshio Iwai) (Z. Karkowski) visitation mass (1994/II-K98) (1984/K223) (1989/J125) overwriting and transgressing motivating the visually impaired real-time solution not feasible irony and humor night vision devices and third, the occult prehistory of telecommunication, (1994/K252) (1999/J428) CARETEC exhibition classical arts (PW) (Diamanda Galas) to communicate visually via in the multimedia networks the state of the world after which operates permanently within structures of in cyberfeminism from TV work to Ugo Ugo Lhuga Live MARX (O. Augst, M. Daemgen, radio art is not electronic aids for (1986/K83)(1989/J59) Internet (1996/P136) (only TV networks have sufficient (Birgit Richard) ideaes for leaving the body (OG) radio projects its techno-transformation (PW) (it was possible to speak with the figures) C. Korn, T. Desy) (2003/F22) sound art the handicapped (VR) design was (Elisabeth Goldring) bandwidth) Electrolobby as international (1999/J336) (Stadtwerkstatt) techno-séance (1998/K101) inspired by alchemist The techno-world of machines represents a game lab (2001/K195) (P. Weibel) Instead of original - technical reproductions, (1994/K162) voice distortions SLO – Scanning COMPUTER as handicap - what computers can't do practices (Silver) radical transformation of being (PW) scientist-comedians Live TV with telepresence Ready-Made-Medium appropriation and simulation, instead of author - collective, Laser Ophtalmoscope Unplugged – Methods (Symposiums) (1996/P156) (1992/II-K28) (Stadtwerkstatt) (Lev Manovich) as presentation form/TV (Joe Davis) video gamel – urban (1998/II-K178) Vocoder machine, text, instead of truth - verdiction and virtuality, creating realities that can be The techno-transformations of art, from Until the late 80s military (1995/K324) (1995/K343) (Thomas Dreher) evaluating the emotional instead of thing medium, instead of material experienced emotionally - even entirely communication devices photography to the digital image, are parody of violence simulators - the American emergency services (1995/K55) display of parallel space content of the voice immateriality, instead of reality - fiction, instead of being without data helmet and cybergloves device for memorizing (verbal output devices) machinic art forms (PW) (L. Hart, Julien Alma) SIMNET and applications (Tommy Lehner) and reality only signs, fictions, (2001/K20) Voice Boxes (connectionist installation) (2000/F34) knowledge (CBT) like flight simulators supported communication The history of technology Live transmissions of A carvival of misplaced devotion simulation. (Natalie Jeremijenko) In the worst case, what were considered the prosthetic aids facilitated communication: has always been the history operations from the (paper tiger TV) (S.R.L.) (Seattle 1990)(1990/II-K233) adapted shooter games collection of (1996/K402) RE:MARK – transforming sounds into origin of the commercial will be left of the VR touched or supported while of its myths and utopias (OG) (PW) The transformation of techno-art can public hospital Nybble-engine-toolZ (1995/K337) light signals onomatopoeia dynamic forms (Golan Levin) movement will be only an writing means for controlling the Borderland (shooter video game techniques (M. Jahrmann, M. Moswitzer) video game are extremely popular be described as a transformation of the auditive battle game (Agathe Jacquillat, (instead of acoustic output Literature: (2002/K410) infantile toy industry TV as domestic (J. Alma, L. Hart) (2000/P86) (Melita Zajc) (2003/F40/P92) ontological triple (being, work, truth) into the environment (remote control) KlangKanone (Stichting Rainstick) Tomi Vollauschek) (Peter Weibel) Blick, Stimme und (k)ein Körper – Der Einsatz telescopy (PV) (1995/K77) semiotic triple (sign, medium, power). (1995/K258) voice recognition (2003/P58) (1990/II-K30) der elektronischen Medien im Theater und in commands through face Biocybernetic technology Bio-Mechanical Gameshow (1998/II-K178) Glasfieber – bowling alley Voice System ARSDOOM Happy Doomsday! AAC = augmentative and muscles (1994/K198) (1994/K198) (for paraplegics) (1997/K362) (Time´s up) DOOM II and the (Stadtwerkstatt) (1996/K324) (Cálin Dan) (1998/K148) interaktiven Installationen / Mona Sarkis art adventure professional gamers (2001/K192) speech recognition VR-landscape "PlaceHolder" alternative communication speech recognition auditive poetry (T.H.H. Boykett: Theory of Hypercompetition) military version (C. Helbock) (1995/K262) culture of war Maschinen, Medien, Performances – Theater an (Brenda Laurel, Rachel Strickland) (1989/K167) On Jandl – digitalized mouths (hearing the presence aids for self-active game see also: radio view (D. Rokeby) Computer game "Marine Doom" speech sound Augmentative forms of communication: (1998/K163) Brucknerhaus (1971/T) Noan Bushnell invents the world's Text Rain (2000/K389) der Schnittstelle zu digitalen Welten / (1994/P124) interactive art on the Net (Eku Wand) of the user) and problem-solving behavior developers are the (1980/K76) hand and foot signals, head movements, (Orhan Kipcak) first commercial video game (Camille Utterback, Romy Achituv) Martina Leeker (Ed.) (Eduardo Kac) (1995/K170) (1993/P87) contemporary masters articulation eye movements, facial expression, gesture, (gerhard rühm) (1972/T) Atari: video game machines "Pong" Liveness / Philip Auslander computer game in of illusion (phonation) vocal synthesis emotional expression, posture, ... (AH) Interactivity creates an intimate relation (1976/T) Fairchild : video game device special input devices games / deconstruction and (N. Suzuki) Speech Recognition concert performance Computers as Theatre / Brenda Laurel (ML) Since the publication of (Leo Küpper) (1984/K29) possibilities of the Acoustic events for one between the artwork and the viewer (J. Shaw) (1980/T) Pac Man (a player only managed to play modifikation (2003/K227) (1996/P150) foot-mouse, headpointer, (1993/K263) macpanic Voice Recognition Alternative forms of communication: linguistic notations of Spielfiguren in virtuellen Welten / Natascha "Computers as Theater" (Brenda Laurel) human voice voice and apparatuses (1970) all 256 levels after 20 years) eyetracker sign language, images, graphic symbols the voice (1989/K272) Feedback Speech Translation Adamowsky interactive games ... are designed and AR / Audio Reality (instead of VR) (Diamanda Galas) (1986) (AH) interactivity is generated in the various sound mikado (Ernst Jandl) (1980/K88) two-way interaction (Wolfgang Georgsdorf) (Amanda Stewart) video games see above playful art judged according to aspects of theater. (1999/P80) avant-garde (Steffen Wernery) Für eine Ästhetik des Spiels / Ruth Sonderegger user interaces by touch, gesture, movement, (Waltraud Cooper) feedback art (PV) integrating games in special output devices: (Myron Krueger) electroacoustic singer (1995/K205) acoustics or sight (1987/K100) Virtual Labyrinth Messa di Voce – visualized Künstliche Spiele / Ed. Georg Hartwagner, Interactive theater for 4 virtual therapy (1994/K199) Braille display Responsive Environments (1986/K90) (Bill Keays, Ron speech and song (a performance) Stefan Iglhaut, Florian Rötzer beings and live audience database-based (2000/K365) (AH) game structure as model street theater interactive MacNeil) (2003/K311) (Tmema, Jaap Blonk, Joan La Barbara) console kids sound-therapeutic objects (AH) mid-80s as the (1996/K404) (Luc Courchesne) Intermedialität – Das System Peter Greenaway narration (2001/K108) Sissy Fight (1984/K359) for work structure (Machiko Kusahara) circuit systems interactive kaleidoskop console games beginning of the ludic society (1979/K37) (Nora Barry) Yvonne Spielmann (PW) The origin of technology The Ludic Society (Neil Postman) / Urban Sax (K364) dynamic animation through gestures taking the (1979/K47) story telling games and traditional (Sidney Fels) (1998/K201) online gamehall game on literature passages virtual mask celebration, (1998/P62) rhetoric of hypermedia is rooted in this universal Art_server: stargate to netculture / Margarete homo ludens (Flusser) voice into consideration / visual performance system culture in Japan (1994/K40) (Elfriede Jelinek, remote-controlled puppet theater for Ascott the concept of "interaction (2001/K194) escape game (Indesen, Krohn) (AH) In 1962 at MIT condition of lack. (1994/K17) Jahrmann & OK (Ed.) the topic was covered by the O.K Linz with "Toys´n Noise" (Golan Levin) (2000/P82) Audiovisual Environment Suite G. Hüngsberg, H. Franz) (Ken Feingold) moments of interactivity was central around 1980 (M.G. Wagner, Concept: computers as phenomena of perception in E. Sutherland described digital storytellers GOLEM – an (Art_server: stargate to netculture) (1996/P134) Nybble-Engine / M. Jahrmann, M. Moswitzer (at Ars before 1989) (PW) theater (Brenda Laurel) S. Carroll) computer games (2001/K69) consoles (R. Kuwakubo) a "sketchpad system" for (DM) films are determined to a interactive opera ("Huge Harry" = voice synthesis (1989/K87) on dramatic interaction immersive Der bewegte Betrachter – Theorien der new methods of storytelling (?) Shared Environments (2002/F044) (T. O. Meissner) interactive computer see also: view of fashion literature game (2000/K397) high degree by rhetoric (Richard Teitelbaum) ATHE-MOO machine) (1997/K110) (1990/II-K259) (mixed reality technology – pop-up book) media opera by interaction (2002) interaktiven Medienkunst / Annette Hünnekens der Multi-User-Games graphics (1990/K-I-84) (1997/K433) Virtual Voices (Kenji Iguchi, Tomoki Saso) (2003/K420) (2001/K20) John Sanborn (1986) Ästhetik der Inszenierung / Ed. J. Früchtl et al. paradoxes of Pixelspaces (small conference) multi-actor-server Voice synthesis From Text to Speech Critique (Patrice Pavis) (1999) see: entertainment view (ML) one of art's tasks is to interactive art Die Zeitgenössische Dramatik und die neuen interaction (1989) opera cabaret user interaction (2001) space as game – (1997/K120) (AH) Merging individual art forms into an integral every machine, every technology, see: sports aspects mobile games (2002/P24) expose and deconstruct the rhetorics of (AH) interactive media art as Arleen Schloss Medien (essay) / Patrice Pavis game as space art form ... that conjoins new media with theater, every computer being is a foreign interfaces (David Rokeby) performativity discourse In the Network of Systems "the art form" of the 90s (1986/K55) see: interface view N-cha(n)t (2002/F12) Unexpected Obstacles – The work of Perry (Masuyama) opera, performance, ... body in the heart of theater (PRIX) theater theory for an interactive art (David Rokeby) Hoberman 1982-1997 game performance (on "Zulu Time") (HK) Yet we are also confronted with computer the computer picks up (AH) (Roger Malina) Interactivity was first cyber-opera (P. Weibel) (AH) Interactive Media theater studies (ars 1989) turbulent operette in a kind of dialogue producer Mark von Raden / Energized Gaming Culture CAVE was conceived as freaks that basically don't want to do anything utterances and freely develops officially proclaimed a new art form with the "Wagner's Madness" Festival (Los Angeles) (1995) theater anthropology electroacoustic fashion (2002/F12) media opera with the systems (1997/P102) "Virtual Reality Theater" but operate pinball machines. (D. Rokeby) the Animax multimedia theater them (2002/F042/P072)) establishment of the prize (1990)! (1995/K368) "Sparky Prize" (1984/K329) (Altmüller/Bogner) dramatic discourse with scientific content and (1979/K03) Perfect Lives (Robert Ashley) key word "interactivity for children (2002/P90) LINZ ... ! multimedia opera (?) performance and play performance studies projection possibilities corresponding An Opera for Television arose in 1988 (Autorenwerkstatt MEET) music game (2002/K418) the world of interactivity playful interaction (2002) "Wild-style Video Operette" to the criteria of the showcase (SIGGRAPH 92). performance theory interactive (Tina Blaine, C. Forlines) computer games (1996/K406) (Masaki Fujihata) E.W. Adams (2002/F12) about ecology, fun, politics, evolution, Europe, energy (the three sacred E's), (1986/KII-218) types of interaction (1999) Theater (Daniel J. Sandin) (1996/J85) multimedia show game theory festival house as electrolobby game design media work the universe, sex, household, nature, technology and sports (on P. Weibel) art of the scene (Patrice Pavis) high-tech location (ML) (Weibel) language games approach net games (AH) interactivity as an one of the cores of "The Artificial Will" electronic media opera mediatization of interactivity (AH) multimedia performance multimedia digital puzzle postmodern views "empty" concept – electronic art and (1984/K239)(1989/J24/J124) (P. Weibel) (Susanne Widl, Reneé Felden, ZYX) interaction of non-linear theater (H. Lepka) (Hiroshi Matoba) Robo-Cup s.r. theater as show machinery (1988/K38) "without content" (Huhtamo) sophisticated technology anthropology (of laughter) group dynamics (1994) Interactive Computer (Lawine Torrèn) (1998/K203) playful interaction as a (robo-games) is interactivity interaction design (2001) Theater of hybrid machines Art Com Electronic Network (2000/K294) telematics and total data work (AH) Theater (1981) central "pattern" of the Ars: (1989/K87) (1996/K274) (Don Ritter) the mechanical Bauhaus stage (Woody Vasulka, David Dunn) (ML) the boundary between theater dialogical interaction (2001) ACEN (1986) (1989/K130) (ML) theatrical-performative(1989/K168) see also: music theater view creative (1988/K93) (Theater of Sounds) games, music tools, ... (2001/K79) and performance and mediatized (1990/II-K265) mobile phone (Bruce Thomas) Wearable AR System modified use of games Online-Theater digital Installation (Stephen Wilson) (Mathias Fuchs, Sylvia Eckermann, for the game Quake (2002/F12) (ML) Emphasizing the performative in interaction (AH) perusing, traversing, performance occurs today at the medium of interaction (2000) (Penelope Wehrli) games M. Jahrmann, Max Moswitzer, Why has this field not been mined media performance simultaneously forms searching, exploring, ... interactive WWW level of "liveness", the co-presence (ML) theatrical digital (2001/K87) tele-interaction (ML) Orhan Kipcak) (ML) the relevance of theater at Ars Electronica? (Technical the nexus to the discourses on media interaction tool (2003) music-construction-game-machine of actors and viewers (in)voluntary experimental arrangement works (DH) (MF) the communicative (Kanae Ushiro, modified use of video games within information technology framework conditions at Brucknerhaus? and theater interactive narration interaction (1996/P55) go-programs (Sybille Hauert, D. Reichmuth) works that don't guidelines of theater could Takashi Morimoto) cf.: Maschinen, Medien, Performances – Theater an der Schnittstelle (ML) liveness should also be retained (Stadtwerkstatt) media performance and telecommunications Costs of one-off performances?) (A. Steininger) (2003/F41/P104) function offline be investigated with the help chess programs Polylog – for an interactive zu digitalen Welten / Martina Leeker (Ed.) when theater uses audiovisual and (Barbara Büscher) (1990/K-I-152) (ML) a new art form is developing from domino game (2002/K415) of digital technologies art (Weibel, Lischka) (1989/K65) electronic-digital media scenic concerts external interaction /vs/ (Stadtwerkstatt) (1997/K284) directly linking theater/performance (S. Schießl) documentation culture and work musical play (ML) the technical concept of (AH) Motor of transformation: from cyberspace theater networked stage (MF) internal interaction (of modules) 3rd computer chess championship Autodrom Crashcourse and digital media Web scene projects and reproduction "Le système du monde" "liveness" on the media side: are a unit at the theatrical level the mixed reality performance modernism to postmodernism (1980/K177) (Heiner Goebbels) (2001/K354) (1979/K05) motoric electronics: interaction in real time playing figures in All Play (Cinematrix) – audience participation (1998/II-K267) E. Said: The new electronics ... constitutes a continuous feeling of tension between (1982/K25) scenic concert with live demonstrations (AH) new forms of transmitting live (G. Squad, M. Chalcraft, Re-establishment of an equal balance (Gérard Pistillo) !! (Loren & Rachel Carpenter) (1994/II-K102/P105) virtual worlds could pose a greater threat to independence than colonialism. the actuality and virtuality of the networked stages MIDI instruments theater performance (1979/K03) scenic interaction events Anette Schäfer) Summer Academy – Hellerau 1999: experiment of a between the cultural and the commercial (1990/K-I-88) (1999/J395) The new media are strong enough to penetrate deeper into concept of live electronics (1988/K121) (1997/K333) (1989/K87) (PW) medium of TV Theater and New Media InfoWar takes place in the Cultural Ecology field (2002/K52) "receiver" cultures than was possible for any previous manifestation (1980/K52) culture-critical (Isabella Bordoni, simulation of a story (1989/K154) (ML) the media do not touch sphere of new cultural (Andruid Kerne) (MF) exploring theater itself net culture of western technology. perspektive (1998/II-K256) R. P. Dalò, G. Pensili) (AH) more complex forms of staging from a Japanese (Stadtwerkstatt) the liveness of theater techniques (1998/K23) inter-art project (1996/P104) as an apparatus Literature: For the cultural programmer the (2000/K19) and dramaturgy No play (ML) With the emphasis on the performative, live remix laboratory (2002/P118) (Ed Emshwiller, Morton Subotnick) Operating system art net culture Internet poses an even greater Kursbuch Medienkultur – Die maßgeblichen (M. Kosugi, Y. Ando) (1995/P124) not only is a new, generally acknowledged order (1999/K380) Cultural impact – as criterion use of music computer Presence shifted to spheres performance theater (MF) Are media as desired context threat than the channel zapper (2001/K20) established, but transformation itself becomes the new Theorien von Brecht bis Baudrillard for the PRIX ARS Jury performance software outside the art world (2001/K12) theater media? twofold Mapping (mixed reality) principle of cultural order Kursbuch Neue Medien – Trends in Wirtschaft (1988/K129) settling into the inevitable (symposium) Art as public cultural production software cultures links creates a complex theatrical Brucknerhaus location Computer culture Context Kepler-UNI multimedia work (1989/K87) Politik, Wissenschaft und Kultur / S. Bollmann (cf. Ars 2004 – What Will the Future Bring in 25 Years) Internet as cultural space (2003/K229) cultural sciences (Christiane Paul) (2003/K136) (ML) The performative as the intersection of reality (MF) by the Danube (R. Born) 1996 start of a new era of organization (1989/J20) and RISC (over 15 yrs. too Kursbuch Internet – Anschlüsse an Wirtschaft Globe Theater – A history play Culture is a market full of theater and media advances to the key term for cultural philosophy (1996/K72) with the opening of AEC (1986/K09) Symposium LIVA/Brucknerhaus (Cloud of Sound ideological stereotypes of Digitales Age for robots (Adrianne Wortzel) little cooperation with ars) u. Politik, Wissenschaft und Kultur / Bollmann contradictions (2002/K230) a culture of constantly transgressing boundaries and cultural anthropology (organization withdrawn from (Gene Youngblood, Larry Cuba, the digital revolution (F. Pichler) Not enough events/lectures in the field of projects) as partner for content (1997/K350) Research cooperation at AEC Der DatenDandy – Über Medien, New Age, (R: Wischenbart) Art's claim to an dealing with what is unpredictable and indefinable "Information Society" LIVA) (1999/J74) Kathy Rae Huffman, Franke, (1996/J51) Black cultural theory new media outside Ars Electonica (even opening, but then little (until 1995) Technokultur / Agentur BILWET Continues to stand for a unbounded future (1989/J07) Hans Donner) hardly any support during the year at AEC only a few projects units of cultural cultural studies (discourse) cooperation with the ars music orientation Collective Intelligence – mankind´s emerging knowledge cultures rhetorical project in everyday life, knowledge society OK (and Gallery of the Province before that) like Intertwindness (1997/1998): information (30.6.95 Prof. Pomberger member for media art from the cultural history initially with Bruckner reference ORF as media institution (and facilitator as exaggeration, misconception world in cyberspace / Pierre Lévy Margarete Jahrmann, Christa Schneebauer) interest in certain forms of installation art (1996/K26) of the AEC Board of Directors) Prerequisites for a The effects of industrial (machine-based) and postindustrial federal government context-aware theories Pop culture building on in the fields of video, TV, radio, satellite and underestimation Visuelle Kultur – körper räume medien / humane information (information-based) cultural machinization, mediatization, simulation, neo-situationsims discourse technology (2001/K18) Cyberspace and (1998/K21) Globalization creates a broadcasting) (Christine Schöpf, Hannes Leopoldseder) Ed. Peter Mörtenböck, Helge Mooshammer Context Art University society (1997/K210) synthetics, semiosis, artificial reality, withdrawal of being, etc. (PW) Media professorship first in humanities only as postmodernism discourse neo-cultural environment cyberculture Lentos will only start including (P. Fleissner) (1992/K10) Das Medium ist Massage / Marshall McLuhan, No risk capital to finance art (cooperation with other universities (1996/P15) "minor" services 2003/2004 (Sommerer) MediaMOO as multicultural (2002/K81) Since 1996 the Ars is managed contemporary media beginning The AEC is intended to be a prototype Quentin Fiore in conjunction with Ars) chaos (1995/K139) light works (W. Cooper) "single-handedly". see also: identity view re-engineering of of this kind of site of a new digital in 2004 (PW) Psycho-Techne, AEC as carrier of 2004 will be a key year – Mechatronikum (Prof. Pichler) cultural systems phase of culture (Leopoldseder) missing gallery obligation to program AEC ended up with too ArchiMedia-Institute (proximity to AEC) ORF withdraws from PRIX – protheses civilization cultural competence Media Linz (Hattinger), Scene Center (Feuerstein) (DDDr. Schwendter) Ars Electronica Futurlab Design Centers (1994) context The future of AEC & ARS is to be designed (exhibitions in conjunction with ars) little space (1994/K24) (1996/J46) Defining the position of as further ideas of content for AEC location Media Era (DM) (1984) (1989/J163) (in-house products) in terms of structure and personnel. (including Christian Möller) (compare Paderborn or ZKM) "Electronic Culture" (2003/F38) (1996/J33) due to electronic or digital Magnet (print and web magazine) media, among others

speed view

digital musics

film, video, TV (I) 27 filmic view

1979

view of animation

1970s

1986/87/88/...

1982

28 performativity as view performance view (I)

1987

performative installations Ars: Performativity as Mediality

29 socio-logical view societal view

cybernetic view

computer animation / visual effects

anthropological view / ethnological view

25 systemic view

26 temporal view

formal view

view of the score script view

theological view

Ars: Performance – mixed reality 1984

ritual view

1979-82

movement view / dynamic

27 process view view of the act

simulation view

2004

1960/70s

digital communities

30 behavior view

2003

view of action

28 pragmatistic view role view

radio view

1993

ars: on simulation

29 TV view II

mythic view

mythological view

art as physical sensatio

31 view of metamorphosis

art as real-time event

magical view

transformation view

30 therapeutic view

trash view

1989

view of handicaps

art as energy flow art as act

art as action art as performance art as broadcast

ars: on handicaps

voice view

1994

31 orality view theater view II rhetoric view

linguistic view

art as social issue art as transmission

culture of laughter view carnival view

32 playful view gaming view

ars: the world of games

art as therapy

competitive view

view of interactivity

view of staging

interactive art

1989

theater studies view

32 theater view / opera view presentation view

2001

art as articulation art as transformation

1988

liveness view

ars: theater at the nexus

art as scene art as game art as interaction

ars: The Art of the TechnoFuture

situation view (Linz)

01 culture-theoretical view

01 contextual view

art as location factor art as culture

Literature: The production of space / Henri Lefebvre Surroundings – Essays an Space and Science / Ed. by Peter Weibel Raum / Texte zur Kunst Heft 47 - 2002 CTRL Space – Rhetorics of Surveillance from Bentham to Big Brother / Ed. by Th.Y. Levin ... Netzstadt / Franz Oswald, Peter Baccini Meta City Data Town / MVRDV Five Minutes City / Winy Maas The Regionmaker / MVRDV Gehry Digitale / Bruce Lindsey Eisenman digitale / Luca Galofaro Hyper Architecture / Luigi Prestinenza Prglisi Digital Odyssey / Carmelo Baglivo, Luca Galofaro Information Architecture / Gerhard Schmitt Induction Design / Makoto Sei Watanabe Bits and spaces / Ed. by Maia Engeli

perception theory of architecture phenomenology of perception location research theory of urban locations architectural theory / arch. discourse

25 spatial view view of places geographical view

hyperbolic space (Dana S. Scott) (1992/P60)

position recognition

(2002/K16)

Literature: Der reine Krieg / Paul Virilio & Sylvére Lotringer Die Sehmaschine / Paul Virilio Information.Macht.Krieg / Ed. Stocker, Schöpf iconoclash – beyond the image wars in science, religion and art / Ed. Bruno Latour, P. Weibel Von der Bürokratie zur Telekratie – Rumänien im Fernsehen / Ed. Peter Weibel Archimedia – Institut for arts and technology – Projekte 95/97 / Ed. Möller, Knipp, Lachmayer Tacho 3,4 / Ed. Peter Keicher Lab 95,97,02 Jahrbuch für Künste und Apparate Zentrum für Kunst und Medientechnologie Karlsruhe / Ed. Heinrich Klotz 1992 The Kitchen NY turns twenty Mediale Hamburg 1993 Mediamatic – Doors of Perception 1

24 structural/structuring view topological view view of layering

sound-space installation Is there a place in cyberspace? (Bernhard Leitner) (John Perry Barlow) (1982/K159) (1995/K130) video images represented spatially the seeing ear along a GPS track (Masaki Fujihata) Sound space motion system Location(1993/K254) !!! (F. Paschke) (2001/K74) GPS based games (2002/P38) space simulator geographical (itsalive) (1982/K213) issues

see also: cartographic view art as form of space – from multimedia space to multimedia terminal (1989/J26)

Literature: CODE – und andere Gesetze des Cyberspace / Lawrence Lessig Decodierund:Recodierung / Ed. Toni Kleinlechner Exploring the Invisible – art, science and the spiritual / Lynn Gamwell Internet-Dateiformate / Tim Kientzle Krise der Linearität / Vilém Flusser Topic Maps / Richard Widhalm, Thomas Mück Die Unwahrscheinlichkeit des Ästhetischen und die semiotische Konzeption der Kunst / Max Bense Zeichen und Design – Semiotische Ästhetik / Max Bense

Literature (2): Architektur in Bewegung – Entwerfen am Computer / ARCH+ 128 InFormation – Faltung in der Architektur / ARCH+ 131 Fassaden / ARCH+ 108 Architektur des Ereignisses / ARCH+ 119-120 Medienarchitektur / ARCH+ 149/150 Diagram Diaries / Peter Eisenman Hybrid Space – new forms in digital architecture Peter Zellner Vom Verschwinden der Ferne Telekommunikation und Kunst / Edith Decker, Peter Weibel außen räume – innen räume – Der Wandel des Raumbegriffs im Zeitalter der elektronischen Medien / Ed. Heidemarie Seblatnig

see also: view of transformation / formal view / system view A. Shulgin (1997/P100)

Form Art (James McCartney)

(2003/F11) Composer; author of the object oriented synthesis language "SuperColider"

tectonic view code view view of mathematics view of informatics

Literature: alt.culture – an a-to-z guide to the ´90sunderground, online, and over-the-counter / Steven Daly, Nathaniel Wice Music vs motion – FLIPS 5 Tekknologic, Tekknowledge, Tekgnosis / QRT Pop Sounds – Klangtexturen in der Pop- und Rockmusik / Ed. Th. Phleps, Ralf von Appen IdN international designers network 2003/10/2 flights of fancy IdN international designers network 2003/9/4 designer toys Alles jetzt! – Die Mediatisierung / Gerhard Johann Lischka Kulissen des Glücks – Streifzüge durch die Eventkultur / Gerhard Schulze

Literature (2): CTRL Space – Rhetorics of Surveillance from Bentham to Big Brother / Ed. by Th.Y. Levin ... Information und Apokalypse – Die Strategie der Täuschung / Paul Virilio

Literatur (2): Die Welt als T-Shirt – Zur Ästhetik und Geschichte der Medien / Beat Wyss Kultur – über alle? gegen alle? für alle? M. Wagner, H. Fabris, I. Mörth u.a. Rituale der Medienkommunikation – Gänge durch den Medienalltag / H. Poss, C.-D. Rath Station Rose – cyberspace is our land

Prize-Winners in the Music Section - Computer Music 1987: Peter Gabriel, Jean-Claude Risset, Marc Andre Dalbavie, Richard Teitelbaum 1988: Denis Smalley, Barbara Zawadzka, Trevor Wishart 1988 Honorary Mention (all sections) : Paul Codsi, John Fekner, Enrique Fontanilles, Rainer Ganahl, Franz W. Kluge, Jerzy Kular & Isabelle Foucher, Larry Malone, Achim Stößer, Tamas Walicky, Hiromi Watanabe Jeff Brice, Jeremy Gardiner, Irene Hohenbüchler, Stefan Holtel, Johann Jascha, Laszlo Kiss, George Legrady, Massimo Ontani, Norbert Speicher, Roman Tomaschitz, Mark Wilson, Thomas Wittmer Javier Alvarez, Martin Fischer, Mathias Fischer-Diskau, Udo Hanten, Adelhart Roidinger, Alejandro Vinao, Mia Zabelka 1989: Kaija Saariaho, Francois Bayle, Alejandro Vinao, Tisma Vojin, Michael McNabb, Haimo Wisser, Viola Kramer, W. Mitterer, Wolfgang Heiniger, Gerald Trimmel, D. Teruggi 1990: Karlheinz Stockhausen, Jonathan Harvey, Ake Parmerud, Zorah Mari Bauer 1991: no competition 1992: Alejandro Vinao, Francis Dhomont, Wolfgang Mitterer, Kristi Allik, Phillip K. Bimstein, László Dubrovay, David E. Jones, Elsa Justel, Catalina Peralta-Caceres, Michael Rosas Cobian, Stéphan Roy, Wayne Siegel, Denis Smalley, Peter M. Vaughan 1993: Bernard Parmegiani, Javier Alvarez, Jonty Harrison, David Chesworth, Francis Dhomont, Roberto Doati, Pscal Gaigne, Jens Hedman & Erik Mikael Karlsson, J. Lejeune, Andrew Lewis, Cort Lippe, Adrian Moore, R. Normandeau, M. Rosas-Cobian, Kaja Saariaho 1994: Ludger Brümmer, Ake Parmerud, Jonathan Impett, Patrick Ascione, Jean-Francois Cavro, Akemi Ishijima, Paul Koonce, Mesias Maiguashca, Juliet Kiri Palmer, Michel Redolfi, Michael Vaughan, Alejandro Vinao, Frances White 1995: Trevor Wishart, Flo Menezes, Gilles Gobeil, Javier Alvarez, Patrick Ascione, Ron Averill, Christian Calon, Agostino Di Scipio, Stephan Dunkelman, Rolf Enström, Elizabeth Hoffman, Erik Mikael Karlsson, Cort Lippe, Jack Tamul 1996: Robert Normandeau, James Dashow, R. Renouard Larvière, F. Boschetto, C. Brown, Kui Dong, Jonty Harrison, Matt Heckert, Gordon Monahan, Gordon Monro, S. Montague, M. Redolfi, J. ter Veldhuis, Alejandro Vinao 1997: Matt Heckert, Maryanne Amacher, Jonty Harrison, Patrick Ascione, Christian Calon, Luigi Ceccarelli, Ambrose Field, Annie Gosfield, Joseph Hyde, Charles Kriel, Ake Parmerud, Laetitia Sonami, Mario Verandi, Mark Wingate, John Young, 1998: Peter Bosch & Simone Simons, Aquiles Pantaleao, Hans Tutschku, Natasha Barrett, Bret Battey, David Behrman, Luigi Ceccarelli, Ambrose Field, Joshua Fineberg, Joseph Hyde, Gordon Monahan, Adrian J. Moore, Magie Payne, Joran Rudi, Hildegard Westerkamp, G.H. Hovagimyan & Peter Sinclair 1999: Aphex Twin – Richard D. James, Mego: Christian Fennesz & Peter Rehberger, Ikue Mori, Stefan Betke, Paul DeMarinis, Rose Dodd & Stephen Connolly, John Duncan & Francisco López, Bernhard Günter, Richard Hawtin, Zbigniew Karkowski & Masami Akita, Andi Toma & Jan S. Werner, Terre Thaemlitz,Thomas McIntosh & Emmanuel Madan, Gaetan Collet & Noelle Collet & Claude Pailliot, Ralf L. Wehowsky 2000: Carsten Nicolai, Russell Haswell & Sean Booth & Rob Brown, Chris Watson, Maryanne Amacher, Dat Politics, Kevin Drumm, Mark Fell & Mat Steel, Ryoji Ikeda, Andrew Daniel & M.C. Schmidt, Kaffe Matthews, Martin Brandlmayr & Stefan Nemth & John Norman, Marcus Schmickler, Yasunao Tone, Uli Troyer, Erik Wiegand 2001: bLectum from bLechdom, Ryoji Ikeda, Markus Popp, Ted Apel, Aeron Bergman & Alejandra Salinas, Richard Chartier, Louis Duford, Orm Finnendahl, John Hudak, kid606, J Lesser, Mille Plateaux, Pan sonic, Janek Schaefer, Tigerbeat6 2002: Yasunao Tone, Aeron Bergman & Alejandra Salinas, Curtis Roads, Anticon, Iancu Dumitrescu, Ana-Maria Avram, PXP, Goodiepal, Russell Haswell, Francisco Lopez, Raz Mesinai, Romulo Del Castillo & Joshua Kay, Marina Rosenfeld, Mika Taanila, Carl Michael Von Hausswolff, Stephan Wittwer 2003: Ami Yoshida & Sachiko M & Utah Kawasaki, Florian Hecker, Maja Solveig Kjelstrup Ratkje, Oren Ambarchi, Whitehouse, Kevin Drumm, Rudolf Eb.er, Phill Niblock, Yuko Nexus 6, Gert-Jan Prins, Rechenzentrum, Tujiko Noriko, Toshiya Tsunoda, Aaron Funk & Rachael Kozak, Mark Wastell & Toshimaru Nakamura & Taku Sugimoto & Tetuzi Akiyama

Literature: City of Bits - Leben in der Stadt des 21. Jahrhunderts / William J. Mitchell Die Telepolis – Urbanität im digitalen Zeitalter Florian Rötzer Metropolen des Weltmarkts – Die neue Rolle der global Cities / Sakia Sassen Klare Sicht am Info-Highway – Geschäfte via Internet & Co. / H. R. Hansen Das Regime des Image – Zwischen mimetischem Display und Corporate Branding / Ed. Gerhard Lischka, Peter Weibel Pictorial Metaphor in Advertising / Charles Forceville Art – computer faszination – Hersteller und Dienstleister

structuralism (discourse) semiotics, semiotics criticism symbol theories of knowledge field theories topological psychology formal sciences diagrammatics / mapping chaos theory fractal geometry chromosome studies technicization and mathematicization belong together (DM)

see: AI view tool view

Who writes the codex of cyberspace ?

Prize Winners Computer Graphics 1987: Brian Reffin Smith, Jürgen Lit Fischer, Melissa White 1988: David Sherwin, Peter Kogler, Andy Kopra u. Anerkennungen s.l. 1989: Tamás Waliczky, Charles Csuri, Kenneth Snelson, Atsushi Satoh, William Latham, Micha Riss, Cliff Pickover, Pierce & Merrill, Richard Voss, Bayele & Mück, Wennberg & Pécheur, A. Pagowski, P. Reinartz, M. North 1990: Manfred Mohr, Charles A. Csuri, Bill Davison, Achim Stösser, Char Davies, Daniel Pirofsky, Andreas Henrich, Don P. Miller, A. Scott Howe, Yoshiyuki Abe, Mike North, Joseph Nechvatal, Sandra Filippucci, Stanislaw Sasak 1991: Bill Woodard, Yoshiyuki Abe, Arthur Schmidt, Victor Acevedo, John Adamczyk, Cornelia Halle & Cimdata-Arbeitsgruppe, John Hersey, Rüdiger Hirt, Dick Ibach, Sui Morita, Patrizia Pio, Robert Martin, Tiziana Stanzani, Brian T. Sullan, Mike Zender 1992: Andrew Witkin & Michael Kass, Stewart McSherry, Mark Wilson, Yoshiyuki Abe, Jószef Bullás & Zsolt Krajcsik, Valie Export, William Latham, David Sherwin 1993: Michael Tolson, Char Davies, Thomas Bayrle, Jean-Francois Colonna, Scott Draves, David Haxton, Mogens Jacobsen, Laurens Lapré, Jolanta Makowska, Constanze Ruhm, Miroslav Stuchlik & Radim Vrska, Roman Verostko 1994: M. Joaquin Grey, Keith Cottingham, John Kahrs, Linda Dement, Pascal Dombis, Mogens Jacobsen, Ronaldo Kiel, Don MacKay, Stewart McSherry, Gavin Miller & Ned Greene, Anne Gabriele Wagner & Adelhard Roidinger

Video Art

Videonale 1986: Klaus vom Bruch, Valie Export, Yoichiro Kawaguchi, Bernd Kracke, Ulrike Rosenbach, Jane Veeder, Henry Jesionka, Inge Graf + ZYX, Z. Rybczinski, Bruce Nauman, Douglas Davis, Peter Campus, Shigeko Kubota, Richard Serra, Ant Farm, David Hall, Dara Birnbaum, Vito Acconci, Douglas Davis, General Idea, Ingo Günter, Hans Weigand, Terry Fox, Douglas Hall, William Wegman, Bob Snyder, Friederike Pezhold, Shigeko Kubota, Marina Abramovic & Ulay, Bob Adrian X, Zelko Wiener, Maly Almy, Dan Reeves, Joan Logue, Marcel Odenbach, Klaus vom Bruch, Joan Jonas, Rupert Putz, Ed Emshwiller (1987) Ilse Gassinger, Gudrun Bielz, Romana Scheffknecht, Karl Kowanz, Manfred Neuwirth, Rainer Ganahl, Chris Althaler, Anna Steiniger, Hans Weigand, Ruth Schnell, Robert Wölfl & Lydia Lindner, Ilse Gassinger, Helmut Stadlmann, Inge Graf + ZYX, Rupert Putz, Karl Kowanz, Egon Bunne, Ingo Günther, J.-F. Guiton, Dieter Kiessling, Axel Klepsch, Norbert Meissner, Bettina Gruber & Maria Vedder, Vidox, Alexander Hahn, Yello Dieter Meier, Claudio Prati, Lorenzo Bianda, Francesco Mariotti, Franziska Megert, René Pulfer, Eric Lanz, Marie José Bürki, Hanspeter Ammann, Alan McCluskey, Gert de Graaf, Albert Wulffers, Antonio Segade, Jose Ramon Da Cruz, Paul Rodriguez, Javier Vadillo, Xavier Vilaverde, Javier Colis, Antonio Cano & Pedro Garhel, Maurizio Bonora, Giorgio Cattani, Ciancarlo Cauteruccio, Theo Eshetu, Crudelity Stoffe, Sanja Ivekovic & Dalibor Martinis, Simon Robertshaw, Tina Keane, Catherine Elwes, Marion Urch, Mike Stubbs, Graham Young, Jeremy Welsh, Stephen Littman, Clive Gillman, John Goff (1988) Nam June Paik, William Wegman, Peter Campus, Lynda Benglis, Juan Downey, Fitzgerald & Sanborn, Bill Viola, Davidson Gigliotti, Barbara Buckner, Dan Reeves, Woody Vasulka, Robert Ahsley, Joan Jonas, Doug Hall, Steve Fagain, Skip Sweeney, Sherry Millner, Gary Hill, Bruce Nauman (1989) Joan Brasil, Jason Gee & Brad Miller, Jill Scott, Tracey Moffatt, John Gillies, Peter Callas, D. Perry (1994) Bill Viola, Tom Kalin, Shelly Silver, Mica-TV, Leslie Thornton & Ron Vawter, Eder Santos, Jasna Hribernik, Michel Auder, Gary Hill, Therese Svoboda, John Goff, Eric M. Freedman, Diane Nerwen & Les Leveque, Paper Tiger TV, Max Almy & Teri Yarbrow, Steina & Woody Wasulka, Anna Steiniger, Bob Snyder, Van McElwee, Shelly Silver, Herman Verkerk, Sreco Dragan, Betty Spackman & Anja Westerfrölke, Tony Oursler, Branda Miller, Francesc Torres, Nany Buchanan, Edin Velez, Bruce Yonemoto, Stefaan Decostere

simulated spaces (VR) free sounds – open spaces (2003/K12) (for interior spaces) (DM) With the technicization of the aesthetic and view of signs (1) American military machine (1987) (1989/J28) VR journey in a caravan with situative the increasing spread of technical reproduction data space student crushed (P. Virilio) (2002/K240) power theories feeds (P. d´Agostino) (1995/P114) information spaces the view of informatics is media, the history of media flows into a history (R. Ascott) (1993/P08) by tank in triangular navigation the world of protocols Bernard Cache power discourse (with Foucault) (1990/II-K36) the first "totally electronic distributed throughout of mathematicization (cf. Kittler) Tian-An-Men Platz (Cécile Le Prado) Objectile (2003/P93) and formats organizational theory war" (P. Virilio) (1996/P35) several sectors cyberspace data space placemaking (1996/P190) (1997/K347) discourse of institutional criticism (A. Lamorlette) obsession with structure Pixelspaces Mixed Reality: overlapping (1984/K188) acoustic the data space with the (Franke) discovery of (Virilio) ... I reject the notion of the programming languages cultural manager debate (Eric Loyer) (1999/P40) space simulation systems illusionary spaces live stage (MF) mathematical precision word as a model. This is the reason obscuring previously practiced as art question (2003) (game rules of art) Online-Location see also: view of destruction (Ruth Schnell) (1989) in art for my departure from semantics, Liquid Space (1999/K433) uses and impacts of new conversion problems (Olia Lialina) A colossal change of power has see also: energetic view expanded (Joshua Davis) performative concepts of semiotics and semiology. (W. Jauk, H. Ranzenbacher) technologies (1999/K403) been taking place recently see also: historical view image spaces (DM) space (Dietmar Offenhuber) (2001/P42) CODE diary digital poetry (1998/II-K219) the semioticization (AH) (1994/K206) (Howard Rheingold) America as (Waltraut Cooper) (Virilio) we now notice the the code is in the translation media coup d'etat (DM) The approach to the pictorial electronic space public images and empire of technology (1986/K330) Ubiquity(omnipresence) (AH) space artists of the interface (1996/K355) (Jocelyn Robert) does not lead through the cardinal paths CODE (1989/K142) (Robert Adrian X) another source of power is the convergence (Arthur Kroker) images of power (P. Weibel) ubiquitous computer (1999/P60) eGovernment of semiotics or hermeneutics ... report on project from 1981 of all other media into a single digital (1990/II-K264) (T. Munzner, S. Levy) CODE = ART electronic colonialism eDemocracy (2004) basic modalities of space medium (1994/K209) (DM) Computer: its formalism works with The meaning of CODE (symposium) differential topology (1988/K247) simulating the respective from locality to dislocalization (AH) members of the electronic aspects of digital space number strings, not with signs, which is why (1995/P164) (2003/F10) (W. Negbenebor) concentrations of power through new the battle over the form of exhibition situation(spaces) master race non-locality (AH) code breaker (on Kittler) it would be wrong to call the computer a (Woody Vasulka, David Dunn) military as motor/source technologies (2002/K25) the networks has begun ascii art (Jeffrey Shaw) (1996/K36) corporate connections For the average African, negated "semiotic machine" ... (1990/II-K265,K271) of electronic developments globalization is just a transcending (Saskia Sassen) (1994/K213) bar code as interface (2003/K227) (1990/II-K320) (2002/K373/P48) space (A. D´Urbano) diagrammatic analysis (DG) Transferred to human brainware ... (?) Bar code hotel synonym for neospace (Perry Hoberman) (Josh On) (1994/II-K46) Carnivore as communication, (AH) from hegemony of power structures sphericalCAVE: the new military information (Perry Hoberman) colonialism. interspatial proximity Bar Code fractal geometry fractals public domain technology, power (A.R. Galloway) domed projection space SPIN the sound of mathematics to plurality complex with its cyberarsenal (1994/II-K54) (2002/K1204) (K. Becker, W. Zinggl) (AH) from totality to Improvisation, Sport & (Mesias Maiguashca) variation of the (Lucien Sfez) networks can only be (1979/K26) the sound of chaos (1995/K25) (Virilo) conveying an view from an (time´s up) (1993/K205) (1996/K219) Evolution (Jon Rose) (1990/K-I-79) Tamas Walicky developed Transponder (PV) particularity infamous (1995/K398) fought with networks airship (B. Steritberg, K. Balzer) injunction against web site Chaos & Order incredible (2000/K302) (1996/K94) alternative perspective electronic handcuffs FBI-SW DCS1000 (Hiroo Iwata) (1990/K-I-35) CAVE outside (2003/P75) (etoy) the theme of the fractals was "exploited" Object-oriented hypertext systems Ground Truth (1999/J431) RoboCup the structure of the Internet sense of space (2001/F32/P107) systems (program to convey (2002/K358) (A.R. Galloway) USA for the first (E.M. Haas, L.A. Bernhard) by P. Weibel in Graz in 1989, among others (Indesen, Krohn) (Robin Bargar, Insook Choi) (2000/F37) The battle for the control of code CAVE protocol and counter-protocol Universal Product Teleklettergarten (F.O.K) other spatial experiences) (ML) (2002/P030) media theory time (1996/J15) (in collaboration with the ars electronica Linz) Cracker is a battle for freedom slacker luddites (A. Galloway, Eugene Thacker) Code (Barcode) (Mario Purkathofer) (2003/K384) virtual space communicated through media world rogues digitale coding pop theory / pop-theoret. discourse (2003/K42) (Howard Rheingold) Visualization of (critical art ensemble) (2003/K60) The World of Numbers Hacktivism Every medium is (always) flying (Mixed-Reality-Architektur) superpower (1999/K217) (AH) due to the inclusion of the body High & Low discourse (1995/K142) (1999/J300) architecture projects (Golan Levin) Infowar (1998) already rooted in overestimation of the digital – digital art an event chaos of art, Cyber-Terrorist (PV) publication of cyberclasm practiced by interactive systems, the technoculture discourse (2003/P42) in the CAVE information use of virtual spaces for grammar of space power (DM) (with Flusser, Weibel, ...) ... "turning everything into pixels" (1996/K259) science, magic strict separation between sports, games secret keys cultural studies discourse high-tech wars GPS as supplement to text presentation (1986/KII-135) (PW) superiority and art is becoming blurred Power and marginality three-dimensionally localized fashion discourse / retro discourses Global Information 24! Matrix Installation Digital "image"? Art will prove itself a All print media have been Information War (Virilio 1998!) in cyberspace sound in virtual reality Information.Macht.Krieg (1998) Live Cam Dominance (PV) (M. Aschauer, hedonism debate (1998/II-K47) force far beyond the paradigmatic digitally produced for years E-Sport (Saskia Sassen) "pop fears" of the (Blanchard u.a.) (1990/II-K190) genetic N. Pfaffenbichler, Case study 309 Information blockage establishing paths of information in threshold of the digital. (UR) without any essential changes New Subjectivism debate Digital Sport (1995/K186) Suck my code, the power of ars organizers (and The topic now seems to be covered by the Art University due to (1991) Gulf War programs Lotte Schreiber) in relation to in the (re-) production of Cyber-Athletics (Tammy Knipp) fun debate war zones in former Yugoslavia Prix jury members) General! the DOM Institute. suggested cooperation: DOM, ArchitekturForum, media agencies the first "totally electronic war" (2003/K398) (1998/K216) command and (DM) the location of sound images (2001/K215) (Mailbox: Bionic in Zerberus) The cyberspaces of ontology of the event (1996/K189) AEC, ars => arsARCH + (Paul Virilio) (1991/P06) Genetische control has long been (Rena Tangens) of the musical, is the Tangible CODE (symposium) REUTERS (1995/K297) pop culture building on finance, for instance, Telezone: An architecture sociology (Bourdieu) (Mauss) competition-oriented perfect example of simulation Algorithmen a weak point of performative SDS3 Small Dish Satellite technology (2001/K18)(right) (2003/F12) Control Society (1995/K61) are the spaces where for net architecture computer games overestimation of chance (J. Baudrillard) New Subjectivism DJ-Culture (90er) (1999/K29) see also: view of playing centralized, (1990/K-I-59) (Iannis Xenakis) (for receiving data) (1997/K343) Towards a Society of Control? music box for generative approaches profit is produced and (futurelab) (1999/K362) mathematicization of (2001/K215) and entropy (1993/P22) (M. Tolson) MS hate page privatism debate electrolobby (2) (1997/F43) architecture project realized hierarchical Musicians who use computers are offers for currency traders prize-winners came from the (c. Jerez, J. Iges) (O.L. Tremetzberger) (2003/K54) cover versions (2003/K227) power is founded. (Ken Goldberg) architectonic space (C. J. Mutter) world of games E-Sport: in game software (A. Jalsovec, structures. (2001/K192) generally theoretical cripples, especially (Steve Mann) (1997/K218) non-university area for the first time (linking structure) (1995/K186) correspondences between Firewall (E. Berger, V. Christian, (1994/K11) Cyberpunk film about a formula (1995/P90) Gaming goes P. Reichart, G. Rossbacher) in terms of ideas of mathematics, revealing the tools of the Digital Culture (1999/K371) (MESO) high-speed surveillance the development of music (Steve Mann) P. Purgathofer) (2000/P36) (newest direction of (Thorsten Fleisch) generative art (1998/II-K84) Firewall and Colophony Circuit Pro (2001/F14) physics and acoustics. freestyle secret services (A.R. Galloway) & Lifestyle superhighways and mathematics (1999/J420) (1997/P94) micro-videokamera (PV) science fiction literature) virtual tour of planned (2003/P154) Information Frontier (Electric Indigo, virtual architecture (PW) structures of rock mass by (AH) virtual worlds and hypertext (Tina Cassani, (Iannis Xenakis) (1997/K144/K217) (Elisa Rose, Gary Danner) Mia Zabelka) architecture Generative Tools generativity (DG) Separations into categories of serious program (1994/K08) sound systems Eela Craig (1978) highlight the labyrinthine character (1998/II-K71) an essential tool in the Bruno Beusch) (1990/K-I-74) (1989/K124) (1990/II-K251) (2003/K336) and entertainment or high and low culture lead Darwinism (Involving Systems, public spaces under surveillance information war consists of corrupting (1979/K02) of the world and the texts (2003/K345) Can software (1996/K180,K210) architectonic storytelling parametrimizable art/design to an unproductive dead end // (Peter Weibel) MESO) Screen savers (2003/K227) Symposium information (London) invisible surveillance technique Chipkarte im AEC (1994/K147) (Herman Verkerk) itself be art? 386x – cyberpunk rock band Housetool (1997) complexity and quality can be found (1990/II-K13) electronic Emergency Broadcast (1999/F24) (Lynn Hershman) (light dome) (Marie Sester) Code: there are no ambiguities, Youth Marketing (2001/K375) (Monotonik) (2003/K13) (1996/J15) (Alexej Shulgin) (2003/K337) demolition variations in every area Don´t panic! Hack it! pop culture architects losing ground in the surveillance techniques (2003/F41/P120) Network (Robert Deacon) multi-user sculpture: dynamic architecture smart card no hidden meanings (2003/K36) (2001/K193) Beta Lounge (2000/K348) It seems that we always include a relation (MEGO) (1998/K49) (1998/II-K157) shadow of image-engineers (1996/K316) surveillance, voyeurism installation (2001/K308) (electronic Techno and – to an even greater Intelligent / Ambient Techno or relationship in talking about media or Disco Man First traces of important developments in Intrusion (Julia Scher) (2001/K281) (M. Shamiyeh) crypto-controversies stage technology (2002/P165) (Simon Penny) It should not go unmentioned surveillance (ESCAPE*spHERE) live music) (underground resistance, Station Rose, extent – Rave parties enable means (DM) Contracts with HW and SW Information.Macht.Krieg (essays) (1979/K31) informatics in conjunction with the ars Kraftwerk – Unplugged? Detection getting around the error that the top-down paradigm with its centralization encryption methods from the installations (2) direct experience. One feels United Frequencies of Trance) sponsors have consequences for (1998/II-Knn) Disco takes over (1993/K265) 1-2 years before the software became correction system of a CD of power is the logical continuation of the cyber pop (Station Rose) walls papered with pop field the rhythm, hears the noise, (1994/II-K126) the independent scene ("the (J. Arqilla & D. Ronfeldt, G.J. Stein, S. Weiguang, (1979/K32) available (in Austria). globalization discourse systems of unlimited surveillance (Yasunao Tone) panoptical model. the structure of the means (as relation) (DM) high-resolution sees the lights ... large institution is already being W. Jincheng, I.N. Panarin, G. Schöfbänker, M. Wilson, "Disk", "Dub","Digital" all the way In Concert liberalism discourse In addition, traditional dualisms like open source (Rötzer) instruments and software screens (Melita Zajc) (1999/II-K13) using "Augmented sponsored ...") C.H. Gray, Ute Bernhardt, M. Geyer, B. Richard, (2003/K225) to "Diffusion" jockeys (1999/K380) (DJ Spooky) economy as discourse (Foucault) master/slave, general/soldier, boss/ from the pop field tapeziert sind (1995/K68) Reality" (to enhance sensory M DeLanda, J. doyne Farmer, M. Müller & W. Wagner, office design code art – code poetry (2003/F23) extreme scratching music, video and games culture (PV) mass (game rules of art) worker ... are repeated and reinforced. Interface design (cf. below) (1995/K26) (Gates) perception) the soldier becomes P. Virilio, E. Schmiederer, Kunda Dixit, D. Rushkoff, disco culture as Art Deco code art – minimal code techno-culture de- and reconstruction of (1996/K194) cyber-capitalism a roaming command center G. Lovink, P. Riemens, RTMARK, R. Adrian, P. Garrin, (1979/32) Laurie Anderson Typodesign (cf. below) deep antipathy music cuts (Involving Systems) (1996/K212) Aural Screenshots T. Druckrey, F. Kittler) post-symbolic (1995/K384) towards (1998/II-K25) VR systems for Exercising power in an installation (D. Rokeby) Cybersquatting (2003/P66) (Fadi Dorninger) electronics – popularization discovery of the show as electrotecture communication online catalogue (Rossbacher) popular simulation and training purposes I found out that the user's feeling of being able to (Domain Spekulation) Micro-DJ lectures pop culture building on artificial (1995/K365) CyberWar, NetWar, knowledge war, info-tech, of art (1979/K20) an absolute art form – (1994/K80) (Jaron Lanier) (1999/K403) culture (Kodwo Eshun) villains simulated exercise power grew, as soon as I reduced the number electronic technologyr PsyOps, popular information war, robot soldiers, Tele-buyers (PV) (1990/II-K186) communication and entertainment The paranoid rationality of the (2000/ (boombox) (2000/K354) of the dimensions of interaction. (2000/F19) as mail traffic remote electronic control battle systems (REC), Telekiosking see also: view of architecture (1989/K125) Gulf Massacre (Les Levidow) including Ambient, DJ-Culture, Tronic Artcore Event P194) Telebanking und (LAN) designing gestures robotic war, net war techniques (PV) The control music video for Fuckhead (1995/P160) (1994/K139) as medium (Station Rose) (1995/K80) cf. (2003) Drum & Bass, Techno, .... (K. Becker, J. Hennrich, Teleshopping (1998/II-K) cybernetic war, information war society predicted (1998/II-K15) electronically (Violet Suk, Martin Koch) (1994/K61) (Elisa Rose, Gary Danner) Electronic Orientalism Performance software for (1999/K371) M. Retschitzegger, B2B-trade (2002/K49) (1994/K07) (1998/K42) by Deleuze induced blindness and paralysis Architecture as the art of the Point of Sale Digital-Arabesque-Lightshow Leo Schatzl) High-Tech Barbarism Festival A/V-Collision (2003/Graz) visualizing any musical see also: view of clothing AfroElectro-Genres virtual department see also: next millennium? (1998/II-K157) Point of Information Deleuze: smooth & striated (fold & discrete units) / (wars, weapons, media devoted to the relationship of parameters digital money (1995/K388) (2002/K116) view of unboundedness (1994/K35) information technology (Lynn Hershman) stores (2) Teleshopping wave and particle / field and particle / analog and digital visuals and music (MESO) (Bernhard Vief) Sub´tronic ´96 TRON-House: completely Bugrace99 (Stadtwerkstatt) Why is virtual reality always Body scanned architecture view of atmospheres as weapon (1996/J18) HipHop Worldwide webmall track & phase (1995/P120) possibilities of achieving (Fritz Fitzke, Pan Sonic, Sofa 23, CyberCash Leader function among Sub´bass, Sub´harmonics, computerized house (1999/K339) sport event (1998/II-K230) imagined in terms of space, (Venedig 1995) light view Art Com Electronic Network (2002/F022) Tina Frank (with Mego)) electronic wallet festival events Sub´culture, Sub´stance, (1994/K131) 1 Jul. 95: appointment of media ownership in cyberspace when time is the only remaining continuous income as a Interactive Home (Ruth Schnell, Gideon May, view of change ACEN (1986) (1989/K129/K131) Inter-disciplinarity Instead of the disco ball: computer (1997/K176) (2003/P12) Sub´sonic, Sub´versive virtual pop star – Raymond media design group (Project 1988-1993) artist Gerfried Stocker as managing (Randal Walser) Systems real commodity? (1994/K190) Constanze Ruhm) transformation view virtual shopping street from digital thinking graphics, high-tech (1996/K318) (F. Dorninger) Inter-media Kurzweil TRON hyperintelligent building director of the AEC Betriebsgesellschaft (1990/II-K208) B2B 21,000 works electronic shopping economic takeover to field theory (Itsuo Sakane) animations view of The future of Austria – (1994/K134) Inter-activity system architecture (1996/J15) C2B soap performance submitted Design office for digital staging view of hypermedia mall (1997/K370) ars electronica living in the year 2019 (1999/J83) information architecture administration B2C Inter-net (Van Gogh TV) E-commerce Dotcom mania The future of cyberspace – 1.75 mill. Euro and interaction (MESO) liquification (portable) container studay Sub´tronic organization (1984/K281) (1999/K398) the digital city is a form in the cross-hairs of the Hotel Pompino – television to play along New economy wild frontier versus prize money (filling the gap between electronic (1998/P102) (R. Strickland) overhead VJ(Jutta Schmiederer) (Jungk, Franke, Schwendter, (RTMark) of public space Online shopping sniper's camera (MF) Neither reductive abstraction nor Direct television democracy hyperreal property ownership view of (2003/Q14) increasing the intelligence of design, technology and games) museum of the future AEC projections et al. architecture Zemanek) Cybermoney (1995/K182) (Paul Garrin) computer kitsch tele shopping (2) system (C. McGrail) (Bruce Sterling) decypherable symbolism "apply to" or (1990/I-K159) the artificial environment (PW) domicile generator state AEC (2001/F36) (D. Rokeby) translate the phenomenon of "interactivity", (1990/II-K228)(1999/J114) (1994/K06) future research Container projects: DMCA Digital Millenium festival culture "discrete" art works (Walczak, Wattenberg, administration penetration of the media into (1997/K97/K258) i.e. a mutual inter-relation of man and (Virilio) I wonder whether there is not an (1986) Container-City implanting artificial intelligence Feinberg) (2001/K288) Copyright Act (2001/K212) urban space (1994/K157) through microtechnology access conditions to technically micro-electronics for human beings exhibition institutions machine in the field of the stage that can imperialism of time. What happened recently in the environment "Ponton" see also: process view C3 Center Budapest Copy protection and digital producer from Hamburg complex media machines (1984/K371) GPS, GSM and field book/PDA be seen and/or tactilly experienced. with the trading program during the Wall control for Symposium „Intelligent Building“ (2001/K299) rights management Theories of the public sphere political view Ulli A. Rützel (first Ars) the house as site of endophysics emerged from V2 Lab Rotterdam New-style conference for the Street stockmarket crash, reveals an bridge lighting DigiCash game industry (1989/Karlsruhe) (with V. Flusser) (1989/J12) intermedia activity (PW) (FF) For artists it has not been easy to chaos theory view of action (2001/K299) art history digital generation (2001/K192) license piracy (2001/K25) Worlds Within (K. Dudesek, Van Gogh TV) AEC: ... once again, (MESO) (D. Chaum) acceleration of the transactions that no longer as multi-billion buildings were previously inanimate Media Lab Helsinki (1994/K16) gain access to modern networks, which (Otto Rössler) (1992/K09,K56) of the Net (DH) view of art theory take place in the time of the stockmarket Napster Multi-User-Domain – a public field concepts something has been created (1995/P86) dollar market machines (1994/K17) (1997/K153) electronic fields are reserved primarily for the military, the (1999/J244) cyberarchitecture traders, but rather in that of the machines. electronic place (1996/K376) (Andrew M. McKenzie) that is unparalleled throughout AEC as digital (2001/K19) Concept for the ZKM Karlsruhe Thesaurus on media art (Oliver Grau) (John Warnock) banks and industrial corporations. Event City, Pandora's .... Disaster of every general interactivity. (1990/K-I-105) the world event view II decided in 1988 media center symposium "Architecture & (post-doctorate with Th. Macho) standard software SIGGRAPH USA (DG) that first changed with the WWW the "digital city" as a Box a discarded 386 as begging (PV) The function of the street and the Nanotechnology (1986) chainletter (1996/J58) (Franke) art history studies Intelligent Ambients electron. Media" (1994/II-08) (experience view) (Klotz as founding director) (1996/J41) (2003/F11) (1989/J203) response to the impending (Hou Hanru) street musician marketplace has now been assumed by education cultural history studies 1968 world expo in London: (1989/J194) "field models" of movement, (Hadid, Irie, Toyo Ito, Klonarides, commercialization of the Net suggesting ideas Gwangju curator (transmediale) (Alexei Shulgin) screens and electronic displays (R. Schmidt) Nano-Technology Ars Electronica became established world wide as Cyberspace is not Cybernetic Serendipity for Computer intelligent design (Zec) Koder, Prix, Sakamura, Lainer) occupying space, communication media history Peer to peer connections (1995/K181) the invention of VisiCalc (2002/K325) feasibility assessment for Ars themes (1997/P80) a third independent forum among the major events Disneyland (Amy Bruckman) and the Arts (Initiative from Max Bense) and energy (Ursula Damm, Michael (Napster & Gnutella) electronically The World from Inside (1992) psychology of the collection (for MAC) created the first crime as SIGGRAPH and Imagina (1994/P10) (1995/K138) in 1976 Cedric Price ART+COM Berlin (1989/J16) Hoch) (1999/K359) (2000/P08) reacting philosophy/theory of collecting Imagina (France) real market for PCs entertainment – (1999/K414) (Stocker) binary notations Nano-Computer REUTERS already designed the project (founded 1988) bypass solutions pavilion (1994/K210) memory discourse living map – 20 years of ars electronica (AH) Interactive media art is difficult to on a digital (1992/K08) Digital effects (in film), themselves (1995/K298) s.l. Computer/Software trade fairs AEC was set "Generator", in which the Symposium (1989/J195) ISEA Int. Symp on Electronic Art (1989/K218) Information technologies currently analog: atmospheric, field-oriented up-to-date facts would naturally be a reason assign to the conventional categories architecture presented artistically (2002/P119) memory theories SDS3 Small Dish Satellite up with building constantly changes AEC conception for providing ideas Map of the market (Regina Cornwell) still prevail by rather unimaginatively (S. Wilson) for an archeology of the (1994/K150) (see left) (for receiving data) of art studies – ... the extremely questionable hope "end of history" discourse funding according to the wishes of (M. Wattenberg, Joon Yu) Authors for Endo/Nano: R. Abraham, following the guidelines of classic (1989/T) founding of the Zentrum für Kunst und (1998/P106) artistic development (M. Plottegg) Why are there hardly any scholarly offers for currency traders a separate classification should be that art earning money in technology amounting to the users (1994/K30) history of philosophy (1999/P54) (AH) In all considerations, the question H. Atmanspacher, John L. Casti, M. Conrad, capitalism to the detriment of Medientechnologie Karlsruhe ETH-Zürich ( .... Why not works on computer art in Austria? Ma – sense of space developed (Heinrich Klotz) matters can soon pay its own way 180 Mill ATS ATR Advanced Telecomunication museum studies arises about assigning interactive media D. Finkelstein, D.D. Hoffman, L. Löfgren, social-state ideas (1990/T) founding of the Kunsthoschule für Medien Cologne ASL Architectural About the influence of new media implemented ?) the world of the interstice Research Institute (Kyote) (Stocker) (1996/J52) (1996/P16) art to the category of "art" or of "game" J. Parisi, Gordon Pask, R. Rosen, (1996/J54) (Stocker) (1992/T) Multimediale 1 at ZKM Space Laboratory printing buildings CAAD computer aided and information technologies on (Derrick de Kerckhove) see also: view of clothing supported by the Japanese gov't., tearing down boundaries between (Province (Oliver Fritz) CAD CAM CIM / "entertainment". K. Svozil, I. Tsuda, S. Garfinkel, the problem of the lack of (1994/K145) architectural design design (Peter Zec) (1990) style eras of technology the uncertainty of the separate art institutions and see also: view of playing 30%, federal NTT, Sony, Panasonic, et al. (2003/K285) Andreas (03.1992/T) project ideas for AUO (AEC proposal K.E. Drexler, Jane E. Frommer digital design historical distance (DH) (1994/K144) categories (1979/K03) gov't. 10%) (workplace: Christa Sommerer, (1979/K31) up-to-date (1989/J33) see also: theater view and identity view Broeckmann (DG) Why OR and not AND ? from Leopoldseder, ORF director) diagrammatical (Kay Friedrichs) CAVE-cavern Since about 2000, the design of the recruiting agency Laurent Mignonneau) the medium as building art history as technical (art historian, using fields for musical instruments (07.1992/T) AEC project study commissioned to ART+COM Computer art looks back on decades of Computer aided design has already had a architecture (1994/K177) (P. Kogler, car body has depended significantly (AH) Interactive media art for artists Experience-Designer (1996/J121) material (1994/K58) (AH) Interactive media art is "obviously" (?) history, or rather a history of the (09.1996/T) AEC opening (in competition with ZKM) history, first music, then in graphics, in animation media theoretician) significant impact on product design F. Pomassl) economy of on software. as "entertainment pieces ? (Irational) (2001/K20) event culture point of fun Research areas: Human Interface, (AH) In 1952 Ben F. Lapowsky first mentioned still not a recognized part of the art historical (1998/P20) use of technology the possible future of and in other artistic fields. (1989/J16) (1999/K367) attention (1999/K401) Speech Recognition, Voice Recognition, graphical images generated from the interaction canon V2_Organisation Art occupying territory in the domains of technology (1997/T) Opening of the Media Art Museum (see supplementary observations) architecture (M. Fujihata, experimental Entertainment-Architekten Info/Edu-tainment Will all arts be transformed into design in the "Cloud of Sound" since (1996/K230) Speech Translation, Radio Optics, between a cathode ray oscillograph and a and its fields of business (?) (2001/K19) at ZKM Kei´Ichi Irie) (1994/K121) (PV) With this kind of mutable (2001/K281) (M. Shamiyeh) (2001/K295) entertainment age of information technology? (Zec) the first Ars (1979) Virtual Reality cathode ray tube wall (opaque wall screen), the poetically subverting Google (AH) The question arises for Klotz of whether interactive (cars and built objects as the new sculptures?) Magnet-TV outside can be turned into the electronic Strategies of Intertainment advertising mechanisms submissions and proportion of prize-winners Interactive Media Festival (Los Angeles) media art is not appropriating categories of performing art, art for everyone entertainment Entertainment (Nam June Paik) (Steve Mann) (1997/K219) (Ranzenbacher) (2001/K258) inside and the inside into the (2003/P54)(C. Bruno) social prize money thus becoming an "indigestible mixtum compositum" for in the festival program Biennale artifices (Saint-Denis) What distinguishes the AEC as "Museum of the "Clouds of Sound" comprehensive symposium Abstraction now (2003 Vienna) Questioning the concept of the PlayZone computers (1989/K87) (H. Hörtner) (2001/K294) outside How should works be included that can entertainment the trained art historian ... Future" from an advertising camp of the Media Passage (ICC Tokio) (as celebration culture) (Norbert Pfaffenbichler) (PV) In France 700 000 intelligent environment (from the Millenium Dome the gravity of buildings whereas electricity effects a integrated in clothing (Land Design Studio) no longer be run? (HW, operating system) Sommerer was (2003/P36) computer and IT industry? Biennales of Kwangju, Lyon, Nagoya Even for someone who has been a households can state event culture (2001/K221) Ars = "Art" was meant in Linz from the (R. Lainer, E. Bannwart, Saskia perspective of surveillance): concentration, electronics leads to Only accompanying/contemporaneous Artist in Residence neo-constructivism Habbo Hotel (DG) 30 years behind in education? (1996/P22) (Stocker) apartment as palace of memory (Stahl Stenslie) member of the jury for the Prix for some their interest in a product instead of "intelligent rooms", Sassen, J. Meister, E. Lopezinstead of art of the environment, like a dispersion beginning, but has not retained its art research is practicable and feasible (DG) at ICC for one year (1989/J40) (2001/K289) (Walczak et al.) Bodytainment time, the Ars Electronica still holds an from a commercial "intelligent floors", intelligent ceilings", On-air design and set Galiacho, T. Groothuizen) Design Noir – sculptural architecture ... ICC: InterCommunication Center (1994/K77) celebration culture event design character at all (1989/J180) NeoGeo (2000/K216) inherent secret: ... how it invariably (SW: Open TV) intelligent toiletts", "intelligent the secret life of (Otto Piene) (1980/K96) experience engineering (MEGO, Involving Systems) projection (TV Studio) (editor of ART) Media history instead of art history? (FF) The age of representation is followed, as manages to find and attract the main earth rays – electron rays (media highway) lightswitches", H.I concentrates on (MEGO, Involving System) online Banff Center for the Arts (Canada) electronic objects advertising and Only "OK" as reaction Radio art as Paul Virilio says, by that of "presentation". large-scale projections from document to event (2001) protagonists year after year, the initiators (1984) (R. Kriesche) the concept of the intelligent human the age of the (Fiona Raby) historical blindness of the NeoGeo (1986-90) self-historicization attempts the brief physical presence Initital AEC team: E. Berger, S. Brandstetter, user profiling fine art? The aesthetics of communication does not aim to as "wallpaper" of what is new, who are always a step (1989/K137) being. (HK) for a media possibilities for ubiquitous (2003/K273) Technical history instead of art history? electronic arts of architecture (1994/K143) V. Cizkovsky, D. Dobesberger, L. Dobusch, MIT – image databases (1989/K278) create objects, it does not work on concrete forms, ahead ... (1996/J71) (Roy Ascott) Takeover (Symposion) advertising is affirmative gesamtkunstwerk deriving continuous computer (1994/K132) electrolobby (3) – application history (G. Schmitt, F. Wenz, Kurmann) Container City on the Internet M. Falkinger, O. Frommel, D. Haider, (1997/F51) it addresses "space-time". ORF – media database It is obvious – from art Engineers of Experience – (ML) technical history of and experiments with Live sound portrait income as a media If advertising designers apply showroom for digital culture raster microscopes crossing through V2_ Rotterdam C3 Budapest W. Hartmann, H. Hörtner, E. Kapeller, (AH) A history of the "image for constructing (G. Mnich) (M. Schulthess) the development of new Who´s go to it right? AEC – ars electronica database mankind in theater desires of a city (1989/K304) design group (Roy Ascott) (1995/P20) A change from the art of representation & lifestyle (2001/F13) nuclear landscapes memetic technologies on a large J. Kern, W. Modera, C. Mutter, D. Offenhuber, view of context-driven event worlds" (Weibel) (1997/P98) technologies, from TV – Der Boom von Edu- und and performance (Bill Fontana) zu erzielen to a culture of the manifestation holds multiple shifts: E-brand (1992/K80) scale, which possible influence is C@C (Computer Aided Curating) M. Pointner, C. Schneebauer, P. Schöber, Harappa – Indus-Kultur influence of the advertising that one of the main goals Infotainment, Visitor- und re-presentation reception – negotiation (orientation to action), Web entertainment strategies of Spam Soundwalking – left to an artist? T. Weber, G. Stocker, u.a. (Eva Grubinger) (1995/K245) (AH) According to Weibel, media art as a whole is closely linked (Omar Khan) industry in the development field disturbances and data turbulences is to intensify experience. Brandexperience representation – construction, hermeneutics – heuristics, tunnel vision – agency (Moccu) Repetition of city as acoustic (1996/K133) seduction (AH) with the new telecommunication media: like the analog techniques of outside conventional institutional (1997/P90) of digital film production (Kirk A. Woolford) (1995/P134) (Melita Zajc) (2001/F09) bird's-eye view, content – context, object – process, survey – immersion, (2001/K197) environment Toywar campaign disco culture (1995/K68) art history? reasons for situating media institutions in photo and film, media art goes through several phases: the material, frameworks Material for the birth of a new art theory figure/ground – pattern, iconicity – bionicity(cf. embodiedness), nature – Manhattan Timeformations the climate for art reflects the climate (1989/K308) (2000/K359) as Art Deco acoustic-electronic ceremony physical, machinic phase of overcoming temporal and spatial distance, the vicinity of industrial locations or larger stage design for largedirection in art: Interactive Art electronic curators artificial life, certainty – contingency, dissolution – evolution, (Joshua Davis) (2001/F36) of the city (1989/J07) morphology (Hildegard (etoy) (1979/32) (singing pool) (Stadtwerkstatt) followed by the wireless, immaterial, bodiless phase of electronic sounds informatics institutions scale presentations Gallery „bitforms“ The analysis of types of activity (1989/K87) (PW) computer as tool – digital environment, observed reality – Takeover II (symposium) cf.: view of art studies institutional criticism discourse Westerkamp) and images - of video art and performance, for example - and then the "media stage design" (2003/K218) (Steve Sacks) confirms this central view/direction (DG) (1997/F021) Net.Shop as constructed reality, paranoia – telenoia, autonomous brain – distributed Digital culture & lifestyle in action: sound city? role of the ars electronica AEC department: productive intersections of curators debate phase of digitalization, which makes the tendency to immaterialization (Rötzer) (HK): ...Making technology acceptable to a broad multimedia (MEGO, Involving Systems) framed software art /vs/ framework for the participation consciousness, behavior of forms – forms of behavior featuring electrolobby residents (1979/K25) entertainment, design, gaming, für die Stadt Linz even more radical. habitat & material debate public. This is best done by imbuing High Tech with the city stage unframed software art of young media artists in the ars Here Ascott summarizes a "performative turn" (see left) (2001/F08) Open Source, E- and M-business (AH) Should the urban planning aura of art or culture, thus demonstrating the philosophy of difference TRANSIMS – in the last 3 yrs., (1994/K141) (see the left half of this study) Rhizome (1999/K398) stimulating environment, (2001/K192) concept of art be Icontown permanent self-exhibition compatibility of "two cultures". This is naturally a team around C. Barrett developed rhizomatics (ART+COM) Atlas Linz – analysis of the (1997/K12) (2001/P68) Lifestyle (2001/K20) dayclubbing, informal abandoned? (virtual city) (Jennifer Ringley) (see below) Interface as landscape (D. Rokeby) linked with economic interests. an electronic replica of the city of being exhibited with media soundscape (1998/K120) Social Entertainment Where is the new place of art? archive of critical writing media conference, (Malina 1990) (2000/F22) valleys, in which users tend to gather promotional Albuquerque (investigating Youth Marketing WEB-CAM, homepage, TV-container, ... (Bordoni, Marchesin, Paci Dalò) Environment (2001/K205) "Is fine art at an end?" on media art networked showroom The fundamental question arises as to (well-worn paths with optimized (AH) "crisis of the picture" in terms of its interactions (MEGO) Streetscape (Iori Nakai) (1997/P06) (P. Virilo) (Mark Tribe, Alex Galloway) the global traffic patterns) (1999/F08) Symposium ars electronica 79-99 (2001/K192) (2002/K265) pushing the The world's first global art gallery for the meaningfulness of an "exhibition design" operations) (1996/K141) center for capability for representation (2003/K417/P114) (1999/P144) village entertainment electronics: (R. Ascott, E. Bannwart, H.W. Franke, W. Haupt, envelope of the fashion show electronic art (Ed Stastny) (1995/P72) for this kind of "electronic centre for visualization projects electronic art Archive – former (1997/F09) Use of historical practically no collectors H. Leopoldseder, O. Piene, I. Sakane, Christine games, playing devices, How do you exhibit something within computer media" (R. Verbizh) (Sharif Waked) Virtual Galleries / (1979/K01) (Leopoldseder) propaganda museum A Celebration for Linz: graphical models as basis mediatization of cities Digital City (G. Lovink) of digital art Schöpf, G. Stocker, P. Weibel) The Encyclopedia of Clamps the exhibition framework of a festival (1996/J79) wireless devices, ... (G. Legrady) (1994/ (Rachel de Boer, Isabella for a complex film museums as entertainment Electronic Galleries 3D-visualization of (Edouard Bannwart) Digital cities or "Freenets" (2004) (Robin Clark) (2002/F12) (1997/P142) (Barminski, Lewin, Hesketh) that doesn't even need an exhibition P126) Bordoni, M. Brandt, Gordon W., (Alain Escalle) !! collection of Internet films manufacturing plants (1994/K138) (Internet, CD-ROM, TV ...) (1995/K180) (1994 Amsterdam) Multimedia fashion show Designed major exhibitions, incl. at all? (2000/K322) (openX-setting) Huge Harry, R. Lozano-Hemmer, (MEGO, Involving Systems) multimedia city (electronic galleries on the Internet) XS4all Server (Hacktic Group) communication and entertainment Playzone in the Milleniumdome navigation aids a club's collection of music (1997/P24) M. Huutajat, P. Öttl, C.M. Silva, (future lab) (visionaries & the dispossessed (CD-ROM)) (1989/K126) digital archiving Art Com Electronic Network Internet exhibitions Renga – linked image samples Project group networked city A.Wortzel, DJ Riot, DJ Willi, AEC must not ... only see itself exodus from the city (Before the Sound of the Beep, concept exhibition on (Station Rose) ACEN (1986) (1989/K129) (since 1992: Toshihiro Anzai, TRON computer city ArtBase from Rhizome & (TH Darmstadt) International City M. Janssen, D. Kousbroek as supplier and gallery Digital Archive (1996/J101) the answering machines of 20 galleries in Paris) art historians have only been In the past, art museums were repositories (Elisa Rose, Gary Danner) art galleries on the Net storing documents with electronic exhibition space Rieko Nakamura) (1994/K136) Variable Media Initiative The Happiness (1995/K61) (1996/P22) (Stocker) (user contributions) emulators (2001/K340) (Berlin) the ideal (mailorder catalogue as exhibition - folder, Internet) dealing with artifacts for for artifacts. This cannot make sense of the Guggenheim Machine The use of computer graphics and Digital City Linz (George Legrady) city on the Internet 1000 masterpieces – comfortably buying art (Kulisch, the digital city model exhibition conception when the artwork involves experiences space.art – an electronic 30 years (2001/K345) (1990/P09) animation in conventional industry films (digital possibilities (2003/F38/P108) (1995/K254) Obereder, Pichler, Rakuschan, Wid, et al.) (walk-in screen bunker) using MiniCave and contexts. It is absurd to exhibit museum – virtual interactive from Hollywood and for leisure parks thus Computer City (1998/II-K230) experience of communication: (1994/139) Takeover (Symposium) (television gallery – 1000 masterpieces) CD-ROMs in a museum - one does not go Video monitoring service 3D CAVE installation code collections (2003) urban development project (2004) not only popularizes computer animation, at least as symposium (1994/K93) architecture city administration and Digital Alexandria From Document to Event – Artanalyser – Infoscreen for barcode catalogue to electronic exhibitions to an exhibit of books to read books. most North American broadcasters (A. Benjamin Spaeth) but also provides a maximum demonstration (Ken Sakamura) (2002/K330) citizens) (Janko) a multimedia city center What will remain? selected art works navigate image discs (R. Malina) (1995/P31) deleted many news broadcasts (2003/K431) experimental gallery exhibition design of its possibilities. (PW) (1992/P42) the museum as a (1994/K131) (P. Maresch) (1996/J29) (1994/K141) (2001/F09) Museum of the Future – AEC (2001/K266) design of the PRIX exhibitions (1992/KII-06) recorded between 1981-88 The Electronic Gallery Linz as city of technology (1995/P74) (Fareed Armaly) (1994/II-K50) laboratory Terminal Art Electronic Pool virtual city – how to exhibit web sites (Frank Ogden) (art laboratory: Max Kossatz, Oskar Obereder, (1996/J29) (Stephanie Cunningham) (1986 opening "La Villette") In this aesthetic of emergence, the Insectinspector – tool for multiuser media environment electronic museums deterritorialized (Jürgen Klaus) how to exhibit software (1995/K101) F.E. Rakuschan, Franz Xaver) (1995/K271) (1986/K322) surface image provides nothing more synthetic exhibition conservation of digital art inspection and display (Expo CH 2002) "meta-city" (PV) (1986/K291) (Gerda Lampalzer, Gerwald Rockenschaub, "old" media (material) /vs/ Symposium: what holds the city together porting, migrating, than a site of penetration into deepter (1993/P37) (David Haxton) (Johannes Deutsch) (2001/K346) the first museum of all (2001/K266) (MEGO, Involving Systems) telematic sculputure Gottfried Bechtold, Hans Weigand, Heinz "new" media (transient) surfing on electronic surfaces – layers of meaning or being. Too many artists or galleries or museums taking part in converting, reimplementing Tokyo as media landscape genres (ZKM) maintaining HW and architecture in a simulated (R. Kriesche) (1994/P120) urban planning workbench Reisinger, Helmut Mark, Helmut Stadlmann, 15 years of Ars Electronica (CD ROM) (1995/P19) (R. Ascott) the PRIX merely placed their portfolios on the homepage, or (1994/K70) (Mark C. Taylor) fashion scene in Afrika operating system at the The Virtual Museum city (Toyo Ito) (1994/K84) (Underkoffler, Chak, Helmut Weber, Herbert Schager, Hilus, fragrance input (Station Rose) (1994/201) performative approach! they uploaded works to the web that normally hang on the video as lowest Museum as designing the simcity (Oumou Sy) same time (1992/K105) (Jeffrey Shaw) digital signature Pangaro, Alonso, Hubert Matt, H.R. Fricker, Jürg Meister, (1979/K26) Hypermedia Lexicon wall (1996/P38) ... The result of this is no more the perspectives of common denominator entertainment Archiv für den KEO-Satelliten (2002/K92) replica of each current digital watermark Fielding-Piper, Kit Blake, Konrad Becker, Kurt Hentschläger, urban memories list of electronic tools than an art catalogue. But a catalogue fragrance theater the city (1996/J15) (2001/K366) cyber city flight – situation (Landesgalerie) (Jean-Marc Philippe) (1999/P28) Santos) Kurt Kren, Leo Schatzl, Literatur und Medien, (1994/K155) is not art. (department stores) „sniffman“ 32 fragrance channels electronic artists' museums (A. Hirsch) robot ecosystem (L.-P. Demers, B. Vorn) virtual Berlin DB for eternity (2001/ Online exhibition CODeDOC I & II Margarete Jahrmann, Martyn Berger, Mathias mobile system (for Internet Art Com Electronic Network the over-exposed city urban investigations parasites, scavengers, swarms, ... (1996/P126) (ART+COM) from the flipbook to the 4 uncensored pages K259) (John F. Simon, Annja Krautgasser, Rainer Mandl, Art Com Electronic Network Fuchs, Matta Wagnest, Max Moswitzer, presentations, games, wellness, ACEN (1986) (1989/K132) (1994/K94) (P. Virilio) (1998/P28) (knowbotic (1994/II-K95) artificial/electronic noses museum on the air per participant The law of the libraries: epidemiC, Joan Leandre, Jaromil, Ed Burton, ACEN (1986) (1989/K130) Michael Huber, Muki Pakesch, Norbert fragrance cinema) (AH) from the object-oriented Machine stand-alone applications research) Tokyo 1997 (Toshio Iwai) curators and libraries mostly Antoine Schmtt) Electronic Library Pfaffenbichler, Pepi Öttl, Peter Fend, Peter (2004 Landesmuseum) Matrix – to the context-oriented phase (as work concept) Pool Prozessing image theories the access ritual of teleinformatics The New City (1994/K249) leave out what is most (Electronic Publishing) Kogler, Peter Sandbichler, Rainer Ganahl, The major exhibition Immateriaux junk with (see: context study) (Fortner Anderson, Robert Edgar, The Imaginary Library now replaces that of the portal Criteria: best experimental/ see also air space activities morphology (1994/K181) available. Ruth Schnell, Sabine Bitter, Stoph Sauter, (1985), inspired by Lyotard, developed controlling James Johnson, Judy Malloy, (Heiko Idensen) (Mathias Krohn) (1994/K97) experiencable gallery (1995/P46) and atmospheric design computer visualization studies (1996/K257) The other way International Concept Tassilo Blittersdorf, Tin, Tristan Thönnissen, from the design discussion about Firefly music database // devices (Mark Malmberg) (1993/P64) Stephen Moore, Sonya Rapoport, (1990/K-I-131) around with the Internet? (DG) Ringo music database (1995) pictorial turn (discourse) Design Competition for between the nodes U Phi, Udo Wid, Van Gogh TV, You Never Know, (WaxWeb, Digital Art Endeavors) installation art in the "new materials". (1988/K84) computer performance (AH) connecting (1998/P215) mixing two- and threeJoe Rosen, Henry See, Fred Truck, Advanced Information and data packets Zelko Wiener PRIX exhibition at the OK diagrammatic turn (discourse) single (Gordon Monahan) (similarity profiles) (P. Maes, M. Metral) (1995/P64) dimensional procedures Paul Zelevansky) (1997/F45) Reading Room immaterialization material character City (1986/87) (F. Rötzer) digitalized manifesto of tactilism (Betty Spackman, Anja material effect (virtual) (J.-F. Lyotard) (AH) What distinguishes the virtual cathode ray tube (1994/K181) video sculptures program and (AH) immateriality instead of material (1994/K108) types of dispay (supplement to projection): museum holdings robotic sculptural systems Westerfrölke) aesthetic of the painterly (AH) medium instead of thing museum is that its form and content (Nam June Paik) sculptures display, Cave, HMD (head mounted display), work concept machinery of information furniture the acoustic (Michael Tolson) electronic memories are always changing and are not (1982/K102) (AH) living memory – (1989/K196) immateriality (AH) The visible computer wall of building, monitor, projection wall, (Istvan Kantor) secrets of the (1993/P18) game console as basis (1994/157) determined. new work concepts: electronic sculptures software as material water wall expanded museum vibrating crates – (2000/K290/P94) the materiality of new media city (1996/K288) of projection (2002/F043) net museum media art work (Alan Rath) (Alfred Jan) And yet we are torn between these effects, installation ! Obeying gravity in use of junk metal (R. Paci Dalò) (Chris Dodge) (1997/K272) (Y. Suzuki, N. Morita) Video-Disc (1982/T) first digital audio 5-inch CD because they indicate a new aesthetic, which (1998/P200) media works virtual space; (cf. Contained) hardware archaeology Kinetic visual sculpture boring show of (2002/P106) dematerialization of art (AH) virtual and (1985/T) Standard for CD-ROM no longer operates mimetically or materially, (P. Bosch, Simone Simons) elastic collision artware (1997/K307) (Vasulka) (1992) imitation images Klettergarten (1979/K32) imaginary museums (1987/T) Digital audio tape DAT but instead originates purely from imagination. (program laws) Dematerialization of art multi-colored motion sculpture performative installations (Idensen, Krohn) (Mario Purkathofer) CD-ROM (1993/T) Digital HDTV spatial sculptures (Kinetik) (1996/P35) (Lischka) (Akke Wagenaar, Bob O´Kane) (Lucy Lippard) pixel impressionis (M. Brandt) cyber-museum (ML) the work concept is (PV) A paradoxical logic of images (1996/T) DVD player on the market electronic disappearance (1979/K37) performative media installations (1992/K173) programming languages as (A. Nemeczek) (1990/P19) (1994/K82) deconstructed with the help of media (1998/P220) begins now with the invention of video, installation based (1997/T) founding of MP3.com (PW) viable architecture: incomprehensible materiality of material recording media material with very special Soa(pOp)era for data processing and holography (2003/K228) stop thinking only in materials manifestations The digitalization of art turns the properties (2003/K180) Standstill of the development – (AH) reaktive sculptures machine sculptures Labtop-Computer (1994/K15) computer as material (Casey Reas) (Rus Gant) Centerdisc – 54.000 images art work into a transient object and exemplified by image categories: virtuality (see below) technical material battle (PV) In domotics, wall pictures on radio remoteeliminates the fundamental for dematerialized images/projections on an image disc (1982/K45/K84) imitation, micro- and macro-cosm, machine installations are replaced by the wall monitor, Btx, Videotex controlled vehicles dimension of corporeality battle against the slavery Information as new hardware transformation psyche and philosophy, computer by the screen in the opaque sense. first prototype of multimedia SW!! fewer "machine builders" and (Hovagimyan, P. Sinclair) material properties of certain (1996/K205) (DM) As functions they designate something Btx gallery (1986/K310) (2003/K228) craft ( eye-catcher ) of gravity (Joe Davis) "material" (see below) visual computer large installation makers in the displays or camera chips (Simon Penny) immaterial, but a materiality is required for their Potentials of digital (1990/P20) (1982/K42) unitM – User Sensitive electronic image (vs) course of training CAVE: virtual reality may be criteria: the most sophisticated device execution, which simultaneously limits them in photography ? JPEG, GIF, TIFF, PNG, SVG, DXF Information Architecture digital image (SH) best defined as a wide-screen laser-optic image disc less perfect art ... (HK) It is just one pixel next to (1995/P46) their possibilities. monitor installations Physically-Based (2001/K325) digital art depiction of computer-generated, (1982/K47/K84) another. That has an entirely different (PW) (1993/P52) Dirt finally as an indication of (also see access conditions) SPIN (Spherical playable (1992/K127) (Michael Bielicky) floor display Modelling multisensory information quality from layers of paint homogeneously reached the computer in 1992 Projection Interface) machines projection design possibilities computer art computer graphics digital copy art following a user in real time. superimposed. (... fuzzy logic, ambivalence and Magnetofluid Sculpture (Matt Heckert) walk-in monitors/scanner - image traces Levine (a pioneer of video art) The Art of CODE (1979/K05) performance (time´s up)(2000/K302) (F. Nake) (Daniel J. Sandin) (1996/J84) (1999/P70) (J. Blank, K.H. Jeron) fractal geometry ...) ... departure (reaction to noise from the environment) (1997/K311) has always called himself a (Symposium) (1998/K255) (T. Oursler) from the seduction of the surface, (Sachiko Kodama, Minako Takeno) (1997/P200) "media sculptor" (2003/F10) (granular & synthesis) view of photography INFLATABLES repetition of art history Visualizations performative deformation image databases from the clarity that actually (2003/K424) Variable objects as micromodels of CODE Exhibition on Xenakis: Pneus, flying sculptures Netzhaut – concept for the facade of of information surfaces corresponds to the consumerism possible architectures technical drawing (2003/F29) (Marius Watz, (1980/K29) physical representation and Conventional computer art is (1984/T) Sony presents a the AEC (C. Möller, J. Sauter) granulated (musical) parts can be (Cornelia Unger) (2000/P188) of commodity aesthetics. (1996/K426) (H. Gsöllpointner, apparatuses (AH) the communicaton artist M. Wattenberg, manipulation of digital generally the most conservative, gigantic video screen with material display (1994/II-K91) folded together in a new way – C. Möller) (1997/K300) Gerda Palmetshofer, information (1997/K201) as "sculptor of information" the dullest, most non-innovative on the grammar of objects the JumboTRON "Trash Mirror" (Daniel Rozin) Anonymous Muttering typewriter graphics traveling through 3D spaces made of inflatable puppets M. Subotnick, (Fred Forest) art form of the 80's. (Constanze Ruhm) (Graz 1993) (2003/K223) s.r. (knowbotic research) (1997/P132) (1979/K41) video projections (C. M. Silva) Workshop Visual Codes (1989/K337) (Brian Reffin Smith) Shared Physical Objects Eidophor color TV projector image synthesis Justin Manor, "Wooden Mirror" (2000) (1999/P68) (Perry Hoberman) (1989/K336) (1989/K209) (J. Shaw) (Matt Gorbet, Magie Orth) Sue Costabile, For the first time, a computerlarge project. (Joshua Davis) (H. Ishii) (2001/K255) (1979/K36) (1980/K11) (1989/K106) 3 versions of a furnished space. SW: paint box (1986/K13) (1997/K280) triangular objects can Lia) (Bill Viola) animated fur was able to convey genetic images Huge & Mobile (2003/F38) (no boundary between Each version is monitored by a real/virtual Material-Display synthesis images (AH) be combined (each with a separate (Ryoji Ikeda) a realistic tactile feeling. (1993/K401) input and output) Internet garbage disposal (12 fax machines) (Jim Campbell) Can image and diagram camera and combined into one video image "Trash Mirror" (Daniel Rozin) variability, combinatorics, aleatorics computer-generated images identity) (Sue Costabile) (2002/P116/P122) (Pete Docter) (Karl Sims) ! (Ryoji Ikeda) (1998/P84) stereo-lithographic in paper form – junk mail, spam, ... research effect a drive? (2003/K223) tactile interfaces (Otomo Yoshihide) music visualization algorithmic image models (light-hardened (nowhere.com / Nick Philip) drawing machines projection techniques (DM) Seeing something as art of projection techniques algorithmic Computer Aided Design car design as a new field of (2001/F20) panorama images (2003/K228) (2003/K260) (Sommerer) In tele-rendering, both plastic - laser exposure (1999/P48) image has always also (1979/K42) art? sculptural design. (former PRIX category) (Romy Achituv) (2000/K401) components of computer3D CAM/CAD) meant seeing the mediality Picture Processing Methoden Steam Screen object design using CAD Auto-Illustrator shadows in simulation Use of software for car and tactile Videograms: photocopies (2002/P94) (Crispin Jones) gestural shadow plays graphical image generation, (Ayre Wachsmuth) (1993/K292) of the medium too. (1979/K17) Real-time 3Dinteractive image (1982/K46) photorealistic representations (2001/F32) (Ade Ward) (2001/K259) Ideas, not pixels! architectural objects. The electronic image as transition of the interface directly from video beam (2001/K246) (2002/P73) model and renderer, are (M. Jahrmann) (2003) manipulation 360-degree recording techniques data-object computer graphics technical image from the indexical to the separated. (SH) (Aldo Tambellinie) (1989/K221) (1999/P92) (Sommerer, Mignonneau) Design goes virtual (Zec) and 360-degree projections (Herbert Schager) (M. Jahrmann) laser image projectionShadow Dream (1989/K209) (former PRIX) interaktive video panorama interactive. It becomes a sensitive field, laser-sintering (Timothy Binkley) touching images from a window (M. Belge, R. Harrington) (Franke) possibility of (spatially) (1984,87,88,96,2000) (1982/K113) (1982/K35) (J. Shaw) Tangible Interface see also: (Luc Courchesne) (2002/F45/P92) a hyper-image. (SH) multimedia sculptress Cladnyian (1992/K130) Computer graphics were ultimately (1996/K416) (1986/K75) unlimited (virtual) image spaces (1997/K120) (Catherine IKAM) (FF) The aesthetics of communication does not aim to sound figures "making" painting & music panoramas from the sensor-controlled (Scott Sona Snibbe) three-dimensional characterized by being active without (Gerhard Funk) physically tangible interface circular panorama cinema of the composed diagram-forming produce objects, it does not work on forms, (1979/K36) (1997/P130) 19th century (2001/K340) video projection (1996/K414) painting (1993/P18) the influence of any theoretical multi-projection movement – images (Hiroshi Ishii, Christa Sommerer) Science Center (AH) (AH) In 1952 Ben F. Lapowsky (Laposky) color-form interplay considerations (H.W. Franke) (1989/J37) procedures it addresses "space-time". (see above) (1989/K195) (Char Davies) (Carbaret Voltaire) Omnimax-Cinema (70's) (AH) The motto "art and life" is transformed used an analog computer and an visual music (1979/K10) tactile feedback through Analog/digital hybrids (Ruth Schnell) ... hardly "suitable for art" image-defining procedures (1986/K96) (AH) EVE – Extended Virtual Environment: (2001/F31) Electron. into the motto "art and technology" today. oscillograph with a cathode tube for the first MIDI-controlled instruments for active vibration floor (1977) robot-aided dome projection QTVR Panorama-Film in various research fields butterflies time in the USA to compose his image generation controlling rebuilt (2001/P102) (Gerhard Eckl) (1992/K91) instant projection / The role of computers in special projection Relationale (Jeffrey Shaw) "hidden panorama" abstract graphical music graphical improvisation (Sanjin Jukic) (1998/K111) (Haruki Nishijima) self-organization Electronic Abstraction. (Michael Saup) (1979/K10/K22) TV sets (1979/K10) Transgenic Art (Garry Hill) immediate replay studying life and other spaces Architecture re-introduction of the picture frame (as (AH) The virtual is currently in image scenes (1979/K10) interactive animal (1992/K246) (AH) artificial worlds video synthesizer (1979/K31) complex systems (1993/K35) (Constanze Ruhm, (R. Lozano-Hemmer) movable window) the "painting phase", not yet the (1979/K11) modelling life evolution homosexualities Artificial Life abstract color-form Dual Colorizer (1973) from plotting to (Artificial Reality) (Nam June Paik, Shuya Abe) swarm behavior Peter Sandbichler) (1997/K337) photography phase. (Boissier) (Karl Sims) (B. Bagemihl) (Christopher G. Langton) (1992/K89) biology of cognition image & sound terrarium compositions (1979/K10) interactive graphics (1979/K10) (Eric Siegel) (1992/K84) (1994/K07) hypermates and (1997/K356/P112) (T. Iwai, R. Sakamoto) (1994/II-K42) (1998/P88) Bio Art (1997/K313) (CAVE) (1992/K132) (1993/K119) (1992/K38) (Maturana, Varela) (2000/K103) (1993/K25) (Stadtwerkstatt) (1984/K134) (H.W. Franke) VIDIUM (Bill Hearn) (1968) (1992/K87) (Vasulka, Siegel) postbiological life Music Plays Images x Images (2002/F003/P073) (Eduardo Kac) Fotosafari ins Land des Krieges growth models for morphogenetic cellular automata, evolution, genetic art (1984/K385) (Peter Weibel) (2001/K125) (M. Benayoun, J-B. Barriére) Processing (2003/K201): Casey Reas, Play Music LifeScience-Symposium (1999/K14) (Valie Export) drawing on the screen studies (Yoichiro Kawaguchi) (1989/J22) genetic algorithms, adaptation, previously no VR programs media terrarium (cricket) (1990/II-K14) (AH) The oscillograms by H. W. Franke (1956) were followed in 1960 by EMS Videosizer artifical life sun painting genetic art – biotelematics Birgit Richard, J. Rifkin, R. Lanza, Z. Chen, Ben Fry, Amit Pitaru, Carlos Rocha, (1986,88,92,93,96) (Richard Greene) wetware yet that contain rainbows the first computer graphics (Kurt Alsleben, W. Fetter), which were created Hernado Barragan, Golan Levin, Lia, electronic paint box (1979/K10/49) (Hoenig) (1979/K09) artificial life (1) M. Specter, Lori B. Andrews, D.J. Kevles, sheep music concert (1990/P200) (1992/K13) redesigning since 1965 using a digital computer in Germany (Frieder Nake, Georg (AH) charged relationship between transgenic the future Bio Art (2) (1979/K10) interaktive plant growing P. Virilio, D. de Kerckhove, D.H. Hamer, Marius Watz, Schoenerwissen, Juha (H. Christiansen) (1993/K) (2000/K391) butterfly wings Nees), and the USA (Michael Noll, Kenneth C. Knowlton, B. Julesz). replica and own life, artificial and art (E. Kac) interactive graphics systems of evolution Solar Music (Joe Jones) (1988/K259) physical ambient (Christa Sommerer, Mignonneau) Interactive Poetic H. Gottweis, B. Latour, R.V. Anuradha, Huuskonen (2003/K210) (1988/K256) zoosystemic (Marta de Menezes) Symposium "Artificial Life" (1993/K105) natural world (Crista Sommerer, (1999/K296) (1996/K26) (1989/K99) of nature (1982/K65) (1993/K408) (Shirley Shor) (2003/F31) Eugene Thacker, M. DeLanda, G. (2003/K202) LeCielEstBleu, The Demoscene rainbow and water clouds Garden (D. Small, cognition theory (2000/260) (Kevin Kelly, Ken Karakotsios, T.S. Ray, Laurent Mignonneau) ecological zones of Schöfbänker, V. Flusser, G. Gessert, Sky events: Puppet Tool Kuda.org (K. Lukic, Z. Pantetic, Branka Curcic) mice destroying the network (1972) (1986/K299) T. White) evolution theory electronic fountain Leaves (reacting piles art has lost its traditional monopoly (1996/K294) Genetic Manipulator bio-robots P. Prusinkiewicz, K. Sims, L. Yeager, dependency (2002/K349) Dorothy Nelkin, C. Tonderai Mundede, (AH) synergetic interaction (Weibel) environmental art (LeCielEstBleu) (C. Ebener, U. Winters) techno-ecology weather data from F. Dietrich) (1989/K193) (S. Pevnick) natural science of leaves) (A. Elsenaar) in image production (PW) (2000/K393) Life Spacies II E. Kac, G. Von Hagens, K. Stefansson, (works that react to changes in the environment) as event. (2003/K241/P073) (1998/P86) artificial clouds all over the world Symposium "Gene Technology" (1993/K131) art of the environment, like ecological sculpture, (1991/K207) (1994/P100) A-Volve sound meadow (1987/K104) bio-informatics K. Ammann Reaching for the simulated (1980/K26) simulated nature (C. Henrich) Christian Brünner, Reinhard Löw, Lothar Müller, Helmut Ruis, bio-cybernetic research Nerve Garden (1998/P40) art of natural elements and SKY ART ... environmental art (Christina Kubisch) (1999/K25) plants as interface organic surface regulation (Gail Wight) stars becomes a growth (1995/P80) Horst Seidler, J. Voggenhuber, Ernst Wagner, Erwin F. Wagner) (SymioticA) (Bruce Damer) (Otto Piene) (1980/K96) Fluid Sound (1988) (Karpfen-Becken) (touching the leaves) Operated by Art (2) environmental with the morphogenesis model (1999/K315) physical gesture cf. weather building (Oron Catts, Stuart Bunt) the body as pure digital growth climate converter (2002/K382) flash-triggering sculpture sound Sonare Technologien harmony of the spheres (unplugged Symposion) (Yoichiro Kawaguchi) (1986/II-151) (1980/K23) (1982/K58) sky harp (Stadtwerkstatt) (1988) The greatest weakness of the Memesis (2001/K144) information (1999/K27) (1995/P118) (P. Grucza) (W. Jauk, H. Ranzenbacher) (Liz Phillips) (1989/K98) (Joe Davis) (1982/K41) interactive sound installation (1990/K-I-07) (R. Maedel) art as field work of ecological (1989/K260) (1992/P114) (Kristi Allik, R. Mulder) Genetic Images Statement lies in its awkward (1988/K199) (1989/J153) radio souncscape (Sensors for localizing fish) thinking, art at its limits (David Dunn) (Gene Genies Worldwide) (Carl Sims / 1991) biological analogies (1996/K30) Wetware (W. Maass) (2001/K153) (1989/K267) (Warren Burt) Technosphere simulated clouds Telegarden floral kitsch (Liz Philips) (2002/F10) Solar Music CAN: Computer Aided Nature (Reck) (1999/K335) see also: material view landscape simulation (R. Hawkes u.a.) and air currents interaction between a computer-controlled simulated (1991/K195) (Hou Hanru, Peter Fend, (Ken Goldberg) (Joe Jones) aesthetics and fabulous epistemology (dECOi) (2003/P102) earthquake (1997/P76) robot and gerbil (Nicholas water currents and Bugrace99 (Stadtwerkstatt) Mark Napier, Azza El´Hassen) (1996/K297) greenhouse of artificial life (Louis Bec) (S. Spiegel) (1995/K305) sky art view of the blue planet (1997/P70) Antarctica – idea Negroponte / 1968) wave movements (1999/K339) sport event (1989/J56) (1993/K172) applied zoosemiotics the logic of the snake communication with with the aid of VRML technique (Project Taos) and reality virtual creatures evolution and growth (C. Sommer, small creatures (sound installation) (1996/P94) (M. Pesce) (Louis Bec) sky art conference (1980/K06/K23) water machines (1986/K381) genetic algorithms fractal boxes Is genius migrating to creatures (D. Harada) (1993/K345) (Peter Kogler) L. Mignonneau, L. Bec, K. Sims, aspects of the original (Yasushi & Hiroshi Matoba) (Erik Samakh) permutational art illuminated zones of the earth zoosystematicians sky and sea (Christoph Steffner) (1982/K33/K67) (1992/P48) (Karl Sims) (Jenifer Bacon, Joe Takai) (Otto Piene) the computer? (1993/K346) Berndt Lintermann) landscape in video sculpture (1999/K339) (1991/K199) (1996/P96) (M. Fujihata) Institute of Paranaturalist Research (1992/K165) (1991/K156) (Jürgen Claus) (1982/K75) (1989/K326) (Joan Brassil)

23 power-theoretical view battle view

2003

22 view of pop culture

1998

athletic aspects

ars : architecture software

view of public appearances view of public space

ars: Surveillance Techniques

view of clothing II

21 economic view / production view

ars: techno culture

25 architectonic view

24 view of the field

container view

view of the in-between (space)

view of interior architecture

view of magnitude

financing view / costs view / sponsors view design view

view of the future

view of exhibition organizers curators' view

23 view of the organizing institution / manager's view

1994

ars: wireless in public space

celebration view

1992

experience view

22 entertainment view

art historical view

20 historical view

ars: who is behind the network

history of technology view

view of fashion / adornment

1994 ars: digital design

ars: a case for art history after 30 years

Literature: Euphorie digital? Aspekte der Wissensvermittlung in Kunst, Kultur und Technologie / Gemmerke Expanded Museum – Kulturelle Erinnerung und virtuelle Realitäten / Annette Hünnekens Museumsinformatik und Digitale Sammlung / Harald Krämer Kunstgeschichte digital / Ed. Hubertus Kohle Metamorphosen – Gedächtnismedien im Computerzeitalter / Ed. Götz-Lothar Darsow Echtzeit – Text – Archiv – Simulation / Timo Skrandies Archivprozesse – Die kommunikation der Aufbewahrung / Ed. H. Pompe, L. Scholz Unternehmen Capricorn – Eine Expedition durch Museen / Ed. Christoph Steinbrenner Optische Medien – Berliner Vorlesung 1999 / Friedrich Kittler Beiträge zu Kunst und Medientheorie / Ed. Hans Belting, Ulrich Schulze Medien-Welten Wirklichkeiten / Ed. Gianni Vattimo, Wolfgang Welsch Re-play – Anfänge internationaler Medienkunst in Österreich / Ed. Sabine Breitwieser Perspektiven der Medienkunst / Neue Medien Neue Kriterien? / Das digitale Museum / Ed. H.P. Schwarz, J. Shaw Suchbilder – Visuelle Kultur zw. Algoritmen und Archiven / Ed. Wolfgang Ernst, Ute Holl, et al. Digging th Net – Materialien zu einer Gaschichte der Kunst im Netz (Beitrag) / H.D. Huber (DH) Lebendige Eriinerung – expanded museum (essay) / Anette Ünnekens Recording Technology History / Steve Schoenherr Pioniere Interaktiver Kunst von 1970 bis heute Söke Dinkla

view of cities and regions

21 view of the (art) market view of advertising

art as surroundings art as spatial experience

19 view of representation

art as field manifestation art as program art as mathematics

view of the exhibition

archive view

presentation view

Literature: Visualizing the Semantic Web / Vladimir Geroimenko, Chaomei Chen The Media Pavilion – Art and Architecture in the Age of Cyberspace / Austria – Biennale di Venezia 1995 / Ed. Peter Weibel Medien Kunst – Ausgabe 0 Juni 1991 The Art of the Exhibition (study) / G. Dirmoser

20 view of the collection museum view

art as questioning

view of storage media

ars: electronics in the exhibition context

1994 ars: digital city

art as event art as media event art as celebration

19 material view / olfactory view (smell) archeological view view of gravity

art as location factor art as point of reference art as workplace

18 view of the art work view of the installation product view object view

art as question of conservation

tactile haptic view

similarity and touch

18 view of the picture

2003

view of framing

art as question of material

view of projection

electronic images

Literature: performative installation Ähnlichkeit und Berührung / Georges Didi-Huberman Ins Universum der technischen Bilder / Vilém Flusser Für eine Philosophie der Fotografie / Vilém Flusser Bilder Digital – Computerkünstler in Deutschland 1986 / Ed. Alex & Barbara Kempkens Vom Tafelbild zum globalen Datenraum – neue Möglichkeiten der Bildproduktion und bildgebender Verfahren / Ed. Peter Weibel Article by Monika Fleischmann ! iconoclash – beyond the image wars in science, religion and art / Ed. Bruno Latour, P. Weibel Ordnungen der Sichtbarkeit – Fotografie in Wissenschaft, Kunst und Technologie / Ed. Peter Geimer Sehmaschinen und Bilderwelten / Ed. Bodo von Dewitz, Werner Nekes Zwischenbilder Zwischenräume – Kopigraphische u. elektrographische Arbeiten österreichischer Künstler / OÖ. Landesgalerie Leonardo 2000 – Kunst im Zeitalter des Computers / H.W. Franke Vom Readymade zum Cyberspace – Kunst/ Medien Interferenzen / Dieter Daniels Intervalle 5 / Mimetische Differenzen. Der Spielraum der Medien zwischen Abbildung und Nachbildung Medienwerke aus Österreich 1992-93 / vorgestellt von Peter Weibel Das Bild als kommunikatives Medium / Klaus Sachs-Hombach (SH) Oliver Grau

Computer Graphics

art as prejudice art as hardware

1979

1993 1999

view of cognition

1980/82

art as natural wonder art as creation

view of nature

artifical life view

17 view of plants

17 view of animals

Literature: Vampyroteuthis Infernalis / Vilém Flusser, Louis Bec Earth Moves / Bernard Cache (diagrammatics) Der Baum der Erkenntnis / Maturana, Varela The Philosophy of Artificial Life / Margaret A. Boden Artificial Life: An Overview / Chr. Langton (Ed.)

art as cognition tool

(2003/K142) There is hope that a growing awareness of the art historical "affinity" between concept art and software art will lead to a greater acceptance of media art in the field of contemporary art. (Christiane Paul)

(PV) (1998) Following the acceleration of the history of so-called "classical" art, we are now confronted with the acceleration of the reality of so-called "contemporary" art and the emergence of topical art, which seems to aspire to resist the imminent breakthrough of a virtual art in the age of cyberculture. (cf. Take over)

technomorphology (1997/K18) (1999/K236) a history of art involving DNA (G. Gessert) symposium preparation using net discussion (1996/K28)

(PW) The new image technologies have a significant influence on the area of the acquisition, storage, distribution and communication of knowledge.

against an official contemporary art – (1999/K414) for an art in keeping with the times modern era of information (Fred Forest) (1995/K164) the blindness of And what is art about it? art history studies (Beusch, Cassani) (1999/K417) New art theory

necessary?

for a digital renaissance of Situationism (1996/K428) (H. Ranzenbacher) (1999/J161)

informatic art is outside the realm of the formal bourgeois concept of art (1997/K383) (Ranzenbacher)

In 1995 Hans Belting noted for the areas of video and installation: Art history, as the official chronical of meaningful activity, has not even become established here, we could say it has (1999/K418) not yet started to work through activities that breaking down are meanwhile almost three decades old and boundaries between individual have indisputably taken place in the art scene. (1996/K395) art genres the same is true for interactive installations

media theory as art theory

media theoreticians Belting's major project of a "media history of art (2001/K394)

Because of the enormous speed at which media art has developed and spread in recent years, it is urgently necessary to resume and extend these fundamental discourses about a contemporary media art theory. (Stocker) (2003/K13) The ARS has unfortunately contributed little to this over the years (DG) It is obvious that visual art's appropriation of media art will no longer hold (2001/K20) (Stocker) ... art theories have yet to be written for this. (2001/K20) What is the point of this polarization ?(DG)

17 view of art studies view of art history Against idiocy in electronic art (against the imitation of existing idiocies) (Friederike Pezold) (1990/K-I-126) The more "art" we try to pack into cyberspace, the less probable it will be that it will show any aesthetic qualities. (1995/P16) (R. Ascott) ! The aesthetics of the manifesting ! (cf. Mersch & Co)

Cf. (art) historical view view of the philosophy of art

cyber-philosophers (Agentur Bilwet) (1990/II-K91)

"Home of the Brain" mental edifice of the four media scholars Flusser, Virilio, Minsky, Weizenbaum (Monika Fleischmann) (Wolfgang Strauss)

praise for the parasites (F. Rötzer on M. Serres) Why should art and philosophy proposal for a (1993/K92) intervene in the dynamics of really "new physics" computer viruses visualization? Because actuation can (Nick Herbert) sometimes lead to realization, because (1990/II-K39) Bazon Brock heterogenesis can degenerate into (1999/J101) (1999/J376) alienation, because the development of a new velocity can turn into mere philosophical database acceleration, because virtualization often (Mike Hentz, Minus Delta T) blocks topicality... (P. Levy) (1995/K97) (1984/K132) (1999/J358)

(HK) superficial philosophy of hope

philosopher-artists philosophical and artistic orientation of the Ars through P. Weibel (1996/J38) (Leopoldseder)

(B. Mitterauer) architectonics

(1990)

1988

philosophies of new technologies

polycontexturality (on: Gotthard Günther) multivalent logic (Peter Weibel) (1990/II-K23)

media philosophy

(a transitional manifestation?)

postmodern philosophy

17 media philosophy view (DM) Art without media would be as much a contradicto in adjecto as a language without language. It makes use of media, seeking to address, as a kind of exaggeration of the boundary, as its paradoxical figuration, a withdrawal, a gap or chronic insufficiency....

art theory philosophy analytical philosophy epistemology postmodernism discourse nomadology discourse deconstructivism discourse performance studies performance theory

Herbert Hrachovec informations superhighways EARTHSTATION control of the cognitive behavior patterns (see above) Collaborative Filtering (1994/K206) Philosophical round table (1988): "Gaia" ecosystem (vision) A philosophical experiment spaces of knowledge (1996/K34) Publication of genom data Peter Gente, Hannes Böhringer, Vilém Flusser, According to Forian Cramer, the focus on Proj. center for media and search engines that rank The emphasis on the central (G. Mayer-Kress, Gideon May, Brad DeGraf, on the way to digital consciousness (Agnes Hegedüs) (Lincoln Stein) (2000/F23) (DM) separation between aesthetic and datamining a purely perceptual aesthetics of art is clearly Peter Weibel, Jean Baudrillard, Friedrich Kittler, knowledge cultures "paid" contents high in the function of code and the algorithm Gregory Kramer, Jenifer Bacon, Joe Takai, (Gerd Döben-Henisch) (1995/K227) (knowbotic research) discursive media a continuation of Romantic philosophy and (2001/K398) Heinz von Foerster (1988/K83) (1989/J169) search results level symbolizes concentration on a knowledge cultures knowledge database for Tom Affinto, John Chachere) (1991/K147) Information is alienated knowledge on the net Riding the Net the privileging of aisthesis (perception) over For Linz the first concrete contact with philosophical "firm core" that is often believed to have (NEXT computer / spatial data organization) multimedia developers experience (Jaron Lanier) Mindmusic (1990) specialized thesauruses (1996/J15) Designing a Database (2003/K225) new orders of knowledge poeisis (construction). (2003/K140) proponents of postmodernism and constructivism disappeared in the postmodern world. (ultrashock) (2001/P70) purely optical, immersive Meme Symposium (1995/K130) (Sommerer) Cinema (Marsha Kinder) MIC Media Integration and (Erkki Huhtamo) (2003/K127) (R. Dawkins, F. Heylighen, image strategies /vs/ astonishing graphical Myth of Information the impossibility of seeing oneself (Leo Findeisen) (2003/K73) the artist as archivist Communication System Lab (at ATR): NeoStrukturalism, NeoSemiotics (DG) J.S. Lateiner, A. Rosanne Stone, knowledge technologies cyber-flood effect (1979/K40) mixed reality without distortions How to make art integrating art as a new method of R. Born, H. Hrachovec, Jon Rose, (2) (1995/K116) The job of the artists of tomorrow is that of search engines arranging the order of knowledge crawlers (P.Weibel, Bob O´Kane) of databases Focus (T. Walicky) interpersonal communication in the Sadie Plant, D. Rushkoff, Rober (AH) A "Center for Art and Knowledge Technologies" (1998/II-K297) an intermediary, a catalyst between different (1992/K110) Semantic Web Datenbanken (Anne Nigten) (1998/P104) research process Adrian X, P. Hoberman, T. Sherman could be newly created in this virtual way. ridiculous and terribly fields of knowledge, models of thinking and bot = robot = Metasearch (Marc Canter) (2003/K60) (workplace: Christa Sommerer, (ML) problematizing digital John L. Casti, H. Ranzenbacher, (In 1999 P. Weibel announced a restructuring of the ZKM touching with the eyes funny neo-Jungian society, solution strategies. (2001/K18) KünstlerInnen Bots & agents autonomous search strategies Zerseher spider Index camera pan through Laurent Mignonneau) (1996/J122) technology as a realization of J. Engelberger, D. Back, Karin Spaink, in this sense) ideas of "collective (Joachim Sauter, Datenbanken (2003/K225) all objects an "intellectual world view" VNS Matrix, S. Penny, M. Dery, Information as new intelligence" (T. Druckrey) retina scanner indexes supervised by specialists (Lioba Reddeker) The Enjoyable Internet Dirk Lüsebrink) 2002/2003 trained knowledge managers natural science /vs/ humanities (BUF) (2002/P117) (C. Hegemann) K. Becker, G. Lovink, A. Lichtblau, (1992/K25) "material" self-organization of data Digester (Jaaanis Garancs) information handling are available in Krems, Linz, Vienna, ... (cf. courses offered in Linz) Tjebbe van Tijen (1996/K06)(1999/J158) projecting images directly onto (knowbotik research) (1993/K249) (1995/K265) camera parameters as basis material mirror informationarchitecture (1997/K393) (1979/K07) Multimind decentralized intelligence (popular theme in the 3rd round?) Internet there is no medium interplay of the retina with laser the scientific claim reaches MARS : Media, Arts, Simulation space "mosaic of mobile data sounds" for virtual shapes (1997/P118) from the poetry of (Oliver Schürer) Search-Engine-Client archives (1979/K14) of sense or art and science mindmapping with networks a high point in 1992 a walk-in database discourse tracks of the (D. Lüsebrink, J. Sauter) Research & Science programming to u. 3D-Browser. Fundstellen wooden mirror (Daniel Rozin) MAK design database Data Jockey portals meaning (DM) Collective Intelligence (Christa Sommerer) (2000/P56)(Patrick Lichty) (1999/J73) poetic appropriation of (Christian Hübler, Alexander Tuchacek, Yvonne (GMD Sankt Augustin research as an Ars Electronica organisieren sich (Anziehung cooperating memes: 3D representation (1999/K418) (1995/K95) (2003/K93) (1996/J120) electronic program code (2003/K104) (F. Cramer) Information Wilhelm, Georg Fleischmann, Detlev Schwabe, eye tracking knowledge bodies near Bonn / M. Fleischmann) art form (2003/K250) und Abstoßung) on the way to the global (Pierre Lévy) Data transformation / mirror (C. Möller) program code as artistic material Architecture Michael Hoch, Will Bauer, Toblas Pfeil, knowbots (Eugene Thacker) (Mignonneau, Sommerer) (Tom Corby, Gavin Bailey) brain? (1996/K53) collective intelligence (CI) Data collage (2003/K226) Dataspace (1994/II-K75) (2001/K20) Rajele Jain, Udo Zyber) (1999/K399) (2000/P44) code and tracking set-ups (1) art of technoscience poetics and aesthetics of software code image disc CD ROM A comparison with the "third culture" of the mediated by technology The WWW as a (1994/K146) Data-Jockey (F.E. Rakuschan) material concept "style of writing" (Christiane Paul) merging/reconciliation of natural sciences and SuperBrain (Florian Wenz) (2000/K350) Very Nervous System stereoscopic CM technology DMS virtual reality for collective laser disc (2003/K137) technoscience is the tragic phenomenon humanities would be inadequate (2001/K18) the image disc as medium randomly colliding (J. Bollen) Es gibt kein Medium vision without glasses science art (2) (perception installation) artist as catalyst pleasurable way of dealing cognitive processing of a knowledge that has suddenly become for artists (1986/K318) contents (1996/P92) (1996/K34) des Sinns oder der (Futurelab) poetry of (David Rokeby) ! Content Management with data/information (Derrick de Kerckhove) between fields of knowledge cybernetic (Trevor Blackwell) MUDs DVD Bedeutung (DM) (2003/F49) (UR) In Ulm the call for a scientific art programming (2003) (1990/II-K171) (1991/P130) (PV) (1998) hypertext consciousness CDTV CD-I approaches of was en vogue from the late 1950s until research as art form (2003) Media art as background research Memory Theater VR visual computer art exchanged visual perspectives! (2002/K271) Geschichten vor Ort nachvollziehen. Dyn. search engines & spatial organization knowledge representation (1) far into the 1970s or application research? (Ruth Schnell) memory theater ! (Giulio Camillo) science fiction (1979/K16) (Kazuhiko Hachiya) (1996/P138) augmented reality fiction of knowledge (proximity = quality of results) research lab as machine (2002/K00) (Agnes Hegedüs) (1997) (Fakeshop) (1999/K321) palaces of contents building/space organization: mnemotechniques (1999/P90) (S. Schemat, M. Joyce, (DM) The aisthetic media especially include those (Stefan Huber, R. Ammer, B. Steffan) MOOs (AH) theory of perception televirtual environments VR Panorama Virtual Worlds: The Emperor's (2001/K313) memory theater (Dirmoser, P. Matussek) Verbarium: Text-zu-Form Neurale Netzwerke Note: (ML) What can be grasped B. Carstens, M. Felsmann, AAAI 92: AI Based Arts Exhibition that relate to perception: the systems of optics and (2000/P54) (AH) fiction instead of reality New Bodies (Peter Weibel) in artificial realities Editor: Nutzung der Zeichen(1994/P32) discursively? ... Because of its I. Bordoni, R.P. Dalò) (1993/K181) acoustics, the arts, image-forming procedures of all Das universelle Datenwerk Media-spasm, senseless performative explorations agent Infotainment (see left) (1990/II-K09) Ketten als genetischen Code (M. J. Grey) (Olia Lialina) transience and complexity, the shredder function for data kinds, ... etc. They are all grounded in the sensory, (R. Kriesche) (2003/K148) distraction and crash perceiving perspectives video installation (AH) cognitively oriented (PW) Klassische Kunst und Medienkunst teilen (1999/P52) (Sommerer, Mignonneau) (1997/K394) performative transgresses the Reputation Points VRML visualization of encryption see: view of sensor technology whereas discursive media refer to structures, orders, (ML) drafting and performatively testing (Mulder, Lüsebrink, (Steina Vasulka) sich einen gemeinsamen semantischen Raum installations (2001) modern science has increasingly representational capacity of valuation proposal (Peter Broadwell, Rob Myers) discrete categorizations and caesura ... a "technical history of humanity" (William Gibson) interactive poetry G. May) (1994/II-K68) (1990/K-I-124) cyber-novels nonlinear languages and signs. (2001/K203) become a TECHNOTakeover III (symposium) (1998/P76) talking to a neuro baby (ML) Institution for Media Performance Research Info-Stories (1990/II-K225) (2000/P96) (Orit Kruglanski) Most information on the tools science (PV) (1998) science fiction in praxis: film, video, content development (emotionale Reaktionen) (left) (Rasa Smite, Internet deals with context, the fate of reason in the global teleperception and skin design ... Neural Networks comics, music (1982/K167) a purely static representation (Naoko Tosa) (1993/K353) interactive story-telling Raitis Smits) fuzzy logic not with content. auditive poetry (see left) network (Timothy Druckrey) (Virilio) (2001/F08) (1993/23) Meme (in AI) is not powerful enough Criteria: Best Netzine: (Hotwired, (Josephine Anstey, Dave Pape) (1997/K364) (1997/P18) (Joichi Ito) see: sensor view (1995/K139)(1999/J305) sensor techniques (1995/P108) Myth of Information (1990/II-K55) Mediamatic, Tightrope, t0 Public surrealist (1998/K211) poetry-writing program POE (R. Trappl) med. cybernetics (1990/II) Richard Dawkin (Michael Tolson) (Myron Krueger) Netbase) (1995/P46) writing game / Perception is a (Franz Josef Czernin, content issues /vs/ lack of content (G. Dorfer) neural networks (1990/II) Cyberpoetry mind viruses interactive story AARON al AI-based (1969) computer-controlled environment remote-controlled sensory Netbase (K. Becker) (1995/P60) growth of a process in formation. Ferdinand Schmatz) tool fixation (technology fetishism) (P. Smolensky) connectio. SW (1990/II) (1997/P92) (Z. (1996/K40) AI (2003/K224) (1998/P96) (Lisa Prah) program (Harald (AH) from objectivity (1970) interaction with video projection systems (AH) Connectionist SW Hotwired (1995/P76) story (Ecke Bonk) (1990/K-I-136) (H. cohen, J. Petrow, (R. Cummins) connectionism (1990/II) Komninos-Kostant) Cohen) (2003/K122) (1971) using sensor floors (AH) rejecting all narrative to viewer relativity (Sharon Denning) (1995/K48) Sensor that feels its way G. Papp, T. Spiller, (G. Schwarz) learning processes (1990/II-K107) the stifling insight that technology interactive poetic information architecture (2) non-linear computer-generated (1972) start of the Videoplace project (NICA 1990!) discovering stories oneself (never at the ars?) (2000/P32) text synthesis connectivism (1990) Lyle Zapato) (M. Veitl) med. cybernetics (1990/II-K51) without "content" might not be through the space garden (1998/P98) MIT (DH) reactive works: revealing (D. Rokeby) Our user interfaces are also a (1990/P169) narrative (AH) (Bill Seaman) literature (1980/K07) (1989/K106) (B. Mitterauer) architectonics (1990/II) (1998/K264) sellable (1996/P24) (D. Small, T. White) content through clicking/scrolling connectionist improvement (Tamara Munzner) (H. Haagsma) kind of belief system, because they hold and The construction of very free contextualization computers as "authors" of virtual brain (M. Minsky) Mentopolis (1990/II-K97) Time´s up (Tim Boykett) cyberslang elegant retreat to (David Blair, Oliver Frommel, Vera Frenkel, Doug Aitkens, Dean Kuipers) of AI systems (AH) differential topology affirm our assumptions about the essence of experience. Interface as (1996/P106) (Joey Anuff) "pseudoscientists" : art-immanent cybernetic art works digital poetry term hypertext (1995/P164) mapping specialist things and reality. cybernetic content (David Rokeby) (left) (Steve Mann) the 90s as the era 3 AI creatures (Joseph Bates) (Staalplaat, Negativland, positions (2001/K20) (1979/K30) 1974 from Ted Nelson Computer – from calculating tool interactive novels methods (1999/J420) (former PRIX) of the brain Decision-Support-System Hypertext in search of the order behind it MIT (1997/P112) Muzictoerist, Barbed, (1990/II-K253) to mankind's creative partner? in literature (1997/K144/K217) (1990/P08) (Daniela Alina Plewe) (1998/K140) (2003/K140) Is software art more successful, if one analytical philosophy People like us, N.A, Baginsky, most prize-winners last year did not science fiction workshop text-software / (1979/K29) machines, whether "hard" (Klaus Ramm) myth of AI Ottos Mops (trotzt) "can see" the algorithms behind the development of Gordon Monahan, Leo Schatzl, intend to be artists new narrative structures (1965 – Ted Nelson) non-sequential epistemology (1982/K08/K167) AI works (HK) one should push forward in art related (1980/K78) AI robots Div. obscene contents reading and writing or "soft", are the codification (Robert Trappl) L. John, B. Quosdorf) visual/acoustic phenomena? Rosa von Suess, Karthik Swaminathan, (1996/P50) (WEB) Heiko Idensen in computer games cognition sciences recording the direction of AI as far as possible (2003/K229) (Luc Steels) (1996/P110) (Lisa Hutton) (1997/P144) zu Jandl of problem solutions "AI-Laboratory" from the onomotopoeic poem Yuri, Triclops International, Insight hypertext programs Software as "diagrammatic" techno-positivists Matthias Krohn music preferences – cognition theories established visual artists, who also a new hacker / (1995/K308) (1996/K204) (1986/K338) to radiophone poetry Instruments, Prema Murthy, on the PC since 1986 ordering material artistic skills of the (1996/K162) In the beginning was the profile cluster as MusicMap realized web works (Julia Scher, artist generation Art is increasingly less suitable as a distributed authorship artistic research visual poetry and E-zine literature in image and sound (1980/K76) John Duncan, Nuoc mam dirndl, computer (1979/K30) command line (Neal Stephenson) (2003/P71) (AH) artificial intelligence creature: Jenny Holzer, Antonio Muntadas, (1996/P23) source for visual design, because it has (1983) (1989/K104) scientific jokes constructivism cybernetic research: symposium (1980/K75) HyperCard expert system artist as researcher Gelatin) (2000/P24) (M. Breidenbrücker, F. Miller, Artificial Reality and Artificial Life David Blair, ...) less and less influence on the language Visually Deconstructing Code hypertext fiction (S. Moulthrop) (Jared Tarbell, Lola Brine) connection of mind and the job of the artists of tomorrow is that of an similarity theories HyperCard stacks although they don't earn money HyperTalk M. Stiksel) of the dominant media and has long (Ben Fry) (2003/K197) (1196/P112) (2003/P60) machine (the anti group) media design groups: intermediary, a catalyst between different fields (Judy Malloy) (1989/K133) (Baudrillard) Yet those intelligent machines are only on the net, their work gets out discourse analysis Toolbook The Secret Lives of Numbers since become an archive of everyday Digital Diary (1990/K-I-112) of knowledge, models of thinking and society, (Lynn Hershman) (1989/K238) MESO & Involving Systems (Kazuhiko Hachiya) (1997/K260) artificial in the most limited sense, because they merely to people (Golan Levin) (2003/K240) codes. (UR) remote-controlled robot (Natacha Merrit) solution strategies (2001/K18) walk-in knowledge spaces (Steffan Ammon, Martin Bott, Mega Diary – a global, open break down linguistic, gendered, scientific processes into (1996/P45) Electronic Diary as GraffitiWriter (2000/262) The Odyssey (1989/K133) Sebastian Gregor, Michael Höpfel, diary project (1997/P126) simplest, digitalized moments, .... The Active Text Project Storyspace CAVE did not develop from video games or (1989/K235) From the beginning, the media industry was (The Institute for Applied porno-diary interactive hypercard stack The job description or Joreg, Karl Kliem, Sebastian Oschatz, Varioklischographen (Jason E. Lewis, Alex Weyers) (1995/K171) (Lynn Hershman) (A.Mohsen Daneshgar) flight simulators, but its origins are found instead greatly interested in effective support on the part clones (Dieter Huber) AI and interactive art (J. Bates) Autonomy) (2000/F36/P78) (Fortner Anderson, Henry See) justification "artist" is no Max Wolf) (2003/F12) (ars intermedia) (2000/F35/P98) typography diagrammatic Gender Idendity – L G B T in scientific visualization and the demands of the of art, because even with thousands of trained digital body manipulations (1993/K181) longer interesting; it is as Patti Maes (1979/K44) design for CocaCola lesbian, gay, bisexuell, transgendered SIGGRAPH 92 Showcase (Daniel J. Sandin) computer scientists, by itself it is not capable of (1996/K404) (Luc Courchesne) (2000/267) traditional genres of applied (Ross Harley) (1993) "sculptor" of unnecessary as the positions satellite images as (1994/P128) (derived from (Monika Treut) (2000/K202) pioneers: (1996/J85) (CAVE development 1991) putting sophisticated and attractive products on interactive theater through visual rhetoric (typography, graphics, information (FF) it is supposed to defend. picture basis AI dissertation Body mapping: Telepräsenzinstallation lettering) (Sandy Stone, Susan Stryker, Judith CAVE was conceived as a tool for the market. (B. Serexhe) 5 computers with HyperCard (see above) boundary betw. video posters, book design, print media) (2001/K19) (Stocker) (Mario Sasso, Nicola Sani) PET Positron Emmisions Das stellvertretende Cyborg-ICH (2002/F12) "Jack" Halberstam, Kate Bornstein, scientific visualization Landsat satellites: system game and literature (AH) (Huhtamo) system developers, who regard themselves among others, with the goal of persuasion (1990/P81) Tomography (1997/K16) (centre for metahuman exploration) Electro Magnetic Poetry Jordy Jones, Jacob Hale, Pat Califia) (2001/K299) of reflecting mirrors (Natalie Bookchin) as artists, because they see a creative act in the invention there is no genius MRT Magnetic Resonance typographical (1998/K212) (1996/P108) (Maria A.Witkin and M. Kass come from the field (Tom Van Sant) (1982/K42) (2003/K97) (Pierre Lévy) (2000/P42) and arrangement of "code": Myron Krueger, Vivid Group VR for the visualization of the artist bodies (1993/P30) Tomography (fMRT) technical history of writing meanings flowing into Winslow) Three basic electronic of science. Nevertheless, their graphics VR: 3D Diagrams VRML, 2D, text dynamic typographical Gene_Mixing and Loops of the Self mapping the position of the (Mandala System) – system art of large medical (J. Heemskerk, D. Paesmans) Lingua Franca (Thomas Bayrle) Habbo identity Map of the market (DISS project Thomas Maier) one another palettes: television, have a new, resounding aesthetic. sculpture out of web sites (Birgit Richard) (1999/K267) or voxel avatars collective intelligence of a community as user interface databases (1997/P96) (JODI) (language of intercourse) (W. Seaman) (1995/P106) (2001/K205) (Tom Wolfe) (1997/K219) (M. Wattenberg, Joon Yu) computer graphics, video (Milan Knizak) (1992/P14) (D.A. Plewe) (1999) (B. Fry) (2001/K290) (1997/K177) writing software oneself or working diagrammatic interface (1995/K194) typographical positioning system (2003/K12) "Brain Imaging" (1999/P54) conference (1995/P43) Double: identical with the self knowledge representation (2) artist/programmer closely together with a programmer for games and music programs (Casey Reas, Golan Levin) (2000/K387) identity and mask in body mapping 3D electroencephalography listening station for communication artists (FF) (Birgit Richard) (1999/K271) experimental typography (1979/K22) Books on demand (Myron Krueger, Harold Cohen, Information: C.F. von Krypton – Aurora Elettronica (MEGO) Bi-Gender Show virtual reality MRS Magnet Resonance Mapping Toolkit (M. Bielicky, B. Lintermann) (2000/P88) Radiotopia (2002/K428) the visual artist as programmer Duplication and hope of (Fuse – Neville Brody) (2003/P76) (Shinya Yamamoto) David Rokeby) (2003/K121) Weizsäcker also defines it The Metamorphosis of Light (2000/F13) Alphabet Zoo (Blanchard et al.) Spectroscopy the artist as system (H. Huitric, Monique Nahas) Blogging immortality (1999/K272) as an "amount of (1986/K19) (Peter Cho) (2000/F42) (1990/II-K191) Lightstick (writes images integrator (1986/KII-143) artist/technician Live journal copyright and intellectual (2000/K398) form" (Ecke Bonk) male identity light theater moving) (Bill Bell) (1982/K69) (1986/KII-296) application research /vs/ abstract typography property Letters of BIT (1995/K42) Gender Bender (1997/F38) gender-hacking "brotherhood" (1980/K23) at least as a symposium background research (DG) elusive job (Kenji Komoto) (James McCartney) diagrammatic interface testing the specifics of gender playing with identity (Elisabeth Schedlberger - CODE) (Woody Vasulka) (1994/II-K87) light technology Text and tectonics, set-up and light show of the 60s (G. P. Garvey) diagrammatic typography (2003/F11) description (2001/K19) for music computer – UPIC (1996/K185) World Maps – Change the Map this development is carried by people who students who want to design order, shape and arrangement. (Walter Pamminger) Typodesign the drawings are interpreted as faked identities – disinformation as installation for ballet. locate their identity in between artist, engineer, Composer; author of the (AH) collective instead of author web sites choose departments Form and format, formula and light organ pole shift with object oriented synthesis transgender transformation (Ecke Bonk) pressure curves, dynamic envelope Light Ballet disguise (2003/P68) (LAN) interaction with light social worker and experience designer of design rather than art formation. Schema and pattern. Talmud Project – typographical (1979/K19) conventional projection curves, scores ... language "SuperColider" (2000/K113) Forget concepts like gender development of a configural effective (1980/K23) (1995/K42) (C. Möller) (1995/P132) (2001/K20) (Lia) re:move research (David Small, Tom White) (2001/K34) Constructing and (a) building. (2003 OK) (MEGO) image language (Peter Zec) (Iannis Xenakis) light-mobile and race. In cyberspace you cover design (schoenerwissen) Coder, Hacker, (Ecke Bonk) (1995/K46) (2000/K403) (1995/K250) light robots computer-controlled Multibind-Deadlock(1990/I-K69,K72) (1979/K25) Navigation are what you want to be. data visualization (2003/P46) (2002/P56) Open Sourcer, permanent self-exhibition Markus Huemer Hyperbolic tree (1980/K94) Coma (1996/K226) neon installation (1992/II-K44) Symposium (S. Zizek) (1995/K127) laser in concert Stop Motion Studies – studies (2002/P23) maps to Circuit Bender Re-Mapping Our Mental Model (R. Rao) (1999/P50) (Jennifer Ringley) Mapping view of visualization contolling reflective images (1986/K331) (1993/P45) (E. Schoener) in the subway (D. Crawford) (2001/K20) the project Maps (Scott Brave, Andy Dahley) (R. Buckminster Fuller) (2002/K17) walk through light sculptures Flight Case issues of identity (Constanze Ruhm) Homepages and e-mail linking concepts author (2003/P40) (1979/K50) implements cartography in (1997/K278) life is more than the (Rudolf Macher) typography and (1979/K09) music in color: WEB-CAM letter objects on the Internet are taken for granted as dynamic mapping spherical surface patchwork biographies director the dispositive of telematic survival of the genes (1992/K151) GIS systems view of illustration rhetoric / topic components of an artist biography Sonoscope (A. Vitkine) being in electronic (B. Fry) (2001/K291) media as a network editor (2001/K113) KaspaH´s Home (2001/K21) laser light drawings (1980/K113) Legible City (1996/J53) space (1994/K158) structuralism Audioskop (M. P. Kage) designing radiography information mapping (1989/K108) (Mathias Fuchs) (Catherine de Courten) designer (J. Shaw, Dirk Groeneveld) virtual identity and avatars (1979/K19/K61) electronic mapping diagrammatics (C5) (1999/K395) and light graphics (1954) mapping (1995/P88) In 1960 T.H. Maiman first succeeded (PV) Presentation is Colourspace (1989/K209) producer Graph. programming video world and fractal subject (Barbara Becker) (1998/II-K174) mapping discourse conflict zones – (H.W.Franke) (1979/K54) in producing an active laser. Artistic (1989/K256) visual music effecting the manifestation of a thing. In Sommerer's installations (Lia) (2003/P49) programmer information visualization (Jean Baudrillard) (1988/K88) water divides Manhattan Timeformations diagrammatic turn mapping cyberspace objects with a double use of laser technology started in 1965. (Judith Ryser) artist as avatar (Waltraut Cooper) (B. Fry) (2001/K159) artist death is employed as a necessary high tech and psychodelics diagrammatic (Brian McGrath, Mark Watkins) (Peter Fend) structuralism (discourse) (2001/K38) identity (Ishii, Orth, Gorbet) (T. Feuerstein) (AH) Krueger discovered that users (PV) New era of videoscopy: light/color piano laser light in an tabula rasa (1993/P77) (George Barber) film (L. Houplan) (2003/P158) (2002/K271) (2001/F36/P48) (1997/K204) telepresence installation: literature discourse quickly identify with a figure in a game, ... lighting is no longer done electrically, (1988/K194) interactive performance substitute objects "Terminal act" (PV) (1998) Mapping Time the second player is present laser beam light-kinetic if it reacts to instructions in real time. deconstructivism but is instead an indirect electronic (1993/K261) (P. Böhm) Light Music in the Soviet Union Bots as verbal "personalities" web design desk top publishing (Ross Cooper, Jussi Ängeslevä) cybernetic euthanasia as a crossed laser beam see also: view of used to control DTP No Man´s Land visual music oscillograms It is not the realistic representation that works illumination. memory theories (Roberta Reeder, Claass Cordes) (Rainer Jessl) as long as something is happening (2003/F41/P100) (Lozano-Hemmer, Will Bauer) artistic production robot installlation / Immateriaux II (1980/112) is crucial for aesthetic pleasure, but rather projections (1992/II-K225) surviving (PW) If we consider the influential aesthetics imagine objects that stage or dramatize on the stage - a videostream flows Where there should have been (1995/P128) implanted and emergent (K. Obermair, the identification with the controlled (ML) aesthetic effects of linking body mapping Data transformation / pictures that dissolve laser technology of the past two centuries, then it is evident that making music online "existential moments" - such as a conflict (2001/K207) (Axel Heide, P. Pocock, robots design, there was a huge hole behavior (the parasites, the R. Spour) Crack-Intros behavior. theater with electronic-digital media electronic Visualization (2003/K226) (1999/K309) into a color when they are constructed on an ontology of the picture, (Koji Ito) (1998/P48) (Fiona Raby) (2003/K276) G. Stehle) in the web in 1995 (2001/K214) Laser Art untamed, the inverted (1992/K246) (2001/K207) An exception to this would be touched play of color Laserdisk on a static concept of existence net.flag (Mark Napier) The Gulf War spatial representation of The designer is increasingly discharge into gases scavengers, ...) MIT's MediaMOO where each (2000/P90) (J. Campbell) (1979/K34) artistic use (1997/K390) (N. Math, (2002/K362) the medium hides itself in the process of brought the myth information (1999/P44) becoming an information designer, Apparitional Aesthetics: The quality of (L.-P. Demers, Bill Vorn) character has a "character name" neon sculptures (Stahl Stenslie) aesthetic Carson Jeffries, Otto Piene, Joel Stein, C.F. Reuterwärd, of the game figures in electrooptics (PV) Andrea Sodomka, M. Breindl) of the artificial (F. Matsumoto, S. Matsukawa) its mediatization (DM) Japanese i.e. an expert for "intelligent" cyberneti aesthetics (1973) coming-into-being, of apparition, is replacing the (1996/K262/P126) s.o. and a "real name." from identity to difference (AH) terminal-existentialism (A. Sina) (1980/K110) Iannis Xenakis, Paul Ears .... used laser technology for Internet stereoscopy (PV) virtual worlds (2) from academic (unfortunately not the case with many works) illustrators visualization systems and (H.W. Franke) (1979/K54) quality of representation, of appearance, which has MUDs (1997/K174) (Victoria Vesna) Voice over IP in Life Art multimedia performances (FP) making gene virtual volumn discussion into audio data streams RealAudio the self machine aesthetic (2001/K21) techniques (Zec) identity and artificiality for so long characterized western art. (1995/P19) (R. Ascott)!! Broadband (2002/K167) (2000/K213) maps (1999/ recognition for the the world of the constructed by optimization principle of aesthetics (1965) (1996/P170) (Marc Caro, Japanese (Catherine Ikam) (2000/K401) media should be almost "transparent" cancellation of identity (AH) (FP) nighttime laser shows: K121) ADSL quality of selfrational aesthetics hyperreal. (1996/P36) (ML) Theater for "Form Art" Competition the brain Jean-Pierre Jeunet) broadband internet in Voice Mail (H.W. Franke) (1979/K54) from NET:ART to NET.RADIO A virtual reality is principally real to the extent Real Audio holography and laser lab understanding of (AH) being in two worlds (1989/K110) (ancillary invisibility) Rockne Krebs, Dani Karavan, Horst H. Baumann representation (Station Rose) internalizing a (Alexei Shulgin) (P. Smith (1955) the cities 2002 the catalytic (1998/K75) (Josephine Bosma) that it depends on a complex physical apparatus. Servers´ (2002/K178) virtual realities Internet-Metric typography at the same time (1986/K324) (Horst Baumann, aesthetics of disappearance (1995/P68) "digitized" existence computer aesthetics (1997/K393) Churchland) (H.W. Franke) artistic holography effect of new media Image space, on the other hand, is virtual. (SH) Network mailboxes eMail on the violence of the plastic light (T. Feuerstein) (2001/K199) Dan Schweitzer, Dieter Jung) (P. Virilio) (1994/K71) development of complex (D. de Kerckhove) Net.radio OZOne (1999/K397) (1997/K70) (1979/K54) (Harriet Casdin-Silver) (1996/K61) every bit has its own existing means being scanned web games the aesthetics of programming proper name in virtual (F. Förster) (1994/P116) (2002/K380) Flash-Art mail art the telephone already communication spaces: (1980/K100) aesthetics of the interface (ML) (1994/K163) (Carole Ann Klonarides) (1992/K183) aura (1994/K165) worlds (domain) --Net.broadcaster (1998/K92) aesthetics of the nets Telepresence is an amalgam of three invading living spaces live radio via Internet represents an instrument holography – PostPet e-mail pets (1998/P36) media (martial) art (David Rokeby) mixed-reality architecture (FP) The hologram was invented in 1948 by domain concepts (Birgit Richard) (etoy) (1995/K166)(Forest) technologies: robotics, telecommuniaesthetic-generative basic programs (AH) images becoming via web camera (2002/K165) of telepresence (1995/K92) Flash the cubism (Kazuhiko Hachiya) Turbulence (Jutta Zaremba) (2001) (MF) Denis Gabor . In 1961 Yuri N. Denisyuk produced holography art (P. Garrin, A. Troeger) (2001) Fictitious Portraits telepresence TNC Network cations, and virtual rality (OG) allowing art to die with dignity bringing something into view visible (H.W.Franke) (1979/K54) of our day (Helen Thorington) (Resitor Sensor: pressure, touch, force) a monochrome white-light hologram. (Jonathan Gay) (1998/P44) (AH) It is noticable that although (Richard Kriesche) apparitional (1999/K394) visual aesthetics (an expiration date is built in (Keith Cottingham) in the interaction (1997/K422) net technology (1996/K418) (Thecla Schiphorst) forming presences (DM) first Java (2002/P26) the artists named (Ascott, Boissier, Couchot, telepresence (2) Traces – Telepresence (Stadtwerkstatt) aesthetics (1984/K345) due to HW/SW requirements) (1994/P38) Reality TV see also: cultural theory view hologram collages retro-gaming style (1999/P68) (Perry Hoberman) (above) browser art (2003/K225) Net projects already in a crisis after only numeric aesthetics Telepresence now (exhibition 1991) (OG) applets role of the program Forest, Krueger, Shaw and Weibel) apply the holography and society (Roy Ascott) in CAVE / networked see also: view of the organizing institution (2001/K205) Holodeck – interaction with computer3 versions of a furnished room virtual computer camera (S. Biggs, Opera software, hardly any (TXTD.sign) (1997/K265) (Ranzenb.) material aesthetics (1996/P44) for the development means of computer science, they still frequently a few years? (2000) (on four aspects of artistic Privacy (1995/P15) (below) news aggregators telepresence installation thermometer, instruments to CAVEs / physical models gestural system (2) atmospheric effect generated holograms (Joseph Michael) floats around Gondry A. Deck, F. Hwang, Haruka traces remain from IPzentrum: interpretation of earthquakes semiotic aesthetics start from an idea of the "picture" from holography) (Vito Orazem) (centre for metahuman identity on the net measure sound, pressure, in real time violence in computer games window pane experiments: synchronized ultrasound interface for gestures Electric Field Sensor (1998/P92) frozen in the air Kikuchi, Myron Turner, Sintron, many technologies as elementary form of expression semantic aesthetics artificial ghosts traditional aesthetics exploration) (1998/K211) Web-ness (Joichi Ito) movement, form (Simon Penny) (Arndt Röttgers) (2001) animation (Ichiro Aikawa) (2000/P40) newsgroups GAMS: Gesture and Media System (1996/P174) I/O/D, P. Luining) (cf. E.P.I.Zentrum by B. Nieslony) (Max Bense) (... interaction with the synthetic image) warmth sensor holography newsgroups (1989/K204) ( Jeffrey Shaw) mobilized via (2002/K254) describing the world as (PoMo CoMo) (1992/K229) (M. Gondry, P. Buffin) holographic art the hand as "disturbance factor" artists working exclusively in the medium (see: PRIX) (1989/K218) holographic video (holograms rendered in tele-existence light barriers (1989/K207) (2002/K389) digital aesthetics in (M. Lauk & Bodo Dorra) Web Stalker cell phone Golan Levin an interface problem psychical energy electronic viruses Mosaic could be (1979) Usenet (A. Tambellini) (1980/K111) Art Com Electronic Network of the Internet (DH): (Joachim Blank, (Regina Cornwell) real time) real-time holography Space Balance (1993/P90) South Africa (M. Neustetter) (I/O/D) (Neeraj Jhanji) rotography - light diodes (2001/K387) Charles Proteus Steinmetz Critique (Patrice Pavis) (1999): (1989/J45) (1992/K12) (PW) the "killer app" life energy ACEN (1986) (1989/K129) affectiveCinema (Jan Torpus, Michel Durieux) Holger Friese, Alexej Shulgin, Philipp (Harriet Casdin-Silver) (1982/K73) visual sensors that register (Christian Möller) aesthetics of the (Scott S. (1998/P46) (2001/F36) and the magic of electricity Despite the apparent victory of possibilities of (Otto Frühling) (1994/K212) electronic publications Symposium: electronic (transmediale) control through bio-feedback forming experiences of being Pocock, Dirk Paesmans, Joan H. von Jodi mental energy movements in space Fisher) (1992/K155) static (PW) (Franz Pichler) (1992/K218) computer specialists over directors expressive net violence (1980/K94/K114) holographic stereogram (AH) 1968 interactive light-sound spectacles means of visual design via GSR-Sensor (Galvanic Skin Response) (left) How does an interface form the experience (1986/K299) listserv and of the machine function over the computer art netiquette artist as (Shunsuke Mitamura) (American Pulsa Group) Vision System (2) (autoaggressive potentials) mailinglists (1980/K93) of being? (David Rokeby) net installation hypermedia projects Rotting Apple rotating mirror see also: energetic view Tesla machines aesthetic object, what is repressed of AI robots (Luc Steels) (1990/K-I-120) browser browser GSR (2) raw and informed (optic tracking) (Sabine Seymour) (PooL-Processing) light traces sensor Deep Blue (R. Adrian X, (Franz Xaver) (Günther Held) (Piotr Kowalski) (1980/104) Trusted Computing the body and human presence, of the developer touch sensor, infrared sensor energy (Mark Ries) Internet user-controlled large(1998/K113) (Idensen, Krohn) (pursuit of bathing caps) Xchange started as mailing Sam Auinger) (1996/K251) (1992/K142) gopher (1982/K93) (Fred von Lohmann) voice and the text suddenly (recognizing obstacles) Music playes Images x (1994/K224) Pixelspaces – DAMPF apparitional scale light installation: result movement analysis list network (1998/K78,K89) rotating display (Henry Jesionka) energy potentials are (2003/K49) returns. (1995/K308) mailing list for software art playing around with the HTML (AH) aesthetics of Sensory Environments – Immaterial Interfaces aesthetics Images play Music (1997) documented on the web as image (1996/K315) virtual shadows (David Moises) (2002/K420) (1992/K209) radioactive rays tapped from the Internet (Alex McLean) (2003/F13) metastructure (Kensuke Sembo, (2003/F14) (Roy Ascott) communication (FF) (2000/P74) (Raffael Lozano-Hemmer) (Toshio Iwai, Ryuichi Sakamoto) XML XHTML the AEC Center as prototype (the secret life of things) SOLAR-Projekt (Gudrun Bielz) and the local movement thresholds of control Yae Akaiwa) (2000/F44) Sensory Environments (2) Pixelspaces – DAMPF (2) (AH) process instead of being (1995/P15) Blogosphere (2003/K70) abstract computer realism (1999/J29) (1999/J428) of a new power location (2002/K411) (1998/K179) (1996/K424) of the viewers web magazine hyperlink destruction art and terminal amateur journalism cf. Stadtwerkstatt/Servus project : (1994/P56) (S. McSherry) Sensory Environments – (1969) ARPANET (1979) Usenet of digital culture Tool´s Life a protocol is a system for (AH) an aesthetic of the object (2002/P104) (M. Saup) (2003/F38) culture (Kristine Stiles) (1999/P177) URL HTML 1.x 1994 eco-installation measurement points Generali building as display and Immaterial Interfaces (1990/T) WWW developed at CERN (1996/J39) (Motoshi Chikamori, fire film aesthetics of digital maintaining organization and still dominates over an aesthetic existentialism (1991/K29) (1999/J124) collaborative weblogs (2002,2004) (Makrolab) (1998) light sculpture (2003/F14) (1989/90 Tim Berners-Lee) Kyoko Kunoh) (Manfred Laumer) grammars (2003/K127) control in networks of the sign ... parasites – transforming the visualization of the (primacy of acting) electroacoustic (1993/T) only a few WWW servers WWW Internet photovoltaics an unsettling thing destruction of (2000/P178) (A. Galloway, Eugene Thacker) motion or temp. difference energetic body work – in complete gestures of an interactive existential philosophy Radical Disruption of a Gyroscopic relational aesthetics infrared sensor collective weblogs (2004) (1994/T) already over 10,000 WWW servers (1999/P175) (Paul de Marinis) web sites on (2003/K62) into electrical energy (1986/K285) digital aesthetics (PW) robotic installation (1986/K297) Device with Heterodyne Mutation (2003/K142) subjectivism debate the role of the WWW (1994/T) first artistic works in WWW (DH) nylon threads in laser light darkness (John Duncan, Hacking (1991/K191) HTML basis (Frank Fietzek) (2001/P104) (PV) Following the telescope and the microscope, Francisco López) criteria: (spy camera, infrared (Krüppelschlag) (1991/K211) (1995/T) first literature on net.art (DH) (Paul DeMarinis) performative theories from for art projects (Kensuke Sembo, Hacking Millenium Park kinetic aesthetics of now we have video photography. It represents the sculpture formed with dynamite transfer protocols techno-aesthetics (AH) most useful sensors / (2001/F34/P108) (Just Merrit et al.) (TNC network) (1998/K107) (96/97/T) the most artistic works so far Yae Akaiwa) documented violence cultural studies light sculpture digital images (AH) Myron Krueger stresses that not Internet 2 (Piotr Kowalski) (1980/104) on the whole, the concept of Video:Violence third stage of illumination. (2003/K12) sensor reaction to visitors) (2000/T) sharp decrease in PRIX entries out of control (2) (2000/P46) (Kathy Rae Huffman) (C. Möller, (1996/P102) DigiCrime performativity discourse only does a new aesthetics emerge with (Harold Edgerton) stroboscopy Richard Kern Retrospektive (1995/P47) (Kenneth Rinaldo) (2) aesthetics is not very helpful video images as light images (O. Piene) TCP-IP, FTP, HTTP, (AH) developing the aesthetic accident – remote-controlled R. Kramm) on the dangers of the net the invention of systems, which first leads PRIX erstmals 1995: exhibitions: high-speed photography (political violence, personal violence) (modifications do not really add physical dramaturgy Welcome to the possibilities of a technology car jumps (Leo Schatzl) (1999/F24/P64) (Lynn Hershman) DNS (1994/P132) (Kevin McCurley) pyrotechnical installation based on the to a new aesthetic theory in its description, In an artificial ambient, the computer "Kunst-Licht-Kunst" (1966) (Popper) (Eindhoven) (1991/K261) (1982/K82) anything either) (DG) (1991/K215) Performance VRML multi-user sculpture (through bodies) Wired World (ars 1995) spirit of the industrial feeling but also a new art form outside the realm optical computer architecture becomes almost invisible ... It (AH) techno-aesthetics versus "Lumière et Mouvement" (1967) (Paris) Erotic Violence (1991/K278) (1998/II-K222) Reichian convulsive breathing running into the limitations RIP, NTP, NNTP, NFS (Erik Hobijn) (1991/K107) (1997 renamed: .NET) of traditional forms. (1997/K306) three-dimensional storage supports sensor technology and classical aesthetics (Andreas Broeckmann) Telnet automatized Datenautobahn exercise (John Duncan) of VRML VRML fire as the medium of possession ; (AH) Weibel shows that the means squashing teddy (R. R. Birge) artificial senses. (PW) (1998/P151) (Rooted in the sign?) 2001 Net vision (PRIX) netculture (1999/J438) violence in film (R. Kern) (1991/K281) light and sound sculpture explosions (1991/K277) (remote login) (promoted by Al Gore) the "Dante Organ" Symbiotic exchange of (1998/II-K257) for realizing depictions have basically (DG) We should leave the aesthetics concept (U. Winters, C. Ebner) (1997/K85) (1994/K07) investigation of experimental (1997/K303) (Christian Möller) (Roman Signer) 2001 Net excellence (PRIX) militarization of science and (1998/II-K263) hoarded energy (C. Ebener, been left out of aesthetic theory. in the realm of perception/aisthesis and turn, (Motoshi Chikamori) light and sound effects (2000/P58) RMF – rich VOIP Voice-over-IP How can we transform this communication nightmare (1998/P80) (1991/K81) and its culture of death (since the (1982) mailbox and (Critical Art Ensemble) self-sacrifice D.S.I. (1991/K108) F. Fietzek, U. Winters) ausgeklammert wurden for example, to performative and projected computer shadows (Y. Breuleux, A. Thibault) music format: use of raw gaming energy (Internet-telephony) (Internet) into a conventional, dead, controllable mass Welcome to the wired world (1995/K) Centerbeam (Gyorgy Kepes) late 80s) (PV) (1998) conference system Like power, resistance must (1999/K317/P72) Goldhamster atmospheric considerations. medium? (P. Mühlfriedel, G. (ML) "energetic" bodies acting through waves and combination of energy transference post-scientific extremism At the Center (MIT), light, The Aesthetics of Code (Adrian X) (1989/K145) withdraw from the streets. The main trick was to substitute information for Markeffsky, L. Schaumann) atmospheres are generated with the help of electronic computer sculptures with and transformation systems (1980/K98) Net Art / net.art technological adventuring environment, is the all(Ed Burton) (2003/F38) Cyberspace must first be realized communication. Crisis 2000: decrease media and the performatization of theater floating magnets net-meeting encompassing topic. (O. Piene) as a location and instrument of Internet meets TV of submissions from Wireless-LAN projects (2004) forms of brutism (PW) RealVideo (O. Beckmann) (1980/K122) Schmarotzer – Parasites lab people, who go to the most extreme (Masami Akita, Z. Karkowski) = (Mazk) (2002/K178) (2001/K192) resistance. (UR) The unkind and unfortunately inevitable discussion public display (Steve Mann) (1997/K223) 500 to 250 Digital Zapatismo (1998/K56) wireless experts (2001/K192) (Einstürzende Neubauten, drawing energy from the ethical boundary (PV) (1998) Extreme Computer-Electronica (1999/K382) e-hub of "digital kitsch" or "computer kitsch" still remains a Personal security devices: Laterna Magica Wilder Efeu (Stadtwerkstatt) (2000/P18) fight against the slavery of (R. Dominguez) (Kaucyila Brooke) Throbbing Gristle) body of their carriers (2001/F34) Network of Systems political satire reprehensible trivialization, if it does not see art as 2 radar units, video cameras, (L. Filatov, J. Eckl) Webcasting and (F. Xaver, Chris Mutter) (2000/K271) research at the service CUSeeMe mobile Internet gravity (Joe Davis) (1987/K12) (Frank Fietzek) Metadesign reunites art and NYC Gedankenbilder (Andy Deck) decribing planes of an diving into electronic dynamic, as action, potential, and method of connection. (A. Garton) foreigners and microphone, infrared system (1997/K308) digital broadcasting Grrrl e-zines Clickscape 98 (Stadtwerkstatt) (1998/K183) (2001/K201) (1982/K42) of the advertising and politics: it enables art to (Russet Lederman) (1998/P42) Feedback via global networks stateless persons (1997/K385) expanding hypersphere and a host of sensors pixel graphics on building, controllable light Project Teledesic – Internet art and war (2002/K284) film industry have a political impact. (1999/P82) IRC channel (1997/K388) girl culture (Ascott) (1989/K103) The Gods of Thunder (1987/K133) virus vending machine (1999/P84) formation of surreal net research (Glenn Branca) (1984/K207) feminist strategies of young sculpture (Lehner, Seidl, Ritter, Estl) for the whole world via satellite (Azza El-Hassan) polyethnical media and cultural Metadesigners work with (Rhys Chatham) (Franke) rational aesthetics (Eric Paulos) (2000/P48) etoy toywar growth structures, fluid motion, ... artists: Nine Budde, Snergurtuschka, ethics of business and chat environments diversity (2002/K278) (Tremetzberger, cultural context. Muntadas thus showed that the TV broadcasts that Global Conflicts – Local Networks IRC Einladung zur Beteiligung an girlie network cf. view of the field huge stockmarket losses Lina Hoshino, Cue P Doll, ...) (2001/K113) Baratsits) (Gene Youngblood) commercialized spiritual wellbeing, marketed (I. Ramonet, Lori Wallach, Joichi Ito, the advertising industry einem Netzkunstprojekt per Entropy Machine (Glenn Branca) (1984) (1989/J126) The "culture-meter" or the art chatroom (1986/K238) personal feelings and paved the way for holy Alex Galloway, D. de Kerckhove, FAX (1989/K106): EARN, DITNET, women's networks (M. Jacobsen) methods of feminist practice musical energy turning pillars of air of multicultural mixing GMUC Graphical war, originated in cozy private spaces. R. Wischenbart) (2002/F11) art as the scene of global I.P.Sharp (1995/P122) (net art: Kathy Rae Huffman, Cabaret Voltaire shows Net Criticism (1995) communication aesthetics into acoustic steamrollers countering the dominance (1993/K393) (W. Hilbert) cyberfeminism (1992) MultiUser Conversations The control of politics, religion and communication conflicts (Peter Fend) (2002/K319) Faith Wilding, Cornelia Sollfrank, technology violently ZK Proceedings 1995 of English on the Internet sociology (Bourdieu) (political strategy, (1997/K176) suck my code East/West dialogue is in the same hands. Unplugged (3) (Cabaret Voltaire) (1986) (1989/J133) Victoria Vesna, ...) (2001/K113) (1986/K07) (1999/J366) Internet-driven digital culture (2002/K145) (French funding) identity discourse artistic methods) collective memory (1998/P52) "Net Symposium" as (1996/K35) As a dynamic Internet archive, the "File Room" project (1989/J16) beginning 1988 & lifestyle (2001/K192) brutal confrontation (S. Meiselas, A. Cornyn, S. Johnson) communication form (1999/K38) performativity theories the seismic form (Sadie Plant, VNS Matrix) enables web access to information about the history Operated by Art Local Conflicts – Global Media (2001/K200) (1997/F46) (Marita Liulia) increased involvement media winds from Asia (Jean Baudrillard) (1996/K180) (Nova Delahunty) morphology and VNS-Matrix (cyberpostmodern views of censorship. (Danny Schechter, Jennifer Sibanda, Hanru Hou, Peter Fend, (Keigo Yamamoto) artists, teachers, designers, curators, Ambitious Bitch – western (1991/K07) of the Japanese syntax of the "slasher" feministische Gruppe) (1995/K172) (Antonio Muntadas) (1995/K285/P70) M. Napier, Azza El´Hassen, Winters Negbenebor, P, Quéau, (1994/K215) (1999/J286) net access for African journalists, performers, musicians, ... as feminism at the turn of the millennium user input/user participation new maps of hyperspace (Carbaret Voltaire) (1996/K35) T. Sherman) (2002/F10) D. der Kerckhove) (2002/F09) women (2002/K194) henchmen of the media industry (Iba Ndiaye Djiadji) (2002/K77) Tokyo scene as criterion for web applications (1986/K98) issues of the psyche increased involvement (1997/F06) (R. Sifuentes) ff-female takeover (B. Serexhe) artistic aggression (2001/K86) (1995/P40) D. de Kerckhove) Mind Machines (John Duncan) cultural Zensur (Terence McKenna) Who is unplugged? (2001/K111) and globalization of the French psycho-active research in service to (Tomohiro Okada) (Rudolf Kapllner) In Tokyo the broadcasts from the composting (1990/II-K277) (G. Stocker, Aminata Traoré, Saskia Sassen, Horizontal Radio: electroacoustics (1990/II-K323) the weapons industry pirate radio that he built and operated (Amy Alexander) the Internet stands as Women, art & technology Jeremy Rifkin) (2002/F08) (AH) from the dictate of subjectivity Die neuen Techno-Reinrassigen art against violence telematic radio network (Zelko Wiener) on the aesthetics of pleasant cyborg surrealism triggered tighter legal restrictions in the (1997/P82) "voice and memory" in the "virtual realities" of (Harwood, Mongrel) (1999/K326) to the separate world of apparatuses (Uri Dotan) (2002/K263) project (1995/K358) (1990/II-K339) Artistic Aggression the group VNS Matrix states (Ernst Graf) (1997/K63) media ether. opposition to censorship Authors on the topic: Zoe Sofia, Carol Stakenas, Martha Mischlinge in der Techno-Kultur Timothy Leary (LSD guru) rear-view mirror to reality (Weibel) Migration – higher level theme Mindmusic (Iba Ndiaye Djiadji, Oumou Sy, Jay Rutledge, uses low-end (1990/II-K336) (1991/K300) (1995/K173) Burkle Bonecchi, Simone Osthoff, Jashree K. Odin, Patricia (David Sheff) (1996/K326) (1990/II-K343) Cyperspace signalizes adventure, Davis O. Nejo, M. Neustetter, The Trinity Session, technologies for Arge Zimbabwe Bentson, Judy Malloy, Patric D. Prince, Margaret Morse, (1990/II-K239) Just Merrit's laboratory of the past imagination, new territory (1992/P07) Andreas Hirsch) (2002/F08) their work the socially compatible virtual reality practices for supporting Censoratorium There are the known horror scenarios Telematic Dreaming – Sheila Pinkel, Anna Couey, Kathy Brew, Christa Schneebauer, Homepage (1996/P114) as a machine against forgetting (1996/K188) network variation (Public Voice) in the dark (Station Rose) emotional interaction catalogue of trigger words Bio Art (1) of the electronic globetrotter, otaku or Barbara Becker (L), Faith Wilding (L), Melita Zajc (L), virtual contacts and touching (J. Domsich) (1997/K364) Wiring Africa (2002/F08) video, installation and (1995/K200) (R. Alton-Scheidl) (triggered by coded objects) (Rupert Huber) (Willem de Ridder) (Elisa Rose, Gary Danner) data dandy who holes up, lonely but in Donna Haraway, Verena Kuni (L), Nancy Buchanan, Ushi Reiter, (Paul Sermon) (M. Jensen, Michel Mavros, Birama cyberspace as name for psychological space (H. Ishii) (2001/K258) (1998/K236) Sherry Turkle, magician, performer (1989/K124) a teleorgiastic mood, in his media center, Mona Singer, Silke Bellanger, Dagmar Fink, Andrea zur Nieden, the recipient creates artists have always wanted (Graham Harwood) Diallo, K. Goddard, D. Muntanga, a psychotic space (1994/K158) Sadie Plant, (1990/II-K309,K311) research camp in Cairo which is connected to the rest of the Cornelia Sollfrank (1996), Helene von Oldenburg, Marina Grzinic, information (1995/K34) to create "monsters" (1998/K156) Lisa Goldman-Carney) Unplugged (2) (Peter Weibel) Donna Haraway, "Hollywood of the Arabic world" world via networks. At the same time, Eva Ursprung, Claudia Reiche, Adele Eisenstein, Sadie Plant, Affective Computing (2000) (Joe Davis) ethics in cyberspace (1990/II-K30) (M. Minsky) the future Art as Scene of Sandy Stone, (AH) limitation of the observer's selfthe environment does not interest him McDonald – collected criticism Marie-Luise Angerer (L), Karin Spaink, Birgit Richard (L), Monika Treut (L) (2003/K260) Internet contents computer ethics convergence of science, Global Conflicts database with models Zoe Sofouilis (2004) Digital Communities involves In der Vergangenheit hatten die recognition due to technology at all (Rötzer) (1994/K108) (1996/P98) (n.n.) art and psychology (1990/II-K97) of conflict avoidance (1996/K184) (A. Rosanne Stone) (in closed-circuit-Installationen) ... Mobile Feelings bridging the geographical, but also the meisten Sportarten mehr view of memory the 90s as the era Artists on the topic: Steina Vasulka, Joan Jonas, Dara Birnbaum (OK), (D.A. Plewe) (1999) hacker ethics (1999/J312) the compulsion to adapt to the laws of the (2003/K258) gendered "Digital Divide" Zuschauer als Mitspieler; jetzt of the brain Valy Export, Margarete Jahrmann, Sonya Rapoport, Lynn Hershman, see also: political view / historical view (AH) a net museum collects opinions Wiring Africa (1998/K17) interface können wir uns Spiele vorstellen, (1990/P08) (Sommerer, Mignonneau) Nancy Paterson, Pauline Oliveros, Rebecca Allen, Donna J. Cox, Agnes Hegedüs, and views, things and testimonials of (unplugged Symposion) Who is unplugged 1996 1.Cybercafé wo es mehr Mitspieler als Judith Barry, Jennifer Hall, Brenda Laurel, Monika Fleischmann, Char Davies, home as environment of life see also: (2002/F09) Afrikas (Oumou Sy) (AH) These works thus demand a new behavior (Symposion) Zuschauer gibt (R. Malina) Cecile Le Prado, Pamela Z, Nell Tenhaaf, Valerie Soe, Kathy Rae Huffman, Diane Fenster, Mobile feelings telephones: mini-bio-sensors Tonga social view (2002/K92) from the exhibition visitor, tearing him out of The Hiroshima Project (2002/F08) aesthetics as art theory (1995/P30) questioning Leslie Ross, Dawn Stoppiello, Christa Sommerer, Sabine Zimmermann, Marita Liulia Legend Artistic Aggression and controllers for measuing heartbeat (blood Online out of control (3) mere "contemplative observation". (Akke Wagenaar) ideas involving aesthetic discourse (unplugged Symposion) pressure and pulse), und Puls), skin The aim of the Electronic (2002/P60) 1987 art in the network (1995/K318) cyber and online view of normality Symposium "Cyberfeminismus" art theory / morphology (2002/F08) conductivity, persperation and smell Frontier Foundation is to a shirt's lonely journey rotating loudspeaker arm that (Kunsthalle Hamburg) XXERO – collaborative MOO-based (Michael Hoch, demonstrations (Harwood) friendship 1998 documenta X of the user (2003/K261) protect virtual theory of perception through hell: (J. Laederbach) interacts with visitors and can (image commentary by Local Conflicts – (2001/K18) Mathias Melchor, environment (2001/K313) globalization of (1996/P140) and love Ambitious Bitch communities from Unnatural bodies sublimeness debate get out of control (Stahl Stenslie) tel-emotion society by recipients on PC) Global Media Masahiro Miwa) (Ushi Reiter, Florence Ormezzo, Tamiko Thiel, campaigns (2000/K379) reacting to viewers fem networks (Marita Liulia) physical interference (Jim Whiting) (2001/P115) (2000/K213) aura debate (unplugged Symposion) "registering" and "depicting" the through sensors Marlena Corcoran, Valentina Djordjevic, The project "Survivors of the Shoah Visual (1997/P148) by government Global Conflicts – (1991/K73) (E. van der Heide, M. de Nijs) central role of the (2002/F09) repulsion theory (Akitsugu Maebayashi) Aileen Derieg) viewer (AH) (1989/K170) History" makes use of the authorities. Local Networks FACES mailinglist (women working observer (1992) perceiving other people in communication aesthetics technological breakthrough of (AH) For Shaw it is especially interesting that the non-active (John Perry Barlow) (unplugged Symposion) notes from the underground Deep Media (comprehensively electric ladyland in the field of media) (2001/K313) a darkened room through political from the technically "moving image" data storage: 10000 hours of bad girls versus viewer also has an opportunity to experience the art work as (1995/K132) (2002/F11) including the context of the (Melissa Gould) a VR heartbeat – (Valentina Djordjevic, Kathy Rae Huffman, the astronaut christ mood management Literature Sadie Plant: Cyberfeminism is nothing net projects to the "moving viewer" (AH) filmed memories can be digitally it is seen with the eyes of another, so that this manifestation user) (1991/K177) on concepts of proximity Diana McCarthy) other than the recognition that the days (2001/K236) (C. Mikunda) archived (1996/K236) (Hari Kunzru) attains the character of a performance. redemocraticization of the technodemocracy (1998/P90) gender issues user, player, participant, of patriarchy are counted (1996/K182) (1999/J168) (Sandy Internets (Yury Gitman) (1998/K129) (AH) The implied intentionality expressed in the (1998/II-K297) (in MOOs & MUDs) (1997/K100) (1999/J315) recipient, visitor, viewer, (2003/P28) Stone) catalyst for selfactive intervention completely suppresses the form cyberdemocracy reader, observer (AH) revealing the viewer to himself (Toshihiro Anzai, Tamio Kihara) globality (AH) discovery (AH) of disinterested viewing, it is even contrary to it. (Klotz) the future of democracy and the four intermedia persona performance emotional turn as a voyeur (Lynn Hershman) (1997/K259) ... you can paint basic principles of computer communication (Susanne Widl, Valie Export, Patricia Jünger) with it and "make" music at the guitar amplifier as (Dieter Daniels) special net art (1994/K206) (Howard Rheingold) Mißbrauchte Frauen (1988/K135) controlling facial discourses political and activist software: Code-Katzen same time emotional amplifier cf. atmospheric studies psychophysical interface hands-on interactivity (ML) With interactive self-perception instead muscles many-to-many medium cease-and-desist-ware, illicit SW, Betababies (1984/K250) advanced studies In order to be truly contemporary, artists must see Cyborg Manifesto (Werner Cee, Horst Prehn) of perception of the work ("Huge Harry" = voice synthesis installations, there are no (AH) new type of sensibility (1994/K207) software resistance, useful activist SW Cyberschlampen themselves as nodes in a technologically determined (Donna Haraway) method complexes (1993/P114) longer viewers, but only playing with Pain Station machine) (1997/K110/P134) radically decentralized (2003/K229) (1996/K182, K189) environment - and thus assume a highly political (1997/K46) actors. theory complex (V. Morawe, T. Reiff) people's desires qualifying use of emotion media activists emotional program Touch-Screen (MF) an experience of attention and responsibility. (Stocker) (1996/J53) (Goodeve) (2002/F047/P102) (L. Larcher, Rich.Art) (1993/K227) art&politics research directions (1989/K235) interaction oriented to the human being get in touch (Resitor Sensor) PEU = pain execution virtual emotions (R. Adrian X, R. Braun, discipline (Lynn Hershman) (mixed reality architecture) (1996/K418) (Thecla Schiphorst) unit (S. Schemat) (1993/K230) R. Woelfl) (1996/K248) CODE = LAW (symposium contributions) affectiveCinema (Jan Torpus, Michel Durieux) Führer Museum (transmediale) control through bio-feedback (2003/F06) (Cindy A. Cohn, J. Grimmelmann) proximity and manipulation (AH) stolen art identity and artificiality via GSR sensor (Galvanic Skin Response) interface design (AH) With the development of the (2003/K26) Black Culture theory political discourse (1979/Knnn) illusion of an emotional encounter participation (1989/K75) e-government microprocessor, in particular, we have cultural criticism repoliticization discourse (Machiko Kusahara) (1997/K219) (Catherine Ikam) (2000/K401) cyberlaw (2001/K244) (R. Lozano-Hemmer) (AH) putting the viewer into the regulation and GSR opened up vast physical, sensory, motion-capture cannot convey feminist studies / feminist theory postcolonialist discourse role of collaborator cybercrime emotional, mental and conceptional see also: (2001/K192, K212) emotions Humphrey (AEC) gender studies exoticism discourse teleparticipation touching and transforming possibilities. participation and historical view Open-Law combination of VR and force-feedback (1995/K178) anthropologie of gender race discourse Cyberrechte a face (Jim Campbell) interaction (AH) view of rhetoric technologies (2003/K433) agression, flesh, lust, craziness, no interface (2000/F35) cultural history studies regionalism debate BUMP – telematic installation mechatronic set-up view of action (2004) "Digital Communities" blood frenzy and fantasy apparatuses at all Linz – Budapest !!(1999/K421) (2001/P87) postmodern views minorities debate (AH) based on the phenomena of (Les Levine) (flying over Linz) (H. Ranzenbacher) the new category acknowledges the political (Linda Dement) (1994/P46) (2001/K246) tactile interface – pressure generate postcolonial theory stimulation, exchange and playing, Eurocentrism debate participative projects (Stadtwerkstatt) potential of digital and networked systems (R. Lozano-Hemmer) counter-pressure (physical interface) How can feeling be programmed the concept of art achieves a new media law critical discourse force-feedback mouse force-feedback word-of-mouth meaning in music? (Klaus Netzle) cyberlaw (resistance increases with media law force-feedback device technologies (1980/K72) force-feedback device Prize-Winners Net Categories every selection) with elastic screen the view of things compulsory guidance system for re-introduction of 1995: Robin Hanson, Konrad Becker, Pattie Maes & Max Metral, Station Rose, Antonio Muntadas, (Orit Kruglanski) (2000/F33) (Hiroo Iwata) (Slavoj Zizek) recipients gravity Digital Instinct talking to a neuro baby Ed Stastny, Stephanie Cunningham, Andrew Anker, Scott B. Gregory, Charles Henrich, Klaus J. Rusch, (1999/K351) 1979 (1992/K113) (Automatic Radio) (Douglas Edric Stanley) (electrolobby Panel) (emotional reactions) see above: therapeutic view psychical view Bonnie Mitchell, David Chaum, Catherine de Courten, Christoph J. Mutter (1993/K245) (R.A.M.S. attack) 1989 (2000/P100) (2001/F16) (Naoko Tosa) (1993/K353) haptic force-feedback 1996: etoy, Ed Stastny, Manuel Schilcher, Trevor Blackwell, Mark Pesce, Masaki Fujihata, Mc Spotlight, 1996 (intentional lies) joysticks (Rebecca Allen) Ron Newman, Kevin McCurley, Andruid Kerne, Joey Anuff, Maria Winslow, Lisa Hutton, Stuart Moulthrop, (2000/F33) see also: object view (1999/K357) Timothy Leary unarticulated communication similarity and manifesto of tactilism 1997: Project Taos, Gordon Selley & Rycharde Hawkes & Jane Prophet, Rolf Schmidt, Amy Alexander, bodies don't lie touch Global String media theory emotional turn (2000/P102) Bruce Damer, Ryoichiro Debuchi, Hermann-Josef Hack, Omar Khan, Zervos Komninos-Kostant, Steve (Atau Tanaka, K. Toeplitz) (literature studies) existentialism (primacy of action) see also: view Mann, Joan Heemskerk & Dirk Paesmans, Markus Schulthess, Alexei Shulgin, Mark von Rahden (2002/F045/P108) media discourse of the atmosphere psychoanalysis / repulsion theory psychological space 1998: knowbotic research, E-LAB, Kazuhiko Hachiya, Bruce Damer, Andy Deck, Paul Garrin & Andreas media studies Lacanism discourse (Kathy Rae Huffman) Troeger, Matthew Fuller & Collin Green & Simon Pope, Koji Ito, Thomax Kaulmann, Susan Meiselas &

art art art art

as as as as

techno-science research method discourse

navigation experiences (1995/K171)

1995

ars: knowledge society

visual effects

ars: semantic web & collective intelligence

discourse view

knowledge management

art as content

16 impact/effect view

perception view

1996

art as life energy art as challenge art as image

analytical view

1995

16 epistemological view AI view

World Wide Web Sites

1990

art as presence art as shock

view of literature

15 content view view of meaning

art as edification art as breaking taboos

ars on digital typography

ars: MAPPING in the age of digital media

2002

Literature: Die Wissenschaft vom Künstlichen / H. A. Simon Erkenntnis Maschinen Verstehen / Terry Winograd Fernando Flores Encyclopedia of artificial intelligence / C. Shapiro Künstliche Intelligenz – Repräsentation von Wissen und natürlichsprachlichen Systemen Kognitive Psychologie – Eine Einführung / J. R. Anderson Kognitionswissenschaft – Kognitionstechnik / Francisco J. Varela KI – Überblick und Grundlagen / K. Böhling u.a. Künstliche Intelligenz / Patrick Henry Winston KI – von den Grenzen der Denkmaschine und dem Wert der Intuition / H.L. & S.E. Dreyfus Probleme der KI / Oswald Wiener Expertensysteme – Nicht nur für Informatiker Peter Schnupp, Ute Leibraandt Expertensystem-Praktikum / P. Schnupp, C.T. Nguyen Huu Problemlösungsmethoden in Expertensystemen / Frank Puppe Mentopolis / Marvin Minsky Mind Children / Hans Moravec Assoziation / Gerhard Strube 5th generation computer systems / T.Moto-oka Gödel, Escher, Bach / Douglas R. Hofstadter Metamagicum / Douglas R. Hofstadter Einsicht ins Ich / Douglas R. Hofstadter Dynamische semantische Netze / Stephan Mehl Hypermediabasiertes Knowledge Engineering für verteilte wissensbasierte Systeme / Frank Maurer Endophysik – Die Welt des inneren Beobachters Otto E. Rösler Making Art of Databases / V2_Publishing

Literature: LEONARDO (journal) Computer Graphics and Art (journal) Art @ Science / Christa Sommerer & Laurent Mignonneau (Ed.) information arts – intersections of art, science, and technology / Stephen Wilson Jenseits von Kunst / Peter Weibel Diskurs der Systeme (zB.) / Feuerstein et al. Kunst, Wissenschaft, Kommunikation / Richard Kriesche (Ed.) Kunst und Wissenschaft / 1986! Kunstf. Bd. 85 Dialog und Infiltration – Wissenschaftliche Strategien in der Kunst / Kunstforum Bd.144 Forschungen / Udo Wid

researcher view

ars: digital identities

view of the personality

art as apparition

1979-80

art as school of life art as framework of communication

actor view

15 typographical view

14 artist view

view of text design

authors view

view of graphical design diagrammatic view II cartographical view

art as transmission

view of hybridity (II) 13 identity view

visual effects

net excellence

Literature: Philosophien der neuen Technologien / Merve Im Netz der Systeme / Merve Geist, Hirn und Wissenschaft / John R. Searle The Renaissance Computer – Knowledge technology in the first age of print Ed. by Neil Rhodes, Jonathan Sawday Ins Universum der technischen Bilder / Vilém Flusser Medienphilosophie – Beiträge zur Klärung eines Begriffs / Ed. Münker, Roesler, Sandbothe Kunst als Medientheorie / Hans Ulrich Reck Objekte / Ranulph Glanville Medien-Welten Wirklichkeiten / Ed. Gianni Vattimo, Wolfgang Welsch Unter Verdacht – Eine Phänomenologie der Medien / Boris Groys Texte zur Medientheorie / Reclam / Ed. Günter Helmes, Werner Köster Kursbuch Medienkultur – Die maßgeblichen Theorien von Brecht bis Baudrillard Cyber_Reader – Critical writings for the digital era / Ed. by Neil Spiller Medien der Vernunft / Matthias Vogel Kunst und Medium / Dieter Mersch (DM) Telematic Embrace / Roy Ascott Am Nerv der Zeit / G. Johann Lischka (CD)

Literature: Mapping – in the age of digital media The Yale Symposion / Ed. by M. Silver et al. Mapping – An illustrated guide to graphic navigational systems / R. Fawcett-Tang Information Visualization – Perception for Design Colin Ware – University of New Hampshire Readings in Information Visualzation – Using vision to think / Ed. by Stuart K. Card et al. Digital Information Graphics / Matt Woolman Bits and spaces / Ed. by Maia Engeli Mapping cyberspace / M. Dodge & R. Kitchin Visual Explanations / Edward R. Tufte Envisioning Information / Edward R. Tufte The Visual Display of Quantitative Information / Edward R. Tufte Semiologie graphique / Jacques Bertin Exploring the Invisible – art, science and the spiritual / Lynn Gamwell Picturing Science Producing Art / Caroline A. Jones & Peter Galison Maeda & Media / John Maeda Dimensional Typography / J. Abbott Miller Information Graphics – Innovative Lösungen im Bereich Informationsdesign / P. Wildbur u.a. Technologische Bilder – Aspekte visueller Argumentation / Martin Scholz sonic graphics – seeing sound / Matt Woolman The Society of Text – Hypertext, Hypermedia, and the Social Construction of Information / Edward Barrett The Alphabet and the Brain / D. de Kerckhove ... Prose Comprehension Beyond the Word / Arthur C. Graesser Collective Intelligence – mankind´s emerging world in cyberspace / Pierre Lévy Transformationen der Techno-Ästhetik (article in: Digitaler Schein) / P. Weibel

color view

net vision

12 aesthetic view

14 existential view

visual view / light view I

view of the apparitional

1991

1995 World Wide Web Sites

view of sensor technology

Literature: Technologische Kultur – Eine Studie über die künstlerische Auseinandersetzung mit neuen Technologien / Hochgerner, Molnar, Pilz et al. Ästhetik des Erscheines / Martin Seel Was sich zeigt – Materialität, Präsenz, Ereignis / Dieter Mersch Sphären der Kunst / Richard Kriesche

11 light view II

1989

view of networks (II)

energetic view

2002

10 Internet view

13 intensity view

view of dramatization

09

ars: cyberfeminism

achievement view

view of destruction

2002

view of concern

1991

12 ethical view

nn view

monument view / memorial view

intercultural view

view of worldviews legal view

political view

11 feminist view

psychoanalytical view / psychophysical view observer view

09 emotional view

media anthropology communication theory information theory net discourse / cyber-discourse simulation discourse nomadology discourse

Literature: Vom Tafelbild zum globalen Datenraum / Ed. Peter Weibel Log.buch – Materialien zu log.in – netz | kunst | werke / Matthias Klos, Mathias Neidhart WebFictions – Zerstreute Anwesenheiten in elektronischen Netzen / M. Faßler, Z. Wiener ... net.art – Materialien zur Netzkunst / Tilman Baumgärtel net.art 2.0 – Neue Materialien zur Netzkunst / Tilman Baumgärtel net_condition – art and global media / Ed. Peter Weibel, Timothy Druckrey net_condition Kunst/Politik im Online-Universum Peter Weibel (Steir. Herbst)

Literature (2): Medien – Systeme – Netze; Elemente einer Theorie der Cyber-Netzwerke / Stefan Weber on line – Kunst im Netz / Projekt: G. Stocker 93 Intertwinedness – reflecting the structure of the net – Überlegungen zur Netzkultur / Margarete Jahrmann, Christa Schneebauer Net Criticism - ZK Proceedings 1995 Total digital – Die Welt zwischen 0 und 1 – oder Die Zukunft der Kommunikation / Negroponte Telepolis – Die Zeitschrift für Netzkultur Lob der Oberflächlichkeit – Für eine Phänomenologie der Medien / Vilém Flusser Netzwerke / Manfred Faßler

10 recipient view view of the mood Literature: Der bewegte Betrachter – Theorien der interaktiven Medienkunst / Annette Hünnekens Die Individualität der Medien – Eine Geschichte der Wissenschaften vom Menschen / Stefan Rieger Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum / Jörg. R. J. Schirra Im Netz der Systeme / Merve Information und Kommunikation in Geschichte und Gegenwart / Margarete Rehm Kursbuch Neue Medien – Trends in Wirtschaft Politik, Wissenschaft und Kultur / S. Bollmann Die Wüste Internet / Clifford Stoll Kursbuch Internet – Anschlüsse an Wirtschaft u. Politik, Wissenschaft und Kultur / Bollmann Internet Lesebuch / Ed. Marion Fugléwic

queer theory gender studies psychological theories of performance psychology / psychology of action

Literature (2): Elektronische Nächte – Die Welt der Mailboxen und Computernetze / Dieter Grönling 24 Stunden im 21. Jahrhundert - Onlinesein Zu Besuch in der Neuesten Welt / Peter Glaser Der Flusser-Reader zu Kommunikation, Medien und Design Kommunikologie / Vilém Flusser Kunst als Sendung – Von der Telegrafie zum Internet / Dieter Daniels Digitales Österreich – Informationhighway: Initiativen, Projekte, Entwicklungen 1995 / P. A. Bruck, Andrea Mulrenin (cf. ars 1995) Österreich Online ´96 (cf. ars 1995) Klare Sicht am Info-Highway – Geschäfte via Internet & Co. / H. R. Hansen

Literature: Ulrike Rosenbach / Videkunst, Foto, Aktion / Performance, feministische Kunst CODE – und andere Gesetze des Cyberspace / Lawrence Lessig Women, Art, and Technology / Ed. Judy Malloy The spezialization of technology: from elsewhere to cyberfeminism and back – institutional modes of the cyberworld / Ed. Marina Crzinic, Adele Eisenstein Data Body Sex Machine - Technoscience und Sciencefiction aus feministischer Sicht / Ed. Karin Giselbrecht, Michaela Hafner Feminismus und Medien / Ed. G. J. Lischka Vectorial Elevation – Relational Architecture No.4 Rafael Lozano-Hemmer Zeitschrift für Kulturaustausch 1995/4 / Neue Medien und internationale Kulturbeziehungen

Literature: (2) Politische Theorien des Cyberspace (article) / Horst Bredekamp (in: Kritik des Sehens) Techno-Kolonialismus / Oliver Marchart Mehr Licht / Paul Virilio, F. Kittler, et al.

Literature: Design goes virtual – Entwürfe zur Ästhetik in der Informationsgesellschaft / Peter Zec Digitaler Schein – Ästhetik der elektronischen Medien / Ed. Florian Rötzer Ästhetik des Immateriellen ? Zum Verhältnis von Kunst und Neuen Technologien – Teil I / Kunstforum Bd. 97 – 1988 Florian Rötzer Ästhetik des Immateriellen ? Das Verhältnis von Kunst und Neuen Technologien – Teil II / Kunstforum Bd. 98 – 1989 Florian Rötzer Das neue Bild der Welt – Wissenschaft und Ästhetik – Chaos-, Gehirn-, Systemforschung, Robotik, KI, VR – 1993 / Kunstforum Bd. 124 Kybernetische Ästhetik – Phänomen Kunst / H.W. Franke

Literature: (2) Ästhetische Information und Kunst / Herbert W. Franke Aesthetica – Einführung in die neue Aesthetik / Max Bense Die Unwahrscheinlichkeit des Ästhetischen und die semiotische Konzeption der Kunst / Max Bense Handbook of Visual Analysis / Carey Jewitt, Theo van Leeuwen Der entfesselte Blick - symposium workshop exhibition / Ed. Gerhard Johann Lischka Bilder in Bewegung – Traditionen digitaler Ästhetik / Ed. Kai-Uwe Hemken Mehr Licht / Ed. VVS Saarbrücken

Literature: Perform or Else – From Discipline to Performance Jon McKenzie Destruktionskunst / Justin Hoffmann Choreografie der Gewalt / Kunstforum Bd. 153

Alison Cornyn & Sue Johnson, Lothar Bongartz & Burak Kozan, James Stevens, Andreas Trottmann, Wendy Vissar, Michael G. Wagner & Shane Carroll 1999: Linus Torvalds (Linux), Jean-Marc Philippe, Willy Henshall & Matt Moller, David P. Anderson, Joanna Berzowska, CAAD ETH-Zürich, Help B92 Coalition, Eric Loyer, Daniel J. Lundgren, Fumio Matsumoto & Shoei Matsukawa, Mark Napier, Nick Philip, Ramana Rao, Crista Sommerer & Laurent Mignonneau, Martin Wattenberg & Joon Yu 2000: Neal Stephenson, Sharon Denning, Telezone-Team, Ichiro Aikawa, Natalie Bookchin, Tom Corby & Gavin Bailey, Kensuke Sembo & Yae Akaiwa, Reinhold Grether, Jie Geng, Ursula Hentschläger & Zelko Wiener, Stefan Huber & Ralph Ammer & Birte Steffan, Patrick Lichty, Peter Mühlfriedel & Gundula Markeffsky & Leonard Schaumann, Kazushi Mukaiyama 2001 net vision: Team cHmAn, Neeraj Jhanji, Yuji Naka, Gino Esposto & Michael Burkhardt & Paco Manzanares, Ranjit Bhatnagar, Frank Lantz, Peter Lee, Eric Zimmerman, 2001 net excellence: Joshua Davis, Chris McGrail & Dorian Moore & Dan Sayers, Brian McGrath & Mark Watkins, Alison Cornyn & Sue Johnson, Laurence Desarzens & Raoul Cannemeijer, Bradley Grosh, Philip Kaplan, Netbaby World, Barbara Neumayr, Frederick Noronha & Paratha Pratim Sarkar, Toke Nygaard & Michael Schmidt & Per Jorgen Jorgensen, Tarun Tejpal, Mark Tribe & Alex Galloway, ultrashock.com, Voltaire, walker art center, Steve Whitehouse 2002: Radical Software Group – rhizome.org, Michael Aschauer & Josef Deinhofer & Maia Gusberti & Nik Thönen, Sven Halling & Ivar Gaitan & Johan Rahm, Jonathan Gay, Alexandra Jugovic & Florian Schmitt, Harper Reed, Josh On, Alexandra Jugovic & Florian Schmitt, schoenerwissen – Anne Pascual & Marcus Hauer, Sabine Bitter & Thomas Schneider & Helmut Weber, Kenneth Tin-Kin Hung, Francis Lam, Elan Lee 2003: Yuri Gitman & Carlos J. Gomez de Llarena, Sulake Labs Oy, David Crawford, Golan Levin, Lia, James Tindall, Antoni Abad, Christophe Bruno, Amit Pitaru & James Paterson, Agathe Jacquillat & Tomi Vollauschek, Jared Tarbell & Lola Brine, Axel Heide & Philip Pocock & Gregor Stehle, Han Hoogerbrugge, LAN, Michael Breidenbrücker & Felix Miller & Martin Stiksel, Frederic Durieu & Kristine Maiden & JeanJacques Birgs, E. Maria Haas & Luzius A. Bernhard, Shinya Yamamoto, sourgeforge

These views are intended to demarcate content/analytical perspectives and delineate zones of content. Placement within these zones follows the principle: spatial proximity = proximity of content. The outer ring is generally more abstract than the inner area. These could also be called achaeological fields in Foucault's sense.

The literature cited is available in Linz (from the authors of the study). Ars Electronica catalogues are only listed here, where special thematic issues are concerned. Literature that is not directly available is marked separately. The archaeology follows the axis: discursive practice => knowledge => science. Relevant discourse, research directions (knowledge fields) and method complexes are listed here in this sense. Discipline: as set of methods (of a scholarly discipline) This categorization approach is especially suitable for Ars topics, because different fields of science (and of knowlege) are used systematically. Source information: time period, source, page Sources: K = catalogue, P = Prix catalogue, F = program folder, J = anniversary issues T = timeline/milestones (context of the Ars) The catalogue from 1979 was only available in the Internet version. The page numbers therefore refer to the PDF version. Artists, who are quoted but may not have taken part in the Ars Note: theoreticians are not highlighted in color (L): spoke in Linz Artists, groups, persons who took part in the respective Ars Electronica Artists' first names are written out. Main Phases in Time 1979 – 1988 Initiation/definition phase (Leopoldseder, Franke, Bognermayr, et al 1982 Stadlmayr, Leopoldseder / 1984 Hattinger, Schöpf 1986-88 Hattinger with Weibel as consultent or co-program organizer 1986 with Patsch 1987 build-up of the PRIX (to most important international prize) Leopoldseder calls 1986-89 the phase of re-conception 1989 – 1995 Intensification phase / more scholarly orientation (Weibel) / turn after 10 yrs. Ars Electronica / "art blessing" (Kunstforum) 1989-91 with Hattinger, 1989 catalogue Kunstforum with Lischka 1992-95 with Gsöllpointner, Schöpf / 1992 with Vasicek 1996 – 2004 Consolidation phase / Completion (Stocker, Schöpf) no experiments with curatorial personnel Specialist curators: see the relevant catalogues The color coding in each sector makes it immediately visible who formulated or explored which emphases Within the possibilities of the cluster representation, this study addresses views/issues of art history studies with the indication of time periods.

direction

field / approach

Canonized art directions (trends, movements) Vergleiche auch: Performance-Richtungen Field of design, technical approach (e.g. VR, immersive media, ...) The technical view was purposely not depicted as a separate sector. Title proposals for future Ars Electronica events

ars : ....

1968 The machine as seen at the end of the mechanical age – the horrors of technification (NY) (Pontus Hulten) (AH) from the object-oriented "context-based art" 1965: M. Noll & intelligent environments that synthetic scenography 1968 Some more Beginnings – Experiments in Art and Technology (NY) (Gruppe E.A.T.) to the context-oriented phase returns in the 90s in B. Julesz organize can act autonomously (PW) 1969 Cybernetic Serendipity – The computer and the arts (ICA London) (Jasia Reichardt) (08.1968 ?) (see: context study) net alternatives the first US (1994/K07) (AH) ... especially in computer-controlled works, (AH) from text to context (John Whitney, Keneth C. Knowlton, A. Michael Noll, Nam June Paik, James Seawright, E. Ihnatowicz, C. Csuri) exhibition of comp. (1995/K62) context-controlled 1970 Software, Information, Technology. It´s New Meaning for Art (NY) (Jack Burnham) // 1970 Kunstverein München graphics (Howard attention is shifted to an "aesthetics of the context-aware theories Cloud of Sound looking at the context of other posts 1970 Interactive Sound and Visual Systems (College of Atrs, Columbus, Ohio) (Charles Csuri) event world (AH) atmosphere", a world of perception, in which the analog /vs/ digital Wise Gallery) contextualism discourse in the Danube area (AH) Von Autonomie zu Die Ästhetik des Internet – generated in a defined grid 1979 ars electronica (Linz) cast media: viewer is mentally and physically immersed the Ars Electronica in the theories of meta-communication Kontext als Medium atmospheres Kovarianz environment-encompassing art works and Doors of Percption (Ed Stastny) (1996/P86) lab atmosphere 1983 Electra - Electricity and Electronics in the Art of 20th Century (exhibition Paris) (Frank Popper) radio as invisible sculpture analog: atmospheric, field-oriented (Lischka, Weibel) (1997/P16) (Joichi Ito) (2003/P50) context of other aesthetic discourse conference in Amsterdam (1997/K153) interactive art events (1989/K166) atmosphere/aura of (Tom de Witt, Sonja Sheridan, Nelson Max, Roy Ascott) (1989/K290) (Hank Bull) mood management (see below) digital: discrete, coded, diagrammatic Ambient (James Tindall) dense, charged media projects (AH): body theory / body philosophy (Stephen Wilson) 1984 Kunst und Technik (exhibition Bonn) media art works machine-human (Lucie Schauer) the hallucinatory space (Maelstrom South Pole) atmosphere a space in which media phenomenology of perception sunlight, artificial light & robots 1985 Les Immatériaux (Ausstellung Paris) (J.F. Lyotard) (innovative major exhibition on virtuality, bachelor machines (Szeemann) (was announced as machine exhibition) atmospheric arrangements The idea of Ars Electronica immersion in color (1988/K104) of electronics (P. Weibel) (HK) On ZKM (Zentrum für Kunst und and moods are constantly virtual immersion with its aura of new technologies and the revolution of electronic communication) to control reflections machine age (Pontus Hulten) TV set projection / multi user is based on a more generally light shafts, ocean of light, (1989/J23) sound atmosphere Medientechnologie): it is important for me to stress changing (2001/K78) quiet (2002/K297) (P. Quéau) 1986 42nd Biennale Venedig (Paul K. Hoenich) (1980/K115) environment (CH Expo 2002) conceived concept of the color spaces (Wonder, (Jim Denley, Rick Rue) that the traditional arts are also included, because (Sponge/FoAM) (DM) With all the success attributed to technical media - the 1986 Les Machines sentimentales (Villeneuve-les-Avignon) (MEGO, Involving System) Viennese Künstlerhaus: the friction surfaces of the future will be in allowing atmospheric projections atmosphere of a steel factory H. Goebbels, Müller) simulative force of digitalization, the invention of virtual, (1989/K318) 1987 Imaginaire et Technologies (Bagneux) electronic atmospheres fluid environment An exhibition entitled the old art genres to collide with the new. (Fadi Dorninger) (2000/K311) completely unknown, even unimaginable spaces, the 1987 Les Mécaniciens de l´Imaginaire (La Villette) flowing changing images on electronic art "Ars ex Machina" was intended complete immersion immersive installations atmospheric atmospheric One cannot focus only on new technologies and (AH) we need permeable (1998/K276) Ridin´a train speed of implementation and processing, allowing 1987 Kunst im Netzwerk (Kunsthalle Hamburg) (image commentaries by recipients on PC) What can media contribute to arranging water walls (Andrea Zapp, Paul Sermon) to illuminate the special situation (1989/P90) sounds as atmospheric approach media aesthetics, because the old genres change dissipative codes "wallpapers" (1999/K387) (Radian) extraordinary journeys to the unreal - it is always also 1989 Maschinen-Menschen (Kunsthalle Berlin / Peter Funken & Lucie Schauer) the atmosphere of places? (2000/F36/P106) vibrating aura arising from the use of electronically 1989 Wonderland of Science Art – Invitation to Interactive Art (Japan) (Itsuo Sakane) in the course of confrontation too. die alten important to keep in mind their barriers, their boundaries. image and sound terrarium glowing atmosphere (AH) The essence of electronic art (Weibel): Liquid Cities (immersing, ambient display (H. Ishii) controllable machines in the Gattungen verändern. (AH) Huhtamo: new way of dealing Even more: it is the boundaries that first make it possible Music Creatures 1993 Machine Culture – exhibition of interactive media art (Anaheim) (Stadtwerkstatt) ... it propels the development of electronic art from the floating, ...) (Michel Redolfi) (2001/K255) (T. Shannon, J. Hassell) creative field. (The exhibition never 1999 Puppen Körper Automaten – Phantasmen der Moderne Messa di Voce (Tmema) – thinking about with images (VR and cyberspace to probe the specific potencies and achievements of media. (Marc Downie) (1984/K385) object-oriented to the context- and viewer-oriented phase, (1996/K310) (1988/K113) took place.) (1996/J56) (Franke) the meaning and impact of verbal practices): dive in, submerge, travel... (2003/K402) (Düsseldorf / Katharina Sykora, Pia Müller-Tamm) becoming a "motor of the transformation from modernism to media terrarium conjoined realities SETI 100,000s of computers (HK) I do not focus on media aural architecture Liquid Meditation sounds/acts and the immersive (HK) The old arts will never become sound atmosphere (cf. atmospheres study (DG)) postmodernism, in other words the transition from closed to Public space immersion (M. Naimark) (Hiroo Iwata)(1996/P142) in search of technology in the sense of a (Maryanne Amacher) as habitat "diving in" atmosphere of our language anachronistic, but instead we simply from decision-defined and complete systems to open systems, (ML) immersion can lead to a extraterrestrial intelligence replacement of what was art compare with (1997/K310) (1997/K328) CAVE (Golan Lewin, Zachary Lieberman) have a broader spectrum of media hybridity of media, arts and networks (AH) Weibel names a total of 21 features or criteria indefinite and incomplete systems, from the world of the lack of differentiation between (1999/P32)(David P. Anderson) yesterday Roy Ascott's (Margaret H. Watson) tele-immersion (2003/K320) transmissions. that are characteristic for this new art, whereby interactivity necessity to a world of viewer-controlled variables, from the human and machine (ML) Immersion, as diving in (AH) It is better to speak of an "art of "Apparitional Aesthetics" Software as hidden force (1997/K168) virtual mental space appears to be a reflection on new properties of media, such mono-perspective to multiple perspectives, from the monopoly hybrid computers completely into digital worlds hybridation", which is not to be confused with (HK) The history of art over the past 180 years (Hiroo Iwata) (1997/K263) in the background (2003/K139) (M. Fleischmann, W. Strauss) as simultaneity, ubiquity, globality, mapping, freely scalable, to pluralism, from hegemony to plurality, from text to context, VR work (yet the interface must not be marked "collage", "mixture" or "Patchwork" immersive media immersives spatial display – has proven, in any case, that the spectrum of media cf. code interest in image studies infinity, immateriality, semioticization, acceleration, from locality to non-locality, from proximity to telematics, from absence and transparency (Maria Roussos, Hisham Bizri) immersive interaction (2002) as the boundary between human complete all-around perspective has been expanded without any medium becoming temporalization, dislocation and the suspension of identity to difference, from totality to particularity, from objectivity (1998/K222) (M. Kusch) (1994/II-K78) and machine) how art is always looked for in conceptual weaknesses obsolete. identity and the body. to viewer-relativity, from autonomy to co-variance, from the Masaki Fujihata (1996/P120) VRML and JAVA (MARS development) auto-navigation system with AR (AEC) the wrong place (2001/K34) Media art will never be limited to the artistic use of technical dictate of subjectivity to the separate world of the apparatuses." immersive media Immersion (eintauchen, einbetten) hybrid spaces (1997/K199) (CAM perspecive overlaid with route) (Joline Blais, Jon Ippolito) Charlotte (Char) Davies (1995) media. It is always also aesthetic investigation, critical analysis and (1992/K11) net art as concept art social critique of our world view indexed by science and superimposed 2-player games (2002/P96) VR work osmosis (Bettina Lockemann 2004) (2002/P16) With its results, the Prix once again concept art (Weibel) The festival was not up-to-date and Der Versuch die Leiblichkeit GMD Digital Media Lab / ETH Zürich technology (Stocker) (2003/K13) (Ryota Kuwabuko) immersive installation demonstrates the complete emancipation of cyberart (art field) outside the art system. zurück zu erobern new kind of virtual art 360-degree dome (K. Sims) from traditional art. Elaborated independent (1999/J71) augmented reality: AR facilities (1979/K03) conceptual-systemic art (1) (AH) concepts ... (C. Schöpf) CODE-Kritik Collective Creativity picking up, reinforcing and even self-organization of data fusioned media design groups (CODE symposium) setting trends (1999/J73) (knowbotik research) (1993/K249) virtuality immersive architecture interlocking two realities representations (MESO, Involving Systems) (2003/F11) simulation space "mosaic of mobile data Software & Art I / II (CODE symposium) (1999/J94) robot ecosystem (Adrian David Cheok (2002/F12), issues of sounds" Take-over as theme (2001) Agnes Hegedüs VR art (?) (L.-P. Demers, (2003/F12/F13) Magic Book (Kato) take over Prof. Hirokazu Kato, --(1998/II-K306) collaborative research lab media art as interdisciplinarity playing real scenes walk-in database (see right) Jeffrey Shaw (how does the system of "fine B. Vorn) (1996/P126) virtual art (1997/K262) posthuman Bruce Thomas, view of manifestos for art and science software concept into a virtual environment Cyberspace Manifesto (2003/K226) Michael Naimark life forms art" react ...) Christopher Lindinger) (Oron Catts, Stuart Bunt) (2001/K136) (2001/K20) (AH) Paul Sermon (student of Ascott) Chico MacMurtrie & Rick Sayre research focus (Alvin Toffeler) conceptual software virtuality in software (S. Stenslie, mixed-reality applications (2003/K328) center for artistic investigations (1991/P127) "tumbling man" But no art term yet? explored the intimacy of virtual Knut Mork, (AH) Weibel characterized this The Hidden World of Noise and (DM) No medium is capable of re-forming performances transferred to avatars see also: loudspeaker arm as tactile experiences (1993/P126) the evolution of functional robots+avatars K.A. Oygard) (AH) from the dictate of form of art as so-called telepresence and co-presence Voice (2002/K408) (Futurelab, or translating another without loss or absense as pursuer (2001/F34/P114) simulation view robo-ecologies (Mark W. Tilden) ! (1999/P76) subjectivity to the separate world Lack of a further development "post-ontological art", as an art (1997/K199) G. Levin, Z. Lieberman, C. coercion ... virtuality (Edwin van der Heide) trademark of the festival: (1993/K195) (K-Team) of apparatuses in the CAVE. Packing it away in of "virtuality", of "variability" and Lindinger, D. Offenhuber, M. Breidenbrücker, VR virtual reality (DG) a "take over" is meaningless in this VR (Marnix de Nijs) view of art genres Kunstzeugwelten openness (1989/J14) favor of cheaper video game of "viability". G. Stocker, R. Abt, R. Praxmarer, S. Mittelböck) phenomena art international expert conference sense too (Morgan Russell) (Ulrike Gabriel) Homo Cyber Sapiens It is not an achievement to transfer traditional systems? (2000/P67) CAVE crisis ? RoboCup stereographic real time "Industrial Robots" (1990/II-K215) robot performance (2000/K362) VR facilities (1993/K350) (1995/K28) artistic patterns and behavior schemata to media (2000/F37/P108) with "software" Burnham established a Strategies of art are more and applications for CAVE at theKepler UNI (1982/K267) (1999/J242) Pixelspaces (add. offers) (AH) (Itsuo Sakane) LEONARDO on the aesthetics of art; the challenge is to invent new ones. connection between computer technology CAVE variations AEC department: Behind the Scenes (CAVE) more frequently and lastingly and ImmersaDesk (1999/J100) (1989/J35) (Horst Hörtner) art in the apparatus stadium robots in the spotlight !! automatons (Werner (G. Stocker) (1999/J68) Is the pleasure in highVirtual Reality Literature: diffused in other areas of society. (AH) What is problematic about today's VR and concept art (2003/K125) CAVE goes PC (N. A. Baginsky) (1991/K221) Vollerts) (1991/K221) (T. Feuerstein, K. Strickner) technological art tech experiment already (1999/F30) (Simon Penny) Citycluster – VR networking high tech /vs/ low tech (2) (1997/K12) Art dissolves like minerals in systems is that the participant has to be (Erkki Huhtamo) (2001/F10) Strategien des Scheins – Kunst Computer (1993/K302) Pixelspaces (additional offers) If you don´t think this declining? (1999/J95) project for networked application (F. Fischnaller) liquid. (2001/K19) completely "wired" with data helmet and Joshua Davis Medien / Ed. Florian Rötzer, Peter Weibel (helpful spirits) is art ... (2001/K60) CAVE versus game engines CAVEs: transmission of (Leo Schatzl) robotics / automation (2003/K429) Self-dissolution ! (DG) data glove. (2001/P42) high technology art (Kittler) With respect to the Kunst als Medientheorie / Hans Ulrich Reck (2001/F10) vergl. (2000/P67) (C. Ebner, U. Winters) technology fetishism body traces "juke_bots" interactive robot The Thing data helmet & data glove institutional critique "structure of norms" the ... artists high-tech art integration of art, science and Media-made – Wie kommen wir uns nahe? (lack of content) sound installation (transmediale) exploring virtual worlds semi-spherical projectionthree versions of a virtually Rhizom.org questioning legal claims robotics conference at AEC (2003/K228) (who promise radio art in radio or and technology (at MIT) (Otto Piene) Hg. Gerhard J. Lischka, Thomas Feuerstein (Gommel, Haitz, Zappe) with head-mounted displays (Warren Robinett) (Monika Fleischmann, in WEB galleries (2000/P62) furnished room: only comprehensible see also: Alexander (Luc Courchesne) digital illusion computer art on the computer) have (1980/K96) Granular-Synthesis (1990/II-K119) (ML) affinity of (AH) mechanic-kinetic works (1990/II-K138) Offene Systeme I – Beiträge zur Zeitstruktur Ulrike Gabriel) in the interaction with the real technoscience art (0100101110101101.ORG) R. Galloway view of the field (2002/P92) (A. Trottmann) always come too late. (1995/K376)(1998) (Ivan E, Sutherland) media and Jean Tinguely (1955) "Meta-Matic-Roboter" we are human beings furniture von Information, Entropie und Evolution / techno-scientific art (1998/P58) standardized interface the universal Robert Adrian X (Ulf Langheinrich, dynamics and openness of interactive, (1990/II-K123) machines (AH) Nam June Paik (1964) (D. Dennett) (1997/K181) (Perry Hoberman) (1999/F25) (1997/K1121) domain-grabbing Festival for Art Ed. Ulrich von Weizsäcker (1991/P30) VR was practically not cyberstalking robot (1999/346) Kurt Hentschläger) cybernetic processes (2003/K13) "Robot K-456" beyond the (1997/K296) (PW) on the origin of and Technology (1989/J13) nano-robots Kraftwerk Medien Archiv / Agentur Bilwelt re-engineering (re-using) represented in entries in recent years (spying out data) (Hans Moravec) John Sanborn Cybersquatting interplay machines Cyborg Detector techno-art in the robot body parts science art (1999/K28) Coder, Hacker, commercial systems (AH) freedoms (1991/K13) Medien / Texte zur Kunst 1998-8-Heft32 Christiane Paul (2003/K136) (1986/K121) (squatting on the (1989/K81) mailbomb hacker (Max More) (Berger,Futterer,Stone) industrial revolution Rakuschan (Stelarc) surreal incubation, cultural viruses, Unnatural bodies Open Sourcer, (2003/P83) calculated by the artist machine art Hybridkultur – Medien Netze Künste / Ed. Internet) see also: M. Moswitzer impact management (Jim Whiting) Circuit Bender Cabaret Voltaire (Dan) Daniel J. Sandin Cyborg = cybernetic-organism (AH) Irmela Schneider, Christian W. Thomsen computer chaos club simulation view information and entropy (etoy) (2000/K360) M. Jahrmann robot interaction cybotage (1991/K73) (2001/K20) using devices and systems symposium "Robots, Animation (1996/J84) (2001/K299) Ron Hays (1982/K198) first presentation of the The cyberspace handbook / Jason Whittaker (1995/K09) Van Gogh TV (2003) (1986) (R. Kriesche) contrary to their market and Artificial Creatures" synaesthaesia is one of the new possibilities of automation WEB-Shredder Jack Burnham electro-mechanic instruments TI home computer in Europe Ponton European Media Art Lab Täuschung, Ähnlichkeit und Immersion (1999/K400) cyborg art (1989/K141) view of openness definition (2001/K20) (1993/K171) (R. A. Brooks) leitmotifs of media art 1968 (Maywa Denki) (2003/F39) Mark W. Tilden System dysfunctionality: (M. Napier) (1979/K43) Otto Piene Stadtwerkstatt TV (article) / Jörg R. J. Schirra (H. Ranzenbacher) (1999/P46) Jim Whiting pneumatic (1993/K195) denial of service, (1999/J352) clear board free scalability (AH) (AH) from autonomy to out of control The Robot SPA 12 SRL Virtual Art - From Illusion To Immersion / anthromorphosization etoy (2003/K342) the art of machine "tinkerers" Are machines on the (1991/K73) exoskeleton ! virus – security (1970/T) foundin of Xerox Palo Alto Research Center MESO (1979/K27) (1989/J102) the open art work multifunctionality of co-variance (2) Contained Oliver Grau (Virtuelle Kunst in Geschichte Masaki Fujihata Sulake Labs Oy drawing tool with (Marcel li Antunez Roca) (2003/K229) rise again? Bernhard Leitner (AH) The concept of the "closed art work", (1972/T) HP 35 pocket calculator Involving Systems hidden microphones largest (game rules of art) the universal computer (2003/F43) (2003/P34) und Gegenwart: Visuelle Strategien) Time´s Up (2001/K74, K320,P120) expressive parameters the dominance of aspired image: "comprehensible" (1982/K160) Interactive Talking Robots according to Klotz, is also fundamentally (1976/T) CRAY-1 super calculator (Sabotage – R. Jelinek) open source (AH) transition from intertextuality (Joanna Berzowska) Virtual Reality Technology / Grigore Burdea complex manifestations Giaco Schiesser mechanization Matt Heckert (1989/K174) called into question by the aspect of Joichi Ito (1977/T) Apple sells the first completely Just Merrit Golan Levin SW development (1994/II-K38) Nanotechnology: self(1999/P74) Soundcreatures closed to open (1999/P34) (2003/K371) (zu Giedion) (Paul DeMarinis, (1996/P210) interactivity. assembled personal computer (color graphics) (1999/J403) (2001/K387) web site (2002/K252) chaos cube (M. Klein) you can't teach an old reproducing microscopic Pierre Lévy sound communication – robots systems Laetitia Sonami) (1991/K51) (1997/P200/K311) robots (1977/T) Commodore PET (2002/P98) (2003/P079) (1994/II-K71) machine new tricks robots (1992/K71) instrument developer as (1995/K91) (1999/K411) John Maeda (Kouichirou Eto) Harry de Wit roomware (1979/T) LISA development (2003/P42) OSDN (T. Sherman) (2003/K170) tool designer Hiroshi Ishii LAMP (Linux, Apache, (2002/K396) Kingdom of Piracy: Whiteg Wenig, Like the analog techniques of Mechatronic Show as soon as it works, Stelarc (1979/T) ++++ ars electronica ++++ Florian Rötzer (2000/K305/P82) (1997/K196) (2000/K385) (music compiler, ...) it is obsolete MySQL, Python/Perl/php) Mukul Patel, Manu Luksch, Rhizome.org, sculptor as photo and film, media art goes room elements like walls, doors and (Marcel li Antunez Roca) (1999/J411) (1980/T) Apple III (1994/K108) (1997/K198) Ken Goldberg Team cHmAn 0100101110101101, Joy Chatterjee, Alain Escalle (2002/K394) machine builder / through several phases: the (2001/K254) furniture are integrated in information (2003/K322/P118) (1994/P06) (1980/T) Commodore VC 20 (1995/K28) (1997/K149) (1996/K297) media primarily involve enabling Public access TV und Radio (2001/P28) doubleNegatives, p,RT, Eastwood – RTSG, (1999/P145) Kingdom of Piracy ars metallica material, corporeal, machinic (2003/F12) and communication technology exoskeleton (1980/T) Commodore C 64 Kathy Rae Huffman normative power of structures (DM) (Stadtwerkstatt, Radio FRO) Diane Ludin, Dragan Espenschied, Alvar Freude, (A. Medosch, Shu Lea phase ... (AH) digital technology also enables Dan Graham (1982/T) Compaq founded (1991/K261) (1994/K156) Dennis Muren David Rokeby Manuel DeLanda David Dunn software monopolies F. Stalder, Agnese Trocchi, Olia Lialina, A. Tang, Cheang, Yukiko Shikata) Free Software free software panel-like screens, tables with (1994/P67) mechatronic new developments in apparative (1992/K136) (1982/T) SUN network computing on TCP/IP basis Tool /vs/ Medium (1992/II-K21) current technology (1993/P122) (2003/K12) Roger F. Malina (1994/K168) Ilya Eric Lee, exonemo, J.J. King movement project (2000/K351) integrated screens (InteracTable) art (control techniques) (1983/T) Atari home computer 1200 XL perfect usability Itsuo Sakane Agentur Bilwet Timothy Druckrey (1997/K258) (1999/J319) virtual workbank account Steina & Woody Vasulka Piazza Virtuale – (2003/K29) art as procedure / (1983/T) MS Windows development announced (1980/K47) (1998/II-K290) (2002/F043) cf.: view of objects Dialogue with the knowbotic (1999/F08) (1999/224) (W. Krüger) (1994/P122) System dysfunctionality: open law (1992/K81) apparative art (1973) Service Area art as method (1984/T) Apple presents the Macintosh Video/Audio Technology Timeline according to Vasulka: Char Davies South (1994/K243/ Geert Lovink H.W. Franke denial of service (1979/K54) multimedia versus (1994/K234) John Lasseter (Giaco Schiesser ) Symphonies for Dot Matrix Printers !! Frank Popper open source computer in an advertisement (196x/T) Video Feed Back (Skip Sweeney) chessboard interface (Frans Evers) (1996/P144) Service (1995/K180) (2003/K229) Scott deLahunta synaesthetic TV broadcasts in (1996/P164) (2003/K372) Cristopher G. Langton (a multitude of obsolete office machines) (1984/T) IBM PC AT Bruno Latour Peter Eisenman (1999/J152) (1962/T) Hybrid Graphic Animation Computer controls scenes (1988/K268) (knowbotic (2003/K302,K311) interaction concepts the context of (2000/P124) (1999/K381/P183) (The User) Linux developments (1984/T) UNIX and SGI 3D Chip on the rise (AH) machine art forms of apparatuses (1964/T) Audio synthesizer (Don Buchla) (Norbert Artner) (1988/K171) the 3rd synaesthetic research) (1994/K38,K11) G. J. Lischka (Mixed Reality) teachers at service pioneers of electronics Friedrich Kittler (1985/T) Atari 520 ST service projects on the Internet (1968/T) Chrominance Synthesizer (E. Siegel) video chess installation (1989/K88) wave in modern art Donna Cedric Price (Linus Torvalds) (1999/P24) Daniel Charles atelier computer (1986/K13) (M. Fleischmann) Robert Moog, Carlos (1995/K79) media colleges (1985/T) Commodore AMIGA 1000 (Manuel Schilcher) (1993/T Machine Culture – exhibition of (1968/T) Modula Audio Synthesizer (R. Moog) Haraway (1994/K30) the net as system house artist (1979/K44) principle of redundancy (1980/K07) (1985/T) CD-Rom as new storage medium (Keith Goddard) Paul Virilio (1999/J173) influence of MIDI on interactive media art Anaheim (1968/T) x y z Driver/Sequencer (Bill Hearn) (1997/K46) Bernard Cache (prisoner in a golden cage) Marshall McLuhan (Prof. Machiko Kusahara) open channel (ars intermedia) distance loan distance exchange (Hans Kropshofer, Martina Leeker MIDI (1984/K161) (2003/K15) (1986/T) Atari 1040 ST (Aladin as Mac emulator) (Stadtwerkstadt Linz) (1994/K94) (1968/T) Hybrid digital/analog audio synthesizer art project et al. (1989/J24) Karl Heinz Maier) (1998/K116) robot lady (1987/T) Sun market leader for workstations Brenda Laurel (public netbase t0) (1995/K293) (1995/K24) (AH) synaesthetic interaction (Weibel) (1988/K27) (Pulsa Group, P. Kindelman) Ulrike Rosenbach (2002/P146) Hans Moravec Heinz von Foerster loan and exchange – an interdiscourse (2001/K367) interface as variable (Cardea) MIT (1987/T) Mac II (the thing) (1995/K313) (between different elements of design) (1990/II-K259) (1991) (1969/T) sal-mar construction (S. Martirano) Media Survival Kit (Yasuhiro Yoshiura) high tech /vs/ low tech (1) (1991/K13) Marie-Luise Angerer border rescue Michel Serres (2002/K238) (A. Hirsch) Media Literacy projection (Audiopad)! 2004 (1987/T) CGA graphic screen as PC standard Kontextsystem (Service-Plattformen): (Lioba Reddeker) (1969/T) Sony CV Portapak Abraham A. Moles (1996 Prix) fantastic young talent Fred Forest (1999/J116) escape routes (2003/K349) (2000/K166) (James Patten, Ben Saskia Sassen (1990/T) Windows 3.0 danger for MAC for the first time Mixed Reality: (MF) Bionic-Mailboxen (padeluun, rena tangens), (1970/T) Direct Video Synthesizer (S. Beck) new technology and (1995/K164) (H. Schmutzhard) software as tool Jean Baudrillard Recht) (2003/K414) Louis Bec (1995/K186) (1999/F26) (Sommerer, (1990/T) Apple offers the first program for image the interface as input/output instrument is not a Gene Youngblood The Thing, De Digital Stad Amsterdam, Roy Ascott (1984/K386) (1970/T) Electronic Video Synthesizer) (E. Siegel) design creativity (2002/K378) (1991/K07) or art content ? (2002/F08/K25) Sybille Krämer various media colleges present Mignonneau) processing (video context) multimedia instrument, but one of action for the (1984/K119) Internationale Stadt Berlin, Public Netbase t0, (1989,90-95) (1970/T) Colorizer, Camera Scan Processor (A. R. M. Eshaq) (2001/K47) Key Grip Vilém Flusser Paul Sermon train window as interface (1991/T) PowerBook synaesthetic transformation of the perception of Jeffrey Shaw V2, CCC, adaweb, stadiumweb, turbulence, themselves during the Ars: Mailboxen (1971/T) Paik/Ab Synthesizer Scan Modulator (Justin Manor) Marvin Minsky (1990) Xchange (E-LAB) (91,93,97,99) (1999/J202) (Virilio) There are no more surfaces. (1993/T) SGI and Nintendo develop Graphic-Engine media space. (1990/P187) Servus (Satdtwerkstatt) (1971/T) Video Synthesizer (G. Brown) 2001 take over campus: Visuelle Mediengestaltung Vienna Bill Viola The construction of Nam June Paik (2003/K330) (1998/P34) valuation in the PRIX (1993/P126) The interface is the new form of the (1995/T) SUN – Java: Standard for the Internet (1971/T) IP – Image Processor (D. Sandin) => experience. Interface as Derrick de Kerckhove 2002 Kunsthochschule für Medien Cologne these cooperations are Myron Krueger Heinrich Klotz synaesthesia surface. Thanks to electronics, tele(1996/T) SGI Visual Workstation O2 and Superc. Onyx A. Adriaansens, R. Ascott, B. Blau, Jury INTERACTION: Gordon Pask Which interfaces determine (1972/T) Dual Colorizer – analog (E. Siegel) content. (David Rokeby) (1999/234) DIVE: Free Software, online collaboration, 2003 HS für Gestaltung und Kunst Zürich mirrored in the symposium unplugged (1990/P169) (1988/K12) control, teleperception, videasts and (19nn/T) IP networks for computer collectives H. Branscomb, F. Brody, Coco Conn, S.S. Fisher, Matt Mullican the overlapping of real (1972/T) Scan Processor Prototype (Rutt, Etra) piracy (2003/F38) (2002/K271) Knowbotic Research Peter Weibel (1999/K423) Interfaces as NeoBaroque ? architects meet on this interface. (1997/T) economical workstation on NT-basis M. Fujihata, Ulrike Gabriel, V. Giacci, Christophe Héry, P. Higgins, and virtual space (MF) (1994/P158) (1973/T) Videola Installation (D. Hallock) E-zine Das Télécentre Communautaire standardization of Austrian rigidified (1993/P101) (1998/P28) (2001/T) SGI Workstation 230 P. Hoberman, J. H. Horn, Hiroshi Ishii, Machiko Kusahara, Masuyama, Karl Sims Gilles Deleuze (1973/T) Multikeyer (G. Brown) the high art of (2001/K213) Polyvalent in Timbuktu (2002/K177) interaction design – Culture Service perception framework (1993/T) Pentium processor (1996/P144) (1993/K249) Literature studies examine, among youth as R. F. Malina, J. Markoff, T. Moriyama, Monique Mulder, M. Naimark, (1991/P79) (1990) (1994) (1973/T) RUTT/ETRA Scan Processor (Rutt, Etra) conveying science performative interfaces (see above) (D. Rokeby) (Birama Diallo) set off by training courses (1995/K290) (1999/J391) other things, how much techniques and users of excellence J. Paradiso, C. Paul, B. Robertson, F. Rötzer, J. Sauter, H-P. Schwarz, (1992/P51) (1993) (1973/T) Video Outliner (S. Beck) (Science Education Team) planned but never realized (2002/P70) personal computer media influence or even determine the (2001/K396) P. Sermon, Y. Shikata, J. Snoddy, S. Stenslie (1999/J390) Joko Project (service) Christa Sommerer & (1974/T) Hybrid audio/video Installation (Behrman, Diamond, Watts) view of "new technologies hybrid system exclusively (1999/K332) (2000/K274) or partially realized in 1997 contents of the arts. (D. Daniels) Christa Sommerer, S. Stenslie, G. Stocker (Lisa Goldman-Carney) Laurent Mignonneau (1974/T) Digital Video Weaver (S. Beck) for artistic purposes bicycle as interface Pixelspaces – DAMPF (2) (2002/K186) (1999/P93) (1999/J393) (1976/T) Digital Frame Buffer (D. Jones) Interface-Prof. Art UNI (Shaw, Nancy Paterson, (ars intermedia) affordable U19 Cybergeneration (PRIX) In its expansion to "image studies", it will first become possible to Sensory Environments – (1976/T) Spatial and Intensity Digitizer (D. McArthur) performance theory art as procedure / (Christa Sommerer) Note: the selection reflects time´s up)(R. Makkuni) (1979/K44) Jury ANIMATION: M. Benayoun, M. Bielicky, L. Carpenter, O. Cauwet, H. Chida, Literature: workstation examine how art is not only influenced by the media, but how art works Immaterial Interfaces (1976/T) Digital Image Generator (McArthur, J. Schier) art as method the opinion of G. Dirmoser (2002/P88) Lynn Hershmann cognition theory Larry Cuba, M. Dippé, J. Duesing, P. Eason, Valie Export, Lisa Fisher, Ines Hardtke, ExMachina / Eine Geschichte des Roboters von (HK) the computer Indian also supply an analysis of the potential and the impacts of media at the (2003/F14) (deLahunta, (197x/T) Le Movicolor Colorizer (M. Dupouy) (Giaco Schiesser ) (right) R. Herken, C. Héry, J.H. Horn, R. John, M. Kaas, P. Kogler, R. Legato, G. J. Lischka, (AH) Computer: on influence (analysis of diverse specialized (1995/P121) dialogical approaches per se is not an interfaces RISC 1950 bis heute organization of the same time. (DD) J. Manor, J. Dießl, S. Oschatz, (2003/K372) on media forms and art forms (1979/T) ++++ ars electronica ++++ (1992/K96) literature) Mickey McGovern, A.J. Mitchel, M. Mullican, Lucy Petrovich, P. Quéau, Barbara (1989,93,99) postmodern view integrative force 1994: Computers and Games designs user's scope of action the dynamic of the TAKEOVER does not come from Puppen Körper Automaten – Phantasmen der A. Cheok, H. Kato, H. Hörtner) Robertson, Sally N. Rosenthal, B. Sabiston, R. Sayre, Rita Street, Reduced Instruction (R. Makkuni) shift of ideas and methods Jury NET: D. Blair, B. Blau, A. Broeckmann, E. Burton, (2001/K294) robotics art's places of education, practice and communication interactive exhibition of prizeinterface design interface development Moderne / Ed. Pia Müller-Tamm, Kath. Sykora computer as paintbrush M. Tolson, C. Volckman, M. Wahrman, Chris Wedge, P. Weibel Pioneers of electronic art / open source (see left) obstinacy of the medium (AH) Artists are even more interested in Set Computing (2002/F044/P86) (G. Bonsiepe) J. Davis, Tanja Diezmann, Oliver Frommel, R. Gehorsam, ... "intermedia", (2001/K17) (see left) informatics / electronics winning student works Container Projects: the paradigm of Computers – Eine illustrierte Geschichte / B. Buxton, S. Maschwitz parallels to "media structures of organization" separate world of apparatuses (1996/K221) (Giaco Schiesser ) Claudia Giannetti, Solveig Godeluck, Lisa Goldman, "multimedia" disciplines on the interface (precursor of the Prix) AI research / AI discourse Hot Wired interactive imagination (AH) The convergence and combination of the most (1986) Container-City "Ponton" Christian Wurster hacktivism (see left) collaborative development of than in the tradition of art production. Types of interfaces: breath sensor, brainwave Jury MUSIC: C. Amirkhanian, S. Arnold, (1992/II-K) (Vasulka, Dunn) (2003/K371) Derrick de Kerckhove, Machiko Kusahara, Joichi Ito, (1988/K63) modern primitives Is the "digital city" a of pre-arranged (1994/II-K137) Online Publishing connectionism various techniques are crucial for the formation absolute milestones: (Brenda Laurel) practical demonstration of free and architecture projects PHASE(x)3 Sam Auinger, J-B. Barriere, L-G. Bodin, sensor, data glove, bicycle, Multimodal Discourse – The modes and media video instruments F. Manola, J. Markoff, D. McCullagh, C. Reas, (Andrea Juno) (above) medium or a forum? dialogue structure (AH) (1996/K393) "The next Idea" Forms whose definition is of the new art form. (Popper) (1990/II-K262) cyberdiscourse / cybertheory WWW, VRML, (1999/P36) ETH Zürich N. Bouhalassa, L. Brümmer, K. Eshun, A. Greie, S. Rogers, Demetria Royals, M. Russell, joystick, camera shots, creative arrangement of information of contemporary communication / Gunther Why did cooperation with the Sexy tech modfied bodies (1995/K183) (PRIX category for oriented more to scientificdealing with digital appropriation of media art net discourse R. Friedl, J. Harrison, T. Herrington, N. Humon, Y. Shikata, John F. Simon, Karin Spaink, plants, camera, game engine, TV-critical AEC: Techniklastiges Kepler UNI only take place in the (cf. development of Servus) (2001/K407) The Computer: Handtool Kress & Theo van Leeuwen (1990/II-K234) The dynamic of the TAKEOVER does not come from age 19 to 27 / 2004) technical disciplines, to interface techniques (ML) user interface NET categories: 1) best "self-servers", W. Jauk, Kaffe Matthew, A.Mongeau, scanner technoscience and cyberculture Ambiente des Lernraumes by fine art first years through symposia? net broadband (1989/J135) Marleen Stikker, M. Takemura, (Christine Goestl) or Thinktool ? (OG) projects Optische Medien – Berliner Vorlesung 1999 / the places where art is trained, practiced, conveyed. development and information 2) best public "watchdog" service, B. Neill, R. Normandeau, Bob Ostertag, (1996/J114) Takeover (symposium) techno-discourse NEXT SEX Cybersex with data suit and all the appliances (2001/K17) "net system art" as Friedrich Kittler Ars electronica –Event system-analytical development Z. Parkins, J. O´Rourke, M. Schmickler, Andrea D. Traub, Pete Barr-Watson, architecture, or to net culture intelligible tool see also: view of 3) best public information service (DH) New media generally emerge from nonRestart 1996 with AEC Tina Cassani, Bruno Beusch, The Undertakings of Art – Symposium (2000/F09) for stimulation and stimulating body surfaces "permanent conference" of aesthetic-generative basic and lifestyle of gaming communities, Technikkultur – Inszenierte Technik – AEC department: für ein Fachpublikum? (1995/P45) (1979/K44) Sodomka, Laetitia Sonami, I. Stoianova, artistic situations. Artistic applications are derived interactivity What is the state of media art, since its Casey Reas Who will survive? (Marie Luise Angerer, Nobuya Unno, (J. Kirchgeorg) already looks like nostalgic mechanics for (after Beuys) (1995/K65) programs than to the isms of the art training/education transformierte Wahrnehmung / Ästhetik & Digital Hollywood (most important P. Rehberg, R. Rimbaud, T. Wishart, D. Toop, special uses. development and public attention derives (2001/F09) J. Reich, Xin Mao, C. Djerassi, Natacha Internationale Stadt (1997/P146) tele-intimacy, a kind of chivalrous romanticism programs make the Jury CYBERGEN.: S. Amann, discourse (2001/K20) (1997/K12) (H.W. Franke) pixelporno school for digital media design W. Vollert, B. Blectum, F. Hecker, C. Watson Kommunikation Heft 75 – 1990 computer art systems from the same dynamics as the New Economy? synthetiseurs Merritt, S. Messina, J. Davis, Katie Egan, (Berlin) the ideal It is obvious that the (1994/K109) virtual electronic works of different T. Auer, Etoy e04, N. Filz, (2000/K357) in Japan (Tomoyuki Sugiyama) (1980/K95) future learning of the "Centre Pompidou" (2001/K17) WBT on the Silk Road Kunst im Kontext Neuer Technologien (1979/K45) intermedia connections Marta de Menezes, Oron Catts, Ionat city on the Internet (Rosa von Suess, appropriation of media art (Simon Penny) While robots then covered the calculated path, neighborhood authors appear very living spaces F. Hecker, H. Hörtner, body art digital media art (2001/K89) (Prof. Max Mühlhäuser) (1979/K42) (Jie Geng) Zurr, G. Ben-Ary, Monika Treut, Paramour / K. Gsöllpointner, U. Hentschläger B. Loibner) by fine art is no longer Art & Tech the environment was newly measured, the data entered in the The idea of the digital revolution is (Nick West / YORB) (1995/K254) similar (1992/P12) G. Hupfer, M. Nürnberger, Brave New Porn telecooperation, project Treminal-Sex (Stahl Stenslie) (2000/P50) K. Behrends, Joanne Finkelstein, Bruce digital clubs acceptable. Digital Arch+ 167 / Off-Architekture 2 plan, which was then altered as necessary. This method was experiencing its first real crisis. (1995/K196) creative lethargy intermedia art ArchiMedia (2001/K404) (HK) We must be careful not to M. Pieper, R. Pöcksteiner, (Sergio Messina) "Knowledge Net – Future Learning" (2000/K202) canonization of (Simon Penny) series of research called the top-down paradigm. In practice these robots were new isms of the Bagemihl, Veena Gowda, R. Thornhill, (2001/K20) (Stocker) Revolution (Flatz) cultural identity crisis (2001/K17) Reflexionen zu Kunst und neue Medien - UNITn misjudge the tool character of M. Riebe, S. Sagmeister, (2000/F28) (1996/J109) next sex media art (2001/K20) electronic costumes projects loosely assembled under media (art) Allucquère Rosanne Stone, C.T. Palmer Porno OperationsWhat is the point of this polarization?(DG) very slow: a cockroach was better able to cross the street than Hans Wu, B. Lippe, M. Pieper, demontage What does that mean for ars and AEC ? (1999/K17) education opportunities at the Art UNI the computer. demo applications: LEONARDO – Journal of the international Cybersex (Sachiko Kobayashi) the term "Bottom-Up Robot discourse (DG) (ars intermedia) technological innovation (John Duncan) simulation the most powerful computer! (1991/K129) (15-year wait for relevant professorhsips) body sections miss monochrom indications of what could media critique from: society for the arts sciences and technology (2001/K91) Technology" ... now challenge sex noises coaching the arts (1979/K44) (1991/K119) means view (1995/K192) (1996/K194) The "visible human project" be done if one had more telephone sex as safe sex Heiko Idensen, Matthias Krohn, development environment for virtual the top-down approach various introductions on virtual sex and the (1991/K276) (unplugged symposium) (Webster Lewin) virtual environments, infotainment education in Vienna media are means (DM) "Art" or rather invention ? (AH) AI as abbreviation for Artificial Insects projects on image material time/money (Melita Zajc) Florian Rötzer, Heinrich Klotz, reality (Eric Gullichsen, Patrice MEME (2) (1996/K194) (Aaron Funk, Rachael Kozak) loss of desire (2002/F10) personal simulation and MK Weibel, Roy Ascott Rodney Brooks contradicted the edutainement (Christian Möller) on Bill Barminski (1995/K68) (1999/J292) Derrick de Kerckhove, Andrian X the sex industrie Gelband) (1990/II-K302,K305) webucation (2003/P198) Computer and Internet as guiding technology (S. Zizek)(1995/K122) We are on our one out in cyberspace, we (1986/K312) notion that a cockroach (see right) telepresence distance learning (2001/K295) (1995/P126) et al. businesses (in Japan) have electronic art online Stages Elements Humans of current changes (2001/K17) the festival ... as site "Block Jam" instrument (R. Baker) (2000/K37) have to re-invent the world and ourselves, (Scott S. Fisher) (Franz Xaver Mittermair) "made a map". community (2001/F36) porn-o-mat learned nothing from the ideas (Gina Czarnecki) (1999/K329) (1989/J11) telepresence Multimedia digital body worlds of valuation made of combinations of bottom up. (1990/II-K147) (Ruth Schnell) tele-symbiosis (1993/P90) (platonic ideal) Thinking the Sexual (M.L. Angerer) (2000/K166) ASF, AVI, MP3, MPEG, (Joshua Davis) (2000/K287) CBT WBT and visions (of artists) creativity /vs/ betting on important issues (1989/J20) (2002/P012) blocks (H. Newton-Dunn, (1995/P16) (R. Ascott) (1999/J107) (1993/P90) Quicktime, RealAudio, resources view figures generated for (2001/K90) see also: view of transformation (Baudrillard) All kinds of protheses can contribute mini-computer in fabric Symposium "The Desire art ? lecture series (1982/K260) of science and technology H. Nakano, J. Gibson, RealVideo, SWF, from Slow-Scan-TV films (AH) electronic extension view of instruments to giving man pleasure, but he cannot invent any for Immortality - Cloning, art of fragmentary approaches techniques view Unnatural bodies communication technologies – (1995/P54) (Robin Hanson) multimedia SW WMV/WMA electronic classroom (1999/J104) R. Kuwakubo) art (does not equal) creativity & economy tinkering televirtual environments (s. above) of the human body CAD CAM CIM to picture telephone that feel pleasure for him. cell phone as necklace Cryonics and Cosmetics" (Jim Whiting) new media in education, business (2003/K417/P116) (Sony) techno-art as anti-art (PW) gene-technical interventions (1993/K157) (Klaus Madzia, Infotrainer (AEC) networked learning (1991/K73) s.l. and administration the paradigm of virtual reality introduced New media all emerge through re-mediatization, i.e. new media = remote presence (1993/P91) MP3-player cyberspace university (PW) Tool culture has entered Computer Aided Design Telerobotik G.J. Lischka, Reimara blind for art (2003/K211) scientific acceptance with the theme of what works, is already through the translation, rearrangement, reshaping TV Bra, TV Cello, TV Bed ... online projects that can also slow scan earring for monitoring on upper arm (Frank Ogden) into a new phase, into the the feedback loop: new art ? view of networks Computer Aided Manufacturing Rössler, M. Wabl) history the "interface" gene manipulation set obsolete (PV) of other media, ... at the level of content as well as (Charlotte Moorman) be used in the teaching context adaptive (1995/K102) separate world of the world of blood pressure interactive systems cannot be Computer Integrated Manufacturing Teleroboter (1997) eye-tracking (see right) (1992/K20) (PW) form (Ludwig Jäger) (A. Popper, K. Stockhammer) (1982/K59) „Sky Kiss“ (2002/P24) concept of techno-selectives net view apparatuses. (1994/K24) slow-scan robot (Ascott) imagined without feedback media guerilla (1993/K240) Concert for TV-Cello : everyday electronics (Gusberti, Aschauer, Thönen, Deinhofer) participative and explorative (2002/K62) "new" media (1989/K109) robot prothesis (Nur Schrec) artistic tool (Joachim Sauter, PAL version (ORF) learning facilities (2001/K229) (ML) the viewer as author in (ML) Interfaces of biofeedback entertainment electronics Multi Mega Book (1996/K34) On this, see the detail study: Has Ars Electronica really been able(1995/K281) media as site of educating (DM) artistic tool – audiovisual Dirk Lüsebrink) Bodysuit – repeal of the body (AH) (Charlotte Moorman, Nam June Paik) (P. Higgins) neuro-digital feedback for interactive performances the topic was "covered" in Linz with Work&Culture in 1998 dialogical approaches in the CAVE Literature: to liberate itself from the classical media? (DG) No ! multisensory (1982/K65) artistic tool – narrative art in education is research (Horst Prehn) robot body parts extended hands virtual office symposium operating system discourse (F. Fischnaller, electronic media self-dissolution (in take over) – dissolving into the "old" media Telenoia – Kritik der virtuellen Bilder / Ed. (1997/K299) (Eva Wohlgemuth) cell phone culture environment view into the inside of Wet Computing (P. Pocock) (Stelarc) (Stelarc) VR flipchart re-designing the body (for Chiat / Day, Inc.) artistic tool – useless the world‘s first full body Y. M. Singh) cf. the ZKM study: future cinema (game rules of art) digital media 3D whole body BodyScan Elisabeth von Samsonow, Eric Alliez (Mork, Pendry, the body (Stelarc) Open X: temporary open-plan atelier (1999/K29) (2003/K224) (Roy Ascott) (1995/P20) (2002/K342) obsolete bodies (J. Singh, J. Chung) tele-tactile communication (1997/K316) audio-skirts (AH) prosthetic forms of attaching Stale Stenslie) pacemaker digital Innovation & walk-in network (1997/K384) Ereignis und Aura – Untersuchungen zu einer Bioinfornatik existing software hybrid man-machine systems (1994/K214) system cyberSM (1993) mass customized production Brain-TV body halves – search for biofeedback computer as tool /vs/ electronic (Benoit Maubrey & the body to the virtual (1996/P149) system (Stelarc) (Stahl Stenslie) CyberSEX avant-garde Take over bioelectronics Boneware skyscrapers and streets Ästhetik des Performativen / Dieter Mersch manipulations (2003/K227) (Stelarc) (1992/K233) (1980) physical/emotional completion programs digital environment wetware (1994/K116) resurrection die Audio Gruppe) networked structures for (1997/K152) (2004) AEC: Future Lab – the tele-homework (R. R. Birge) (1997/K131) from text and images on Vilém Flusser, Paul Virilio, Heinz von hand controlled through (2000/K213) creativity (R. Kriesche) (2002/P133) (Peter McDonald) Takeover I (symposium) (1979/K30) of Bauhaus (2000/K19) (1991/P145) organism & chips best equipped "lab/atelier" new forms of collaborative (1997/K83) (1997/K322) (F. Sparacino, A. Pentland, (1994/K114) on sounding bodies WIRED EMG signals (1989/K135) Foerster ... cf. various sectors plagiarism on the change of paradigms, "breaking out (2001/K12) Aorta (Jeanette Yanikian) technology is changing from a prothesis part in Austria (1997/K12) G. Davenport, M. Hlavac, M.. Obelnicki) work (Mixed Realities) (MF) and speaking clothes (Stelarc) (1997/K149) (2003/K228) (AH) neuro-muscular (out of the art scene) Ars Electronica – Facing the Future / audio-uniform new roles, working models and medical devices as sound and product ensemble into a comprehensive, home-production feeling of touch & (Rolf Langebartels) training view Eye-Tracking interface for directly concerts (1986/K277) Ed. by Timothy Druckrey technology as extended body (PW) transmitters: rushing of blood, the creativity burst rear-view mirror to reality: coaching the arts artificially intelligent environment linking control of action life on the net (1994/K205) (1986/K276) technical-pragmatic controlling a synthesizer Touchscreen audio-clothing Exploring Collective Autorship (2001/F08) pounding heart, breathing, changed framework conditions (1996/K337) (Just Merrit) (H.-P. Schwarz, Gunalan Nadarajan, everything together (PW) (1994/K08) (Stelarc) (1997/K153) (calculable) avant-garde (Biomuse) (Benoit Maubrey, Eyephones (M. Shamiyeh) (2002/K336) digestion (1989/J143) Heros of Industrial Culture A.Moore, Marie-Luise Angerer, artistic work platform for online music collaboration TV view clothing that (and artistic innovation?) Masters theses from Zurich: (Marc Lee, S. Leuthold, Mario HansPeter Kuhn) Body Surfacing interactions – Data Glove (Throbbing Cristle, SRL) G. Funk, R. Kannonier) (2002/F11) (AH) seeing machines, TV helmets, Brainball – winning Jamming Software (Willy Henshall, Matt Moller) makes noises (see above) (Idensen, Krohn) brain/computer interface Pukathofer, Niki Schawalder, Annina Rüst, F.O.K.) 3D-patterns triggered by physical Projects by: (Hermann Atzlinger, radio vests, Handgeräte und through relaxation Head Mouted Display (1999/P30) Presentation of important studios: Padua, Paris, Marseilles, visible (2000/F34) (Peter Fromherz) (1999/J166) (M. Hampel, F. Eggmann, M. Rheiner, G. Huber, I. Sterzinger, body language and lying KHM at ars electronica (2002/K334) actions (1989/K215) entries without video Tina Auer, Sam Auinger, Nicolas andere Extensionen des Leibes (2001/F33/P111) issues of Stockholm, Utrecht, Munich, Berlin, Budapest and (1997/K158) Anne-Lea Werlen, Carmen Weisskopf, Doma Smoljo, (Naoko Tosa) (A. de Campo, J. Lindenmaier, M. (AH) seeing machines, TV helmets, (2000/P104) (Myron W. Krueger) tape were unfortunately head-mounted display Anatol Baginsky, Todd Blair, Tim Brain Bar complexity 3D computer(Tomoko Ueyama) R. Wigger, Mascha Leummens, Annia Rüst, T. Cmomiotto, Warsaw (1989/J55) (2000/F33) Erdbacher, J. Garancs, Dagmar Keller, radio vests, hand devices and not considered (Warren Robinett) (2001/K375) (2001/F37) brainwave scanner tomograms (PV) permanently reachable Boykett, Denise Carusso, Tatjana (1992/K57) N. Schawalder, Christine Szababo, Valentina Vuksic, (Bayle, Risset, Barrière, Parmegiani, Bodin, Ungvary, Cyclops – Sex i(n) motion M. Wittwer, Anja Kempe, Yun-Chui Kim, other extensions of the body (2) (1996/P57) the art work as (1990/II-K119) Didenko, John Duncan, Chip Flynn, (Ole Lütjens) (AH) media art as new (Smart Studio) house slavery (G. Kampis) telemotorics computer technology on (1995/K191) Zwedberg, Parmerud, Grimsson, Nsaveld, Vink, Kayn, gestures of calligraphy gestures of (Science Viola Klein, T. Kubli, S. Mann, Ko Kubota, Susan Wintsch, Milica Tomic, Hildegard Spielhofer, communication framework (Ivan E. Sutherland) L.A. Gladsjo, Brett Goldstone, Collaborative Web Tools genre (relative to the Data glove, data suit, the brain (1979/K30) Gabriela Gerber, L. Bardill, J. Köppl, Felix S. Huber, the modulated (head-hand) (Roman Verostko) perception Education Team) (1995/K178) Anke Limprecht, Agnes MeyerHashagen, Riedl, Blacher, Szigeti, Pongracz, Rudnik) (1995/K63) (1990/II-K123) Matt Heckert, Rudolf Heidebrecht, traditional arts) data glasses, database – dependency on F. Wüst, Cornelia Heusser, T. Karrer data glove human (1979/K29) (2003/K162) (1993) (2002/K413) (2000/K274) (1996/P25) Brandis, Aurelia Mihai, (Mark Federman) Neurohacking Erik Hobijn, Kathy Huffmann, Laura tele-surgery (1995) The Visible Human Project they all suggest the existence Meatspace Clearboard – double projection the film and the realization of artistic Naujokaite Neringa, M. communication design (2003/F11) (1994/K109) Kikauka, David Moises, Gordon (AH)new sensibilization: (1997/K292) (1996/P182) (John Clyne) of a new world, the data Architexture avatars in the Gesture is an important point for every ongoing work table (speaking and drawing contributions from UNI Stuttgart and TU Vienna ideas can often only be Neuenhofer, Susanne advertising industry (increasingly located in the field Monahan, Mathias Moses, Marc 9, body and medium data helmet world. Dataism instead of (interaction) world of work medium, and software is capable of conveying and tele-surgery, VR and the together through a glass wall) to the AEC elevator (2003/K406) (Karin (AH) evoking a "new sensibilization accomplished with Note: electronic media Schönberg, operation of the visual today) Linda Nilsson, Fritz Ostermeier, Dadaism. (Peter Weibel) (May, Modler, Saup) (2001/K408) Stereotaktisches interpreting gesture. (2003/K182) new world order in (using gaze awareness, acting by showing) considerable technological Reisinger, Margit Thieme, A. Mäule, V. dependency on of man in terms of being conditioned medicine and art are naturally treated in Cathrin Vahl, simulators Martin Reiter, Herbert Schager, (1990/II-K32) data suit (1994/II-K64) (Satdtwerkstatt) Computergerät Golan Levin's software AVES consists of programs medicine (R.M. Satava) (Minoru Kobayashi) (2001/K260) Gebhard, Emilie Hagen & Minka Ludwig) by the body super computer or effort (1979/K29) every sector Olaf Vahl (1995/K192) (Adrian X) (1989/K146) Leo Schatzl, Manuel Schilcher, (1979/K57) that amplify hand movements by transforming (1995/K187) computer cluster Jochen Viehoff drawing gestures Telecenter (2004) Franz Selbst, Suzanne Stephanac, "Kunst-Funk" was the attempt to medical cybernetics the derived data into images and sounds. Telepresence Surgery System controlling interactive models of networked collaboration data glasses codes are part of every brain stimulation device (AH) interactive works (S.S. Snibbe) Gordon W, Doris Weichselbaumer, experience what radio could have Cyborg Bodies Customized Footwear CSCW Computer(H. Trappl) (1990) An application assigns a sound to the remote operation presuppose physical video images through (1996/K408) (Nobuya Suzuki) transmission medium (1979/K57) facial space (1996/P130) Jim Whiting, Kathrin Wilkes, Liz been, if it had not become a (2003/K285) Supported Cooperetive telecommunication over 24 hours structure of each gesture. exploration ... actions of marionette wires (2003/K15) CAVE (2002/K347) tele-diagnosis cybermedicine Young, Erwin Zeppezauer, Berthold centralized mass media configurator SW physical view – achievement (see also view of achievement) discovery Wearable Computer Work (1997/K199) (Robert Adrian X) helping to telematic interaction hands-on interactivity (Douglas Edric Stanley) (G. Deutsch) (1997/K292) picking up gestures of Zettelmeier, Alex Zuljevic develop the use of telecommunication virtual marionettes (2000/F34) Remote Viewing telepresence and jointly used lifestyle (J. Canny, the sensomotoric aspect deaf-mutes Art Com Electronic Network significance of technologies (1982/K145) parametricized objects (Steve Mann) (1997/K221) (W. Hilbert) spread-spectrum wireless network Installation (K. Becker) co-presence work area E. Paulos) (e.g. of gaming communities) is very important in experiencing corporeality Roidinger (since 1982 ACEN (1986) (1989/K133) telecommunications Slow-Scan-Television, Telefaksimile, (2003/K288) supportive infrastructure (1997/K304) devices for wireless nodes (1997/K389) (1997/K199) (1997/K199) telephone booth installations (microphones on the body) Computer Art Studio gestural control of (1982/K35) I.P.-Sharp-Computer-Timesharing-Netzwerk Digital Mudra (Sonya Rapoport) in the clothes marionette cross in Africa (2002/K146) calls with survey electroacousitc performance ACROASIS) video processing (Justin Manor) (W. Cooper, L. Ortner, O. Mittmannsgruber, working world as theme: interface (Stahl Stenslie) (1993/P104) (Stephen (2003/P110) (Syntvioline) Dictionary of Primal (Steve Mann) N. Hinterberger, C. Kaltenbacher, performance theory Linzer Stahlsinfonie (Klaus Schulze) (1980) Non Host Radio on the mechanism of human Bodytainment (1989/K110) (1989/K146) symposium: a life from the Internet Wilson) (Mia Zabelka, Peter A. Ecker) Behaviour (Urtica (FRY)) (1997/K227) Karl-Heinz-Klopf, Markus Geiger, gestural control of music dialogical approaches CB radio modem facial expression as a medium (2000/K216) (1988/K153) installation with two beyond the office (2003/F31) WearCam VR Chart Heimo Zobernig, ... et al.) amateur radio / CB telecomputing gestures of an interactive (Nur Schrec) ICT information and operating system discourse Mudra for interactive art of the future WearComp deploying shadows of users interactive bodies (Flipchart AEC) (1989/K128) robotic installation (2001/P108) (1995/K281) multimedia communication technologies (Randal Walser) (1988) "Very Nervous (Scott Snibbe) (2003/F40/P122) ("Huge Harry" = voice synthesis It is not a matter of making art within the given (F. Fischnaller) (1995/P116) (spy camera, infrared sensors / cybernetic application machine) (1997/K110) (1990/II-K209) System" ! (D. Rokeby) Art & Working World communication channels, but of grasping the telecommunications lab reaction to visitors) (Kenneth Rinaldo) hedonism (1994/K199) tactility of the interface (Georgsdorf) VOIP Voice-over-IP one-way gestural control communication channels as the possibility of (AH) McLuhan's thesis: technologies are (central theme in Linz) sign language jokes (1986/K341) art-Btx LifeScience (formerly – delta T) Gestische Steuerung von navigation art as Life-Art fax and telephone art multi-sensory an art form. (1988) (1989/K278) projections and continuations of mental (Bettina Henkel) (2002/K433) gestural control of applications see also: view of fashion focal point (1997/F23) Net Sauna Body Brush Multimedia-Installationen (K. Tin-Kin Hung) (2000/K211) and physical properties of the human being information processing Future Office Projekt (AEC) see also: view of adornment BTX (2000/K19) Minitel 1985 Minitel at (J. Hopkins, T. Mäkelä, (Y. Hay, H. Ip, (2002/P62) vision-based from the graphical to the Motion Picture (cf. diagrammatic classifications too (DG)) (CAVE) Uzume – reacting Les Immatrériaux (2001/F27) telematic telecommunication events (1982/K63) T. Penttilä, Liisa A. Tang Chi-Chung) journey through the body / Criticism (R. Adrian X) (1989/K147) touchable user interface (Emily Weil) dynamic environment everyday life in the office gesture recognition video-text systems (Charlotte Moorman, Nam June Paik) Fictitious Portraits Today it is not even a matter of having a Vähäkylä) (2002/F047) physical violence within the Since the communication networks do (2001/K254) (H. Ishii) (1999/K355) (Petra Gemeinböck, R. Blach, text rain net art / net.art (Elizabeth Goldring, Edward le Poulin) (Keith Cottingham) body, but of being connected to one's telematic human body / not allow the creation of real products listeners should (user gestures) N. Kirisits (2003/K426) The deciding technologies (Camille (Aldo Tambellini, Sarah Dickinson) (1994/P38) character design registering gestures through ultrasound interface body. (Baudrillard) gestural system pumping violence in the sculpture ... telematic simulations of products Internet, WWW, ... rearrange their Meatspace are those that disappear. They Utterback) (Horst H. Baumann) (2001/K199) GAMS: Gesture and Media System reincorporating the arteries (Jeanette Yanikian) (R. Kriesche) Electric Field Sensor emerge ... "I'll show you mine, if you autonomous characters furniture at home: robot gestures (mutual see :Internet view (ML) David Rokeby describes interfaces (fleshly space) interweave with everyday (2000/K389) (PoMo CoMo) (1992/K226) sensory functions (Agnes Hegedüs) (1987/K138) live combination show me yours". ISDN capable of expression a remote-directed dance explanation) as generators of experiences, because they ZKM SW (Gideon May) (1992/K101) better: corporeal space digital technology is life. (1994/K169) Unnatural bodies communication network (Van Gogh TV) hand as "disruptive factor" of radio and telephone (The Synthetic Character Group) of solitude (AH) communicating through a (2001/K268) overlay the organic interfaces of the (1995/K133) difficult to conjoin with (Jim Whiting) picture telephone (1989/K72) (1989/K287) picture telephone, Slow Scan artificial placenta (2002/P110) (1989/K288) set of digitalized hand gestures biological body like spectacles. our peripheral senses (1991/K73) s.l. network Ethernet WAN, LAN SMS project (2002/F12) (V. von Borries) artificial artificial life (Nobuya Unno) knocking gestures on (Agnes Hegedüs) Bump (2001/F31) (1997/K138) (M. Weiser) enhanced gestures / (1990/I-K166) (2002/K355) table and bench as videoconferencing molecules the gestures of destruction touchscreen installation glass (2001/K262) (Siehe: Verhalten) (1995/K248) physiologically oriented (2000/K70) wooden bridge as tactile obsolete desires interface (H. Maat, R. Miltenburg) biocybernetics – a biologically (2000/250) ISDN, ATM, Frame Relay, DSL (2002/K137) (A. Tambellini) (1980/K111) or of misuse (Anna Anders, K. Gasteiger) interface ! (association. (J. Paradiso) interface design incubation system (Stelarc) (1992/K233) Frequency Hopping (1994/II-K58) controlled interactive (J. Davis, Katie Egan) (1999/J87) (1999/K345) electronic architecture text exchange, image exchange video conference projects (80s) (1994/K196) creation) telephone music (J. Domsich) (1997/K364) (R. Brem, T. Ligthart) interface (1994/K195) flesh factor synthetic library of gesture icons mimetic/gestural codes (Kit Galloway, Sherrie Rabinowitz) is communication (UR) What is crucial today involves gestures, their polemics for establishing (1998/K189) (D. Warner, J. Sale, T. Anderson, telegraph artificial life – simulations SW Transworld Telefone (1994/K156) (Stelarc) (1997/K149) electronic transfer media (John Gerrard) (2003/K408) life force-feedback (2002/K420) space and their time, no longer expression. SMShuman ordinariness ; J. Johanson) Concert (1986/K265) Ekman's Facial Action Code art womb FAX, Telefax transfer protocols tele-copier Poly-World (Larry Yaeger) (1993/K122) answering machine Animation in the Refrigerator (Time´s up) Kids (Stattwerkstatt) (Warren Robinett) (Oron Catts, Ionat Zurr, (2003/K12) Creators of Life (symposium) building artificial creatures (Pattie Maes) see also: communication art (1989/K331) (Lucas Cejpek) (Ernst Spiessberger) (2001/K18) communication theory backbone transfroming bodily gestures (1990/II-K119) Guy Ben-Ary) genetic technology methods (1993/K184) bandwidth design view experience-oriented into a 3D painting in real time pedagogy / art pedagogy (AH) For the new technology arising from (2000/255) as artistic tools aesthetics of Operated by Art total data work The Three Faces of Life design of cyberspace (Young Hay, Horace Ip, the combining of computers and telecommunicative Animates design theory (2001/F08) communication (unplugged Symposion) physical issues in (1993/K12) (John L. Casti) (Roy Ascott) (1989/K100) (Randal Walser) A. Tang Chi-Chung) systems, Simon Nora coined the term "telematics" see also: city links with sounds communication art theater theory Prize-Winners: Interactive Art (movement 1968: CAVE environments microscopic automatons art as field work of ecological Remake-Remodel (Domsich) connectivity, (1990/II-K202) (2002/P112) in 1978. (Maryanne Amacher) view of orality body theory Fred Forest, 1990: Myron Krueger, Norman T. White, Jeffrey Shaw, Jill Scott, Benjamin Britton, (Simon Penny) (inhabiting our body) (PW) all technology transformation and thinking, art at its boundaries (1989/K248) (ML) tying the virtual world of life science Mario Costa) body philosophy / body sociology Chico McMurtrie, Waltraut Cooper, Richard Greene, Peter D´Agostino, Kristi Allik & handling gestures pacemaker is teletechnology transendence (2002/F10) Wireless (AH) communicative interaction computers to the sustantiality (1999/P86) The Virtual WLAN Note: virtual travel journal (D. Rokeby) ... adapting the HiperLAN new cell phone concepts measuring devices Robert Mulder, Tamás Waliczky, Kyoko Abe, Ruth Schnell, Michael Rodemer, Stuart Bender telematics as term (Weibel) (between persons) LAN of the human physis again open wireless Body telematic networking Simulator SW/HW Ethernet was orig. (WWW projects) technique of interfaces to separated from Ubiquitous Computing (left) (Crispin Jones) dosage devices (1978) (Simon Nora) & Angelo Funicelli (de Kerckhove) (free) access to wireless movement (C. Richards) radio-based (UNI simultaneous layers of Pervasive Computing (left) (2003/K412) body view Design Noir – GPS-Tracking 1991: Paul Sermon, Chico McMurtrie & Rick Sayre, David Rokeby, David Eagle, Nola networks (NY, airports, MQ, Lentos, ...) (PV) since 1962 (Telestar (1994/P134) Simulator: flight training for (AH) Ersatz journeys of remembering, (2003/P32) Hawai) (2002/K355) physical communication Ambient Computing (left) the secret life (2001/K74) image traces recording movement satellite) there is a total overDie Farman, Ale Guzzetti, Peter Krieg, Mark Madel, Benoit Maubrey & die Audio Gruppe, the "clean" world of computers wireless, mobile and battle helicopters forgetting and reconstructing. electronic objects (Masaki Fujihata) Wireless-LAN projects (2003,2004) gestures using "curlybot" exposure of "see it now" entfremdete track-the-tracker traffic ubiquitous (change of blood chemistry) Christine Meierhofer, Stephen Wilson, Jim Pallas, Don Ritter, Mona Sarkis, Robert Mulder & (removed from material, garbage Enriching daily life with digital journey as destination (MF) "seeing with the sense of (Fiona Raby) cf. 1996 (H. Ishii) (2001/K257) Hand (2003/K379) (Mark Ries) (2003/P16) Kristi Allik and corporeality) information: when utility objects /goods (M. Schilcher) (1996/P90) balance" is what we call navigating (2003/K273) ship & train / journey&dream Ubiquitous Computing (Annina Rüst) (1994/K224) intelligent begin to communicate. 1992: Monika Fleischmann & Wolfgang Strauss, Joachim Sauter & Dirk Lüsebrink, William through virtual scenarios on the Virtual Frame (Maelstromsüdpol) (1988/K104) images from earth observation UMTS Pervasive Computing Looking at Jeffrey Shaw's works, traffic systems GPS trace Virtual Balance, a weight-sensitive (Kunsthalle) Seaman, Kristi Allik & Robert Mulder, Rajinder Chand, Luc Courchesne, Robert McFadden, intelligent ambients (3) (Wonder, H. Goebbels, Müller) satellites (D. Offenhuber) Popper suspects a new art genre and using devices Ambient Computing (1994/K168) Exodus (Bielicky) platform Balance System Rebecca Fuson, Troy Innocent, Beverly Reiser & Hans Reiser, Henry W. See, Simone (1998/K173) role of GPS availability for describes its reception form as a Centerbeam (Gyorgy Kepes) contrary to market (1995/K214) kitchen utensils computer diat films in AEC elevator Simons & Peter Bosch, Martin Spanjaard art projects (among others) (D. Rokeby) Real experience journey (AH) 61 m lange structure transporting balance recognition (2004) Digital Communities definition liberated from their (D. Rokeby) The explosion of interest in interactivity (1980/K08) traveling through, Elevated Space 1993: Knowbotic Research – Christian Hübler, Alexander Tuchacek, Yvonne Wilhelm, has a fundamental integrity that air pressure, gas, water, steam, neon, (seeing with the body) takes into consideration the most current everyday existence may be part of a search for asylums for safe traversing (T. Lorenz) (2003/K405) argon, sound, electricity and "media" virtual experience does not have. Georg Fleischmann, Michael Hoch, Detlev Schwabe, Rajele Jain, Will Bauer; satellite art piggyback art GPS developments in the area of mobile (Rania Ho) (2000/F34/P92) interaction: for clean, sterile, non-physical spaces, Maschinen, die keinen Körper (1980/K98) Stephen Wilson, Jill Scott, Joseph Bates, Werner Cee & Horst Prehn, Agnes Hegedüs, Internet/data network view communication and wireless networks in which we can satisfy our natural human desire besitzen, können die Welt virtual department stores (abov connection of spatially Lynn Hershman, Catherine IKAM, David Rokeby, Kevin Ruston, Paul S. Sermon, Gerfried (1980/K26) to delve into things outside ourselves. niemals in derselben microprocess-controlled (MF) Which function and meaning do distant projects media theory objects taken along in the transport support electronic GSM Stocker & Horst Hörtner, Van Gogh TV, Akke Wagenaar, Peter Weibel, Mia Zabelka & Weise begreifen wie wir bodies and senses have in real space household appliances Space Shuttle tele-shopping (above) fox hunt (literature studies) through portability GPRS G. Stocker & Andres Bosshard (1996/K198) Digital media and Can you see me now? satellite ear in comparison with virtual space? newsgroups (1980/K07) turn to (Fabrikanten) media discourse 1994: Christa Sommerer & Laurent Mignonneau, Loren Carpenter, Transit, Max Almy & communication (Blast Theory, Mixed bridge (mixed reality) role of GSM availability mobilized through mobility How intelligent does your bed media studies (D. Rokeby) Only through Teri Yarbrow, Edward Elliott, Friedrich Förster, Michael Girard & Susan Amkraut, Richard Reality Lab) GPS/PDA (1989/K277) for art and other projects mobile phones satellite communication "Telepistemological" implications: (2000/P09) intelligent have to be, before you are desensitization was it possible media anthropology the intelligent (2003/F38/P88) Kriesche, Wolfgang Krüger, Brenda Laurel & Rachel Strickland, George Legrady, Patti Maes, symposium: (Neeraj Jhanji) (1980/K29) Presence and Distance (OG) afraid to go to sleep at night? ambients (2) for me to activate the spatial postman (GPS-Tracking) communication theory The Orbital Age (2001/F36) Christian Möller, C.M. & Rüdiger Kramm, Catherine Richards satellite technology in ORF and Bluetooth portable systems (Rich Gold) ! (1994/K187) illusion that the VR system (M. Bielicky) (1994/II-K82) (1986/K219) information theory 3SAT context 1995: Tim Berners-Lee, Michael Saup, William Seaman, Michael Tolson, Maurice Benayoun, keyboards strapped to the hands Who will program the default Which "images" are capable of physically conveys ... net discourse / cyber-discourse Peter d´Agostino, Franz Fischnaller, Peter Grucza, Lynn Hershman, Morgens Jacobsen, (Michel Waisvisz) (1987/K144) mobile art in settings for the intelligent intelligent products field computer, CE computer, including the viewer (as with VR technology)? Returning to "real" space, the The Satellite Art Project (1986/KII-291) Artsat 1991 (Graz) PDA simulation discourse 2000- handheld, Walkphone, M. Kosugi & Y. Ando, Webster Lewin, Lozano-Hemmer & Will Bauer, Jon McCormack, daily life house? Mom? Dad? The kids? (1994/K167) inner ear did not immediately signals run through a 90.000 km (R. Kriesche) the human body as nomadology discourse (Sommerer) (1994/K190) (AH) the transition from the real material Christian Möller, Kirk A. Woolford return to work: a wave of loop (Text: Gene Youngblood) 2004 Personal Digital Assistants musical instrument (1987/K143) (2003/K261) environment to the virtual interactive environment sea sickness .... 1996: Masaki Fujihata, Louis-Philippe Demers & Bill Vorn, Scott Sona Snibbe, Ken Feingold, bridges to everyday Meteosat (weather data control contact microphone media bus Elisabeth Goldring, Kazuhiko Hachiya, Harwood, Hiroo Iwata, knowbotic research, Ronen "A Little Night Music" life (1979/K03) (Harry de Wit) WAP mobile computing (Ponton) (1989/K117) (ML) Theater as one of the last (1988) (R. Kriesche) Mintz & Jason Ditmars & Brian Duggan, Knut Mork & Kate Pendry & Stale Stenslie, (ML) this mixture of sound-body performances Communication Grill Chang-Tei" resources and bastions of (1989/K139) Nobuya Suzuki, Erwin Redl, Michel Redolfi & Luc Martinez, Silver technical mediality as freely movable display for 3D viewing basic electronic Aorta (Jeanette Yanikian) (1987/K138) (1989/J143) WAP WML (2003/K204) (K. Sueda, Koji Ishii) performance and corporeal physical reality 1997: Toshio Iwai & Ryuichi Sakamoto, Dirk Lüsebrink & Joachim Sauter, Paul Garrin & "golden calf" (Jeffrey Shaw) (1994/II-K84) Konstrument (Harry de Wit) (1989/J143) supply I-mode Performance defines what is special about the connection of TV-Diner David Rokeby, Hachiya Kazuhiko, Toshihiro Anzai & Tamio Kihara, knowbotic research, Touch Monkeys (Michel Waisvisz) Japan developed a technological Net Sauna (2001/K87) theater and media Monitor Cafeteria Arthur Elsenaar & „Huge Harry“ & Remko Scha, Mark Madel, Jon Berge, Stefan Zeyen, (1987/K144) (1989/J59) standard with i-mode "services"; (Tapio Mäkelä) (Kanae Ushiro, Electronic Cafe transferred heart rhythms Automatische Bar Europe with WAP (2001/K201) (1997/K391) Bill Barminski & Webster Lewin & Jerry Hesketh, Ludwig John & Bertram Quosdorf, Jutta (D. Rokeby) Consciousness lagging behind the body: Takashi Morimoto) (1986/KII-299) (1989/K302) (W. Temmel) (1991/K227) programming that reacts to the smallest movements under Kirchgeorg, Marita Liulia, Die Veteranen I-mode cell phone (2001/K200) (1994/K160) 1/10 sec... In fact, the system seemed to react at the same 1998: Maurice Benayoun & Jean-Baptiste Barriere, Peter Broadwell & Rob Myers, Christian moment as I decided to move. ... Möller, Jim Campell, Christoph Ebener & Uli Winters, Rafael Lozano-Hemmer & Will Bauer, At this point we experience the system and its reactions in Akitsugu Maebayashi, Joseph Michael, Iain Mott & Marc Raszewski & Jim Sosnin, Lisa Prah, queer theory / gender studies the same way as we experience our body. The interactive U19 Prize-Winners: David Small & Tom White, Scot Sona Snibbe, Rachel Strickland, Tamás Walicky, Stephen sexuality discourse / AIDS debate system is integrated in our proprioceptive system. 1998: Michael Mossburger & Florian Nehonsky & Valerian Wurzer, Leonhard Huber,

Literature: 3DELUXE / Projects – Interior and graphic design / Ed. Robert Klanten COOL – Kap. Die Kälte der Schaltkreise Ulf Poschardt analog und digital / Otl Aicher Atmosphäre / Gernot Böhme Die Welt der Atmosphären / G. Dirmoser Dieter Mersch Transmediale.02 – Aktuelle Positionen der Medienkunst / Andreas Broeckmann, Susanne Jaschko

01 atmospheres view

see also: view of the field

underwater real-time musical instrument (1996/P154) (M. Redolfi, Martinez)

(1998/K91) (Erik Davis) What is so potentially immersive about the auditive? ... The term "atmosphere" describes this aspect very well: the sound generates an atmosphere, almost like incense. Sounds and smells are carriers of vectors of mood and affect, which change the qualitative organization of a space .... (cf. Flow & Radio)

ambientRoom: using light, shadows, background noises, air currents (1997/K203)

Ambient Media: the use of spatial situations like noises, light, air currents and water movements as background interfaces (Ishii) (1997/K202)

01 contextual view

art as atmosphere

view of the framework

art as release art as concept art as software concept

operating system view

1990

circumstances view

art as service art as open source art as techno-science

2001

02 conceptual view view of absense

view of eros

1991/93

view of hybridity (I)

02 view of limitlessness

art art art art

ars technologica

chaos view

as as as as

method quality claim complexity innovation

ars: intelligent machines

view of virtuality / immersion

1991

art as procedure art as tool experience art as public cultural production

machine view - robots

view of multifunctionality

03 interdisciplinarity view synaesthetic view

art as education art as practice field art as ideal

art art art art art art art

2002

interface ars

1980s 1990s

view of PC/computer/video technology

1997

influential thinkers

as as as as as as as

media criticism media analysis media art communication transmission media event communication framework

cybergeneration U19 freestyle computing

03 service view / project view

art as energy art as impertinence art as creation

1970er

1979

art as everyday life

interface view

interfaces view

net vision

procedure view

2000

05 tool view / instruments

1996

functional view

ars: computerized world of work

view of intention

06 education view view of educators (in teaching)

view of ideas

04 view of innovation

view of instruction

view of art criticism / valuation

body extensions

methods view

subversion view / media-critical view 07 view of media

1979

view of electronic media

08 body view

ars: data dandy

05 view of artistic production view of the working world

view of sexuality

view of clothing

view of medicine

09 everyday view

1980

1997

view of designing gestures

1982

06 gestural view

1999

habitual view

1994

view of transportation networks (I) 07 view of communication

1994

view of telecommunications

transport view / view of travelling

view of portability

Stephan Mitterndorfer, Martin Ankerl, Philipp Gühring & Raimund Schumacher & Andreas Stürmer & Thomas Stummer, Gottfried Haider, Verena Holzknecht, HS Mittersill, Helmut Klinger, Alexander Kvasnicka, Doris Mätzler & Jürgen Bereuter, Kathrin Meralla & Paul Swoboda, Thomas Oberhofer, Paul Pak, Thomas Pintaric & Christoph Sprenger & Alexander Koschier, Peter Plessas, Markus Strahlhofer, VS Veriensgasse 1999: Raimund Schumacher & Jürgen Oman, Alexander Fischl & Gregor Koschicek, Phil E. Haindl, Franz Berger, Sebastian Endt, Simon Gassner, Alexander Kvasnicka, Stefanie Mitter, Takuya Nimmerrichter, Simon Oberhammer, Benedikt Schalk, Markus Strahlhofer, Patrick Toifl, stefan Trischler, Armin Weihbold 2000: Verena Riedl & Michaela Hermann, Gerhard Schwoiger, Erich Hanschitz, Marlene Maier, Lisa Hofstadler, Markus Zwickl, Lisa Ratzenböck, Sebastian Endt, Kevin Ku, Mario Meir-Huber, David Feiler, Gottfreid Haider, Lukas Fichtinger & Thomas Köckerbauer, Alexander Fischl, Lukas Pilat 2001: Martin Leonhartsberger, Johannes Schiehsl & Peter Strobl & Conrad Tambour, Markus Triska, Andrea Maria Gintner & Michaela Maria Plöchl, Jürgen Hoog, Marvin Jagadits & Michael Payer, Nicole Karner & Tanja Payerl, Marian Kogler, Thomas Lettner, Fabian Schlager, Martin Spazierer & Daniel Spreitzer, Philipp Strahl, Sonja Rosa Vrisk, René Weirather, Thomas Winkler 2002: Karola Hummer, Philipp Luftensteiner, Ulrich Reiterer & Jona Hoier & Markus Murschitz & Milo Tesselaar, Semen Aklan & Gülcan Ates & N. Brahimi & Flamur Kryezi & Franz Fiser & Asif M. Naseri & Jean Paul Nduwayezu & Ferda Özel & Ruwani Rosa & Reza Soltani & Sezer Üzum, BG XIX, Stephan Hamberger, Dominik Jais, Marian Kogler, Martin Kucera, Raphael Murr, Lucas Reeh, Iris & Silvia Schweinöster, René Weirather 2003: G. Sochurek, M. Leonhartsberger & S. Astrid Fugger, A.Ronacher & N. Mikschofsky, D. Dorn, G. Gruber, M. Fallmann, D. Hackl, T. Hainscho, HS Steinerkirchen, Alexandra Vogelreiter & Katharina Krummel & Anna Obermeier, HBLA for Artistic Design, F. Wengler & Christof Haidinger, Borg 3, T. Schererbauer & M. König & S. Schreiner

Wilson 1999: Lynn Hershman, Luc Courchesne, Perry Hoberman, Joachim Blank & Karl Heinz Jeron, Christoph Ebener & Frank Fietzek & Uli Winters, Kouichirou Eto, F.A.B.R.I.CATORS, Beate Garmer, Bill Keays & Ron MacNeil, Russet Lederman, Eric Paulos, Simon Penny, Daniel Rozin, Stefan Schemat & Michael Joyce & Hiroki Maekawa & Dominica Freyer & Burki Carstens & Mike Felsmann & Isabella Bordoni & Roberto Paci Dalò, Christa Sommerer & Laurent Mignonneau 2000: Raffael Lozano-Hemmer, Institute for Applied Autonomy, Golan Levin, Julien Alma & Laurent Hart, Michael Bielicky & Bernd Linterman, Jim Campbell, Rania Ho, Istvan Kantor, Orit Kruglanski, Jason E. Lewis & Alex Weyers, Douglas Edric Stanley, Naoko Tosa, Tomoko Ueyama, Andrea Zapp & Paul Sermon, Hiroaki Kitano 2001: association.creation, Carsten Nicolai & Marko Peljhan, Haruki Nishijima, Paul DeMarinis, Magali Desbazeille & Siegfried Canto, Gerhard Eckel, Frank Fietzek, Hiroo Iwata, Kenneth Rinaldo, Thomas Broom, Keiko Takahashi & Shinji Sasada & Koichi Nishi, Edwin Van der Heide & Marnix de Nijs, Adrian Ward, Herwig Weiser & Albert Bleckmann 2002: David Rokeby, Rafael Lozano-Hemmer, Ranjit Makkuni, Autorenwerkstatt MEET – Bodo Lensh & Doris Villa & Peter Serocka & Petr Zubek & Gudrun Teich & u.a. , Luc Courchesne, Crispin Jones, Ryota Kuwabuko, Golan Lewin & Scott Gibbons & Greg Shakar & Yasmin Sohrawardy & Joris Gruber & Erich Semlak & Gunther Schmidl & Jörg Lehner, Tetsuya Mizuguchi, Volker Morawe & Tilman Reiff, Michael Saup, Yasuhiro Suzuki, Atau Tanaka & Kasper Toeplitz, the Synthetic Character Group, Young Hay & Horace Ip & Alex Tang Chi-Chung 2003: Mixed Reality Lab – Matt Adams & Ju Row Farr & Nick Tandavanitj & u.a. , Margarete Jahrmann & Max Moswitzer, Maywa Denki & Ross Cooper & Jussi Ängeslevä, dECOi, Sibylle Hauert & Daniel Reichmuth & Volker Böhm, Haruo Ishii, George Legrady, Justin Manor, Agnes Meyer-Brandis, Iori Nakai, Henri Newton-Dunn & Hiroaki Nakano & James Gibson & Ryota Kuwakubo, Marcel.li Antúnez Roca, Marie Sester, Scott Snibbe

body theory / body philosophy body sociology dance theory / new body theories phenomenology of perception repulsion theory bioenergetic therapy

Literature: Work & Culture – Büro . Inszenierung von Arbeit / Herbert Lachmayer, Eleonora Louis (Ed.) Laboratorium / Ed. By. Hans Ulrich Obrist & Barbara Vanderlinden Interface – Design neu begreifen / Gui Bonsiepe Interfaces – Medien- und kommunikationstheoretische Elemente einer Interfacetheorie Wulf R. Halbach The art of human-computer interface design / Ed. by Brenda Laurel Code_X – Multimediales Design / Mischa Schaub

Literature: Der DatenDandy – Über Medien, New Age, Technokultur / Agentur BILWET Design goes virtual – Entwürfe zur Ästhetik in der Informationsgesellschaft / Peter Zec Formdiskurs 2, I/1997 / Design und Neue Medien Maßlos informiert – Die Enteignung des Denkens / Karl Steinbuch

Literature: Information und Kommunikation in Geschichte und Gegenwart / Margarete Rehm Kursbuch Neue Medien – Trends in Wirtschaft Politik, Wissenschaft und Kultur / S. Bollmann Der Flusser-Reader zu Kommunikation, Medien und Design Kommunikologie / Vilém Flusser Kunst als Sendung – Von der Telegrafie zum Internet / Dieter Daniels Lob der Oberflächlichkeit – Für eine Phänomenologie der Medien / Vilém Flusser Die magischen Kanäle – Understanding Media / Marshall McLuhan Das Medium ist die Botschaft / Marshall McLuhan Virtual Frame – Kunsthalle Wien

Literature (2): Medien . Kunst . Passagen / beginning Heft 1/92 Grundzüge der Medien- und Kommunikationsgeschichte / Jürgen Wilke Beiträge zu Kunst und Medientheorie / Ed. Hans Belting, Ulrich Schuulze Alles jetzt! – Die Mediatisierung / Gerhard Johann Lischka Vom Verschwinden der Ferne Telekommunikation und Kunst / Edith Decker, Peter Weibel Art Telecommunication / Heidi Grundmann Kommunikation im 21.Jhd. – Allzeit zuhanden – Gemeinschaft u. Erkenntnis im Mobilzeitalter / Ed. Kristóf Nyiri Windows and Mirrors – interaction design, digital art and the myth of transparency

view of agriculture

08 body view / gustative view

see also: economic view

view of cleanliness

Literature: Der digitale Körper – digital flesh / Arthur Kroker Die Eroberung des Körpers – Vom Übermenschen zum überzeitlichen Menschen / Paul Virilio The Connected Body? / Ed. By Ric Allsopp & Scott deLahunta future_bodies – zur visualisierung von körpern in science und fiction / Hg. Marie-Luise Angerer Kathrin Peters, Zoé Sofoulis Puppen Körper Automaten – Phantasmen der Moderne / Pia Müller-Tamm, Katharina Sykora Die Zukunft des Körpers I / Kunstforum Bd. 132 01.1996 ! / Florian Rötzer Die Zukunft des Körpers II / Kunstforum Bd. 133 04.1996 ! / Florian Rötzer

view of commodity world supply view

sociology cultural studies new subjectivism privatism debate life philosophy

09 everyday view Literature: vergangene zukunft – design zwischen utopie und wissenschaft / Ed. Carl Aigner, Uli Marchsteiner Welche Dinge braucht der Mensch / Ed. Dagmar Steffen